The Frank A. Dubinskas papers document his research into the social aspects of automated manufacturing at Apple Computer in the 1990s through correspondence, field note, reports, and slides; his teaching career at Boston College and Hamline University through course evaluations, lecture notes, and tenure materials; and his early anthropological research including his study of slavonian folklore and his study of the Mende in Sierra Leone through correspondence, photographs, and publications.
Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Biographical Note:
Frank A. Dubinskas (1946-1993) earned a B.A. in anthropology from Yale University in 1972 and a M.A. (1976) and Ph.D. (1983) in Anthropology from Stanford University. During the 1970s, he studied Slavonian folklore and the Sande Society of the Mende in Sierra Leone. Dubinskas is best known for his pioneering work in the field of the anthropology of science and technology. He taught classes in organizational behavior at Boston College and Hamline University.
Provenance:
Received from Anna Hargreaves and Dorothy W. Dubinskas in 1998 and 2000.
Restrictions:
Some material may be restricted for privacy reasons.
Access to the Frank A. Dubinskas papers requires an appointment.
The photograph depicts Mende masquerader from the Dance troupe of William Lewis. mr. Lewis was at the time director of Folklore and Culture Affairs in the Liberian government. "the most satirical of all the masks in this tradition is the Gongoli, which is widely distributed among the Mende, Gola, Vai, Temne, and Sherbro. One of the Gongoli's principal functions is to serve as a vehicle for the ritualized reduction of social tensions through social commentary and criticism. The Gongoli is also known as Kokpo among the Gola and Vai." [Siegmann W. and Perani J., 1976: Men's Masquerades of Sierra Leone and Liberia. African Arts. Regents of the University of California. Published by UCLA James S. Coleman African Studies Center]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 2 MDE 1 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 66
Frame value is 23.
Slide No. E 2 MDE 1 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts Mende masquerader from the Dance troupe of William Lewis. mr. Lewis was at the time director of Folklore and Culture Affairs in the Liberian government. "The most satirical of all the masks in this tradition is the Gongoli, which is widely distributed among the Mende, Gola, Vai, Temne, and Sherbro. One of the Gongoli's principal functions is to serve as a vehicle for the ritualized reduction of social tensions through social commentary and criticism. The Gongoli is also known as Kokpo among the Gola and Vai." [Siegmann W. and Perani J., 1976: Men's Masquerades of Sierra Leone and Liberia. African Arts. Regents of the University of California. Published by UCLA James S. Coleman African Studies Center]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 2 MDE 1.1 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 66
Frame value is 21.
Slide No. E 2 MDE 1.1 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts Mende masquerader from the Dance troupe of William Lewis. mr. Lewis was at the time director of Folklore and Culture Affairs in the Liberian government. "the most satirical of all the masks in this tradition is the Gongoli, which is widely distributed among the Mende, Gola, Vai, Temne, and Sherbro. One of the Gongoli's principal functions is to serve as a vehicle for the ritualized reduction of social tensions through social commentary and criticism. The Gongoli is also known as Kokpo among the Gola and Vai." [Siegmann W. and Perani J., 1976: Men's Masquerades of Sierra Leone and Liberia. African Arts. Regents of the University of California. Published by UCLA James S. Coleman African Studies Center]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 2 MDE 1.2 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 66
Frame value is 19.
Slide No. E 2 MDE 1.2 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts Mende masquerader from the Dance troupe of William Lewis. mr. Lewis was at the time director of Folklore and Culture Affairs in the Liberian government. "the most satirical of all the masks in this tradition is the Gongoli, which is widely distributed among the Mende, Gola, Vai, Temne, and Sherbro. One of the Gongoli's principal functions is to serve as a vehicle for the ritualized reduction of social tensions through social commentary and criticism. The Gongoli is also known as Kokpo among the Gola and Vai." [Siegmann W. and Perani J., 1976: Men's Masquerades of Sierra Leone and Liberia. African Arts. Regents of the University of California. Published by UCLA James S. Coleman African Studies Center]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 2 MDE 1.3 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 66
Frame value is 26.
Slide No. E 2 MDE 1.3 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts Mende masquerader from the Dance troupe of William Lewis. mr. Lewis was at the time director of Folklore and Culture Affairs in the Liberian government. "the most satirical of all the masks in this tradition is the Gongoli, which is widely distributed among the Mende, Gola, Vai, Temne, and Sherbro. One of the Gongoli's principal functions is to serve as a vehicle for the ritualized reduction of social tensions through social commentary and criticism. The Gongoli is also known as Kokpo among the Gola and Vai." [Siegmann W. and Perani J., 1976: Men's Masquerades of Sierra Leone and Liberia. African Arts. Regents of the University of California. Published by UCLA James S. Coleman African Studies Center]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 2 MDE 1.4 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 66
Frame value is 27.
Slide No. E 2 MDE 1.4 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts Mende masquerader from the Liberian National Dance Troupe of William Lewis. Mr. Lewis was at the time director of Folklore and Culture Affairs in the Liberian government. "the most satirical of all the masks in this tradition is the Gongoli, which is widely distributed among the Mende, Gola, Vai, Temne, and Sherbro. One of the Gongoli's principal functions is to serve as a vehicle for the ritualized reduction of social tensions through social commentary and criticism. The Gongoli is also known as Kokpo among the Gola and Vai." [Siegmann W. and Perani J., 1976: Men's Masquerades of Sierra Leone and Liberia. African Arts. Regents of the University of California. Published by UCLA James S. Coleman African Studies Center]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 2 MDE 1.5 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 66
Frame value is 25.
Slide No. E 2 MDE 1.5 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts Mende masqueraders from the Liberian National Dance Troupe of William Lewis. Mr. Lewis was at the time director of Folklore and Culture Affairs in the Liberian government. "the most satirical of all the masks in this tradition is the Gongoli, which is widely distributed among the Mende, Gola, Vai, Temne, and Sherbro. One of the Gongoli's principal functions is to serve as a vehicle for the ritualized reduction of social tensions through social commentary and criticism. The Gongoli is also known as Kokpo among the Gola and Vai." [Siegmann W. and Perani J., 1976: Men's Masquerades of Sierra Leone and Liberia. African Arts. Regents of the University of California. Published by UCLA James S. Coleman African Studies Center]. This photograph was taken by Eliot Elisofon in November 1971.
Local Numbers:
E 2 SIL 1 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
86743 1-2
Frame value is 19.
Slide No. E 2 SIL 1 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts Mende masqueraders from the Dance troupe of William Lewis. Mr. Lewis was at the time director of Folklore and Culture Affairs in the Liberian government. "the most satirical of all the masks in this tradition is the Gongoli, which is widely distributed among the Mende, Gola, Vai, Temne, and Sherbro. One of the Gongoli's principal functions is to serve as a vehicle for the ritualized reduction of social tensions through social commentary and criticism. The Gongoli is also known as Kokpo among the Gola and Vai." [Siegmann W. and Perani J., 1976: Men's Masquerades of Sierra Leone and Liberia. African Arts. Regents of the University of California. Published by UCLA James S. Coleman African Studies Center]. This photograph was taken by Eliot Elisofon in November 1971.
Local Numbers:
E 2 SIL 2 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
86743 1-2
Frame value is 5.
Slide No. E 2 SIL 2 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts Mende masqueraders from the Dance troupe of William Lewis. Mr. Lewis was at the time director of Folklore and Culture Affairs in the Liberian government. "the most satirical of all the masks in this tradition is the Gongoli, which is widely distributed among the Mende, Gola, Vai, Temne, and Sherbro. One of the Gongoli's principal functions is to serve as a vehicle for the ritualized reduction of social tensions through social commentary and criticism. The Gongoli is also known as Kokpo among the Gola and Vai." [Siegmann W. and Perani J., 1976: Men's Masquerades of Sierra Leone and Liberia. African Arts. Regents of the University of California. Published by UCLA James S. Coleman African Studies Center]. This photograph was taken by Eliot Elisofon in November 1971.
Local Numbers:
E 2 SIL 3 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
86743 1-2
Frame value is 4.
Slide No. E 2 SIL 3 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts Mende masqueraders from the Dance troupe of William Lewis. Mr. Lewis was at the time director of Folklore and Culture Affairs in the Liberian government. "the most satirical of all the masks in this tradition is the Gongoli, which is widely distributed among the Mende, Gola, Vai, Temne, and Sherbro. One of the Gongoli's principal functions is to serve as a vehicle for the ritualized reduction of social tensions through social commentary and criticism. The Gongoli is also known as Kokpo among the Gola and Vai." [Siegmann W. and Perani J., 1976: Men's Masquerades of Sierra Leone and Liberia. African Arts. Regents of the University of California. Published by UCLA James S. Coleman African Studies Center]. This photograph was taken by Eliot Elisofon in November 1971.
Local Numbers:
E 2 SIL 4 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
86743 1-2
Frame value is 1.
Slide No. E 2 SIL 4 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts Mende masqueraders from the Dance troupe of William Lewis. Mr. Lewis was at the time director of Folklore and Culture Affairs in the Liberian government. "the most satirical of all the masks in this tradition is the Gongoli, which is widely distributed among the Mende, Gola, Vai, Temne, and Sherbro. One of the Gongoli's principal functions is to serve as a vehicle for the ritualized reduction of social tensions through social commentary and criticism. The Gongoli is also known as Kokpo among the Gola and Vai." [Siegmann W. and Perani J., 1976: Men's Masquerades of Sierra Leone and Liberia. African Arts. Regents of the University of California. Published by UCLA James S. Coleman African Studies Center]. This photograph was taken by Eliot Elisofon in November 1971.
Local Numbers:
E 2 SIL 5 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
86743 1-2
Frame value is 2.
Slide No. E 2 SIL 5 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts Mende masqueraders from the Dance troupe of William Lewis. Mr. Lewis was at the time director of Folklore and Culture Affairs in the Liberian government. "the most satirical of all the masks in this tradition is the Gongoli, which is widely distributed among the Mende, Gola, Vai, Temne, and Sherbro. One of the Gongoli's principal functions is to serve as a vehicle for the ritualized reduction of social tensions through social commentary and criticism. The Gongoli is also known as Kokpo among the Gola and Vai." [Siegmann W. and Perani J., 1976: Men's Masquerades of Sierra Leone and Liberia. African Arts. Regents of the University of California. Published by UCLA James S. Coleman African Studies Center]. This photograph was taken by Eliot Elisofon in November 1971.
Local Numbers:
E 2 SIL 6 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
86743 1-2
Frame value is 17.
Slide No. E 2 SIL 6 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts Mende masqueraders from the Dance troupe of William Lewis. Mr. Lewis was at the time director of Folklore and Culture Affairs in the Liberian government. "the most satirical of all the masks in this tradition is the Gongoli, which is widely distributed among the Mende, Gola, Vai, Temne, and Sherbro. One of the Gongoli's principal functions is to serve as a vehicle for the ritualized reduction of social tensions through social commentary and criticism. The Gongoli is also known as Kokpo among the Gola and Vai." [Siegmann W. and Perani J., 1976: Men's Masquerades of Sierra Leone and Liberia. African Arts. Regents of the University of California. Published by UCLA James S. Coleman African Studies Center]. This photograph was taken by Eliot Elisofon in November 1971.
Local Numbers:
E 2 SIL 7 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
86743 1-2
Frame value is 15.
Slide No. E 2 SIL 7 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts Mende masqueraders from the Dance troupe of William Lewis. Mr. Lewis was at the time director of Folklore and Culture Affairs in the Liberian government. "the most satirical of all the masks in this tradition is the Gongoli, which is widely distributed among the Mende, Gola, Vai, Temne, and Sherbro. One of the Gongoli's principal functions is to serve as a vehicle for the ritualized reduction of social tensions through social commentary and criticism. The Gongoli is also known as Kokpo among the Gola and Vai." [Siegmann W. and Perani J., 1976: Men's Masquerades of Sierra Leone and Liberia. African Arts. Regents of the University of California. Published by UCLA James S. Coleman African Studies Center]. This photograph was taken by Eliot Elisofon in November 1971.
Local Numbers:
E 2 SIL 8 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
86743 1-2
Frame value is 16.
Slide No. E 2 SIL 8 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts Mende masqueraders from the Dance troupe of William Lewis. Mr. Lewis was at the time director of Folklore and Culture Affairs in the Liberian government. "the most satirical of all the masks in this tradition is the Gongoli, which is widely distributed among the Mende, Gola, Vai, Temne, and Sherbro. One of the Gongoli's principal functions is to serve as a vehicle for the ritualized reduction of social tensions through social commentary and criticism. The Gongoli is also known as Kokpo among the Gola and Vai." [Siegmann W. and Perani J., 1976: Men's Masquerades of Sierra Leone and Liberia. African Arts. Regents of the University of California. Published by UCLA James S. Coleman African Studies Center]. This photograph was taken by Eliot Elisofon in November 1971.
Local Numbers:
E 2 SIL 9 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
86743 1-2
Frame value is 11.
Slide No. E 2 SIL 9 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts Mende masqueraders from the Dance troupe of William Lewis. Mr. Lewis was at the time director of Folklore and Culture Affairs in the Liberian government. "the most satirical of all the masks in this tradition is the Gongoli, which is widely distributed among the Mende, Gola, Vai, Temne, and Sherbro. One of the Gongoli's principal functions is to serve as a vehicle for the ritualized reduction of social tensions through social commentary and criticism. The Gongoli is also known as Kokpo among the Gola and Vai." [Siegmann W. and Perani J., 1976: Men's Masquerades of Sierra Leone and Liberia. African Arts. Regents of the University of California. Published by UCLA James S. Coleman African Studies Center]. This photograph was taken by Eliot Elisofon in November 1971.
Local Numbers:
E 2 SIL 10 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
86743 1-2
Frame value is 14.
Slide No. E 2 SIL 10 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts Mende masqueraders from the Dance troupe of William Lewis. Mr. Lewis was at the time director of Folklore and Culture Affairs in the Liberian government. "the most satirical of all the masks in this tradition is the Gongoli, which is widely distributed among the Mende, Gola, Vai, Temne, and Sherbro. One of the Gongoli's principal functions is to serve as a vehicle for the ritualized reduction of social tensions through social commentary and criticism. The Gongoli is also known as Kokpo among the Gola and Vai." [Siegmann W. and Perani J., 1976: Men's Masquerades of Sierra Leone and Liberia. African Arts. Regents of the University of California. Published by UCLA James S. Coleman African Studies Center]. This photograph was taken by Eliot Elisofon in November 1971.
Local Numbers:
E 2 SIL 11 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
86743 1-2
Frame value is 7.
Slide No. E 2 SIL 11 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts Mende masqueraders from the Dance troupe of William Lewis. Mr. Lewis was at the time director of Folklore and Culture Affairs in the Liberian government. "the most satirical of all the masks in this tradition is the Gongoli, which is widely distributed among the Mende, Gola, Vai, Temne, and Sherbro. One of the Gongoli's principal functions is to serve as a vehicle for the ritualized reduction of social tensions through social commentary and criticism. The Gongoli is also known as Kokpo among the Gola and Vai." [Siegmann W. and Perani J., 1976: Men's Masquerades of Sierra Leone and Liberia. African Arts. Regents of the University of California. Published by UCLA James S. Coleman African Studies Center]. This photograph was taken by Eliot Elisofon in November 1971.
Local Numbers:
E 2 SIL 12 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
86743 1-2
Frame value is 8.
Slide No. E 2 SIL 12 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
