Photographs of mestizos (mezclados) from the West Moitié. There are 3 subfolders: "A-13, Notes" contains the original notes accompanying the prints and negatives for reference; "A-13, Mestizos" contains contact prints originally bundled together; and "A-13, Loose prints" contains the remaining loose prints found in the folder. The folder also contains an information sheet describing the content of the images.
Collection Restrictions:
No restrictions on access.
Collection Rights:
Anne Chapman retained the publishing rights to her Tolupan materials. These rights were passed on to her executor after her death.
Collection Citation:
Anne Chapman papers on the Tolupan (Jicaque), National Anthropological Archives, Smithsonian Institution
(exhibition announcements; clippings; Teatro Mestizo information sheet; TYF's notes on theater; TENAZ Festival Magazine (Chicano Theatre Festival publication, 1977); catalogs; 10th Anniversary Celebration booklet, 1981; Press release; catalogs; clippings; 15th anniversary catalog, Made in Aztlan, Centro Cultural de la Raza, San Diego, 1986; exhibition announcements; letter to TYF from Veronica Enrique, Executive Director, Centro Cultural de la Raza, 04/23/1985; letter to TYF from Philip Brookman, curator, Made in Aztlan, re. the catalog, 02/26/1986; handwritten draft of letter (reply) to Brookman from TYF, undated (on back of Brookman's 2nd letter); TYF's notes and draft of essay for 15th anniversary catalog; TYF's notes on Centro Cultural; Exhibition brochure; organization's brochure; clippings; View (Museum of Contemporary Art San Diego Quarterly Magazine), Jan-March 1993; catalogs; schedule of events)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
Edited film examines how the deep division in Bolivia's Andean society between rural and townspeople begins at birth, is perpetuated by the schools, and continues throughout life. The focus of the film is the formal Flag Day festivities that bring the rural campesinos and town-dwelling mestizos together in this celebration.
Legacy Keywords: Language and culture ; Socialization ; Towns, villages and other settlements
The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
American University Field Staff Faces of Change collection, Human Studies Film Archives, Smithsonian Institution
Edited film explores the relationship of Spanish-speaking Mestizos who live in town and Aymara and Quecha campesinos in Bolivia's Andean highlands. The social dominance of the townspeople over the campesinos is examined during market days and a fiesta.
Legacy Keywords: Language and culture ; Marketplaces ; Festivals agricultural Bolivia ; Towns, villages and other settlements
The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
American University Field Staff Faces of Change collection, Human Studies Film Archives, Smithsonian Institution
84 Film reels (17 hours, color sound; 36,800 feet, 16mm)
Type:
Archival materials
Film reels
Date:
1973
Scope and Contents:
Full film record of the American Universities Field Staff "Faces of Change" film series in Bolivia. Footage was shot in a high Andes valley of western Bolivia in the villages of Ayata (a primarily mestizo town) and Vitocota (an Aymara Indian community), both located in Munecas Province, Department of La Paz. The project explored the nature of Altiplano social structure as manifest between the residents of these related communities, focusing on social and cultural factors which unite as well as divide them. Documentation includes: planting and harvesting of potatoes and ocha; manufacture of chicha (corn beer); sheep herding; market days; the Fiesta of Santiago held conjointly between Vitocota and Ayata and the Fiesta of San Lorenzo in Ayata; dispute management and settlement which accompanies these celebrations; syncretic rites (using coca leaves) performed at the beginning of the Aymara year (August 1); the role of Aymara women in the Andean economy; and the syncretic nature of Altiplano Bolivian religious and magical beliefs and practices. The edited films VIRACOCHA, THE CHILDREN KNOW, POTATO PLANTERS, ANDEAN WOMEN, THE SPIRIT POSSESSION OF ALEJANDRO MAMANI, and MAGIC AND CATHOLICISM were produced from this film project.
Legacy Keywords: Syncretism Aymara Bolivia ; Agriculture Bolivia ; Harvests potatoes ocha division of harvest Bolivia ; Festivals religious Aymara mestizo Fiesta of Santiago in Vitocota processions Dea de la Bandeta (Flag Day) Fiesta of San Lorenzo in Ayata Bolivia ; Curing brujos Bolivia ; Drinking social festivals ritualistic drunkenness Bolivia ; Alcoholic beverages chicha manufacture of fermented cane juice drinking of Bolivia ; Chicha drinking manufacture of festivals Bolivia ; Coca use of Bolivia ; Divination use of coca in Aymara Bolivia ; Weaving looms Aymara Bolivia ; Disputes settlement of boundaries Bolivia ; Spirit possession suicide Bolivia ; Musical instruments flutes drums playing the kena-kena(straigt flute) festivals Bolivia ; Herding pigs sheep llamas alpacas Bolivia ; Markets transportation of produce to shopping at trade Bolivia ; Mills sugar cane Bolivia ; Dancing Festival of Santiago mestizo Indian snake dance traditional Bolivia ; Sports soccer Bolivia ; Planting potatoes ochas corn methods consideration of saints' days in Bolivia ; Abortion ideas about birth control Bolivia ; Ploughing Bolivia ; Haciendas prohibition of system Bolivia ; Cultivation corn Bolivia ; Labour mestizo hired conditions division of between men and women conflict of with education wages Bolivia ; Originarios land-owners Bolivia2HRAF ; Music hymns brass bands phonograph records singing of patriotic songs Bolivia2HRAF ; Magic divinations sacrifices invocations magical objects Bolivia2HRAF ; Libations offering of chanting Bolivia ; Sacrifice invocations Bolivia2HRAF ; Washing clothes Bolivia2HRAF ; Churches icons Bolivia2HRAF ; Costume dance masks Bolivia2HRAF ; Masks dance characters Bolivia2HRAF ; Prayer lamentations Santiago Bolivia ; Shelters lamars Festival of Santiago Bolivia2HRAF ; Ritual lamars arcos coca Bolivia2HRAF ; Children treatment of relations between mestizo and Aymara education of Bolivia2HRAF ; Drunkenness festivals attitudes towards Bolivia2HRAF ; Games soccer Bolivia ; Police Aymara mestizos' relations with Bolivia2HRAF ; Debts collection of Bolivia2HRAF ; Icons Santiago San Lorenzo Bolivia ; Visions of Santiago Bolivia ; Social system Agrarian reform criticism of Bolivia2HRAF ; Medicine western travelling "physician" mestizo Bolivia2HRAF ; Education directives schools instruction conflict of with labour teachers language of instruction Bolivia2HRAF ; Conversation Bolivia ; Food eating boiled corn eating soup eating boiled calla eating freeze-dried ocha buthchering lamb Alliance for Progress donations Bolivia2HRAF ; Schools Bolivia2HRAF ; Households chores Bolivia2HRAF ; Houses adobe construction of habitability Bolivia ; Meat butchering of lamb Bolivia2HRAF ; Butchering lamb Bolivia ; Wills and testaments drafting of division of estate Bolivia2HRAF ; Spouses physical abuse of Bolivia2HRAF ; Suicide spirit possession Bolivia2HRAF ; Boundaries fields disputes Bolivia2HRAF ; Military conscription Bolivia2HRAF
The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
American University Field Staff Faces of Change collection, Human Studies Film Archives, Smithsonian Institution
Various local musicians singing in native languages, in part with instrumental accompaniment. Program notes by M. Asche ([8] p. ill.) inserted in container. Production notes: Record originally released in 1955; recorded in Brazil. Edward Moffat Weyer
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
CDR copy Tape Info: Music of the Tarascan Indians of Mexico - Music of Michoaca and Nearby Mestizo Country; identical to old LP: Asch Mankind Series (AHM 4217), of the same title. Recorded by Henrietta Yurchenko. LP album produced in 1970, copyright by Folkways Records & Services Corp. Features many performers and types of music. Instrumentals and songs, guitars, harps, double-reed instruments, flutes, drums, etc. Musically (to my ear), sounds far more hispanic than Indian. For additional information, refer to the liner notes for the above record album. See front for selection listing & precise durations, and copy of front of original tape box.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Son de carnaval, son de Navidad (3:44) -- Son de fiesta, son de Ignacio Bernal (1:49) -- Alabanza (1:16) -- Jarabes Mestizos de Aguilillas (7:46) -- Son de las naguas blancas = Song of the white petticoats (2:40) -- Valona encarrujado = The nag -- El lusto pasajero = Traveler through my life (2:01).
Local Numbers:
FW-ASCH-10RR-1743
General:
Folkways 4217
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Son de Paracho (2:22) -- Mexico bonito (2:57) -- Son Abajeno (2:57) -- Male Reginita (2:29) -- Rosa de Castilla (1:53) -- Ursulita (1:33) -- Josefina/Clavel color de Rosa/male Teresita (5:23) -- Male Esperancita (1:33) -- Abajeno a la juvetud (2:10) -- Amapolita Urapiti (!:36) --
Local Numbers:
FW-ASCH-10RR-1744
General:
CDR copy
Folkways 4217
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Musicians of the Mestizo, the Quechua and Aymara Indian tribes, singing and playing traditional instruments, including harp, horns, charango, quena, flutes, guitars, drums, and pan-pipe. Production notes: Recorded in Peru.
General:
Introductory notes and bibliography by Harry Tschopik, Jr. ([6] p.) inserted in slipcase.
Related Materials:
Related materials may be found in the Moses and Frances Asch Collection, also held by this repository. Related materials may include correspondence between the studio, producers, and/or performers; original cover art designs; original production materials; business records; and audiotapes from studio production.
Restrictions:
Restrictions on access. No duplication allowed. Listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
CDR copy- Tape Info: One song: Amapolita Urapiti, sung by Heliodoro & Felipe de la Cruz, with guitar, from Patzcuaro, Michoacan. This is the "original" of the recording of the same song and performers to be found on Music of the Tarascan Indians of Mexico - Music of Michoaca and nearby Mestizo country (Asch Mankind Series AHM 4217). Recorded by Henrietta Yurchenko. See front for duration, and copy of front of original tape box. Also see liner notes for above-referenced album.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
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