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Oral history interview with Imogene "Tex" Gieling

Interviewee:
Gieling, Imogene, 1923-  Search this
Interviewer:
Lauria, Jo  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Moholy-Nagy, László, 1895-1946  Search this
Renk, Merry, 1921-2012  Search this
Extent:
4 Items (sound discs (3 hr., 49 min.), digital, 2 5/8 in.)
3 Items (3 sound files (1 hr., 43 min.))
79 Pages (Transcript)
Culture:
Jewelry making  Search this
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2008 November 21 and 2012 April 28
Scope and Contents:
An interview of Imogene "Tex" Gieling conducted 2008 November 21 and 2012 April 28, by Jo Lauria, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Gieling's home, in San Fransisco, California.
Biographical / Historical:
Imogene "Tex" Gieling (1923- ) is a metal artist who founded the metals department at the University of California, Berkeley and San Francisco State University. Gieling lives and works in San Francisco, California.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 8 digital wav files. Duration is 3 hr., 49 min.
Originally recorded as 3 digital sound files. Duration is 1 hr., 49 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This transcript is open for research. Access to the entire recording is restricted. Contact Reference Services for more information.
Topic:
Metal-workers -- California -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.gielin08
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gielin08

Oral history interview with Boris Bally

Interviewee:
Bally, Boris  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Carnegie-Mellon University (Pittsburgh, Pennsylvania) -- Faculty  Search this
Carnegie-Mellon University (Pittsburgh, Pennsylvania) -- Students  Search this
Comedy Central (Firm)  Search this
Massachusetts College of Art -- Faculty  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts -- Faculty  Search this
Snyderman Gallery  Search this
Society of Arts and Crafts (Boston, Mass.)  Search this
Society of North American Goldsmiths  Search this
Tyler School of Art -- Students  Search this
Velvet da Vinci Gallery  Search this
Works Gallery  Search this
Agro, Elisabeth R.  Search this
Ballay, Joe, 1938-  Search this
Bonner, Jonathan, 1947-  Search this
Cianci, Vincent Albert, Jr., 1941-2016  Search this
Dahm, Johanna  Search this
Ebendorf, Robert, 1938-  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Gialamas, Rosemary, 1962-  Search this
Greenbaum, Toni  Search this
Holt, Steven, 1957-  Search this
Ilse-Neuman, Ursula  Search this
Kangas, Matthew  Search this
Kington, L. Brent (Louis Brent), 1934-2013  Search this
Kowal, Dennis  Search this
Kumata, Carol  Search this
Künzli, Otto, 1948-  Search this
Lechtzin, Stanley, 1936-  Search this
Metcalf, Bruce, 1949-  Search this
Nasher, Patsy  Search this
Nasher, Raymond  Search this
Raab, Rosanne  Search this
Schaffner, Alexander  Search this
Simon, Marjorie  Search this
Skov, Mara Holt  Search this
Warhola, Paul  Search this
Wood, Joe, 1954-  Search this
Extent:
4 Sound discs (Sound recording (5 hr., 55 min.), digital)
109 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound discs
Pages
Interviews
Sound recordings
Place:
Haiti -- description and travel
Switzerland -- description and travel
Date:
2009 May 26-27
Scope and Contents:
An interview of Boris Bally conducted 2009 May 26-27, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Bally's home and studio, in Providence, Rhode Island.
The artists speaks of his current studio in Providence, Rhode Island; working without a studio assistant; the benefits of working with studio assistants without an art-school background; apprenticing with Swiss metalsmith Alexander Schaffner when Bally was 19; his own de facto apprenticeship program with his studio assistants; his parents as role models; his vision at age 19 for his career plan; his early interest in CAD; growing up with Swiss-born parents, both with art/design backgrounds; visiting Switzerland as a child; his father's studies with Buckminster Fuller in the late 1950s; his mother's class with L. Brent Kington, whom Bally later studied with; growing up in Pittsburgh, Pennsylvania; his first home metal shop at nine years old; his first formal metal class at about 14 years old; making and selling jewelry throughout his teens; informal apprenticeship with Jeff Whisner; his father's design firm, launched in his last year of high school; summer studying at the Pennsylvania Governor's School for the Arts; year-long apprenticeship in Switzerland; watching Schaffner make and sell a wide variety of objects, which later informed Bally's own perspective; his continuing relationship with Schaffner; undergraduate studies at Tyler School of Art, Philadelphia, Pennsylvania; studying with Daniella Kerner and Vickie Sedman at Tyler; transferring to Carnegie Mellon University, Pittsburgh, Pennsylvania, to study with Carol Kumata; making a "happiness machine"; transition from jewelry to larger sculptures; using found and scavenged materials; meeting Rosemary Gialamas (Roy) and their eventual elopement; moving to the Boston area; work as an industrial design model-maker; the New York art scene of the 1980s; representation with Archetype Gallery, New York, New York; slow but steady artistic recognition and commercial success of his functional objects; Sliding Perfections, flatware; teaching Gialamas metalsmithing and collaborative works by the two; early teaching experience in adult education classes in Cambridge, Massachusetts, then at Massachusetts College of Art, Boston; return to Pittsburgh in 1989, where Bally took a teaching position at Carnegie Mellon in the design department; studio on Bigelow Boulevard; difficulties in his marriage; a commission from the Society of Arts and Crafts, Boston, Massachusetts, and the beginnings of his traffic sign pieces in a collaborative piece with Gialamas; starting his platters series; the dissolution of his marriage to Gialamas in 1993; meeting Lynn, whom he later married; his love of teaching and his teaching philosophy; teaching at Penland School of Crafts, Penland, North Carolina; move to Providence, Rhode Island, to devote his time to studio work; the pros and cons of craft and arts schools versus university settings; the intersection of art, design, and industry: his Humanufactured line of products; functional work in the late '80s, and the influence of a trip to Haiti in the 1980s; bottle cork pieces; Trirod vessels; "More than One: Contemporary Studio Production" exhibition, American Craft Museum, New York, New York, 1992-94; philosophy of making; working in series form; truss pieces; perforation pieces and Vessel with a Silver Heart (1993); armform series; "Jewelries, Epiphanies" exhibition, Artists Foundation Gallery at Cityplace, Boston, Massachusetts, 1990; inclusion in One of a Kind: American Art Jewelry Today, by Susan Grant Lewin. (New York, NY: Harry N. Abrams, 1994); series Dig Wear and Eat Wear bracelets; Calimbo vessel and the Fortunoff prize; gold Tread Wear brooches in the mid-1990s; creating his first chair; moving from hand-made solo work to furniture and a design and production focus; starting to patent his designs in the mid-1990s; further exploration of design and technique in his chairs; "GlassWear: Glass in Contemporary Jewelry," Museum of Arts and Design, New York, New York, 2009; Pistol Chalice and work with the Pittsburgh gun buyback program; traveling exhibition for the project; Gun Totem; Brave necklace; BroadWay armchair; Subway chair; new techniques for graphics on the furniture; his relationship with former scrapyard Paul Warhola, brother to Andy Warhol; commission work, and the importance of commerce in his career and worldview; commission for Comedy Central television network; the changing craft market and the boom times of the 1980s; work with galleries, including: Patina, Santa Fe, New Mexico; Velvet da Vinci, San Francisco, California; Snyderman-Works, Philadelphia, Pennsylvania; Nancy Sachs Gallery, St. Louis, Missouri; the Society of Arts and Crafts, Boston, Massachusetts; seeing one of his pieces used on a set for a daytime television soap opera and in the movie Sex and the City ; the recent "green" (environmentally conscious) trend; blurring boundaries of design and art and craft; growing acceptance of artist-made and -designed multiples; pros and cons of computer technology in art and craft; the pros and cons of the DIY (do-it-yourself) craft movement; influential writers, including Rosanne Raab, Marjorie Simon, Steven Skov Holt and Mara Holt Skov, Bruce Metcalf, Toni Greenbaum, Matthew Kangas, Gail Brown; his involvement in the Society of North American Goldsmiths; making metal benches for his children. He also recalls Heather Guidero, Julian Jetten, Pam Moloughney, Dennis Kowal, Ursula Ilse-Neuman, Bob Ebendorf, Jason Spencer, Rob Brandegee and Ava DeMarco, Stefan Gougherty, Flo Delgado, L. Brent Kington, Curtis Aric, Ralph Düby, Steve Korpa, Joe Wood, Joe Ballay, Yves Thomann, Andy Caderas, James Thurman, Nicholas (Nico) Bally, Elena Gialamas, James Gialamas, Elvira Peake, Ronald McNeish, Johanna Dahm, Jerry Bennet, Kathleen Mulcahy, Nelson Maniscalco, Tom Mann, Otto Künzli, Stanley Lechtzin, Christopher Shellhammer, David Tisdale, Dean Powell, Daniel Carner, Donald Brecker, Robert Schroeder Phil Carrizzi, Lucy Stewart, Elisabeth Agro, Rachel Layton, Sarah Nichols, Peter Nassoit, Dan Niebels, Mary Carothers, Ward Wallau, Ivan Barnett and Alison Buchsbaum, Jonathan Bonner, Raymond and Patsy Nasher, Beth Gerstein, George Summers Jr., Pavel Opocensky, Buddy Cianci, David Cicilline.
Biographical / Historical:
Boris Bally (1961- ) is a metalsmith and designer who lives and works in Providence, Rhode Island. Bally was educated at Carnegie Mellon University and Tyler School of Art.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 11 digital wav files. Duration is 5 hr., 56 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Sculptors  Search this
Topic:
Art -- New York (State) -- New York  Search this
Art and computers  Search this
Decorative arts  Search this
Designers -- Rhode Island -- Interviews  Search this
Furniture making  Search this
Jewelry making  Search this
Metal-work -- Study and teaching  Search this
Metal-workers -- Rhode Island -- Interviews  Search this
Models and modelmaking  Search this
Function:
Artists' studios
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.bally09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bally09

Oral history interview with Lisa Gralnick

Interviewee:
Gralnick, Lisa, 1956-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Kent State University -- Faculty  Search this
Kent State University -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Parsons School of Design  Search this
Kounellis, Jannis, 1936-2017  Search this
Lightman, Alan  Search this
Matzdorf, Gary Bengier  Search this
Mimlitsch-Gray, Myra  Search this
Scherr, Mary Ann, 1931-  Search this
Extent:
12 Items (Sound recording: 12 sound files (7 hr., 4 min.), digital, wav)
111 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2007 October 29-30
Scope and Contents:
An interview of Lisa Gralnick conducted 2007 October 29-30, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Gralnik's home, in Madison, Wisconsin.
Gralnick speaks of her father's illness; taking a jewelry-making class as a teenager; the honors college at Kent State; her master's thesis and the Cosmogonic Cycle; teaching enameling at Kent State to support her studio art; the metals program at Parsons School of Design; a black rubber house in upstate New York; creating structures out of black plastic; her introduction to computers; working with gold; drawing inspiration from physics and machinery; her fascination with dentistry tools; being a hands-on learner; satisfaction from the labor of art; working with metal; her methodological form of teaching; teaching a graduate class and focusing on body parts; the relationship between ambition and hard work; teaching in an art department as opposed to a craft department; her recent reliquary and jewelry work; poetic and musical influences; showing abstraction and emotion in her work; the creation of The Gold Standard pieces. Gralnick also recalls Mary Ann Scherr, Gary Bengier Matzdorf, Jannis Kounellis, Alan Lightman, Myra Mimlitsch Gray, and others.
Biographical / Historical:
Lisa Gralnick (1956- ) is a metalsmith and professor from Madison, Wisconsin. Mija Riedel (1958- ) is a curator and writer from San Francisco, California.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 12 digital wav files. Duration is 7 hr., 4 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Educators  Search this
Topic:
Decorative arts  Search this
Jewelry making -- Study and teaching  Search this
Metal-work -- Study and teaching  Search this
Metal-workers -- Wisconsin -- Interviews  Search this
Women artists  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.gralni07
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gralni07

Oral history interview with Kiff Slemmons

Interviewee:
Slemmons, Kiff  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Scripps College -- Students  Search this
University of Iowa -- Students  Search this
Adams, Leo  Search this
Benjamin, Walter  Search this
Di Mare, Dominic, 1932-  Search this
Herman, Lloyd E.  Search this
Holshuh, Virginia  Search this
Höch, Hannah, 1889-1978  Search this
Knobel, Esther, 1949-  Search this
La Plantz, David  Search this
Messager, Annette, 1943-  Search this
Solberg, Ramona  Search this
Steffins, Ella  Search this
Toledo, Francisco, 1940-  Search this
Extent:
92 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2007 November 1-2
Scope and Contents:
An interview of Kiff Slemmons conducted 2007 November 1-2, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Slemmons' home and studio in Chicago, Illinois.
Slemmons speaks of her childhood growing up in a small town in Iowa; helping her mother in the town pharmacy; working the printing press with her dad, who published the town newspaper; taking art lessons in grade school; learning to play the piano; attending one year at Scripps College before living for a year in Paris; attending the University of Iowa majoring in French; taking basic art classes her senior year; a spring trip to Oaxaca, Mexico, with her future husband Rod; financing the trip by selling 150 pairs of earrings at the student art fair; visiting Monte Alban and being inspired by the ancient jewelry in Tomb 7; moving to Washington state; meeting Ella Steffins and doing jewelry repair work; a strong feeling of the maker's presence in work she repairs; the Japanese aesthetic of wabi-sabi; imperfection as an attractive quality; the conscious decision made from jewelry making to art making, based more in ideas and concepts as opposed to simple decoration; series Hands of Heros, Figures of Speech; the importance of exhibiting her work as it would be seen worn as opposed to in cases under glass; the development of her breastplate pieces; the Top 10 Ethnic Hits; the layering of many meanings as well as materials in her work; her respect for the brevity of poetry and love of Emily Dickinson's work; the restraint of poetry in leaving things unsaid and her struggle to capture that essence; series Re:Pair and Imperfection coming out of her move to Chicago and the developing Iraq War; her workbench as an ever-changing sketchbook full of chaos, tension, and conversation; working with Francisco Toledo and the city of Oaxaca in developing paper jewelry; her travels to India, Africa, Mexico, and Japan; her piece Insectopedia and the great interest shown in it by entomologists; and her desire to send her work out in the world where it is seen and enjoyed. Slemmons also recalls Ramona Solberg, David LaPlantz, Leo Adams, Esther Knobel, Lloyd Herman, Dominic DiMare, Walter Benjamin, Hannah Hoch, Annette Messager, Virginia Holshuh, and others.
Biographical / Historical:
Kiff Slemmons (1944- ) is a metal artist from Chicago, Illinois. Interviewer Mija Riedel is a curator and writer from San Francisco, California.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 13 digital wav files. Duration is 7 hr., 19 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Metal-workers -- Illinois -- Chicago -- Interviews  Search this
Jewelry makers -- Illinois -- Chicago -- Interviews  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.slemmo07
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-slemmo07

Oral history interview with June Schwarcz

Interviewee:
Schwarcz, June, 1918-2015  Search this
Interviewer:
Fisch, Arline M.  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Bellas Artes (Santa Fe, N.M.)  Search this
De Vera Gallery  Search this
Japonesque Gallery  Search this
Mobilia Gallery  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pratt Institute  Search this
Susan Cummins Gallery  Search this
Sybaris Gallery  Search this
Brancusi, Constantin, 1876-1957  Search this
Letchzin, Stanley  Search this
Louis, Morris, 1912-1962  Search this
Noguchi, Isamu, 1904-1988  Search this
Rothko, Mark, 1903-1970  Search this
Extent:
75 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2001 January 21
Scope and Contents:
An interview of June Schwarcz conducted 2001 January 21, by Arline M. Fisch, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Schwarcz's home and studio, Sausalito, California.
Schwarcz speaks of her family background; early interest in color and form; studies at Pratt Institute; working in as a package designer and free-lance designer for department stores such as Macy's in New York and Hochschild-Kohn in Baltimore; living in Chicago, Brazil, and Denver; learning about enamels from a group of "housewives" in Denver; reading Kenneth Bates's book [Enameling: Principles and Practice] "as if it were the Bible"; visiting America House and meeting Dominick Maillard; settling in Sausalito, California, in 1954; the comparison of natural erosion in streams and rocks to etched surfaces; sources of inspiration including fog, folk art, African art, ancient Chinese ceramics, the Japanese aesthetic, ethnic clothing and fabrics, pleats and folds, and works by Isamu Noguchi, Constantin Brancusi, Morris Louis, and Mark Rothko; the practice of working on several pieces at one time; the influence of two books, Santayana's "The Sense of Beauty" and Junichiro Tanizaki's "In Praise of Shadows;" her desire to "making things that are beautiful"; her husband's support and assistance with tools, materials, and techniques; the significance of various tools and equipment; developing forms through paper patterns; the body as vessel; color as "personality"; technical pitfalls of the enameling process; technical problems of electroplating; the 1974 World Craft Conference in which Stanley Letchzin presented his findings on electroforming; meeting Letchzin and comparing processes; the difficulties in selling work; the lack of an audience; teaching workshops at Arrowmont and Vail; aversion to teaching and commissions; relationships with Susan Cummins Gallery, Bellas Artes Gallery, Japonesque Gallery, De Vera Gallery, Sybaris Gallery, and Mobilia Gallery; travel to Europe and Japan; honors and awards; and interest in transparent enamels. Schwarcz also describes her use of basse taille, plique-à-jour, electroplating, electroforming, brush plating, raku, scotchbrite, and Mi-Tique (patina solutions). She also recalls development of each piece in her retrospective catalog, "June Schwarcz : forty years, forty pieces" (San Francisco Craft & Folk Art Museum, 1998) and concludes the interview by discussing five current pieces in progress.
Biographical / Historical:
June Schwarcz (1918-2015) was an enamaler from Sausalito, California. Arline M. Fisch (1931-) is a metalsmith from San Diego, California.
General:
Originally recorded as 4 sound cassettes. Reformatted in 2010 as 7 digital wav files. Duration is 3 hr., 36 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Enamelers -- California  Search this
Topic:
Enamels and enameling -- Technique  Search this
Enamels and enameling -- Study and teaching  Search this
Metal-workers -- California -- San Francisco -- Interviews  Search this
Women artists  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.schwar01
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-schwar01

Oral history interview with Myra Mimlitsch-Gray

Interviewee:
Mimlitsch-Gray, Myra  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
8 Items (Sound recording: 8 sound files (6 hr., 24 min.), digital, wav)
124 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2010 June 24-25
Scope and Contents:
An interview of Myra Mimlitsch-Gray conducted 2010 June 24 and 25, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Mimlitsch-Gray's home and studio, in Stone Ridge, New York.
Biographical / Historical:
Myra Mimlitsch-Gray (1962- ) is a metalsmith and educator in Stone Ridge, New York. Mija Riedel (1958- ) is a writer and independent scholar in San Francisco, California.
General:
Originally recorded on 5 memory cards as 8 digital sound files. Duration is 6 hr., 24 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Educators -- New York (State) -- Interviews  Search this
Metal-workers -- New York (State) -- Interviews  Search this
Metal-work -- Study and teaching  Search this
Women artists -- New York (State) -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.mimlit10
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mimlit10

Oral history interview with Richard Mawdsley

Interviewee:
Mawdsley, Richard, 1945-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
109 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2010 August 21-22
Scope and Contents:
An interview of Richard Mawdsley conducted 2010 August 21 and 22, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Mawdsley's home and studio, in Carterville, Illinois.
Biographical / Historical:
Richard Mawdsley (1945- ) is a metalsmith and educator in Carterville, Illinois. Mija Riedel (1958- ) is an independent scholar and writer in San Francisco, California.
General:
Originally recorded on 4 memory cards. Reformatted in 2010 as 8 digital wav files. Duration is 5 hr., 59 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Metal-work -- Study and teaching  Search this
Metal-workers -- Illinois -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.mawdsl10
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mawdsl10

Oral history interview with David C. Freda

Interviewee:
Freda, David C., 1953-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
112 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2009 Apr. 16-17
Scope and Contents:
An interview of David C. Freda conducted 2009 April 16-17, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Freda's studio, in San Clemente, California.
Biographical / Historical:
David C. Freda (1953- ) is metalsmith in San Clemente, California. Freda was educated at the University of Wisconsin in Whitewater. He taught at Ball State University in Muncie, Indiana and California College of the Arts in San Francisco, California.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 8 digital wav files. Duration is 4 hr., 37 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Metal-workers -- California -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.freda09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-freda09

Oral history interview with Bob Winston

Interviewee:
Winston, Bob, 1915-  Search this
Interviewer:
Baizerman, Suzanne  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
California College of Arts and Crafts -- Faculty  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
95 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2002 July 31-October 10
Scope and Contents:
An interview of Bob Winston conducted 2002 July 31-2002 October 2002, by Suzanne Baizerman, for the Archives of American Art as part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home in Concord, California.
Winston speaks of his early childhood and running away from home at 19 months old, being found in a garage and building things ever since; the numerous operations he had as a child; his dyslexia and how he got through college; the death of his father and move to Berkeley, California; teaching at Berkeley High school; 17 years teaching at California College of Arts and Crafts (1942-1959) and the growth of the school throughout that time period; moving to Arizona and teaching lost wax casting in an abandoned supermarket; his inventions, Win-Ox, an oxidizer, and Bubble-Be-Gone, a cleaner; his latest sale of Win-Ox; his title as "San Francisco's Most Professional Eccentric;" and finding that a lot of the people he teaches do not find the "magic" that he does in jewelry work. Winston then discusses his current studio layout in an former hospital building; his machines and different work rooms; his chemistry table, where he makes his Win-Ox solution; his collection; how he's accomplished so much despite his dyslexia; the Hunt brothers and how they made the price of gold drop; living from Art Festival to Festival on the road in his Jeep; his mentors John Haley and Chiura Obata; and his bike, which he still rides. Winston also recalls Aileen Webb, Margaret DePatta, Gene Bielawski, Mark Hopkins, Karl Kasten, and others.
Biographical / Historical:
Bob Winston (1915-2003) metalsmith of Walnut Creek, California. Suzanne Baizermann, art historian, Alameda, California.
General:
Originally recorded on 5 sound cassettes. Reformatted in 2010 as 10 digital wav files. Duration is 4 hr., 41 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Metal-workers -- California -- Interviews  Search this
Jewelers -- California -- Interviews  Search this
Metal-work -- Study and teaching  Search this
Metal-work -- Equipment and supplies  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.winsto02
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-winsto02

Oral history interview with Harlan Butt

Interviewee:
Butt, Harlan W., 1950-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
American Craft Council  Search this
Arrowmont School of Arts and Crafts -- Faculty  Search this
Enamelist Society  Search this
Haystack Mountain School of Crafts -- Faculty  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts -- Faculty  Search this
Rhode Island School of Design -- Faculty  Search this
San Diego State University -- Faculty  Search this
Society of North American Goldsmiths  Search this
Southern Illinois University at Carbondale -- Students  Search this
Tyler School of Art -- Students  Search this
University of North Texas -- Faculty  Search this
Brooks, Jan  Search this
Glantz, Ken  Search this
Japanese tea ceremony  Search this
Kington, L. Brent (Louis Brent), 1934-2013  Search this
Lechtzin, Stanley, 1936-  Search this
Moty, Eleanor  Search this
Paley, Albert  Search this
Pijanowski, Eugene, 1938-  Search this
Pijanowski, Hiroko Sato, 1942-  Search this
Pujol, Elliot  Search this
Scanga, Italo, 1932-2001  Search this
Shirk, Helen Z., 1942-  Search this
Snyder, Gary, 1930-  Search this
Staffel, Rudolf, 1911-2002  Search this
Winokur, Robert, 1933-  Search this
Extent:
7 Items (Sound recording: 7 sound files (5 hr., 19 min.), digital, wav)
90 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Australia -- Description and Travel
India -- description and travel
Japan -- Description and Travel
Date:
2009 July 27-28
Scope and Contents:
An interview of Harlan W. Butt conducted 2009 July 27-28, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Butt's studio, in Ptarmigan Meadows, Colorado.
Harlan Butt speaks of the influence of Asian art on his work; the use of text and imagery in his work; the use of pattern in his work; his undergraduate minor in weaving; the influence of Asian religion and mythology; series The Earth Beneath Our Feet , Garden Anagogies, and Snakes in Heaven; his childhood growing up in Hopewell, New Jersey, near Princeton; undergraduate work at Tyler School of Art, Philadelphia, Pennsylvania; discovery of Buddhism and Eastern religions; his mother's death when he was 20; studying with Stanley Lechtzin and Elliot Pujol at Tyler; graduate school at Southern Illinois University, Carbondale; interest in Japanese tea ceremony; more exploration of Zen Buddhism; use of color in his work; studying with L. Brent Kington; reliquary series; move to Connecticut in 1974; second trip to Japan in 1984 to co-curate Kyoto Metal: An Exhibition of Contemporary Japanese Art Metalwork; introduction to Japanese system of artisan apprenticeship; early efforts as a writer and poet; the influence of poet Gary Snyder; summer teaching position at Rhode Island School of Design, Providence; teaching job at San Diego [California] State University in the mid-1970s; rattles and pipes series; exploring the Western landscape; the power of the snake image; taking a teaching position at University of North Texas, Denton (1976- ); first trip to Japan in 1980; differences in artisanal/metalworking practices in Japan and the United States; teaching workshops at various craft schools, Penland School of Crafts, Penland, North Carolina; Haystack School of Crafts, Deer Isle, Maine; and Arrowmont School of Arts and Crafts, Gatlinburg, Tennessee, compared with teaching in a university; the pros and cons of the gallery system; work with the Nancy Yaw Gallery, Birmingham, Michigan; the challenge of commission work; National Parks Project, Denton Center for the Visual Arts, Denton, Texas; the role of haiku and text in his pieces; series 1,001 Views of Mt. Mu; series Snakes in Heaven; the influence of his wife and children; trip to India and organizing Colour & Light: The Art and Craft of Enamel on Metal, National Gallery of Modern Art, Mumbai, 2001; trip to Australia; involvement with the Society of North American Goldsmiths, Enamelist Society, and American Craft Council; subtle issues of environmentalism in his work; his affinity for metalsmithing and enameling. He also recalls [Rudolf] Staffel, Robert Winokur, Italo Scanga, Jan Brooks, Mike Riegel, Rachelle Thiewes, Eleanor Moty, Albert Paley, Shumei Tanaka, Ken Glantz (Ken Chowder), Randy Thelma Coles, Sandy Green, Mickey McCarter, Gene Pijanowski, Hiroko Pijanowski, Toshihiro Yamanaka, Helen Shirk, Ana Lopez, and Sarah Perkins.
Biographical / Historical:
Harlan W. Butt (1950- ) is an artist, metalsmith, and educator in Denton, Texas. Mija Riedel (1958- ) is a writer and independent scholar in San Francisco, California.
General:
Originally recorded on 4 sound mini discs. Reformatted in 2010 as 7 digital wav files. Duration is 5 hr., 19 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art, Asian  Search this
Art -- Study and teaching  Search this
Art teachers -- Interviews  Search this
Buddhism  Search this
Metal-workers -- Texas -- Interviews  Search this
Weaving -- Study and teaching  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.butt09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-butt09

Oral history interview with Boris Bally, 2009 May 26-27

Interviewee:
Bally, Boris, 1961-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Agro, Elisabeth R.  Search this
Ballay, Joe  Search this
Bonner, Jonathan  Search this
Cianci, Vincent Albert, Jr.  Search this
Dahm, Johanna  Search this
Ebendorf, Robert  Search this
Fuller, R. Buckminster (Richard Buckminster)  Search this
Gialamas, Rosemary  Search this
Greenbaum, Toni  Search this
Holt, Steven  Search this
Ilse-Neuman, Ursula  Search this
Kangas, Matthew  Search this
Kington, L. Brent (Louis Brent)  Search this
Kowal, Dennis  Search this
Kumata, Carol  Search this
Künzli, Otto  Search this
Lechtzin, Stanley  Search this
Metcalf, Bruce  Search this
Nasher, Patsy  Search this
Nasher, Raymond  Search this
Raab, Rosanne  Search this
Schaffner, Alexander  Search this
Simon, Marjorie  Search this
Skov, Mara Holt  Search this
Warhola, Paul  Search this
Wood, Joe  Search this
Carnegie-Mellon University (Pittsburgh, Pennsylvania)  Search this
Snyderman Gallery  Search this
Comedy Central (Firm)  Search this
Massachusetts College of Art  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts  Search this
Society of Arts and Crafts (Boston, Mass.)  Search this
Society of North American Goldsmiths  Search this
Tyler School of Art  Search this
Velvet da Vinci Gallery  Search this
Works Gallery  Search this
Type:
Interviews
Sound recordings
Place:
Haiti -- description and travel
Switzerland -- description and travel
Topic:
Art -- New York (State) -- New York  Search this
Art and computers  Search this
Decorative arts  Search this
Designers -- Rhode Island -- Interviews  Search this
Furniture making  Search this
Jewelry making  Search this
Metal-work -- Study and teaching  Search this
Metal-workers -- Rhode Island -- Interviews  Search this
Models and modelmaking  Search this
Record number:
(DSI-AAA_CollID)15682
(DSI-AAA_SIRISBib)282774
AAA_collcode_bally09
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_282774
Online Media:

Oral history interview with Harlan Butt, 2009 July 27-28

Interviewee:
Butt, Harlan, 1950-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Brooks, Jan  Search this
Glantz, Ken  Search this
Japanese tea ceremony  Search this
Kington, L. Brent (Louis Brent)  Search this
Lechtzin, Stanley  Search this
Moty, Eleanor  Search this
Paley, Albert  Search this
Pijanowski, Eugene  Search this
Pijanowski, Hiroko Sato  Search this
Pujol, Elliot  Search this
Scanga, Italo  Search this
Shirk, Helen Z.  Search this
Snyder, Gary  Search this
Staffel, Rudolf  Search this
Winokur, Robert  Search this
American Craft Council  Search this
Arrowmont School of Arts and Crafts  Search this
Enamelist Society  Search this
Haystack Mountain School of Crafts  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts  Search this
Rhode Island School of Design  Search this
San Diego State University  Search this
Society of North American Goldsmiths  Search this
Southern Illinois University at Carbondale  Search this
Tyler School of Art  Search this
University of North Texas  Search this
Type:
Interviews
Sound recordings
Place:
Australia -- description and travel
India -- description and travel
Japan -- Description and Travel
Topic:
Art, Asian  Search this
Art -- Study and teaching  Search this
Art teachers -- Interviews  Search this
Buddhism  Search this
Metal-workers -- Texas -- Interviews  Search this
Weaving -- Study and teaching  Search this
Record number:
(DSI-AAA_CollID)15907
(DSI-AAA_SIRISBib)296475
AAA_collcode_butt09
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_296475
Online Media:

Oral history interview with Imogene "Tex" Gieling, 2008 November 21 and 2012 April 28

Interviewee:
Gieling, Imogene, 1923-  Search this
Interviewer:
Lauria, Jo, 1954-  Search this
Subject:
Moholy-Nagy, László  Search this
Renk, Merry  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Metal-workers -- California -- Interviews  Search this
Jewelry making  Search this
Record number:
(DSI-AAA_CollID)15637
(DSI-AAA_SIRISBib)281982
AAA_collcode_gielin08
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_281982
Online Media:

Oral history interview with Bob Winston, 2002 July 31-October 10

Interviewee:
Winston, Bob, 1915-2003  Search this
Interviewer:
Baizerman, Suzanne  Search this
Subject:
California College of Arts and Crafts  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Metal-workers -- California -- Interviews  Search this
Jewelers -- California -- Interviews  Search this
Metal-work -- Study and teaching  Search this
Metal-work -- Equipment and supplies  Search this
Decorative arts  Search this
Record number:
(DSI-AAA_CollID)12194
(DSI-AAA_SIRISBib)238991
AAA_collcode_winsto02
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_238991
Online Media:

Oral history interview with Harry Dixon, 1964 May 1

Interviewee:
Dixon, Harry St. John, 1890-1967  Search this
Interviewer:
McChesney, Mary Fuller, 1922-  Search this
Subject:
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Federal aid to the arts  Search this
Artisans -- Interviews  Search this
Record number:
(DSI-AAA_CollID)13060
(DSI-AAA_SIRISBib)213422
AAA_collcode_dixon64
Theme:
Craft
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213422

Oral history interview with Merry Renk, 2001 January 18-19

Interviewee:
Renk, Merry, 1921-2012  Search this
Interviewer:
Fisch, Arline M., 1931-  Search this
Subject:
Albers, Josef  Search this
Asawa, Ruth  Search this
Bates, Kenneth F. (Kenneth Francis)  Search this
Brancusi, Constantin  Search this
Brynner, Irena  Search this
Cunningham, Imogen  Search this
Curtis, Earle  Search this
De Patta, Margaret  Search this
Godfrey, Mary Jo Slick  Search this
Guermonprez, Trude  Search this
Hall, Doris.  Search this
Nordness, Lee  Search this
Oliver, Olive  Search this
Tawney, Lenore  Search this
Tajiri, Shinkichi  Search this
750 Studio  Search this
American Craft Council  Search this
San Francisco Metal Arts Guild  Search this
Mobilia Gallery  Search this
Institute of Design  Search this
School of Industrial Design (Trenton, N.J.)  Search this
University of California, Berkeley. History of Art Dept.  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Interviews
Sound recordings
Topic:
Enamel and enameling  Search this
Enamelers -- California -- San Francisco -- Interviews  Search this
Jewelry making  Search this
Jewelers -- California -- San Francisco -- Interviews  Search this
Painters -- California -- San Francisco -- Interviews  Search this
Sculptors -- United States -- Interviews  Search this
Sculptors -- California -- Interviews  Search this
Women artists  Search this
Decorative arts  Search this
Record number:
(DSI-AAA_CollID)11961
(DSI-AAA_SIRISBib)227005
AAA_collcode_renk01
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_227005
Online Media:

Oral history interview with June Schwarcz, 2001 January 21

Interviewee:
Schwarcz, June Therese, 1918-2015  Search this
Interviewer:
Fisch, Arline M., 1931-  Search this
Subject:
Noguchi, Isamu  Search this
Brancusi, Constantin  Search this
Louis, Morris  Search this
Rothko, Mark  Search this
Letchzin, Stanley  Search this
Bellas Artes (Santa Fe, N.M.)  Search this
De Vera Gallery  Search this
Japonesque Gallery  Search this
Mobilia Gallery  Search this
Pratt Institute  Search this
Susan Cummins Gallery  Search this
Sybaris Gallery  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Enamels and enameling -- Technique  Search this
Enamels and enameling -- Study and teaching  Search this
Metal-workers -- California -- San Francisco -- Interviews  Search this
Women artists  Search this
Decorative arts  Search this
Record number:
(DSI-AAA_CollID)12744
(DSI-AAA_SIRISBib)227013
AAA_collcode_schwar01
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_227013
Online Media:

Oral history interview with William Underhill, 2002 June 8

Interviewee:
Underhill, William, 1933-  Search this
Interviewer:
Carney, Margaret, 1949-  Search this
Subject:
Voulkos, Peter  Search this
Alfred University  Search this
Lee Nordness Galleries  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Art metal-work -- Study and teaching  Search this
Art metal-work -- Technique  Search this
Art -- Economic aspects  Search this
Bronze founding -- Technique  Search this
Decorative arts  Search this
Record number:
(DSI-AAA_CollID)12395
(DSI-AAA_SIRISBib)237765
AAA_collcode_underh02
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_237765
Online Media:

Oral history interview with Lisa Gralnick, 2007 October 29-30

Interviewee:
Gralnick, Lisa, 1956-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Kounellis, Jannis  Search this
Lightman, Alan  Search this
Matzdorf, Gary Bengier  Search this
Mimlitsch-Gray, Myra  Search this
Scherr, Mary Ann  Search this
Kent State University  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Parsons School of Design  Search this
Type:
Interviews
Sound recordings
Topic:
Decorative arts  Search this
Jewelry making -- Study and teaching  Search this
Metal-work -- Study and teaching  Search this
Metal-workers -- Wisconsin -- Interviews  Search this
Women artists  Search this
Record number:
(DSI-AAA_CollID)13661
(DSI-AAA_SIRISBib)273918
AAA_collcode_gralni07
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_273918
Online Media:

Oral history interview with Kiff Slemmons, 2007 November 1-2

Interviewee:
Slemmons, Kiff, 1944-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Solberg, Ramona  Search this
Steffins, Ella  Search this
Toledo, Francisco  Search this
Herman, Lloyd E.  Search this
Di Mare, Dominic  Search this
Adams, Leo  Search this
Benjamin, Walter  Search this
Knobel, Esther  Search this
La Plantz, David  Search this
Höch, Hannah  Search this
Holshuh, Virginia  Search this
Messager, Annette  Search this
University of Iowa  Search this
Scripps College  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Metal-workers -- Illinois -- Chicago -- Interviews  Search this
Jewelry makers -- Illinois -- Chicago -- Interviews  Search this
Decorative arts  Search this
Record number:
(DSI-AAA_CollID)13662
(DSI-AAA_SIRISBib)273941
AAA_collcode_slemmo07
Theme:
Craft
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_273941
Online Media:

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