Photographs mostly commissioned and collected by personnel in the Bureau of American Ethnology. Most of the photographs are studio portraits of Native Americans made by the Bureau of American Ethnology and Smithsonian Institution, possibly for physical anthropologist Ales Hrdlicka. There are also photographs made by Truman Michelson among the Catawba tribe, copies of illustrations and drawings, and various images of archeological sites and artifacts.
Local Call Number(s):
NAA Photo Lot 87-2M, USNM ACC 42191
Location of Other Archival Materials:
Original negatives for many photographs in this collection held in the National Anthropological Archives in the BAE historical negatives.
Additional Michelson photographs held in National Anthropological Archives Photo Lot 13, Photo Lot 24, MS 2139, and MS 4365-c.
Additional Hillers photographs held in National Anthropological Archives Photo Lot 14, Photo Lot 24, Photo Lot 28, Photo Lot 40, Photo Lot 143, Photo Lot 83-18, Photo Lot 87-2N, Photo Lot 90-1, Photo Lot 92-46, and the BAE historical negatives.
Additional Jackson photographs held in National Anthropological Archives Photo Lot 24, Photo Lot 37, Photo Lot 40, Photo Lot 60, Photo Lot 93, Photo Lot 143, Photo Lot R82-10, Photo Lot 87-2P, Photo Lot 90-1, Photo Lot 92-3, the records of the Department of Anthropology, and the BAE historical negatives.
Additional Smillie photographs held in the National Museum of American History Archives Center in the Frances Benjamin Johnston and Thomas W. Smillie Glass Plate Negatives and in Smithsonian Institution Archives SIA Acc. 05-123.
Additional Gardner photographs held in National Anthropological Archives Photo Lot 24, Photo Lot 80-18, Photo Lot 87-2P, Photo Lot 90-1, and the BAE historical negatives.
Associated busts and molds held in the Department of Anthropology collections in accession 42191.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Indians of North America -- Southern states Search this
Photo lot 87-2M, Bureau of American Ethnology photograph collection relating to Native Americans, National Anthropological Archives, Smithsonian Institution
This collection contains all 20 original folios of Thomas Loraine Mckenney and James Hall's History of the Indian Tribes of North America, with biographical sketches and anecdotes of the principal chiefs. The folios were published and sent to subscribers between 1836-1844 and include 120 hand-colored lithographic plates. As Superintendent of Indian Affairs from 1824-1830, McKenney commissioned and collected portraits of Native American leaders, the majority painted by Charles Bird King. These portraits, along with biographical text by James Hall, form the basis of History of the Indian Tribes of North America.
Scope and Contents:
This collection includes all 20 folios of Thomas Loraine Mckenney and James Hall's History of the Indian Tribes of North America, with biographical sketches and anecdotes of the principal chiefs in their original wrappers. Each folio includes six hand-colored lithographic plates along with biographical essays on Native American leaders, both men and women, from the early 19th century.
Native Communities represented in these volumes include—Sauk, Meskwaki (Fox), Shawnee, Osage, Anishinaabe (Chippewa/Ojibwa), Mississippi Choctaw, Mdewakantonwan Dakota (Mdewakanton Sioux), Eastern Band of Cherokee, Ho-Chunk (Winnebago), Oto, Seneca, Chaticks Si Chaticks (Pawnee), Yanktonnai Nakota, Muskogee (Creek), Omaha, Iowa, Sac and Fox (Sauk and Fox), Oklahoma Cherokee, Lenape (Delaware), Numakiki (Mandan), Euchee (Yuchi), Potawatomi, Seminole, Mohawk, Menominee (Menomini), Quatsino Kwakwaka'wakw, Odawa (Ottawa), Pikuni (Piegan) [Blackfeet Nation, Browning, Montana], Powhatan, Kaw (Kansa).
The lithographs were cataloged individually with P (print) numbers P27694-P27813, though not physically separated from their volumes.
Please note that the language and terminology used in this collection reflects the context and culture of the time of its creation, and may include culturally sensitive information. As an historical document, its contents may be at odds with contemporary views and terminology. The information within this collection does not reflect the views of the Smithsonian Institution, but is available in its original form to facilitate research.
Arrangement:
Arranged by foilio number.
Biographical / Historical:
Thomas Loraine McKenney was born in 1785 to a family of Quakers in Hopewell, Maryland. Following the abolition of the U.S. Indian Trade program in 1822, McKenney (1785-1859) was appointed to the new position of Superintendent of Indian Affairs, which he held from 1824-1830. During his time as Superintendent of Indian trade in Georgetown, McKenney hired the painter Charles Bird King and began developing a governmental collection of portraits of prominent Native chiefs and elders who visited Washington. Between 1821-1842, King painted over 100 portraits with some assistance from friend and student George Cook.
Following his dismissal from the War Department by President Andrew Jackson in 1830, McKenney moved to Philadelphia to begin the process of getting his collection of portraits reproduced as lithographs with original hand coloring. The publication would document the extensive collection of King paints, many of which were later lost in a fire that destroyed part of the Smithsonian castle in January 1865.
This process was aided by Edward C. Biddle, a Philadelphia printer, who published the first volume (parts 1-6) in 1836 of what would be a three-volume set of 20 folios. James Hall (1793-1868), a judge and known writer, was hired to write text based on McKenney's research. Later parts were published between 1836-1844 by Frederick W. Greenough (parts 7-13), J.T. Bowen (part 14), and by Daniel Rice and James G. Clark (15-20). Several octavo editions were later published.
Provenance:
Provenance is unknown, part of the Museum of the American Indian, Heye Foundation collection when the MAI became the NMAI in 1989.
Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Identification of specific item; Date (if known); McKenney and Hall's History of the Indian Tribes of North America folios and lithographs image #, NMAI.AC.115; National Museum of the American Indian Archives Center, Smithsonian Institution.
Contents: Words and lists of days, months and years and other time divisions, approximately 100 pages. (includes Maya, Aztec, etc.) Color adjectives, 8 pages. Totemic clans of all tribes, 37 pages. Personal names (Chiefs, etc.), 25 pages. (Personal names of "Knisteneaux or Crees, Shawnee, Crow, Dakota, Arikaras, Cheyennes, Blackfeet, Piegan, Menomoni, Peoria, Otawa, Sauk").
Eastern Band of Cherokee Indians of North Carolina
Date:
1932-1958
Summary:
These are the papers of Washington, D.C. attorney James E. Curry, whose legal career included work both as a government attorney and in his own private practice. The bulk of the papers reflect his private practice in the area of Indian affairs.
Scope and Contents:
The material in the collection includes documents relating to many aspects of Curry's career but most of it relates to his work with Indian tribes and the National Congress of American Indians. For the most, the collection is made up of such materials as letters exchanged with government officials, Indians, and other attorneys; copies of legal documents; published government documents; notes; and clippings and other printed materials. Of particular significance is a subject file relating to Indian affairs. It includes material concerning affairs of Alaskan natives and the Aleut (Akutan, Pribilof Islands), Apache (including Fort Sill, Jicarilla, Mescalero, San Carlos White Mountain), Arapaho (Southern), Assiniboine (Fort Belknap, Fort Peck), Bannock (including Fort Hall), Blackfeet, Caddo, Catawba, Cherokee (Eastern), Cheyenne (Northern, Southern), Chickahominy, Chickasaw, Chippewa (including Lac Courte Oreilles), Choctaw, Cochiti, Cocopa, Coeur d'Alene, Colville, Comanche, Creek, Croatan, Crow, Dakota (Big Foot, Cheyenne River, Crow Creek, Devil's Lake, Flandreau, Fort Totten, Lower Brule, Mdewakanton, Oglala, Rosebud, Santee, Sisseton-Wahpeton, Standing Rock, Yankton), Delaware, Eskimo (including Gambell, Kiana), Flathead, Fox, Haida (including Kasaan), Havasupai, Hopi, Iroquois (Caughnawaga, Seneca, St. Regis), Isleta, Jemez, Kalilspel, Kansa (Kaw), Kickapoo, Kiowa, Klamath, Kutenai, Laguna, Lummi, Maricopa (Gila River, Salt River), Menominee, Missouria, Mohave (Fort Mohave), Mohave Apache (Fort McDowell), Muckleshoot, Navaho, Nez Perce, Niska, Nooksak, Omaha, Osage, Oto, Papago, Paiute (Fallon, Fort McDermitt), Moapa, Pyramid Lake, Shivwits, Walker River, Yerington), Pima (Gila River, Salt River), Potowatomi, Quinaielt, San Felipe, San Ildefonso, San Juan, Santa Ana, Santa Clara, Sandia, Sauk, Seminole (Florida, Oklahoma), Seneca, Seri, Shawnee (Eastern), Shoshoni (including Fort Hall), Sia, Spokan, Stockbridge, Taos (Pyote clan), Tesuque, Three Affiliated Tribes (Mandan, Arikara, and Hidatsa), Tillamook, Tlingit (including Angoon, Craig, Juneau, Kake, Ketchikan, Klawak, Klukwan, Taku, Wrangell), Tsimshian (Metlakatla), Umatilla, Ute (including Uintah-Ouray), Walapai, Washo, Wesort, Winnebago, Wyandot, Yakima, Yaqui, Yavapai, Yuma, and Zuni. There are also materials relating to Curry's work with the Bureau of Indian Affairs and National Congress of American Indians, and material that reflects his interest in conditions and events in given locations (often filed by state) and in organizations with interest in Indians. The material relating to Curry's work in Puerto Rico has been deposited in the Archivo General de Puerto Rico, Instituto de Cultura Puertorriquena, in San Juan.
Arrangement note:
The James E. Curry Papershave been arranged into 6 series: (1) Daily Chronological Files, 1941-1955; (2) Subject Files Regarding Indian Affairs, bulk 1935-1955; (3) Miscellaneous Files Regarding Indian Affairs, bulk 1947-1953; (4) Non-Indian Affairs, n.d.; (5) Puerto Rico Work, 1941-1947; (6) Miscellany, undated.
Biographical/Historical note:
James E. Curry was trained in law in Chicago and practiced in that city from 1930 until 1936, serving part of that time as secretary of the local branch of the American Civil Liberties Union. From 1936 to 1938, he was an attorney with the United States Department of the Interior Bureau of Indian Affairs, being largely involved with matters of credit affecting Indians. From 1938 to 1942, he continued service with the Interior Department but worked in several capacities involving the Puerto Rico Reconstruction Administration, the department's Consumers' Counsel Division, and the Puerto Rico Water Resources Authority.
In 1945, Curry returned to Washington and set up private practice, also maintaining for a time an office in Puerto Rico. In Washington, he became the attorney for the National Congress of American Indians and from that time until the 1950s his practice increasingly involved representation of American Indian tribes, mostly in claims against the federal government. In this work, for a time, he was involved in business relations with a New York Law firm that included Henry Cohen, Felix Cohen, and Jonathan Bingham.
He also often worked closely with lawyers who lived near the tribes he represented, William L. Paul, Jr., of Alaska, for example. This aspect of his practice--representing Indian tribes--was largely broken up during the early 1950s when the Commissioner of Indian Affairs began to use his powers to disapprove contracts between Curry and the tribes. In 1952 and 1953, his official relationship with the National Congress of American Indians was also ended. After this, while Curry continued until his death to act as a consultant in Indian claims with which he had earlier been involved, his career and life developed in a different direction.
Related Materials:
Additional material relating to James E. Curry can be found in the records of the National Congress of American Indians, also located at the National Museum of the American Indian Archive Center.
Provenance:
The Curry papers were originally donated to the National Anthropological Archives by James E. Curry's daughter Mrs. Aileen Curry-Cloonan in December 1973. In 2007 The Curry papers were transferred from the National Anthropological Archives to the National Museum of the American Indian Archive Center along with several other records concerning American Indian law and political rights.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Genre/Form:
Notes
Letters
Clippings
Legal documents
Citation:
Identification of specific item; Date (if known); James E. Curry papers, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
With a few pages of notes relating to each of the following: Cheyenne, Cree, Kickapoo, "Massachusetts Indians," Menominee, Seminole, and Shawnee; and a small amount of Jones' correspondence, 1907-1909, and correspondence about Jones after his death, 1909-1911.
Portraits of Native American artists, craftspeople, activists, and leaders from Stephen Gambaro's photography exhibits: "The Indian, the Animal, and the Land," 1976; "Indian Artists," 1977; and "Shadows Caught: Images of Native Americans," 1984.
Individuals pictured include: Brummett Echohawk, Pawnee; Archie Blackowl, Cheyenne; Bert Seabourn, Cherokee; LaDonna Harris, Comanche; W. Richard West, Sr., Southern Cheyenne; Ada Deer, Menominee; George Watchetaker, Comanche; King Kuka, Blackfeet; Earl Biss, Crow; Larry J. DesJarlais Jr., Turtle Mountain Chippewa; Encarnacion Pena, San Ildefonso; Valjean McCarty Hessing, Choctaw; Allan Hauser, Apache; Victor H. Runnels, Oglala; Sarah McCray, Navajo; Marian Wolf, Kiowa; Dwight Billedeaux, Blackfeet; Elsie Peshlakai, Navajo; Johnny Tiger Jr., Muscogee; John Kaskaske, Kickapoo; Linda Russell, Apache-Pawnee; Stephen Gonyea, Onondaga Iroquois; Naomi and Kathy Gonyea, Seneca Iroquois; and John, Eric, and Tanya Parker, Choctaw.
Biographical/Historical note:
Stephen Gambaro is a professional photographer and former Chief of Rehabilitation Services for the Washington, DC, government. He and his wife, a Cherokee sculptor, operate an Native American art gallery in DC. Gambaro's photographs largely depict Native friends, artists, and craftsmen whom his gallery represents, as well as his travels to Native communities around the United States.
Local Call Number(s):
NAA Photo Lot 80-37, NAA ACC 84-19
Location of Other Archival Materials:
The exhibition catalog for "Indian Artists" in 1977 was donated with parts of this collection in 1980. It has been relocated to the National Anthropological Archives Reference Files.
Additional photographs by Stephen Gambaro can be found in the National Anthropological Archives in Photo Lot R80-33.
Jose Encarnacion Pena's painting entitled "Spotted Pumpkin Dance," collected by Gambaro for the "Shadows Caught" exhibit, can be found in the National Anthropological Archives in MS 7429.
Herman J. Viola photograph collection relating to Star Hawk Pow Wow, American Indian Cultural Resources Training Program, and acquisition trips for NAA
American Indian Cultural Resources Training Program Search this
Smithsonian Institution, Department of Anthropology, National Anthropological Archives, Native American Cultural Resources Training Program Search this
Photographs made by Herman J. Viola, depicting the 1973 Institute of American Indian Art meeting, Wolf Robe Hunt and his Acoma pottery, the transfer of Blue Eagle collection from Mae Abbott home to National Anthropological archives, and the 1974 Star Hawk Pow Wow in Watonga, Oklahoma. Additionally, there are photographs of NAA staff and the 1974 Acee Blue Eagle reception at NAA, possibly made by Viola. The collection also contains some photographs of Wounded Knee taken by Rev. Salvatore Genete, and copies of official portraits of Governor Aquillar of San Ildefonso Pueblo made by Harry B. Neufeld. There are also National Archives photographs of Chinese Boxer Rebellion prints, and Young watercolors and Alden sketches of American landscapes.
Much of the collection consists of portraits of participants in the NAA's American Indian Cultural Resources Training Program made by Smithsonian photographers, including Victor Krantz. These individuals include: Harry Walters, Navajo; Anna Walters, Otoe-Pawnee; George Sutton, Southern Arapaho; Sarah Yazzie, Navajo; Rubie Sootkis, Norther Cheyenne; David Fanman, Cheyenne; Augustine Smith, Navajo; Lorraine Bigman, Navajo; Jim Jefferson, Southern Ute; Rose Marie Pierite Gallardo, Tunica-Biloxi; George Horse Capture, Gros Ventre; Violet Zospah, White Mountain Apache; Gloria Anderson, Mille Lacs; Wenonah Silva, Wampanoag; Claire Lamont, Oglala; George Wasson, Coos-Coquille; Virginia Martin, Yakama; Gary Roybal, San Ildefonso; Richard Ground, Sihasapa; Almeda Baker, Hidatsa; June Finley, Hidatsa; Lida Young Wolf, Hidatsa; Christine Webster, Menominee; Rose Marie Roybal, Puyallup; Vivienne Jake, Kaibab-Paiute; Kim Yerton, Hupa; Dean Jacobs, Ojibwa; Lois Nowlin, Shawnee; Bonita McCloud, Nisqually; Gloria Maude Blackbird Cheswalla, Osage; Emily Peake, Ojibwa; Gordon McLester, Oneida; Mary Seth, Nez Perce; Bill Tohee, Oto-Missouria; Frank LaPena, Wintu; Juanita McQuistion, Wyandot; Carson Waterman, Seneca; Elton Stumbling Bear, Kiowa Apache; Patrick Chief Stick, Chippewa-Cree; Lynne Walks-on-Top, Spokane; Ethelyn Garfield, Paiute; Nora Dauenhauer, Tlingit; Caroline B. Jones, Tulalip; Grace F. Thorpe, Sauk and Fox; Dixie Lee Davis, Yavapai; Lynn D. Pauahty, Kiowa; David Lee Harding, Ojibwa; Robert V. Bojorcas, Klamath; Patty Leah Harjo, Seneca-Cayuga; Steven DeCoteau, Clallam; Robert Van Gunten, Ojibwa; Danny K. Marshall, Steilacoom; Meredith P. Flinn, Makah; Rhonda Hulsey, Chickasaw; Betty J. Brown, Choctaw; Vernon Calavaza, Zuni; Jack Bowen Jr., Upper Skagit; and Harry William Jr., Pima.
Biographical/Historical note:
Herman Joseph Viola is a historian of Native Americans who was director of the National Anthropological Archives from 1972-1989 and founding editor of Prologue: The Journal of the National Archives. In 1973, he launched the American Indian Cultural Resources Training Program, designed to encourage Native Americans to become professional archivists, librarians, curators, and historians through research and internships at the NAA.
Local Call Number(s):
NAA Photo Lot 74-17
Location of Other Archival Materials:
The National Anthropological Archives holds Viola's papers from 1980-1981.
Records relating to the American Indian Cultural Resources Training Program can be found in the National Anthropological Archives in the Records of the National Anthropological Archives.
Indians of North America -- Southern states Search this
Genre/Form:
Photographs
Citation:
Photo lot 74-17, Herman J. Viola photograph collection relate to Star Hawk Pow Wow, American Indian Cultural Resources Training Program, and acquisition trips for NAA, National Anthropological Archives, Smithsonian Institution
This subseries of the Notes and writings on special linguistic studies series contains material that supplement Harrington's Northeast/Southeast field notes.
The file on Algonquian includes three slips of Fox, Cree, Ojibwa, and Massachusett (labeled "Natick") vocabulary in the hand of Truman Michelson; typed copies of the above; notes on Cree and Ojibwa from secondary sources; information on the growing of wild rice by the Menominee; and miscellaneous notes on placenames and tribenames regarding the Cree, Ojibwa, Conoy, Nanticoke, and Narraganset.
The Shawnee/Peoria section consists of six pages of notes on Shawnee tribal divisions.
Among the miscellaneous material on the Abnaki languages is a page of Penobscot vocabulary obtained from Frank Siebert in April 1940. The remaining material was compiled during fieldwork on Western Abnaki at St. Francis in 1949. There are four pages on possible informants from Charles Nolet and a page of vocabulary from "Am"; bibliographic references; and lexical and grammatical notes excerpted from the works of Joseph Laurent and Masta.
For Massachusett there are three pages of miscellaneous notes with references to Trumbull's Natick Dictionary.
The bulk of the file on Iroquoian consists of a typed copy of an unidentified historical text from the 1880s. It discusses the relations of the Iroquois with the Spanish, French, and English settlers in the New World. Special mention is made of Gy-ant-va-chia (Cornplanter), chief of the Seneca. The spacing of the lines of text suggests that Harrington was planning to add a translation or annotations of some kind. There are also three pages of miscellaneous notes in his hand.
Most of the file on Delaware consists of information on placenames and tribenames obtained from Frank Siebert, Carl F. Voegelin, and a number of Oklahoma residents in 1940. Siebert gave both Delaware and Penobscot terms, and Unami words were given by Roy Longbone, Salley Fallleaf, and Jake Parks. Munsee forms were obtained from Josiah Montour and Jane Pattice of the Six-Nations Reserve in Ontario, Canada. Also included are a carbon copy of a typed list of possible informants and several pages of miscellaneous notes from the works of Brinton, Strachey, and Zeisberger.
The section on Creek/Seminole/Alabama/Koasati/Choctaw contains twenty-one pages of vocabulary (mostly on tribenames) which Harrington obtained in an interview with James Feagin Sylestine, a speaker of the Alabama language, on April 25, 1940. The informant's home was in Livingston, Texas, although he was at the Shawnee Sanatorium at the time Harrington worked with him. The remaining miscellaneous notes were excerpted from various published and manuscript sources. They include references to Creek, Cherokee, Seminole, Alabama, and Choctaw.
Miscellaneous material relating to the East consists of brief notes which Harrington copied from a number of secondary sources. There are mentions of the Huron, Wyandot, Powhatan, and Cherokee tribes, among others. Three of the pages consist of a partial typed list (alphabetically arranged K to M) of "Carolina and Virginia Algonquian" words. This list is based on that given in the commentary on the map of Raleigh's Virginia, pages 852 to 872 of The Roanoke Voyages, which was published by the Hakluyt Society in 1955.
Local Numbers:
Accession #1976-95
Restrictions:
No restrictions on access.
Rights:
Contact the repository for terms of use.
Topic:
Language and languages -- Documentation Search this
Indians of North America -- Southern states Search this
Genre/Form:
Field notes
Vocabulary
Collection Citation:
John Peabody Harrington papers, National Anthropological Archives, Smithsonian Institution
The preferred citation for the Harrington Papers will reference the actual location within the collection, i.e. Box 172, Alaska/Northwest Coast, Papers of John Peabody Harrington, National Anthropological Archives, Smithsonian Institution.
However, as the NAA understands the need to cite phrases or vocabulary on specific pages, a citation referencing the microfilmed papers is acceptable. Please note that the page numbering of the PDF version of the Harrington microfilm does not directly correlate to the analog microfilm frame numbers. If it is necessary to cite the microfilmed papers, please refer to the specific page number of the PDF version, as in: Papers of John Peabody Harrington, Microfilm: MF 7, R34 page 42.
To a considerable degree, the James H. Howard papers consist of manuscript copies of articles, book, speeches, and reviews that document his professional work in anthropology, ethnology, ethnohistory, archeology, linguistics, musicology, and folklore between 1950 and 1982. Among these are a few unpublished items. Notes are relatively scant, there being somewhat appreciable materials for the Chippewa, Choctaw, Creek, Dakota, Omaha, Ponca, Seminole, and Shawnee. The chief field materials represented in the collection are sound recordings and photographs, but many of the latter are yet to be unidentified. A series of color photographs of Indian artifacts in folders are mostly identified and represent the extensive American Indian Cultural collection of costumes and artifacts that Howard acquired and created. Other documents include copies of papers and other research materials of colleagues. There is very little original material related to archeological work in the collection and that which is present concerns contract work for the Lone State Steel Company.
Scope and Contents:
The James Henri Howard papers document his research and professional activities from 1949-1982 and primarily deal with his work as an anthropologist, archeologist, and ethnologist, studying Native American languages & cultures. The collection consists of Series 1 correspondence; Series 2 writings and research, which consists of subject files (language and culture research materials), manuscripts, research proposals, Indian claim case materials, Howard's publications, publications of others, and bibliographical materials; Series 3 sound recordings of Native American music and dance; Series 4 photographs; and Series 5 drawings and artwork.
Howard was also a linguist, musicologist, and folklorist, as well as an informed and able practitioner in the fields of dance and handicrafts. His notable books include Choctaw Music and Dance; Oklahoma Seminoles: Medicines, Magic, and Religion; and Shawnee! The Ceremonialism of a Native American Tribe and its Cultural Background.
Some materials are oversize, specifically these three Winter Count items: 1. a Dakota Winter Count made of cloth in 1953 at the request of James H. Howard, 2. a drawing of British Museum Winter Count on 4 sheets of paper, and 3. Photographs of a Winter Count.
Arrangement:
This collection is arranged in 5 series: Series 1. Correspondence, 1960-1982, undated; Series 2. Writings and Research, 1824-1992; Series 3. Sound Recordings, 1960-1979; Series 4. Photographs, 1879-1985; Series 5. Drawings and Artwork, 1928-1982.
Chronology:
1925 -- James Henri Howard was born on September 10 in Redfield, South Dakota.
1949 -- Received his Bachelor of Arts from the University of Nebraska.
1950 -- Received his Master of Arts from the University of Nebraska and began a prolific record of publishing.
1950-1953 -- Began his first professional employment as an archaeologist and preparator at the North Dakota State Historical Museum in Bismarck.
1955-1957 -- Was a museum lecturer at the Kansas City (Missouri) Museum.
1957 -- James H. Howard received his Ph.D. at the University of Michigan. Joined the staff of the Smithsonian's River Basin Surveys in the summer.
1957-1963 -- Taught anthropology at the University of North Dakota.
1962 -- Chief archeologist at the Fortress of Louisberg Archeological Project in Nova Scotia.
1963-1968 -- Taught anthropology at the University of South Dakota; State Archeologist of South Dakota; Director of the W. H. Over Dakota Museum.
1963-1966 -- Director of the Institute of Indian Studies, University of South Dakota.
1968-1982 -- Associate professor of anthropology at Oklahoma State University at Stillwater (became a full professor in 1971).
1979 -- Consulted for exhibitions at the Western Heritage Museum in Omaha, Nebraska.
1982 -- Died October 1 after a brief illness.
Biographical/Historical note:
James H. Howard was trained in anthropology at the University of Nebraska (B.A., 1949; M.A., 1950) and the University of Michigan (Ph.D., 1957). In 1950-1953, he served as archeologist and preparator at the North Dakota State Historical Museum; and, in 1955-1957, he was on the staff of the Kansas City (Missouri) Museum. During the summer of 1957, he joined the staff of the Smithsonian's River Basin Surveys. Between 1957 and 1963, he taught anthropology at the Universtity of North Dakota. Between 1963 and 1968, he served in several capacities with the University of South Dakota including assistant and associate professor, director of the Institute of Indian Studies (1963-1966), and Director of the W.H. Over Museum (1963-1968). In 1968, he joined the Department of Sociology at Oklahoma State University, where he achieved the rank of professor in 1970. In 1979, he was a consultant for exhibitions at the Western Heritage Museum in Omaha, Nebraska.
Howard's abiding interest were the people of North America, whom he studied both as an ethnologist and archeologist. Between 1949 and 1982, he worked with the Ponca, Omaha, Yankton and Yaktonai Dakota, Yamasee, Plains Ojibwa (or Bungi), Delaware, Seneca-Cayuga, Prairie Potatwatomi of Kansas, Mississipi and Oklahoma Choctaw, Oklahoma Seminole, and Pawnee. His interest in these people varied from group to group. With some he carried out general culture studies; with other, special studies of such phenomena as ceremonies, art, dance, and music. For some, he was interest in environmental adaptation and land use, the latter particularly for the Pawnee, Yankton Dakota, Plains Ojibwa, Turtle Mountain Chippewa, and Ponca, for which he served as consultant and expert witness in suits brought before the United Stated Indian Claims Commisssion. A long-time museum man, Howard was also interested in items of Indian dress, articles associated with ceremonies, and other artifacts. He was "a thoroughgoing participant-observer and was a member of the Ponca Hethuska Society, a sharer in ceremonial activities of many Plains tribes, and a first-rate 'powwow man'." (American Anthropologist 1986, 88:692).
As an archeologist, Howard worked at Like-a-Fishhook Village in North Dakota, Spawn Mound and other sites in South Dakota, Gavin Point in Nebraska and South Dakota, Weston and Hogshooter sites in Oklahoma, and the Fortess of Louisbourg in Nova Scotia. He also conducted surveys for the Lone Star Steel Company in Haskall, Latimer, Le Flore and Pittsburg counties in Oklahoma.
Related Materials:
Howard's American Indian Cultural Collection of Costumes and Artifacts, that he acquired and created during his lifetime, is currently located at the Milwaukee Public Museum. In Boxes 19-21 of the James Henri Howard Papers, there are photographs with accompanying captions and descriptions in binders of his American Indian Cultural Collection of Costumes and Artifacts that his widow, Elfriede Heinze Howard, created in order to sell the collection to a museum.
Provenance:
These papers were donated to the National Anthropological Archives by James Henri Howard's wife,
Elfriede Heinz Howard, in 1988-1990, 1992, & 1994.
Restrictions:
The James Henri Howard papers are open for research.
Access to the James Henri Howard papers requires an appointment.
Rights:
Contact repository for terms of use.
Topic:
Indians of North America -- Southern states Search this
Tribes covered in the photographs are: Arapaho, Blackfoot, Cheyenne, Chippewa, Iowa, Iroquois, Mahican, Menomini, Ojibwa, Oto, Plains Cree, Potawatomi, Seminole, Seri, Shinnecock, Sioux, Winnebago, Zuni Pueblo. The majority of photographs (552) have Skinner listed as the photographer and presumably are photographs he took on his expeditions. However, 104 photos are of the Seminole in Florida. According to Dennis P. Carey's biography of Skinner (Unpublished? 1980) Julian Q. Dimock, a well-known photographer, accompanied him on his expedition to the Seminole in Florida; how many of the photos were taken by Dimock is unknown, but he is listed as the photographer for 23 of them. Skinner's other photographs are of the Seneca Iroquois in New York; the Zuni Pueblo and Hawikku site; several tribes in Wisconsin; the Chippewa in Minnesota; and miscellaneous shots taken in Canada, Costa Rica, Florida and New York. Two photographs of the Mahican were taken by Huron H. Smith (1923) and two of the Winnebago were taken by C.J. Van Schaick (c. 1870). The remaining photographs have no photographer listed but were in Skinner's collection of photographs and are of varying tribes with dates ranging from 1909 to 1923.
Arrangement note:
Collection arranged by item number.
Biographical/Historical note:
Alanson Buck Skinner was born in Buffalo, New York, on September 7, 1886. His parents moved to Staten Island, New York, when Alanson was still very young. There Alanson met W.T. Davis who taught him to find arrowheads and other traces of ancient Indian life. When he was older he consulted with Prof. F.W. Putnam and George H. Pepper at the American Museum of Natural History about his interest. In the summer of 1902 Skinner went on his first fieldwork expedition near Shinnecock Hills, Long Island, for the American Museum of Natural History with Arthur C. Parker and Mark R. Harrington. Two years later Skinner and Harrington went on another archeological expedition in western New York State for the Peabody Museum and while there he attended his first Native ceremony on the Cattaraugus reservation. After high school Skinner joined the staff of the AMNH as an assistant in anthropology. In 1908 he led an expedition to Hudson Bay to study the Cree Indians. In 1910 he went to Wisconsin where he met John V. Satterlee, part Menomini, and Judge Sabatis Perote, a full-blooded Menomini, who adopted him into the tribe under the Thunder clan name of Sekosa or "Little Weasel." He later went on expeditions to collect from the Seminoles in the Florida Everglades, and other tribes in Wisconsin, Oklahoma, and other states. During these years he was also studying anthropology at Columbia under Boas, Farrand, Saville, and Bandelier, and at Harvard under Dixon, Tozzer, and Farrabee. In 1916 Skinner joined the Museum of the American Indian and remained there until 1920, when he took a position as curator of anthropology at the Public Museum of Milwaukee. He returned to the MAI in 1924 where he remained until his untimely death on August 17, 1925 in a car accident in North Dakota. He was a member of the American Anthropological Association, the Wisconsin Archeological Society, the Explorer's Club, a York Rite Mason and a Shriner. A more detailed biography by Dennis P. Carey (1980) can be found in the vertical file. A complete bibliography of Skinner's writings can be found in Indian Notes, Vol. II, No. 4 (October 1925).
Restrictions:
Access restricted. Researchers should contact the staff of the NMAI Archives for an appointment to access the collection.
Photographs of sketches and paintings made by Paul Kane in 1845-1856, including portraits and scenes of camps, dances, and a buffalo hunt, relating to the Ojibwa, Ottawa, Menominee, Potawatomi, Eastern Sioux, Cree, Assiniboine, Chinook, Cowlitz, Clallam, Cowichan and Babine. The sketchbook, of which the microfilm may be incomplete, includes many of the same subjects as the paintings, as well as artifacts, scenic views and scenes from Kane's studies in Europe. The collection also includes a photostat of the catalog published in Kane's "Wanderings of an Artist..." and a typed list of the captions for the sketches.
Biographical/Historical note:
Paul Kane (1810-1871) was born in Ireland and emigrated to Toronto (then called York) when he was nine. He worked as a decorative furniture painter before turning to portrait painting and studying art at centers throughout Europe. Inspired by George Catlin's paintings documenting the Plains Indians, Kane set out on an expedition from Fort William (Thunder Bay) to Fort Vancouver to document the peoples of the Northwest. From 1845-1848, Kane traveled amongst tribes of the Great Plains, Pacific Northwest, and elsewhere, sketching and describing his experiences in a journal. When Kane returned to Toronto, he published "Wanderings of an artist among the Indians of North America" (1859) and made over 100 paintings based on his journal sketches, commissioned by George William Allen. The entire Allen collection was later purchased by Sir Edmund Osler and donated to the Royal Ontario Museum in Toronto.
Local Call Number(s):
NAA Photo Lot 4428, NAA Photo Lot 4427
Reproduction Note:
Copy prints and microfilm made by the Royal Ontario Museum of Archaeology.
Location of Other Archival Materials:
Photographs previously filed in Photo Lot 4427, have been relocated and merged with Photo Lot 4428. These are photographs of paintings by Kane in the Royal Ontario Museum and were donated with the photographs of sketches already filed in this collection.
Additional photographs of paintings by Kane held in National Anthropological Archives MS 4642 and the BAE historical negatives.
Contained in:
Numbered manuscripts 1850s-1980s (some earlier)
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Restrictions: Publication rights granted to Bureau of American Ethnology or Smithsonian Institution staff members for use of small selections of the material; collection not to be published in its entirety. Royal Ontario Museum wishes to be informed when and where illustrations are used. Persons outside the Smithsonian Institution must obtain publication permission as well as photographic prints from the Royal Ontario Museum; the Smithsonian may not make copy negatives for the general distribution of prints.
Indians of North America -- Great Basin Search this
Indians of North America -- Great Plains Search this
Type:
Collection descriptions
Archival materials
Place:
Wyoming -- St. Michael's Mission -- Ethete
Date:
1910-1931
Scope and Contents:
Virtually all of the photographs were made by Michelson during his field work. A few items, however, are by D. L. Duvall, De Lancey W. Gill, and others. Most are of Fox subjects, but there are also items identified, some tentatively, as Arapaho, Blackfoot (Piegan), Chippewa, Menominee, Mexican Kickapoo, Micmac, Potawatomi, and Shoshoni. Subjects include portraits, scenic views, Fox pow-wow, man making string figures, la crosse game, Fox basswood bag, gravel pit-burial ground near Strafford, Iowa, and St. Michaelʹs Mission, Ethete, Wyoming.
Biographical / Historical:
Truman Michelson was an ethnologist with the Bureau of American Ethnology from 1910 to 1938. His specialty was Algonquian linguistics and culture.
Collection includes Fox, Ojibwa, and Cheyenne linguistic data obtained from informants; Fox and Ojibwa dictionaries prepared largely from published sources; notes on Powhatan, Cree, Menominee, and comparative Algonquian; publications in and concerning Algonquian languages; correspondence; and miscellaneous personal papers.
Local Numbers:
NAA MS 4860
Local Note:
Full series of Father Geary's Algonquian linguistic manuscripts are detailed in inventory of Geary papers, Number 4860, copy in "Master" file.
Autograph document
Topic:
Language and languages -- Documentation Search this
Truman Michelson's handwritten linguistic notes on various Algonquian languages from his work with students at Carlisle Indian Industrial School in Pennsylvania during the winter of 1911-1912. The notes include information about the students he worked with, vocabulary, grammar, and an Arapaho text. Mary Belgarde and Patrick Azure provided information on Turtle Mountain Chippewa (which Michelson determined is Cree); Dorothy Morse on Northern Chippewa (near Duluth); Flora Masta on Abenaki; Grover Allen (a Kickapoo) on Potawatomi; Louise Kitchikum (likely Kachicum) on Menominee; and Bruce Groesbeck on Northern Arapaho.
Arrangement:
Notes are organized by language.
Local Numbers:
NAA MS 2703
Local Note:
Title changed from "Materials relating to various Algonquian languages" 4/15/2014.
Indians of North America -- Southwest, New Search this
Type:
Collection descriptions
Archival materials
Portfolios
Songs
Date:
1927-1939
Scope and Contents:
Material includes manuscript "Winnebago Music," 362 typed pages, 50 illustrations (filed separately in original prints file, Bureau of American Ethnology File, Number 3261 part), transcriptions of 205 Winnebago songs, and 2 flute melodies (ca. 116 pages) marked "ready for publication" and submitted November 28, 1939; and original copies of 205 Winnebago songs received from the Densmore estate, ca. 1962. This manuscript was compiled from various Winnebago manuscripts submitted by the author to the Bureau of American Ethnology at intervals, 1927-1940.
Contents:
"Winnebago Music." Contains material from 14 Winnebago manuscripts formerly submitted. Revised in final form for publication November, 1940 by Miss Densmore. 362 pages numbered 1 through 318 with some pages having several sub-letters. The manuscript contains an 83 page section on "The Peyote Cult". "Winnebago Music." Carbon copy of unpublished manuscript, pages 220-240. This manuscript is a brief resume of F. Densmore's work with Winnebago songs and dances. No date appears on the manuscript but it could not have been written before 1940. Tabulated analyses from the various Winnebago manuscripts in the following list were sent to F. Densmore, returned by F. Densmore, July 19, 1939, and not refiled with the manuscript to which they belong. Now filed together in 1st envelope.
Old Manuscript Number 2974, "14 Winnebago songs used in the treatment of the sick." 10 page manuscript, 7 page descriptive analysis of songs. Material was collected at Galesville, Wisconsin, November 23, 1927.
Old Manuscript Number 2986, "22 Winnebago songs of the Winter Feast." 22 page manuscript. Submitted April 21, 1928.
Old Manuscript Number 3029, "28 Winnebago war songs." 34 page manuscript including descriptive analysis of songs. Material collected in Trempeleau and near Galesville, Wisconsin, October 1927. Submitted November 26, 1928.
Old Manuscript Number 3106, "Origin-song of the dice game and other Winnebago songs." 11 page manuscript, 7 page descriptive analysis. Submitted December 15, 1928.
Old Manuscript Number 3107, "13 Winnebago songs connected to the recent war, and 17 tables showing a comparison between songs of the Pawnee and songs of the Chippewa, Sioux and other tribes." 11 page manuscript, 9 page descriptive analysis. Submitted January 26, 1929.
Old Manuscript Number 3115, "19 Winnebago songs connected with legends, games and dances." 14 page manuscript, 11 page descriptive analysis. Material collected near Black Falls, Wisconsin, September 1928 and submitted to the Bureau of American Ethnology March 2, 1929. Also "data concerning two Winnebago drumsticks and a pair of Menominee "striking sticks." 1 page, 1 illustration. 3/5/1929
Old Manuscript Number 3156, "12 Winnebago songs of games and dances." 17 page manuscript including descriptive analyses of 12 songs. Material collected Tomah, Wisconsin and near Wisconsin Rapids, June 26, 1930.
Old Manuscript Number 3178 "Songs for a spirit of the dead, and other Winnebago songs." (36 pages analysis, 9 sheets transcriptions, 4 small photos, recorded on the old catalog card are not present. Material collected at Dallas on Wisconsin River, October 31, 1930.
Old Manuscript Number 3179 "Winnebago songs of the Water-spirit and Night-spirit bundles." 21 page manuscript including descriptive analysis. (24 pages tabulated analysis, 9 sheets transcriptions, 2 photos of John Smoke, recorded on old catalog card are not present) Submitted September 20, 1930.
Old Manuscript Number 3198 "Winnebago songs of the Medicine Lodge: Buffalo Feast and Fish Dance." 28 page manuscript including descriptive analysis. (Tabulated analysis, transcriptions and 2 illustrations recorded on the old catalog card are not present) Material collected at Red Wing, Minnesota, September 1930. Submitted June 27, 1931.
Old Manuscript Number 3201 "(14) Pueblo (Hopi, Zuni), Navaho and Winnebago Songs." 21 page manuscript including descriptive analysis. (Transcription, tabulated analysis and illustrations recorded on old catalog card are not present.) Submitted October 16, 1931.
Old Manuscript Number 3205 "The Peyote Cult and Treatment of the Sick among the Winnebago Indians." 44 page typed manuscript including descriptive analysis of 17 songs, 1 original diagram of Peyote lodge, drawn by Yellowbank, and 8" X 10" photo of musical instruments, and 4 photo illustrations (Bureau of American Ethnology # 3261-b,27,28,29,30). (Transcriptions and tabulated analysis recorded on old catalog card are not present.) Submitted October 16, 1931.
Old Manuscript Number 3229 (pt) "Winnebago, Iroquois, Pueblo (Zuni and Cochiti), and British Columbia (Nitinat, Fraser and Thompson River) songs, with catalog numbers of 143 songs." Catalog numbers of song numbers 1981-2123 is the only remaining part of this manuscript. (60 page manuscript, recorded on old catalog card, was separated at intervals. The Iroquois section was pulled August 1955 and is now filed Bureau of American Ethnology Manuscript # 3378. The Pueblo section was pulled August 1955 and now filed Bureau of American Ethnology Manuscript # 4482 (old number 3229 part). The British Columbia Section was pulled August 1955 and is now filed Bureau of American Ethnology Manuscript # 3371 (old number 3229 part). All this material accounts for pages 35-60 of the 60 page manuscript. The first 25 pages must have refered to the Winnebago and perhaps a comparative analysis of the songs of these different tribes, but these 25 pages have not been located.
Old Manuscript Number 3261-a "(9) Winnebago Songs of the Peyote Ceremony." 17 page typed manuscript including descriptive analysis, 1 diagram, 3 portraits of singers now in illustration file # 3261-b:31, 33, 34). (18 page tabulated analysis and 6 page transcriptions, recorded on old catalog card, are not present, 1965) Submitted June 21, 1932.
Local Numbers:
NAA MS 3261
Provenance:
Submitted by the author to the Bureau of American Ethnology at intervals, and some manuscripts received from the Densmore estate, ca. 1962.
Includes catalog cards with country, costume (including tribe), height, acquisiton (source), and price. Many have photographs of the dolls attached to the back. All of the dolls are of American Indians. The postcards show a group in costume ready for a pow-wow and a group of Menominee Indians taken near Shawano, Wisconsin. The photographs are of exhibits at a Dollology Club Show, May 22, 1943.
Includes photographs of individual tribal members, artifacts; and the following archeological sites: Hawikku (Hawikuh), Zuni Pueblo, New Mexico; Mill Creek, Tehama County, California; Coachilla Valley, California; Sandal Cave, New Mexico; Eagle Canyon, Texas; Thea Heye Cave, Pyramid Lake, Nevada; Crown Peak, Chisos Mountains, Texas; Pueblo Grande, Nevada; Salt Caves, St. Thomas, Nevada; Chuckawalla Cave, Nevada; Lovelock Cave, Pershing County, Nevada; other sites in Nevada; cacti in Brewster County, Texas and California; archaeological sites in Arkansas, Florida, Missouri, New York, and Tennessee Collection also includes a variety of scenic shots in different states; shots of persons, identified and unidentified; personal photographs of Harrington, his son, and one of his wives (ELH); and photographs taken during his expeditions to Cuba and Ecuador. Includes photographs of the Alibamu, Apache, Catawba, Cherokee, Chitimacha, Choctaw, Chumash, Comanche, Delaware, Iowa, Iroquois, Kaw, Kickapoo, Kiowa, Klamath, Koasati, Maidu, Mattaponi, Mohegan, Nanticoke, Narragansett, Navajo, Niantic (Nyantic),Ojibwa (Chippewa), Osage, Paiute, Pamunkey, Peoria, Pit River, Potawatomi, Quapaw, Sac and Fox (Sauk and Fox), Seminole, Shawnee, Tolowa, Tulare, Wampanoag, Wichita, Wyandot, Yara, and Zuni tribes.
Arrangement note:
Collection arranged by format and item number.
Biographical/Historical note:
Mark Raymond Harrington was born on the campus of the University of Michigan in Ann Arbor on July 6, 1882. He received his BS in 1907 and his MA in 1908 from Columbia University, where he studied under Franz Boas. He met George Heye while working at Covert's Indian store in New York in 1908 and Heye hired him shortly thereafter. Harrington spent from 1908-1911 visiting and collecting from tribes in the east and Midwest for Heye. From 1911-1915 Harrington was assistant curator at the University of Pennsylvania Museum. From 1916-1917 he conducted archeological surveys in Cuba and Arkansas, after which he spent a short time in the U.S. Army during the First World War. After his return in 1919 he started a series of archeological surveys in Tennessee, Arkansas, Missouri, Oklahoma, Nevada, and Texas. Harrington worked for George G. Heye as an archaeologist, ethnologist, field collector, and curator, primarily along the eastern seaboard, in the south, Midwest, west, Cuba and Ecuador, from 1908 to 1928. He then joined the staff of the Southwest Museum as curator until his retirement in 1964. He died in San Fernando, California on June 30, 1971. Harrington is the author of many books and several hundred articles. A partial bibliography can be found in the Mark Raymond Harrington manuscript collection in the archives of the National Museum of the American Indian, Cultural Resource Center, Suitland, Maryland.
General note:
NMAItest
Restrictions:
Access restricted. For information on this collection consult the NMAI photo archivist at 301-238-1400 or NMAIphotos@si.edu.
Rights:
Copyright restrictions apply. Contact archives staff for information.
