In this documentary, profiles of prominent Black Women provide an overview of the roles and contributions of Black Women in the course of historic and human events. Lucy Terry Prince, Phillis Wheatley, Frances Ellen Watkins Harper, Zora Neale Hurston, Maya Angelou, Mary S. Kelsey Peake, Charlotte Forten [Grimke], Ida B. Wells Barnett, Rosa Parks, Laura Wheeler Waring, Lois Mailou Jones, Sarah Parker Remond, Jeanne Spurlock, Julia Pearl Hughes [Coleman], Maggie Lena Walker, Dorothy Bolden, Madame C. J. Walker, Abbie Mitchell, Florence Mills, Ruby Dee, Eunice Hunton Carter, Constance Baker Motley, Shirley Chisholm, and Barbara Jordan are among the many Black Women profiled.
Documentary film. Related to exhibition 'Black Women: Achievements Against the Odds.' Undated.
Biographical / Historical:
Photographs, artifacts, a slide show, and films form the exhibition - Black women: Achievements Against the Odds - that examines the contributions of 113 American black women in such areas as government, education, fine arts, civil rights, medicine, law, and industry. The women represent the world-famous as well as the little-known and include poet Phillis Wheatley, former Secretary of Health, Education, and Welfare Patricia Roberts Harris, educator Nannie Helen Burroughs, the first female editor-in-chief of the Boston University Law Review Clara Burrill Bruce, author Maya Angelou, sculptor Edmonia Lewis, and businesswoman Eartha M.M. White. The exhibition was created and circulated by the Smithsonian Institution Traveling Exhibition Service; and it was on display at Anacostia Neighborhood Museum from February 8, 1976 - January 2, 1977 and October 21, 1984 - June 30, 1985.
General:
Title transcribed from contents of recording and physical asset.
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Ad Hoc Committee provided a critique of the exhibition 'Black Women: Achievements Against the Odds,' including discussion about involving more of the community in the creation of the exhibitions and the museum.
Meeting. Audio only. Very poor audio quality. Related to exhibition 'Black Women: Achievements Against the Odds.' Dated 19761215.
Biographical / Historical:
Photographs, artifacts, a slide show, and films form the exhibition - Black women: Achievements Against the Odds - that examines the contributions of 113 American black women in such areas as government, education, fine arts, civil rights, medicine, law, and industry. The women represent the world-famous as well as the little-known and include poet Phillis Wheatley, former Secretary of Health, Education, and Welfare Patricia Roberts Harris, educator Nannie Helen Burroughs, the first female editor-in-chief of the Boston University Law Review Clara Burrill Bruce, author Maya Angelou, sculptor Edmonia Lewis, and businesswoman Eartha M.M. White. The exhibition was created and circulated by the Smithsonian Institution Traveling Exhibition Service; and it was on display at Anacostia Neighborhood Museum from February 8, 1976 - January 2, 1977 and October 21, 1984 - June 30, 1985.
Local Numbers:
ACMA AV002024_B
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Footage of the displays, including photographs and artifacts, used in the exhibition, Black Women: Achievements Against the Odds. Footage of museum professionals working on exhibition displays in the lab at the Anacostia Neighborhood Museum.
Exhibition displays. Part of Black Women: Achievements Against the Odds Audiovisual Records. Dated 19761111.
Biographical / Historical:
Photographs, artifacts, a slide show, and films form the exhibition - Black women: Achievements Against the Odds - that examines the contributions of 113 American black women in such areas as government, education, fine arts, civil rights, medicine, law, and industry. The women represent the world-famous as well as the little-known and include poet Phillis Wheatley, former Secretary of Health, Education, and Welfare Patricia Roberts Harris, educator Nannie Helen Burroughs, the first female editor-in-chief of the Boston University Law Review Clara Burrill Bruce, author Maya Angelou, sculptor Edmonia Lewis, and businesswoman Eartha M.M. White. The exhibition was created and circulated by the Smithsonian Institution Traveling Exhibition Service; and it was on display at Anacostia Neighborhood Museum from February 8, 1976 - January 2, 1977 and October 21, 1984 - June 30, 1985.
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Narrator, for the Sketches from Life slide show, provides biographical vignettes of Sojourner Truth, Harriet Tubman, Frances Ellen Watkins Harper, Ida B. Wells-Barnett, Rosa Parks, Maggie Lena Walker, and Gwendolyn Brooks.
Narration and music. Part of Black Women: Achievements Against the Odds Audiovisual Records. AV00310, AV003315, AV003383-1: same content. AV003315-1: narration until 001130, followed by static and beeps. AV003315-2: narration begins at 001234, preceded by static and beeps. AV003310: dated 19841031. AV003315 and AV003383: undated.
Biographical / Historical:
Photographs, artifacts, a slide show, and films form the exhibition - Black women: Achievements Against the Odds - that examines the contributions of 113 American black women in such areas as government, education, fine arts, civil rights, medicine, law, and industry. The women represent the world-famous as well as the little-known and include poet Phillis Wheatley, former Secretary of Health, Education, and Welfare Patricia Roberts Harris, educator Nannie Helen Burroughs, the first female editor-in-chief of the Boston University Law Review Clara Burrill Bruce, author Maya Angelou, sculptor Edmonia Lewis, and businesswoman Eartha M.M. White. The exhibition was created and circulated by the Smithsonian Institution Traveling Exhibition Service; and it was on display at Anacostia Neighborhood Museum from February 8, 1976 - January 2, 1977 and October 21, 1984 - June 30, 1985.
Local Numbers:
ACMA AV003315-1
ACMA AV003315-2
ACMA AV003383-1
General:
Title transcribed from physical asset.
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
At the Anacostia Neighborhood Museum, Congresswoman Shirley Chisholm talks about the achievements of black women while acknowledging there is still a long way to go and work to be completed before black women gain rightful place in society. She describes the characteristics, roles, struggles, and challenges of black women. She talks about the increase of black women in social and political movements. Chisholm calls for action, humanism, formation of alliances, and work by all to work toward common goals and objectives. Opening remarks include formation and work of Committee of Black Women. Closing remarks by John Kinard.
Lecture/speech. Part of Black Women: Achievements Against the Odds Audiovisual Records. Transcribed from physical asset: 1. Opening Remarks - Sallie Tancil Prin Terrell Elem Sch, 2. Comments on Blk Womens Comm - Edith Makenth, 3. Intro S. Chisolm - Julian Euell, Asst Secy Public Affairs SI, 4. S. Chisolm - Approx 40 min, 5. Presentation - J.Jones & Savoy 6th Grader, 6. Closing Comments - J Kinard Dir ANM. Dated 19761104.
Biographical / Historical:
Photographs, artifacts, a slide show, and films form the exhibition - Black women: Achievements Against the Odds - that examines the contributions of 113 American black women in such areas as government, education, fine arts, civil rights, medicine, law, and industry. The women represent the world-famous as well as the little-known and include poet Phillis Wheatley, former Secretary of Health, Education, and Welfare Patricia Roberts Harris, educator Nannie Helen Burroughs, the first female editor-in-chief of the Boston University Law Review Clara Burrill Bruce, author Maya Angelou, sculptor Edmonia Lewis, and businesswoman Eartha M.M. White. The exhibition was created and circulated by the Smithsonian Institution Traveling Exhibition Service; and it was on display at Anacostia Neighborhood Museum from February 8, 1976 - January 2, 1977 and October 21, 1984 - June 30, 1985.
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Museum of the American Indian, Heye Foundation Search this
Collection Director:
Heye, George G. (George Gustav), 1874-1957 Search this
Container:
Box 404, Folder 2
Type:
Archival materials
Date:
1921 - 1924
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from the National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Museum of the American Indian/Heye Foundation Records, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Indians of North America -- Southwest, New Search this
Type:
Collection descriptions
Archival materials
Watercolor
Prints
Graphite drawings
Photographs
Watercolors
Drawings
Date:
undated
Scope and Contents note:
Mostly images of artifacts, architecture, peoples, and some maps published in various Bureau of American Ethnology publications, particularly the Annual Reports. Most of the line drawings were made by Henry Hobart Nichols, while most of the graphite drawings were possibly created by Edward Schumacher.
Local Call Number(s):
NAA Photo Lot 78-51
Location of Other Archival Materials:
Additional illustrations for various BAE publications can be found in the National Anthropological Archives in Photo Lot 133 and in the records of the BAE.
Information on these illustrations and publications can be found in the National Anthropological Archives in the records of the BAE.
This scrapbook includes articles, newspaper clippings, letters and photographs from various events and marches Grace participated in regarding the fight for returning surplus lands to Native peoples. These events and materials include--Fishing Rights March (1970) in Yelm, Washington with the McCloud family; Fort Lawton "Surplus" March (1970) in Seattle, Washington; Pit River versus P.G..E. (1970) in Big Bend, California; DQU, Deganawidah Quetzalcoatl University founding (1971) in Davis, California; and documentation as National Commitee Director for the "Return Surplus Lands to Indian People".
Separated Materials:
The cover and back of the scrapbook binder are in Box 12 since they are oversized.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
Collection Citation:
Identification of specific item; Date (if known); Grace F. Thorpe Collection, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Scope and Contents note:
This collection documents the planning, production, and execution of the 1991 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Arrangement note:
Arranged in 5 series.
Missing Title
Series 1: Program Books, Festival Publications, and Ephemera
Series 2: Family Farming in the Heartland
Series 3: Forest, Field and Sea: Folklife in Indonesia
Series 4: Land in Native American Cultures
Series 5: Roots of Rhythm and Blues: The Robert Johnson Era
Historical note:
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.
The 1991 Festival of American Folklife was produced by the Smithsonian Office of Folklife Programs and cosponsored by the National Park Service.
For more information, see Smithsonian Folklife Festival records.
Introduction:
The 1991 Festival programs were largely about human relationships to land. Indonesian land punctuates sea and ocean to form some 13,000 volcanic islands. On these islands is an amazing diversity of environments, ranging from the sandy beaches of Sumatra to snowcapped mountains that rise above the rainforests in Irian Jaya on New Guinea. To sample this diversity, the Festival presented cultural traditions from three particular environments - the forests of Kalimantan, the fields of Java, and the sea coast of Sulawesi. Half a world away from Indonesia and much closer to home is the American "heartland." American culture embodies a few elemental self-images with mythic stature - the frontier is surely one; the family farm is surely another. The idea of the family farm also entails some of our strongest values - hard work, self-reliance, family solidarity, and community life, all on view to Festival visitors.
For millennia before Columbus's arrival in the New World, native peoples gathered and cultivated its bounty, bred new crops, derived medicines to cure sickness, mined ores for making tools and ornaments, used its earth, stone and wood for building homes, made dyes for cloth, and invented ways of preparing and cooking food. Land and its use informed social, moral, religious, and cosmological beliefs, and sacred and secular practices. Some of this knowledge and practice of land use and its symbolic elaboration in artistic forms are continued among many Native American groups. At the Festival, culture bearers from the Haida, Tlingit, and Tsimshian people from Alaska; Hopi from Arizona; Maya and Lacandón from Chiapas, Mexico; Zapotec and Ikood from Oaxaca, Mexico; Shuar and Achuar from Ecuador; Jalq'a and Tiwanaku from Bolivia; and Taquile from Peru illustrated how the land in many varied environments is cared for and thought about, and how, almost five hundred years after Columbus, the wise and humane use, the knowledge and power of land must be re-"discovered."
The 1991 Festival, which also featured a program on the roots of rhythm and blues, took place for two four-day weeks (June 28-July 1 and July 4-7) between Madison Drive and Jefferson Drive and between 10th Street and 14th Street, south of the National Museum of American History and the National Museum of Natural History (see site plan).
The 1991 Program Book included schedules and participant lists for each program; keynote essays on each of the four programs were supplemented by shorter pieces focusing on particular topics.
The Festival was co-presented by the Smithsonian Institution and National Park Service and organized by the Office of Folklife Programs.
Office of Folklife Programs
Richard Kurin, Director; Diana Parker, Festival Director; Anthony Seeger, Director, Folkways Records; Peter Seitel, Senior Folklorist; Thomas Vennum, Jr., Senior Ethnomusicologist; Olivia Cadaval, Director, Quincentenary Projects; Richard Kennedy, Program Analyst; Betty Belanus, Vivian Chen, Diana N'Diaye, Folklorists; Marjorie Hunt, Ed O'Reilly, Frank Proschan, Nicholas Spitzer, Research Associates; Arlene L. Reiniger, Program Specialist; Jeffrey Place, Archivist
Folklife Advisory Council
Roger Abrahams, Richard Bauman, Henry Glassie, Rayna Green, John Gwaltney, Charlotte Heth, Adrienne Kaeppler, Ivan Karp, Bernice Reagon, John Tchen, Carlos Vélez-Ibáñez
National Park Service
James M. Ridenour, Director; Robert G. Stanton, Regional Director, National Capital Region
Forms Part Of:
Smithsonian Folklife Festival records: 1991 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .
Smithsonian Folklife Festival records
Smithsonian Folklife Festival records: Papers
1967 Festival of American Folklife records - [Ongoing]
Related Archival Materials note:
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Introduction:
Oriented both by the Smithsonian's overall concern for the conservation of cultures and by global attention focused on the meaning of the Columbian Quincentenary, this program offered an opportunity to hear the voices of members of Native American societies that had persevered for 500 years and had maintained an ancient care for the earth and the continuity of their own cultures.
The program was about land, ecosystems, and cultural knowledge that sustained Native American cultures before Columbus and to the present day. Each culture represented has a vision of the cosmos and the world as a system of dynamic and interconnected processes. Research for the program examined how domestic, economic, and ceremonial processes are connected through material and expressive culture to form a social fabric of productivity and meaning. Agricultural and ritual cycles often coincide in Native American cultures and echo seasonal rhythms of the land.
Participants of the Quincentenary program came from 15 cultural groups in six different ecological areas, including northern and tropical rainforests, Andean highlands, Arizona desert, and Sierra Madre mountains and coastal dunes of the Isthmus of Tehuantepec in Mexico. Participants demonstrated subsistence activities and craft skills, presented parts of ritual performances, and narrated oral histories. These cultural elements have been passed from generation to generation and speak eloquently of the connections Native Americans have constructed between land and society. Discussion sessions were devoted to some of the major issues confronting Native American cultures. These included: natural resource management, traditional technology, maintenance and destruction of ecological equilibrium and questions of monocultivation, property titles, national parks, transnational corporations, military zones, economic development models, agrarian reform laws, foreign debt, political repression, self determination, cultural identity, intrusion of religious sects, fragmentation of lands, and human rights.
Olivia Cadaval was Curator and Vivien T.Y. Chen was Program Coordinator. Regional Coordinators included Jose-Luis Krafft for Oaxaca, Mexico; Pilar Larreamendi de Moscoso, for Ecuador; Elisa Ramirez, for Oaxaca, Mexico; Oswaldo Rivera Sundt, for the Andes; and Beatriz Torres, for Chiapas, Mexico.
Land in Native American Cultures, co-sponsored by the Smithsonian Institution's National Museum of the American Indian, was made possible with the support of the Inter-American Foundation; the U.S. Embassy of Bolivia; the Ruth Mott Fund; Sealaska Heritage Foundation; the Government of Chiapas, Mexico; lnstituto Nacional Indigenista of Mexico; Centro de Investigación y Estudios Superiores en Antropología Social; the Hopi Tribal Council; and American Airlines of Quito, Ecuador. The program was an activity of the Smithsonian Quincentenary Programs. The Institution's Quincentennial commemoration of the voyages of Columbus to the Americas focused on the cultural, historical and scientific implications of the pan-Hemispheric encounter that would continue to be of global importance for centuries to come.
Fieldworkers and research consultants:
Fieldworkers
Verónica Cereceda, Nora M. Dauenhauer, Celso Fiallo, Alejandro Flores, Barbara Fraust, Enrique González, Ellen Hays, Tomás Huanca, Juan Jaen, Leigh Jenkins, Merwin Kooyahoema, Robbie Littlefield, Gabriel Martínez, Saul Millán V., Miguel Puwairichir, Julio Quispe, Manuel Ríos Morales, Oswaldo Rivera Sundt, Priscilla Schulte
Research Consultants
Beatríz Torres, Roxanna Adams, Jacinto Arias, Barry Bergey, Jose Manuel Del Val, Reynold Denny, Rayna Green, Kevin Benito Healy, Susie Jones, Alan Kalata, Emory Sekaquaptewa, Esther Shea, Carlos Vélez-Ibáñez, William Wallace, Rosita Worl, Irene Zimmermann de la Torre, Elayne Zorn
Presenters:
Jacinto Arias, Verónica Cereceda, Andrew Connors, Richard Dauenhauer, Kevin Benito Healy, Tomás Huanca, Leigh Jenkins, Alan Kolata, Merwin Kooyahoema, José Luis Krafft, Pilar Larreamendi de Moscoso, Gabriel Martínez, Saul Millán V., Elisa Ramírez, Manuel Rios Morales, Oswaldo Rivera Sundt, Maria Williams, Rosita Worl, Irene Zimmerman de la Torre, Elayne Zorn
Juan Olivares, Ikoods, narrator, researcher, fisherman, Mexico
Peru
Taquile
Paula Quispe Cruz, Taquile, dancer, weaver, Peru
Terencia Marca Willi, Taquile, dancer, weaver, Peru
Alejandro Flores Huatta, Taquile, weaver, musician, Peru
Alejandro Huatta Machaca, Taquile, weaver, musician, Peru
Salvador Huatta Yucra, Taquile, weaver, musician, Peru
Jesus Marca Quispe, Taquile, weaver, musician, Peru
Cipriano Machaca Quispe, Taquile, weaver, musician, Peru
Mariano Quispe Mamani, Taquile, weaver, musician, Peru
Zapotec
Cenorina Garcia, 1968-, Zapotec, potter, Peru
Alberta Martínez "ria-bert" Marcial, 1960-, Zapotec, weaver, cook, Peru
Angela Marcial "ria-ranc" Mendoza, 1945-, Zapotec, weaver, narrator, cook, Peru
Flaviano Beltrán, 1926-, Zapotec, tanner, leatherworker, farmer, Peru
Pedro Rios Hernández, 1921-, Zapotec, -- chirimia -- , basket maker, dance master, Peru
Arnulfo M. Ramos, 1931-, Zapotec, -- chirimia -- , rope maker, Peru
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1991 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Festival Recordings: Narrative Stage: Traditional Culture and the Natural Environment
Creator:
Smithsonian Institution. Festival of American Folklife. Cultural Conservation Program 1985 Washington, D.C. Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
sound tape reel
1 Item (sound-tape reel, analog, 7 in.)
Type:
Archival materials
Place:
United States
Washington (D.C.)
Date:
1985 June 30
Local Numbers:
FP-1985-7RR-0412
Publication, Distribution, Etc. (Imprint):
United States Cultural Conservation Program 1985
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 30, 1985.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Festival Recordings: Narrative Stage: Cowboy continued: Mayan Indian Culture in Guatemala: Native Hawaiian Culture: Gospel
Creator:
Smithsonian Institution. Festival of American Folklife. Cultural Conservation Program 1985 Washington, D.C. Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
sound tape reel
1 Item (sound-tape reel, analog, 7 in.)
Type:
Archival materials
Place:
United States
Washington (D.C.)
Date:
1985 July 6
Local Numbers:
FP-1985-7RR-0428
Publication, Distribution, Etc. (Imprint):
United States Cultural Conservation Program 1985
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 6, 1985.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1985 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
