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The ornate implement an exhibition of African knives, swords, axes, and adzes from the collection of Frederick and Claire Mebel : September 26-March 29, 1981 Tamara Northern

Author:
Northern, Tamara  Search this
Author:
Dartmouth College Museum & Galleries  Search this
Physical description:
34 pages illustrations 28 cm
Type:
Exhibitions
Expositions
Exhibition catalogs
Place:
Africa, Sub-Saharan
Afrique subsaharienne
Afrique noire
Sub-Saharan Africa
Afrika
Date:
1981
Topic:
Weapons  Search this
Axes  Search this
Art metal-work  Search this
Metal-work  Search this
Haches  Search this
Arts du métal  Search this
Travail des métaux  Search this
Art--Private collections  Search this
Waffe  Search this
Armes blanches--Catalogues d'exposition  Search this
Arts du métal--Catalogues d'exposition  Search this
Call number:
GN645 .N87
GN645.N87
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_147167

1972 Sarajevo

Creator:
Human Studies Film Archives  Search this
Type:
YouTube Videos
Uploaded:
2018-12-07T21:30:09.000Z
YouTube Category:
Education  Search this
Topic:
Anthropology  Search this
See more by:
HSFAFilmClips
Data Source:
Human Studies Film Archives
YouTube Channel:
HSFAFilmClips
EDAN-URL:
edanmdm:yt_ZRiFXhsju9k

[Glebelands]: Japanese lantern in secret garden.

Photographer:
Engle, Corliss Knapp  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 Slides (photographs) (col., 35 mm.)
Type:
Archival materials
Slides (photographs)
Place:
Glebelands (Manchester, Vermont)
United States of America -- Vermont -- Bennington County -- Manchester
Date:
1997.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Vermont -- Manchester  Search this
Lanterns  Search this
Garden ornaments and furniture  Search this
Metal-work  Search this
Walls, stone  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item VT007016
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Vermont / VT007: Manchester -- Glebelands
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb660576687-0195-4f9c-ad8f-e4b47431423d
EDAN-URL:
ead_component:sova-aag-gca-ref11383

[Addington Garden]: atrium garden with metalwork fixture behind fountain with ivy and ferns resting on a stone bed.

Photographer:
Dunklin, Elsie Norman  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 Slides (photographs) (col., 35mm.)
Type:
Archival materials
Slides (photographs)
Place:
Addington Garden (Dallas, Texas)
United States of America -- Texas -- Dallas
Date:
2007 Oct.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Texas -- Dallas  Search this
Fountains  Search this
Ferns  Search this
Ivy  Search this
Terra-cotta  Search this
Metal-work  Search this
Atriums  Search this
Rock gardens  Search this
Genre/Form:
Slides (photographs)
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item TX092010
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Texas / TX092: Dallas -- Addington Garden
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6de456540-1991-45b8-8d47-dc49d1691bdf
EDAN-URL:
ead_component:sova-aag-gca-ref13729

[David-Peese Garden]: seating area with site-cast concrete columns and steel pipes support a vine covered arbor.

Photographer:
Brown, Katherine K.  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 Digital image (JPEG file.)
Type:
Archival materials
Digital images
Place:
David-Peese Garden, (West Lake Hills, Texas)
United States of America -- Texas -- Travis -- West Lake Hills
Date:
2013 Mar.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Texas -- West Lake Hills  Search this
Metal-work  Search this
Arbors  Search this
Outdoor furniture  Search this
Gravel  Search this
Genre/Form:
Digital images
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item TX115003
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Texas / TX115: West Lake Hills -- David-Peese Garden
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6c34d5e1e-9eb8-4cc9-94d0-7a7489adf1cb
EDAN-URL:
ead_component:sova-aag-gca-ref14108

[Riverview Ranch]: late summer flowers looking toward porch and greenhouse, Monarda, sweet peas, holly hocks, Hops vine that shade the greenhouse.

Photographer:
McGlothin, Ariel C.  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 Digital image (color, JPEG)
Type:
Archival materials
Digital images
Place:
Gardens -- Wyoming -- Wilson
United States of America -- Wyoming -- Teton County -- Wilson
Riverview Ranch (Wilson, Wyoming)
Date:
2018 August 2
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Log cabins  Search this
Birdhouses  Search this
Art metal-work  Search this
Greenhouses  Search this
Plants, Protection of  Search this
Garages  Search this
Porches  Search this
Stairs, stone  Search this
Succulent plants  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item WY002019
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Wyoming / WY002: Wilson -- Riverview Ranch
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6bfcef5d7-fb2d-4be5-b534-bbe6d34fa5e6
EDAN-URL:
ead_component:sova-aag-gca-ref32820

Peace, power & prestige metal arts in Africa edited by Susan Cooksey

Title:
Peace, power and prestige
Editor:
Cooksey, Susan  Search this
Host institution:
Samuel P. Harn Museum of Art  Search this
Ackland Art Museum  Search this
Figge Art Museum  Search this
Physical description:
xv, 272 pages color illustrations 31 cm
Type:
Exhibitions
Expositions
Exhibition catalogs
Catalogues d'exposition
Place:
Africa, Sub-Saharan
Afrique subsaharienne
Sub-Saharan Africa
Date:
2020
Topic:
Art metal-work  Search this
Arts du métal  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1146894

Headstall

Collector:
James Mooney  Search this
Donor Name:
Bureau Of American Ethnology  Search this
Culture:
Kiowa  Search this
Object Type:
Bridle
Place:
Kiowa And Comanche Reservation, Oklahoma / Indian Territory, United States, North America
Accession Date:
17 May 1892
Topic:
Ethnology  Search this
Accession Number:
025718
USNM Number:
E152952-0
See more items in:
Anthropology
Data Source:
NMNH - Anthropology Dept.
GUID:
http://n2t.net/ark:/65665/34bc323e9-d852-4998-ad8b-41bf4807002f
EDAN-URL:
edanmdm:nmnhanthropology_8342464
Online Media:

Title Page

Designer:
Gilles-Marie Oppenord, French, 1672–1742  Search this
Print Maker:
Gabriel Huquier, French, 1695–1772  Search this
Publisher:
Chez Huquier  Search this
Gabriel Huquier, French, 1695–1772  Search this
Medium:
Etching and engraving on laid paper
Object Name:
Bound print
Type:
Bound print
Published in:
Paris, France
Date:
1749-1761
Credit Line:
Purchased for the Museum by the Advisory Council
Accession Number:
1921-6-216-13
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq478329eae-92e8-47a3-bd88-1ba764f2b385
EDAN-URL:
edanmdm:chndm_1921-6-216-13

Illustrated catalogue of statuary, fountains, vases, settees, etc., for parks, gardens and conservatories, manufactured by the J.L. Mott Iron Works .

Author:
J.L. Mott Iron Works  Search this
Physical description:
[2] pages, [132] pages of plates chiefly illustrations 55 cm
Type:
Catalogs
Catalogues
Manufacturers' catalogs
Trade catalogs
Place:
New York
New York (State)
Date:
1875
19th century
Topic:
Art metal-work  Search this
Decorative cast-ironwork  Search this
Iron sculpture, American  Search this
Garden ornaments and furniture  Search this
Fountains  Search this
Sculpture en fer américaine  Search this
Jardins--Meubles et ornements  Search this
Fontaines  Search this
Call number:
054487
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1160816

Letterpress book. Volume 12, 1903 October 15 - 1904 January 23

Collection Creator:
Freer, Charles Lang, 1856-1919  Search this
Container:
Box 43, Folder 2
Type:
Archival materials
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Collection Citation:
Charles Lang Freer Papers. FSA A.01. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
See more items in:
Charles Lang Freer Papers
Charles Lang Freer Papers / Series 2: Correspondence / 2.2: Charles Lang Freer Letterpress Books, 1892-1910
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc32c9750c2-6a1e-44f9-a85c-78838d98bd20
EDAN-URL:
ead_component:sova-fsa-a-01-ref652
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Letterpress book. Volume 12, 1903 October 15 - 1904 January 23 digital asset number 1

Henry and Nancy Rosin Collection of Early Photography of Japan

Collector:
Rosin, Henry D., Dr.  Search this
Rosin, Nancy  Search this
Creator:
Lyman, Benjamin Smith, 1835-1920  Search this
Ueno, Hikoma, 1838-1904  Search this
Beato, Felice, b. ca. 1825  Search this
Stillfried, Raimund, Baron von, 1839-1911  Search this
Underwood & Underwood  Search this
Names:
Meiji, Emperor of Japan, 1852-1912  Search this
Shōken, Empress, consort of Meiji, Emperor of Japan, 1850-1914  Search this
Extent:
616 Items (approximate count)
Culture:
Ainu  Search this
Type:
Collection descriptions
Archival materials
Mammoth plates
Photographs
Photograph albums
Stereographs
Cartes-de-visite
Photographic prints
Place:
Japan
Japan -- 1890-1900
Kyoto (Japan)
Tokyo (Japan)
Yokohama-shi (Japan)
Date:
1860 - ca. 1900
Scope and Contents:
Assembled by collectors Dr. Henry D. Rosin and Nancy Rosin to document nineteenth-century and early twentieth-century photography of Japan. Includes albumen prints, portions handcolored, some signed and numbered in the negative. Taken by photographers Felice Beato (b. ca. 1825), Baron Raimon von Stillfried (1938-1911), Kusakabe Kimbei (active 1880s), Ueno Hikoma (1838-1904), Ogawa Kazumasa (1860-1929) and unknown photographers to depict architecture, landscapes, formal studio portraits, and daily activities.
Arrangement:
Organized chronologically by the creators.
Biographical / Historical:
Henry and Nancy Rosin were collectors of Japanese photography of the nineteenth and twentieth centuries.
Local Numbers:
FSA A1999.35
Restrictions:
Collection is open for research.
Topic:
Photography of women  Search this
Streets -- Japan  Search this
Temples -- Japan  Search this
Samurai  Search this
Sumo wrestlers  Search this
Religion  Search this
Japanese tea ceremony  Search this
Genre/Form:
Mammoth plates
Photographs -- 1850-1900
Photograph albums
Stereographs -- 1860-1900
Cartes-de-visite
Photographic prints
Citation:
Henry and Nancy Rosin Collection of Early Photography of Japan. FSA.A1999.35. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Purchase and partial donation.
Identifier:
FSA.A1999.35
See more items in:
Henry and Nancy Rosin Collection of Early Photography of Japan
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc377c3c477-251b-43d9-8ce5-9626389db8ca
EDAN-URL:
ead_collection:sova-fsa-a1999-35
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Henry and Nancy Rosin Collection of Early Photography of Japan digital asset number 1
Online Media:

Oral history interview with Bruce Metcalf

Interviewee:
Metcalf, Bruce, 1949-  Search this
Interviewer:
Cooke, Edward S., 1954-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Colorado State University -- Faculty  Search this
Kent State University -- Faculty  Search this
Montana State University (Bozeman, Mont.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Society of North American Goldsmiths  Search this
State University of New York at New Paltz -- Students  Search this
Syracuse University -- Students  Search this
Tyler School of Art -- Students  Search this
University of the Arts (Philadelphia, Pa.) -- Faculty  Search this
Adamson, Glenn  Search this
Arneson, Robert, 1930-1992  Search this
Bauer, Fred  Search this
Bennett, Jamie, 1948-  Search this
Burns, Mark, 1950-  Search this
Church, Sharon, 1948-  Search this
Clark, Garth, 1947-  Search this
Craig, Gabriel  Search this
Cummins, Susan  Search this
Daley, William, 1925-2002  Search this
Ebendorf, Robert, 1938-  Search this
Eidelberg, Martin P.  Search this
Flynn, Pat, 1954-  Search this
Getty, Nilda  Search this
Gill, John, 1949-  Search this
Griffin, Gary, 1945-  Search this
Halem, Henry  Search this
Hammer, Wayne  Search this
Hash, Arthur, 1976-  Search this
Jerry, Michael John, 1937-  Search this
Kington, L. Brent (Louis Brent), 1934-2013  Search this
Koplos, Janet  Search this
Koss, Gene  Search this
Kumata, Carol  Search this
La Plantz, David  Search this
Lechtzin, Stanley, 1936-  Search this
Long, Randy  Search this
Matzdorf, Kurt  Search this
Mawdsley, Richard, 1945-  Search this
Moran, Lois  Search this
Morris, William, 1834-1896  Search this
Pritchard, Marian  Search this
Rogers, Harriet  Search this
Rogers, Steve  Search this
Ruskin, John, 1819-1900  Search this
Schaechter, Judith, 1961-  Search this
Shaw, Richard, 1941 Sept. 12-  Search this
Slivka, Rose  Search this
Slosberg, Jill  Search this
Wilson, Anne, 1949-  Search this
Woell, J. Fred, 1934-  Search this
Extent:
96 Pages (Transcript)
5 Items (Sound recording: 5 sound files (4 hr., 10 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
California -- description and travel
Seoul (Korea) -- Description and Travel
Date:
2009 June 10
Scope and Contents:
An interview of Bruce Metcalf conducted 2009 June 10, by Edward S. Cooke, Jr., for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Metcalf's home, in Bala Cynwyd, Pennsylvania. Mr. Metcalf discusses his early years in Amherst, Massachusetts; beginnings as a maker with modeling clay and plastic airplane models; undergraduate years at Syracuse University, Syracuse, New York in the late 1960s; early interest in architecture; early disenchantment with modernist discourse and theory; introduction to Marxist theory and idealism of the 1960s; summer trip to California in 1970; return to the East Coast upon the death of his father; return to college, transferring into jewelry in his senior year; influence of his teacher Michael Jerry; seeing the work in "Objects: USA" exhibition (1969) and influence of the work of J. Fred Woell, Richard Mawdsley, L. Brent Kington; rejection of current trends in art, including conceptual art and formalism; his affinity for the medium of metal, and hammersmithing; influence of funk ceramics, including work by Fred Bauer and Richard Shaw; brief stint at Montana State University, Bozeman; working in cardboard and wood; graduate school at the State University of New York, New Paltz; working with Robert Ebendorf and Kurt Matzdorf at New Paltz; work as a production artist/craftsperson; attending Rhinebeck, New York, craft fair in the mid-1970s; the influence of writings by William Morris and John Ruskin and the notion of "dignified labor"; graduate school at Tyler School of Art, Philadelphia, Pennsylvania; formulating his aesthetic of narrative symbolism; publication of his first article in 1977 as a response to review of the exhibition "Forms in Metal: 275 Years of Metalsmithing in America" (1975); yearlong teaching position at Colorado State University, Fort Collins, Colorado; taking a teaching position at Kent State University, Kent, Ohio (1986-1991); publication of his article "Crafts: Second-Class Citizens?" in the first issue of Metalsmith, 1980; growing involvement with the Society of North American Goldsmiths; development of his notion of "social utility" and the role and function of crafts and making; expansion of his writing on craft; rejection of the deconstructivist school of thought in the 1980s; abandonment of sculptural objects for jewelry in the early 1990s; return to Philadelphia in 1991; early teaching of history of craft, first at Kent, then on a Fulbright scholarship in Seoul, South Korea (1990), later at the University of the Arts, Philadelphia, in the early 1990s; influence of Martin Eidelberg; development of his vision for a history of craft course; collaboration with Janet Koplos on "Makers: A History of American Studio Craft"; use of his medium and craft to explore issues of nurturing and anxiety; the psychological/social effect and aesthetic importance of wearing jewelry (for the wearer and the artist); the pros and cons of craft collectors; the problematics of installation work by craft artists; recent trends in craft, including Anne Wilson's notion of "sloppy craft" and an "anti-craft" attitude; recent artists, including Arthur Hash and Gabriel Craig; lack of exhibition opportunities for younger/emerging artists; influential recent texts, including "Shards," by Garth Clark. He also recalls Robert Arneson, Randy Long, Carol Kumata, Jamie Bennett, Steve and Harriet Rogers, Wayne Hammer, Stanley Lechtzin, Gene Koss, Henry Halem, Mark Burns, Rose Slivka, Nilda Getty, Jill Slosberg, Sharon Church, John Gill, David La Plantz, Lois Moran; Gary Griffin; William Daley, Marian Pritchard, Glenn Adamson, Pat Flynn, Susan Cummins, and Judith Schaechter.
The following oral history transcript is the result of a recorded interview with Bruce Metcalf on June 10, 2009. The interview took place in Bala Cynwyd, Penn., and was conducted by Edward S. Cooke, Jr. for the Archives of American Art, Smithsonian Institution. This interview is part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Bruce Metcalf has reviewed the transcript. His corrections and emendations appear below in brackets with initials. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose.
Biographical / Historical:
Bruce Metcalf (1949- ) is a jeweler and writer in Bala Cynwyd, Pennsylvania.
General:
Originally recorded as 5 sound files. Duration is 4 hr., 10 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This transcript is open for research. Access to the entire recording is restricted. Contact Reference Services for more information.
Topic:
Ceramics  Search this
Communism  Search this
Deconstructivism (Architecture)  Search this
Conceptual art  Search this
Formalism (Art)  Search this
Jewelers -- Pennsylvania -- Interviews  Search this
Metal-work  Search this
Jewelry making  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.metcal09
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw974054f15-9dfd-4aea-98f7-707fd609918e
EDAN-URL:
ead_collection:sova-aaa-metcal09
Online Media:

Pepper, Beverly - Correspondence

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 62, Folder 15
Type:
Archival materials
Date:
1994
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery Records and André Emmerich Papers
André Emmerich Gallery Records and André Emmerich Papers / Series 6: Artists Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b6d6636c-0730-43b9-937a-f1eb59aebb8e
EDAN-URL:
ead_component:sova-aaa-andremmg-ref11077

Pepper, Beverly - Biographical Materials

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 61, Folder 36
Type:
Archival materials
Date:
1975, 1992-1993
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery Records and André Emmerich Papers
André Emmerich Gallery Records and André Emmerich Papers / Series 6: Artists Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cec61759-0e88-4287-8858-77efd96179fe
EDAN-URL:
ead_component:sova-aaa-andremmg-ref3054

Pepper, Beverly - Clippings

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 61, Folder 37
Type:
Archival materials
Date:
1963, 1969-1971
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery Records and André Emmerich Papers
André Emmerich Gallery Records and André Emmerich Papers / Series 6: Artists Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94f054bb0-b0f6-4674-8e09-0c91fbe4a0bc
EDAN-URL:
ead_component:sova-aaa-andremmg-ref3055

Pepper, Beverly - Correspondence

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 62, Folder 13
Type:
Archival materials
Date:
1979, 1988, 1990-1993
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery Records and André Emmerich Papers
André Emmerich Gallery Records and André Emmerich Papers / Series 6: Artists Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a22d17fa-ffca-48a8-a71e-063beab3bf06
EDAN-URL:
ead_component:sova-aaa-andremmg-ref3072

Pepper, Beverly - Correspondence

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 62, Folder 14
Type:
Archival materials
Date:
1994
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery Records and André Emmerich Papers
André Emmerich Gallery Records and André Emmerich Papers / Series 6: Artists Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90393ae4a-2dfa-46b9-84de-6c6e6e74739a
EDAN-URL:
ead_component:sova-aaa-andremmg-ref3073

Taming the beast silver by Earl Krentzin Jeannine Falino with a contribution by Josephine Shea, and a foreword by Martha J. Fleischman

Title:
Silver by Earl Krentzin
Author:
Krentzin, Earl 1929-  Search this
Editor:
Falino, Jeannine J  Search this
Fleischman, Martha J  Search this
Contributor:
Shea, Josephine  Search this
Physical description:
159 pages illustrations (chiefly color), portrait 25 cm
Type:
Books
History
Place:
United States
Date:
2022
20th century
21st century
Topic:
Silverwork--History  Search this
Art metal-work--History  Search this
Metal-work--History  Search this
Silverwork  Search this
Metal-work  Search this
Art metal-work  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1158620

Diary 2 of 3

Collection Creator:
Farrington, Gertrude  Search this
Type:
Archival materials
Date:
1983-1987
Identifier:
AAG.GCA.FAR, Item CT131
See more items in:
Gertrude Farrington diaries
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb63e3330b8-ceb8-411b-b16d-5ead9b7fe55d
EDAN-URL:
ead_component:sova-aag-gca-far-ref2
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