This collection consists of materials gathered by Angela Shaw during her time at Pan Am including eleven menus from various routes; a large 1992 wall calendar featuring color illustrations of areas serviced by Pan Am; two unused Travel Card passes; two unused luggage tags; an unused luggage identification label; thirty-three unused color post cards of various sizes, some duplicates, showing various Pan Am and Altair aircraft, various locations serviced by Pan Am, and important moments in the company's history; two copies of Angela Shaw's Duty Director - Operations Control business card; the October 1989 issue of Pan Am Clipper newsletter featuring an article about Operations Control and Angela Shaw; identification badge issued to Shaw on the occasion of Ronald Reagan's trip to Ireland, Normandy and the London Economic Summit in 1984; two 1968 employee stock purchase certificates in Shaw's name; Altair Airlines cabin safety cards for the Douglas DC-9-32 and the Fokker F.28 Fellowship; a brochure promoting Altair; Pan Am's 1968 Annual Report; "The First 50 years of Pan Am" booklet; an unused iron-on transfer with an illustration of various airline crew trying to right the upside down Pan Am "world" logo and the words "Let's ALL pull together - we CAN turn it around!;" seven issues of Pan Am Flight Ops newsletter; one issue of "Crosscheck Flight Safety Dialogue" published by Pan Am; Pan Am Emergency Manual; 1988 Federal Aviation Administration Advisory Circular telling airlines how to disperse their fleet in the event of a nuclear attack on the United States; scroll of teletype message sent from the Command Post to the field during the crash of Pan Am Flight 103 that went down in Lockerbie, Scotland and the Command Post Log for this crash; April 27, 1992 issue of Time magazine and January 2 and 9, 1989 issues of Newsweek magazine with cover stories on the Pan Am Flight 103 crash (there is also a photocopy of the January 2 Newsweek article); Command Post Log dealing with the 1991 Soviet coup d'état attempt including air traffic regulation and possible evacuation of Embassy personnel; folder of Security Task Force Wires and Security Alert Bulletins from New York Operations Control including information on potential terrorist threats and types of behaviors that should label a traveler as suspicious; three air traffic pattern charts that could be used to assist in rerouting aircraft as necessary; Pan American System Control Center Daily Log entries for the period of December 15, 1989 through January 2, 1989 describing incidents such as bomb threats, suspicious travelers, and aircraft delays; copy of Military Airlift Command Regulation 55-8 dealing with operations of the Civil Reserve Air Fleet (CRAF); 1990 memo from United States Air Force to civil air carriers regarding chemical warfare defense for CRAF; memo containing annual refresher briefing updates to the "Industrial Security Manual" for all Pan Am employees holding CRAF Security Clearance; photocopy of a letter from Albert E. Brockob (Pan Am pilot) to Colonel Ronald N. Priddy, USAF regarding a CRAF mission during Operation Desert Storm during which the aircraft encountered Scud missile alerts with a copy of the flight crew report and copy of an Aviation Week & Space Technology article about the incident attached; Fall 1990 issue of Airlift: The Journal of the Airlift Operations School featuring information on defensive systems for airlifters; one folder of airport security memos and various security alerts issued by Pan Am and the Federal Aviation Administration including information on terrorist threats, political unrest, and other incidents; a folder of blank airline forms and charts including crew member's U.S. customs declarations, North Atlantic Plotting Chart, takeoff computations forms, aircraft allowable ramp weight computation chart, balance computer, loading planner and sheets, aircraft movement message, fuel loading instructions, and a Douglas DC-8-63 load manifest; and one folder of newspaper and magazine articles regarding terrorism and travel.
Biographical / Historical:
Pan American World Airways was active in the airline industry from 1927, when it established a regular scheduled international service, to its bankruptcy in late 1991. Pan American was the first American airline to operate a permanent international air service. From its first route between Key West and Havana, Pan Am extended its routes into the rest of the Caribbean, Central America and South America. In 1936, Pan Am inaugurated passenger service in the Pacific, and began service in the Atlantic in 1939. Pan Am started around-the-world commercial air service in 1947. Besides setting many "firsts" with routes, Pan Am also established "firsts" in the aircraft technology they chose, such as being the first to use Boeing Model 747s in regular scheduled services. Angela Shaw was the Duty Director - Operations Control.
Provenance:
Angela Shaw, Gift, 2008
Restrictions:
No restrictions on access.
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Collection consists of miscellaneous late nineteenth/early twentieth century scrapbooks containing postcards, trade cards, greeting cards, decals, and other ephemera.
Scope and Contents note:
Miscellaneous late nineteenth/early twentieth century scrapbooks containing postcards, trade cards, greeting cards, decals, and other ephemera. Included are: (1) trade cards for thread, tobacco, barbers, sewing machines, toiletries and shaving products, tobacco, undertakers and patent medicine; (2) images of women, children, pets, and flowers; (3) greeting cards celebrating Christmas, birthdays, Halloween, and St. Patrick's Day; and (4) postcards from the United States and around the world. Some of the items in the scrapbooks are comical or picturesque. Most of the scrapbooks were created by women. Also included are several twentieth century diaries, including two travel diaries written by women.
Arrangement:
Collection is arranged into one series.
Provenance:
Scrapbook donated by Mike Blakeslee on September 19, 1997. The collection continues to add accruals.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Casting a shadow : creating the Alfred Hitchcock film / edited by Will Schmenner and Corinne Granof ; exhibition curated by Will Schmenner ; contributions by David Alan Robertson ... [et al.]
Lindbergh, Charles A. (Charles Augustus), 1902-1974 Search this
Extent:
0.05 Cubic feet (2 items)
Type:
Collection descriptions
Archival materials
Menus
Ephemera
Date:
June 14, 1927
Summary:
This collection consists of an invitation to and a menu (program booklet) from the "WE" banquet sponsored by the Mayor's Committee on Receptions held at the Hotel Commodore in New York City on June 16, 1927, commemorating Charles A. Lindbergh's solo transatlantic flight.
Scope and Contents:
This collection consists of two items of ephemera issued by the New York City Mayor's Committee on Receptions [New York City] for the "WE" banquet, commemorating Charles A. Lindbergh's solo transatlantic flight, which was held on Tuesday, June 16, 1927, at 7:00 p.m. at the Hotel Commodore: an engraved invitation and a menu in the form of a program booklet.
The menu is an 11 x 8.5 inch booklet, 12 pages, bound with three-ply blue, white, and gold twisted silk cord with decorative tassels. The front cover illustration, a hand-colored blue-gray collotype print with a gold embossed Seal of the City of New York, features a view of the Ryan NYP Spirit of St. Louis (r/n N-X-211) in low-level flight over the ocean (top), and (at bottom) the Statue of Liberty in New York and the Eiffel Tower in Paris, France, and crossed American and French flags with olive branches. Interior pages include the short text "Lindbergh Flies Alone," credited to The New York Sun; a blue-gray collotype portrait photograph of Lindbergh with facsimile signature (credited to Underwood & Underwood); a dinner menu; a program of events, and a list of members of the Mayor's Committee on Receptions (Grover A. Whalen, William H. Woodin, Edward L. Stanton, and George F. Mand). Speakers included Alfred E. Smith, Governor of the State of New York; Dr. John H. Finley; Charles A. Lindbergh; Patrick Cardinal Hayes, Archbishop of New York; William T. Manning, Bishop of the New York Protestant Episcopal Diocese; and James J. "Jimmy" Walker, Mayor of the City of New York.
Arrangement:
This collection contains two items. The invitation has been assigned NASM Archives image reference number NASM-9A18882, and the menu is NASM-9A18883. Note that pages 10 and 11 of the menu booklet are blank and have not been digitized.
Biographical / Historical:
On May 21, 1927, Charles Augustus Lindbergh (1902-1974) completed the first solo nonstop transatlantic flight in history, flying his Ryan NYP Spirit of St. Louis (r/n N-X-211) 5,810 kilometers (3,610 miles) between Roosevelt Field on Long Island, New York, and Paris, France, in 33 hours, 30 minutes. With this flight, Lindbergh won the $25,000 prize offered by New York hotel owner Raymond Orteig to the first aviator to fly an aircraft directly across the Atlantic between New York and Paris. When he landed at Le Bourget Field in Paris, Lindbergh became a world hero who would remain in the public eye for decades. Following his historic New York to Paris flight, Lindbergh and the Spirit of St. Louis returned to the United States aboard the USS Memphis, arriving at Washington, D. C. on June 11, 1927. Two days later, on June 13, he flew on the Spirit of St. Louis to New York City where he was honored by a tickertape parade. Celebrations continued on June 14 with the "WE" banquet at the Hotel Commodore sponsored by the Mayor's Committee on Receptions. On June 16, Orteig presented the prize check to Lindbergh during a tea held at the Hotel Brevoort. Later that evening Lindbergh proceeded on to a dinner held in his honor at the Hotel Waldorf-Astoria by the Aeronautical Chamber of Commerce of America.
The Hotel Commodore, at 109 East 42nd Street, New York City (adjacent to Grand Central Station), first opened its doors in January 1919. The building was extensively remodeled in the mid-1970s, reopening with an all-glass façade in 1980 as the Grand Hyatt New York.
Related Materials:
Program from the June 16, 1927, tea at the Hotel Brevoort where Lindbergh was presented with the $25,000 Orteig Prize check: Raymond Orteig Testimonial Dinner Program, NASM.2001.0051.
Program from the June 16, 1927, dinner at the Hotel Waldorf-Astoria sponsored by the Aeronautical Chamber of Commerce of America, Inc.: Charles A. Lindbergh Dinner Menu, NASM.XXXX.0542.
Provenance:
Unknown, transfer from NASM Aeronautics Department, 2012, NASM.XXXX.0362
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Lindbergh, Charles A. (Charles Augustus), 1902-1974 Search this
Extent:
0.05 Cubic feet (1 booklet, 12.5 x 9.5 inches)
Type:
Collection descriptions
Archival materials
Menus
Date:
June 16, 1927
Summary:
This collection consists of one menu (program booklet) from the Aeronautical Chamber of Commerce of America, Inc. dinner held at the Hotel Waldorf-Astoria on June 16, 1927, commemorating Charles A. Lindbergh's solo transatlantic flight.
Scope and Contents:
This collection consists of one 12.5 x 9.5 inch booklet from an Aeronautical Chamber of Commerce of America, Inc. dinner held at the Hotel Waldorf-Astoria on June 16, 1927, commemorating Charles A. Lindbergh's solo transatlantic flight. The booklet includes a black and white collotype autographed print portrait photograph of Charles A. Lindbergh, dinner menu, speaker and guest list, and a reprint from The New York Herald, Paris, Tuesday, May 31, 1927, entitled "As a Frenchman Saw Colonel Lindbergh." The inside front cover is signed by the donor, Enza Alton Zeller (1895-1984).
Arrangement:
This is a single item collection. The menu has been assigned NASM Archives image reference number NASM-9A18881. Pages 10 and 11 of the menu are blank and have not been digitized.
Biographical / Historical:
On May 21, 1927, Charles Augustus Lindbergh (1902-1974) completed the first solo nonstop transatlantic flight in history, flying his Ryan NYP Spirit of St. Louis (r/n N-X-211) 5,810 kilometers (3,610 miles) between Roosevelt Field on Long Island, New York, and Paris, France, in 33 hours, 30 minutes. With this flight, Lindbergh won the $25,000 prize offered by New York hotel owner Raymond Orteig to the first aviator to fly an aircraft directly across the Atlantic between New York and Paris. When he landed at Le Bourget Field in Paris, Lindbergh became a world hero who would remain in the public eye for decades. Following his historic New York to Paris flight, Lindbergh and the Spirit of St. Louis returned to the United States aboard the USS Memphis, arriving at Washington, D. C. on June 11, 1927. Two days later, on June 13, he flew in the Spirit of St. Louis to New York City where he was honored with a tickertape parade. Celebrations continued on June 14 with the "WE" banquet at the Hotel Commodore sponsored by the Mayor's Committee on Receptions. On June 16, Orteig presented the prize check to Lindbergh during a tea held at the Hotel Brevoort. Later that evening Lindbergh proceeded on to a dinner held in his honor at the Hotel Waldorf-Astoria by the Aeronautical Chamber of Commerce of America.
The Aeronautical Chamber of Commerce of America, Inc. was a national aircraft industry trade organization incorporated in New York State in 1919 and formally organized in 1921 to promote the business of aviation. They are perhaps best known for their publication Aircraft Year Book, issued annually from 1919 through 1960. The Hotel Waldorf-Astoria, on Fifth Avenue between 33rd and 34th Streets, New York City, well known for being the site of numerous dinners and balls, was demolished in 1929.
Related Materials:
Program from the June 14, 1927, "WE" banquet at the Hotel Commodore sponsored by the Mayor's Committee on Receptions: Charles A. Lindbergh Banquet Program, NASM.XXXX.0362.
Program from the June 16, 1927, tea at the Hotel Brevoort where Lindbergh was presented with the $25,000 Orteig Prize check: Raymond Orteig Testimonial Dinner Program, NASM.2001.0051.
Provenance:
Enza Alton Zeller, gift, 1966, NASM.XXXX.0542
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
The collection measures 45.7 linear feet and and documents the life of American abstract artist, writer, poet, and illustrator Charles Green Shaw. The papers date from 1833-1979 with the bulk of the material spanning 1909-1974 and a single item of ephemera dating from 1686. Records include biographical information and correspondence with family, colleagues and several artists and writers. The papers also contain writings and extensive diaries, sketchbooks and scrapbooks spanning Shaw's entire career, scattered financial records and other printed material.
Scope and Content Note:
The collection measures 45.7 linear feet and and documents the life of American abstract artist, writer, poet, and illustrator Charles Green Shaw. The papers date from 1833-1979 with the bulk of the material spanning 1909-1974 and a single item of ephemera dating from 1686. Shaw's personal life and career are well documented through biographical information, correspondence, writings, extensive diaries and sketchbooks, scattered financial records, scrapbooks and other printed materials.
Series 1: Biographical Information includes a number of family documents. Shaw's correspondence in Series 2 consists mainly of incoming letters from friends and a small amount of correspondence from notable individuals including Adele Astair, Clarence and Ruby Darrow, F. Scott Fitzgerald, John D. Graham, Anita and John Loos, H. L. Mencken, Robert C. Osborn, Cole Porter, Carl Van Vechten and Walter Winchell. The series also includes some nineteenth century family correspondence.
Among Shaw's writings in Series 3 are 145 diaries containing daily one-page entries that outline his daily schedule. In addition, there are drafts and final manuscripts of fiction, non-fiction, plays, and poems, as well as quizzes devised for his newspaper column, and short writings for magazines. Notes include travel observations, notes on restaurants and nightclubs, notes for fiction, quotations, and lists of his collections. Writings by other authors on a variety of topics include children's books illustrated by Shaw, a review of Shaw's poetry, and an article about Shaw as a modern painter.
Artwork by Shaw in Series 4 includes collages, drawings, and paintings. Of particular interest are 340 sketchbooks containing sketches and finished drawings in pencil and ink, watercolor and gouache paintings, pastels and collages. Among the artwork by other artists is a charcoal portrait, probably of Shaw, by Betty George.
Series 5: Financial Records, consists mainly of banking records, tax returns, and royalty statements. Also included is information about art sales and payment for writings; receipts are for art related expenses and document purchases for Shaw's collection of tobacco figures.
Series 6: Scrapbooks (37 volumes) documents Shaw's entire career. Five volumes concern his art and exhibitions, 9 volumes preserve his published writings, 20 volumes contain published poems, and an additional 5 volumes are devoted to miscellaneous subjects.
Additional printed matter in Series 7: Printed Material, consists of items by Shaw, by other authors, and miscellaneous material. Items by Shaw includes articles, books by and/or illustrated by Shaw, plays, and poems. Printed material by other authors includes pieces about or mentioning Shaw, books, exhibition catalogs and related records, and periodicals. Among the miscellaneous printed material are auction and book catalogs, clippings, and ephemera. Also included are a wide assortment of menus, along with theatrical memorabilia, travel brochures and printed souvenirs collected by Shaw.
Series 8: Miscellaneous Records, consists of a variety of artifacts including the Century Association Art Committee Medal awarded Shaw, a letter opener carved with his monogram, and printing plates for color reproductions of a painting by Shaw and of prints in his collection. Other miscellaneous records are two sound recordings, a tape recording of Shaw reading his poetry, and an unidentified phonograph album.
Series 9: Photographs includes photos of artwork, people, places and miscellaneous subjects. Artwork depicted here is mainly by Shaw, but there are also photographs of work by other artists, and of items in Shaw's collections of tinsel prints and tobacco figures, as well as views of various exhibition installations.
Arrangement:
The collection is arranged as 9 series:
Missing Title
Series 1: Biographical Information, 1874-1970 (Boxes 1, 46, OV 50; 0.2 linear ft.)
Series 2: Correspondence, 1833-1973 (Boxes 1-3; 2.5 linear ft.)
Series 3: Writings, 1910-1971 (Boxes 3-20, 46; 17.5 linear ft.)
Series 4: Artwork, 1929-1974 (Boxes 21-30, 47-49, OV50; 10.15 linear ft.)
Series 5: Financial Records, 1933-1971 (Boxes 30-31; 0.65 linear ft.)
Series 6: Scrapbooks, 1922-1970 (Boxes 31-34, 46; 3.2 linear ft.)
Series 7: Printed Material, 1686-1979 (Boxes 34-41, 46; 7.6 linear ft.)
Series 8: Miscellaneous Records, circa 1890s-circa 1970s (Boxes 42, 51-52; 0.35 linear ft.)
Series 9: Photographs, 1885-circa 1970 (Boxes 42-46, OV 50; 3.45 linear ft.)
Biographical Note:
A significant figure in American abstract art, Charles Green Shaw (1892-1974) enjoyed a varied career as a writer, illustrator, poet, modernist painter, and collector. Born to a wealthy family and orphaned at a young age, Charles and his twin brother were raised by their uncle, Frank D. Shaw. At age nine, he was already an avid painter and had illustrated his first book, The Costumes of Nations.
After Shaw's 1914 graduation from Yale, he attended the Columbia University School of Architecture. In the years before World War I he worked briefly in the real estate business, but was primarily occupied as a member of café society. During the war he was a pilot stationed in England with the American Expeditionary Force's aero squadron.
As a young man, Shaw decided to become a writer and devoted his time and attention to this endeavor for a decade. In the 1920s, Shaw spent extended periods living and writing in London and Paris, and contributed many pieces to publications such as The New Yorker, Smart Set, Vanity Fair and Town & Country. Two of Shaw's novels, Heart In a Hurricane (1927) and The Low Down (1928), were published during this period. His play What Next! was produced in New York in 1928, but its run was brief. Later, he published New York --Oddly Enough (1938), and wrote and illustrated children's books including The Giant of Central Park (1940) and It Looked Like Spilt Milk (1947), in addition to illustrating several more books by other children's authors.
A highly accomplished poet partial to haiku and cinquain, Shaw published three volumes of poetry: Image of Life (1962), Into the Light (1959), and Time Has No Edge (1966). More than 1500 of his poems appeared in numerous American and European poetry magazines. He received the Michael Strange Poetry Award in 1954, and was a member of the Poetry Society (London), American Poets Fellowship Society, and North American Poets.
Shaw studied at the Art Students League in 1926 under Thomas Hart Benton and as a private pupil of George Luks. He became aware of abstract art and its various movements while traveling in Europe in the 1920s. When he began painting seriously in the early 1930s, Shaw drew from what he had seen and learned of modernism in Paris to develop his own style that incorporated American themes and technology. His earliest modern work was in the cubist vein. He constructed Arp-influenced wooden reliefs and the plastic polygon series (1933-1939) that foreshadowed shaped paintings developed by the next generation. Shaw's paintings progressed to hard edged abstractions and a return to figurative work in the 1940s was followed by abstract expressionism. Shaw had few connections with other New York artists, although he was well acquainted with A. E. Gallatin and George L. K. Morris and was a member of American Abstract Artists from its inception.
His first solo exhibition was at Valentine Gallery in 1934; in the following year he had a one man show at Gallatin's Museum of Living Art. Shaw was among the artists included in Gallatin's 1936 show, "Five Contemporary American Conceretionists," originating at the Rienhardt Gallery and then traveling to Galérie Pierre in Paris, and Mayer Gallery in London. He exhibited widely and was represented by Passedoit Gallery and Bertha Schaefer Gallery. Shaw's work can be found in major museum collections including the Museum of Modern Art, Metropolitan Museum of art, Guggenheim Museum, Art Institute of Chicago, Brooklyn Museum, and San Francisco Museum.
Around 1945, Shaw began creating approximately 600 montages that included collage and incorporated early prints, dice, antique playing cards, pipes, and fabrics arranged in shadow boxes. Though many of the montages decorated his apartment, they were never exhibited publicly during his lifetime.
Shaw was an avid collector. Among his collections were antique playing cards; figures, folk art, and implements relating to tobacco; tinsel prints, particularly of theatrical figures; prints and paper ephemera relating to the London theater; horse brasses; and antique police truncheons. In addition, Shaw was an authority on Lewis Carroll about whom he wrote a number of articles.
Charles Green Shaw died in New York City in 1974.
Provenance:
Charles Green Shaw bequeathed his scrapbooks to the Archives of American Art in 1974. The remaining papers were a gift of his estate in 1975.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, Abstract -- New York (State) -- New York Search this
The Archival collections of the National Association of Civilian Conservation Corps Alumni (NACCCA) donated in 2006. The Civilian Conservation Corps (CCC), created as part of the New Deal legislation initiated by President Franklin D. Roosevelt in 1933, was a public work relief program for unemployed men designed to reduce high unemployment during the Great Depression. The CCC carried out a broad natural resource conservation program on national, state, and municipal lands from 1933 to 1942. This collection contains papers, photographs, and ephemera collected and created by alumni of the CCC and donated to the NACCCA archives.
Scope and Contents:
This material was acquired by the National Association of Civilian Conservation Corps Alumni (NACCCA)from CCC alumni and originally housed in the NACCCA archives in St. Louis, Missouri. Photographic materials, including loose photos, slides, snapshots, group photos, panoramic photos, and albums and binders of photographs; printed materials, including newspapers published by individual companies, camps and districts, and the national CCC newspaper, Happy Days; materials documenting each camp, including camp histories, personal memoirs, blueprints of camps and projects worked on; the papers of C.E. Ward, Educational Director of the CCC's 3rd Corps, which document the planning and implementation of educational activities in that region; miscellaneous materials, including camp rosters, cartoons, menus, poems, pamphlets, booklets, magazines, manuals, enrollee discharge papers, work logs, and sheet music; and other more recent materials such as research papers, books on the CCC, selected audiotape and video interviews with some of the alumni; and other miscellaneous items. The collection is arranged into nine series.
Arrangement:
The collection is divided into nine series.
Series 1: Scrapbooks, 1853-2003, undated
Series 2: State Material, 1922-2008, undated
Series 3: Publications, 1924-2006, undated
Series 4: C.E. Ward, 3rd Corps, 1933-2001, undated
Series 5: Photographs, 1929-2008, undated
Series 6: General Ephemera, 1915-2006, undated
Series 7: Bidwell Addendum, 1933-1987, undated
Series 8: Bires Addendum, 1934-1985, undated
Series 9: Audiovisual Materials, 1933-2009, undated
Biographical / Historical:
The Civilian Conservation Corps (CCC) was a New Deal era program, created in 1933 to reduce unemployment, a direct result of the Great Depression. The CCC provided national conservation work across the United States for young, unmarried men. Veterans could be enrolled in the CCC after verification of their service by the Veteran's Administration. Veterans were exempt from the age and marriage restriction. Projects included planting trees, bulding flood barriers, combatting forest fires, maintaining forest roads and trails, and building recreational facilities in the National Park system and a host of other projects. There were separate CCC programs for Native Americans of recognized tribes and African Americans. In 1942, with the waning of the Great Depression and America's entry into World War II in December 1941, resources devoted to the CCC (men and materials) were diverted to the war effort. Congress ceased funding for the CCC and liquidation of the CCC was included in the Labor-Federal Security Appropriation Act (56 Stat. 569) on July 2, 1942, and for the most part completed by June 30, 1943. Appropriations for the liquidation of the CCC continued through April 20, 1948.
Related Materials:
Materials at Other Organizations
National Archives and Records Administration
Record Group 35, Civilian Conservation Corps
Provenance:
Collection donated by National Association of Civilian Conservation Corps Alumni in 2006.
Restrictions:
This collection is open for research use.
Researchers must handle unprotected photographs with cotton gloves. Researchers may use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis and as resources allow.
Viewing film portions of the collection requires special appointment, please inquire; listening to LP recordings is only possible by special arrangement.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view materials in cold storage. Using cold room materials requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Conservation of natural resources -- 1930-1950 Search this
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jaime Davidovich papers, 1949-2014. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing and digitization of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Additional funding for the digitization of the papers was provided by the Roy Lichtenstein Foundation.
The collection documents the history of the Cozy Inn and Restaurant in Thurmont, Maryland.
Scope and Contents:
Collection documents the management, day-to-day operations, activities, and history of the Cozy Inn business. Materials include registration records; accounting papers and other business records; correspondence, including some fan mail; internal employee newsletters; the restaurant's menus for ordinary days, and for special occasions and holidays; take-out and catering menus; recipes; placemats; handbooks for employees; internal memos and instructions about hiring procedures, employee comportment and protocol; and advertising and promotional materials. It is evident that the Cozy Inn's owners were aware of its historical significance and they saved advertising brochures from various time periods, newspaper clippings and magazine advertisements, certificates, honors and awards, photograph albums, a scrapbook, and voluminous amounts of clippings. The photographs contained in the collection are extremely rich, documenting both the physical changes in the hotel and restaurant over the years, entertainment activities, and several celebrity guests who stayed there. The collection is arranged into five series: Series 1, Administrative Files, 1885-2014, undated; Series 2, Menus, 1943-2015, undated; Series 3, Printed Advertisements and Ephemera, 1932-2014, undated; Series 4, Magazine Articles and Newspaper Clippings, 1935-2013, undated; and Series 5, Photographic Materials, 1920-2009, undated.
Arrangement:
The collection is arranged into five series.
Series 1, Administrative Files, 1885-2014, undated
Series 2, Menus, 1943-2015, undated
Series 3, Printed Advertisements and Ephemera, 1932-2014, undated
Series 4, Magazine Articles and Newspaper Clippings, 1935-2013, undated
Series 5, Photographic Materials, 1920-2009, undated
Biographical / Historical:
The Cozy Inn was an eighty five year old business when it closed in 2014. Located on a major highway near Gettysburg and the Catoctin Mountains, Wilbur Freeze started what was then called Camp Cozy in 1929, with just three cabins, later adding a gas station to attract tourists, and in the 1930s, he added in a small lunch counter, and eventually a full service restaurant. It is an excellent example of a 20th century business that started small and grew large, increasing the services offered over time. The Inn grew both in size and popularity, and the Freezes added entertainment attractions in order to increase business, including festivals and special offerings for various holidays. Some of the attractions were eccentric, such as hot air balloons and live animal shows.
In 1942, the presidential retreat Camp David (then known as Shangri-La) was established just six miles away. This led to the Cozy Inn becoming the headquarters for Secret Service agents, reporters and photographers during events that occurred at Camp David. Sometimes foreign dignitaries stayed there. State and local politicians such as members of the Senate, governors of states, cabinet members, and Presidents' family members, also were guests.
The Freezes were fond of boasting that they were the oldest family-run restaurant in the state. They also capitalized on their proximity to Camp David, using the fact in their advertising and naming the Inn's rooms after presidents. In 2005, they started a small Museum on the history of the Inn, its famous guests, and its connection to Camp David. They also sold souvenirs that related to that connection. They regularly hosted weddings and other events and were famous for their lavish holiday decorations. At Christmas they set up gingerbread houses, multiple Christmas trees, a miniature railroad village, etc. The Cozy Inn's restaurant cultivated a large number of repeat, loyal customers with its family atmosphere and comfort food. Some of its dishes became locally famous, like its clam chowder.
Provenance:
Collection donated by Gerald G. Freeze, 2015
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
