The bulk of the collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Reginald Marsh papers, 1897-1955. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art.
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
The Sam DeVincent Collection of Illustrated American Sheet Music, Archives Center, National Museum of American History, Smithsonian Institution
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
The Sam DeVincent Collection of Illustrated American Sheet Music, Archives Center, National Museum of American History, Smithsonian Institution
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Arnold Mesches papers, 1939-2015. Archives of American Art, Smithsonian Institution.
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Freda Diamond Collection, 1945-1984, Archives Center, National Museum of American History.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Richard York Gallery records, circa 1865-2005, bulk 1981-2004. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by Smithsonian Institution's Collections Care Fund
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Richard York Gallery records, circa 1865-2005, bulk 1981-2004. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by Smithsonian Institution's Collections Care Fund
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Richard York Gallery records, circa 1865-2005, bulk 1981-2004. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by Smithsonian Institution's Collections Care Fund
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Richard York Gallery records, circa 1865-2005, bulk 1981-2004. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by Smithsonian Institution's Collections Care Fund
Herbert, Don (Donald Jeffry), 1917-2007 Search this
Container:
Box 22, Folder 17
Type:
Archival materials
Date:
1963
Collection Restrictions:
Collection is open for research. Reference copies for audio and moving images materials do not exist. Use of these materials requires special arrangement. Gloves must be worn when handling unprotected photographs and negatives.
Social Security numbers are present and have been rendered unreadable and redacted. Researchers may use the photocopies in the collection. The remainder of the collection has no restrictions.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Mr. Wizard Papers, Archives Center, National Museum of American History.
"On a Merry go Round" (carousels with Barbara Charles)
Container:
Box 1 of 19
Type:
Archival materials
Collection Restrictions:
Restrictions pertaining to the use of these materials may apply (based on contracts/copyright). Access restrictions may also apply if listening copies are not currently available. Listening copies can be made for a fee. Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Record Unit 588, Smithsonian Institution. Office of Telecommunications, Productions
"'Round and 'Round on the Merry-Go-Round." The history of the carousel, illustrated with examples from the Smithsonian collection.
Container:
Box 6 of 11
Type:
Archival materials
Collection Restrictions:
Restrictions pertaining to the use of these materials may apply (based on contracts/copyright). Access restrictions may also apply if listening copies are not currently available. Listening copies can be made for a fee. Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Record Unit 589, Smithsonian Institution. Office of Telecommunications, Productions
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Teodoro Vidal Collection, 1592-1992, Archives Center, National Museum of American History.
Box notes:
Side 1: L'Anse d'Arlet merry go-round and band
Side 2: (DYK) (Tape party inaudible, last 3 minutes, side 2)
Collection Restrictions:
The Robert Moody Laughlin papers are open for research.
Electronic media is currently restricted due to preservation concerns.
Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the National Anthropological Film Collection may not be played.
Access to the Robert Moody Laughlin papers requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Robert Moody Laughlin papers, National Anthropological Archives, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the the Arcadia Fund.
Also see Series 8, Geography/Switzerland. Includes: "The Dwarf's Yodel Song" from Snow White and the Seven Dwarfs, "Merry Go Round" from Merry Go Round, and "A Yodelin' Dude Hombre."
Series Restrictions:
Collection is open for research.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
The Sam DeVincent Collection of Illustrated American Sheet Music, Archives Center, National Museum of American History, Smithsonian Institution
Pipe from a Centrifuge! Manufacturing cast-iron pipe by centrifugal casting. Cast Iron Pipe Research Association, Birmingham, AL.
Wrestling with Wrinkles! Auto body repair shop. Unger and Wilhelm.
Photographed in Electricity! Dry electrostatic photographic process. Battelle Memorial Institute, Columbus, OH.
Craftsmen of the Carousel! Manufacturing merry-go-rounds for amusement parks. Arrow Development Co., Mountain View, CA.
Collection Restrictions:
Collection is open for research but the films are stored off-site. Special arrangements must be made directly with the Archives Center staff to view episodes for which no reference copy exists. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees will be charged for reproductions.
Collection Citation:
Industry on Parade Film Collection, 1950-1959, Archives Center, National Museum of American History, Smithsonian Institution.
Corporate Creator: Paramount Pictures, distributed by UM&M TV Corp.
Producer: Adolph Zukor
Director: Fred Waller
Performer(s): Duke Ellington and His Orchestra, personnel: aumented orchestra includng: Hardwick, Hodges, Bigard, Carney;, Whetsol, Williams, Jenkins; Nanton, Tizol, Brown; Ellington, Guy, Braud, Greer, vocals by Billie Holiday, dances featuring Snake Hips Tucker and Bessie Dudley
Song Title(s): "Symphony in Black: A Rhapsody of Negro Life"
1. The Laborers - solos by Brown, Hodges
2. A Triangle: Dance, Jealousy, Blues - solos by Brown, Cootie, Barney, Nanton; Tucker and Dudley, vocals by Billie Holliday
3. A Hymn of Sorrow - solo possibly by Cootie Williams
4. Harlem Rhythm - Merry-Go-Round, solo by Jenkins, dancing by Snake Hips Tucker
Video reference copy
Collection Restrictions:
Collection is open for research but the films are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Ernie Smith Jazz Film Collection, Archives Center, National Museum of American History.
Sponsor:
America's Jazz Heritage: A Partnership of the The Lila Wallace-Reader's Digest Fund and the Smithsonian Institution provided the funding to produce many of the video master and reference copies.
Descriptive Summary: 1718f., b&w, a compilation reel created by Ernie Smith
1. Three teen-age "street boys"
Descriptive Summary: silent
Copyright: 1903
2. Cakewalk
Descriptive Summary: silent
Copyright: 1903 (see also 491.1(2))
3. "Tiger Rag"
Copyright: 1929
Performer(s): James Barton
4. Symphony in Black: A Rhapsody of Negro Life, (excerpt from 491.29)
Copyright: 1935
Corporate Creator: Paramount Pictures
Producer: Adolph Zukor
Director: Fred Waller
Performer(s): Snake Hips Tucker, Duke Ellington and His Orchestra incl. Greer, Hodges, Whetsol and Jenkins
Song Title(s): "Merry-Go-Round", part Four-Harlem Rhythm
5. "Harlem Harmony"
Copyright: 1932
Performer(s): Cab Calloway, introduction by James Wallington
Song Title(s): "Harlem Harmony"
6. Snow White (see also 491.187)
Copyright: 1933
Corporate Creator: Fleischer Studios, distributed by Paramount Pictures
Producer: Max Fleischer
Director: Dave Fleischer
Performer(s): Cab Calloway, voice of Betty Boop is Mae Questel
Song Title(s): "St. James Infirmary Blues", vocals by Calloway and Questel
7. "Christopher Columbus"
Copyright: 1937
Performer(s): Stringbean, Jimmy Lunceford and His Orchestra, (Willie Smith on alto sax)
8. "Nagasaki"
Copyright: 1934
Performer(s): Red and Struggie, Lucky Millinder's Orchestra
9. unidentified clip
Copyright: ca. early 1940s
Performer(s): Slick and Slack, (bass drum reads Chris and Crew)
10. "Solid Sending Soft Shoe Specialist"
Copyright: 1944
Performer(s): Rubberneck Holmes
11. Stump and Stumpy
Copyright: 1948
12. "Ain't Misbehaven"
Copyright: 1948 Performer(s) Patterson and Jackson
13. Raymond Kaylund
Copyright: 1941
Performer(s): Jimmy Lunceford and His Orchestra
Descriptive Summary: Same setting as #7, but noted as 1941
14. A Bundle of Blues, excerpt
Copyright: 1933
Corporate Creator: Paramount Pictures
Performer(s): Bessie Dudley and Florence Hill, Duke Ellington and His Orchestra personnel: Hardwick, Hodges, Bigard, Carney (reeds), Whetsol, Williams, Jenkins (trumpets), Nanton, Tizol, Brown (trombones), Ellington, Guy, Broad, Greer (rhythm)
Song Title(s): "Bugle Call Rag"
15. "Bugle Call Rag"
Copyright: 1938
Performer(s): Miss Harris
16. "It Don't Mean A Thing" and an unidentified musical number
Copyright: 1939
Performer(s): Miller and Rhodes, unidentified young female
17. Follow the Boys, excerpt
Descriptive Summary: An excerpt from a George Raft film.
Copyright: 1944
Corporate Creator: Universal Films Producer(s): Charles K. Feldman, Albert L. Rockett
Director: A. Edward Sutherland Performer(s):
Song Title(s): "Sweet Georgia Brown"
18. Al Minns and Leon James; Playboy Club Show, excerpt
Descriptive Summary: an excerpt from 491.5
Copyright: 1964
Corporate Creator: Playboy Magazine/Enterprises
Producer: Dan Schuffman
Director: Dan Schuffman
Performer(s): Al Minns and Leon James
Song Title(s): Camptown Races, "Charleston", "Stompin' at the Savoy", "One O'Clock Jump", "How High the Moon"
19. The Berry Brothers
Copyright: ca. late 1940s, early 1950s
Performer(s): Introduced by Phil Silvers, The Berry Brothers
20. Three scat-singing unidentified male dancers
21. Two unidentified male dancers
22. Jump rope dancer
Corporate Creator: Vitaphone, Warner Brothers
Video reference copy
Collection Restrictions:
Collection is open for research but the films are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Ernie Smith Jazz Film Collection, Archives Center, National Museum of American History.
Sponsor:
America's Jazz Heritage: A Partnership of the The Lila Wallace-Reader's Digest Fund and the Smithsonian Institution provided the funding to produce many of the video master and reference copies.
