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MS 486 Niga'hne' gaa (Small Dose) (Medicine) Legend

Collector:
Hewitt, J. N. B. (John Napoleon Brinton), 1859-1937  Search this
Extent:
3 Pages
Culture:
Iroquois  Search this
Seneca  Search this
Indians of North America -- Northeast  Search this
Type:
Collection descriptions
Archival materials
Pages
Date:
1896
Scope and Contents:
Text and translation. 2 page text with interlinear English. Autograph document signed.
Local Numbers:
NAA MS 486
Topic:
Religion -- Iroquois -- Seneca  Search this
Folklore -- Iroquois -- Seneca  Search this
Language and languages -- Documentation  Search this
Citation:
Manuscript 486, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS486
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw32b717545-de67-47de-b72b-6019d9fd3899
EDAN-URL:
ead_collection:sova-naa-ms486
Online Media:

MS 1530 Onondaga medical notes

Collector:
Hewitt, J. N. B. (John Napoleon Brinton), 1859-1937  Search this
Extent:
6 Pages
Culture:
Iroquois  Search this
Seneca  Search this
Indians of North America -- Northeast  Search this
Type:
Collection descriptions
Archival materials
Pages
Date:
1897
Scope and Contents:
An address to the Medical Society. Text only- no translation.
Local Numbers:
NAA MS 1530
Topic:
Religion -- Iroquois -- Seneca  Search this
Medicine -- Iroquois -- Seneca  Search this
Language and languages -- Documentation  Search this
Citation:
Manuscript 1530, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS1530
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw355b3af6a-dbf2-4ee6-8342-708f3c231fb6
EDAN-URL:
ead_collection:sova-naa-ms1530
Online Media:

MS 3955 Seneca Myths collected by Jeremiah Cutain

Collector:
Hewitt, J. N. B. (John Napoleon Brinton), 1859-1937  Search this
Curtin, Jeremiah, 1835-1906  Search this
Extent:
10 Pages
Culture:
Iroquois  Search this
Seneca  Search this
Indians of North America -- Northeast  Search this
Type:
Collection descriptions
Archival materials
Pages
Date:
undated
Scope and Contents:
Contents: 1. The Vampire (Published as "The Vampire Skeleton", 32nd A. R. page 458). 2 pages. 2. Seneca Witchcraft- 1 page. 3. Seneca Ghost Story 1/2 page. 4. Shagodyoweqgowa (False Faces), 1/2 page. 5. Medicine Men. 1 page. 6. Snake with two heads, 1 page. Published 32nd A. R. page 106. Shagodyoweqgowa. 1 page. See 32nd A. R., page 357. 8. A Seneca Witch Story. 1 page. 9. The Owl and the Two Sisters. 2 pages.
Local Numbers:
NAA MS 3955
Other Title:
The Vampire
Seneca Witchcraft
Seneca Ghost Story
Medicine Men
Shagodyoweqgowa (False Faces)
Snake with two heads
Shagodyoweqgowa
A Seneca Witch Story
The Owl and the Two Sisters
Topic:
Folklore -- Iroquois -- Seneca  Search this
Language and languages -- Documentation  Search this
Citation:
Manuscript 3955, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS3955
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3b4025dfa-e991-4eb5-8882-79ae6ba8fcf3
EDAN-URL:
ead_collection:sova-naa-ms3955
Online Media:

MS 436 Legends

Collector:
Hewitt, J. N. B. (John Napoleon Brinton), 1859-1937  Search this
Extent:
37 Pages
Culture:
Iroquois  Search this
Seneca  Search this
Onondaga  Search this
Tuscarora  Search this
Indians of North America -- Northeast  Search this
Type:
Collection descriptions
Archival materials
Pages
Date:
1889-1892
Scope and Contents:
Contents: Beginning of Witchcraft, 4 pages; The Captive Girl, 12 pages; The So-Called Witch Medicine, 5 pages (Onondaga- John Buck); The Magical Finger, 3 pages (Tuscarora); The Stone Giants, 5 pages (Onondaga); Monster Clitoris, 3 pages (Seneca). All English translations.
Local Numbers:
NAA MS 436
Topic:
Folklore -- Iroquois  Search this
Citation:
Manuscript 436, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS436
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3584c8efa-3ba1-42e5-8bfc-4ce3fa6d8ce3
EDAN-URL:
ead_collection:sova-naa-ms436
Online Media:

Frank Kenjockety and Louis Belmont Newell Native American Entertainers collection

Creator:
Newell, Louis Belmont  Search this
Kenjockety, Frank  Search this
Extent:
2 Linear feet
39 Photographs
Culture:
Cayuga  Search this
Type:
Collection descriptions
Archival materials
Photographs
Ephemera
Scrapbooks
Broadsides
Date:
1886-1940
Summary:
The Frank Kenjockety and Louis B. Newell Native American Entertainers collection includes ephemera, documents and photographs from two prominent Native American [entertainers] Frank Kenjockety (Cayuga), also known as "Chief Strong Fox" and Louis Belmont Newell, also known as "Rolling Thunder". Kenjockety's collection contains photographs, ephemera and a small amount of personal records from his career as a circus troupe leader and lecturer from 1909-1940. Newell's collection contains ephemera from his career as a traveling Medicine Man and entertainer including remedy and ointment packaging as well as broadsides and flyers.
Scope and Contents:
The Native American Entertainers collection includes ephemera, documents and photographs from two prominent Native American entertainers, Frank Kenjockety, also known as "Chief Strong Fox" and Louis Belmont Newell, also known as "Rolling Thunder". Kenjockety's collection contains photographs, ephemera and a small amount of personal records from his career as a circus troupe leader and lecturer from 1909-1940. Newell's collection contains ephemera from his career as a traveling Medicine Man and entertainer from the 1880's until the 1930's. This includes remedy and ointment packaging as well as broadsides and flyers.
Arrangement:
This collection is arranged in two series; Series 1: Frank Kenjockety "Chief Strong Fox", and Series 2: Louis Belmont Newell "Chief Rolling Thunder". Series 1 contains three subseries by material type and is arranged alphabetically.
Biographical / Historical:
This collection of Native American Entertainers materials was put together by Crown Collectibles, a privately held historical research company based out of Richmond Virginia.

Frank Kenjockety was born in 1871 to Jesse and Sarah Kenjockety on Cattaraugus Territory, Seneca Nation and made his home in Salamanca, New York. He was head of the Cayuga Tribe of the Iroquois Federation. In the early 1900's he formed a vaudeville troupe called "Kenjockety' s Hippodrome and Wild West Show". They traveled by train and played at state fairs, carnivals and with other traveling circuses. In the late 1920's Frank Kenjockety took the name "Chief Strong Fox". He became nationally known as an "Indian Chief Lecturer" and his troupe was billed as "Real American Indians in Costume- Direct from the U.S. Government Indian Reservation". Their performances included "Ceremonial Rites, Singing, War Dance, Medicine Dance, Feather Dance, Prayer Song, Famous Adoption Form and lectures on the part the American Indian had played in the history of the United States". Kenjockety's wife, Leona, and daughter, Mabel, also traveled as performers with the troupe. Mabel first appeared on horseback as a child and went on to become a trick rider. While on tour in December 1915, the train on which they were traveling ran head-on into another train that was mistakenly switched on the same track. Mr. Kenjockety survived, but many in his company perished. Undaunted by the tragedy, he rebuilt his company and continued to perform. He and his troupe continued to play fairs, school assemblies and circuses and went on at least two world tours. In 1937, they traveled on the steamer ship "Bremen". Correspondence in 1941 reveals that their popularity had waned and apparently the troupe disbanded around that time. Chief Strong Fox was also well known for the "lectures" he gave on Native American History. He became popular with school and other groups (Rotary Club, etc.) throughout New York, Pennsylvania, and Maryland, and often "adopted" some of his Caucasian audience as members of his tribe. He received many letters from school officials praising his talks on Indian history and customs to be of"educational value". Kenjockety passed away in 1944.

Known to his family as Belmont and to the public as Chief Rolling Thunder, Louis Belmont Newell was born around 1858 to Thomas Newell and Marie Parsons of Indian Island, Old Town, Maine. Newell appears to have married several times and his first daughter Blanche was born to Victoria Tahamont around 1886. It is around this time that Newell is first referred to as Chief Rolling Thunder and that his company, the Kiowa Medicine Company, begins touring. The show was comprised of "moral" entertainment and lectures given on the customs, habits, manners and religion of tribes. Newell would also sell "traditional Kiowa" medicines and give out health guides. It is uncertain when the company was actually formed and though Newell claimed that he was a descendent of the First Chief Medicine Man of the Kiowa Nation, Teet-Toot-Sah, this was most likely just for his public image. It is much more likely that his parents were Penobscots from Maine. Newell married Louisa Stump of Iroquois descent in 1891. Louisa was an expert shot and travelled with the Kiowa Medicine Company for some time. In 1894, Newell married his fourth wife Jeanne "Jennie" Congleton who served as business manager for the Kiowa Medicine and Vaudeville Company for many years. Newell died December 1, 1933 and was buried in Randolph, NY. More information on L.B. Newell has been compiled by descendants of Newell and can be found on Ne-Do-Ba, a geneological website for the Wabanaki people.
Separated Materials:
Along with the archival materials, five additional objects were purchased and are a part of the NMAI Ethnology collection. They have catalog numbers 26/5414 through 26/5418 and include outfits supposedly worn by Frank Kenjockety "Chief Strong Fox" and his wife Leona Kenjockety.
All of the photographs in this collection are located in cool storage and arranged in folders by their catalog numbers.
Provenance:
This collection was purchased in 2005.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Topic:
Circus performers -- Photographs  Search this
Kiowa Indians -- Rites and ceremonies  Search this
Traveling theater -- United States -- 20th century  Search this
Genre/Form:
Ephemera
Scrapbooks
Broadsides
Photographs
Citation:
Identification of specific item; Date (if known); Frank Kenjockety and Louis B. Newell Native American Entertainers collection, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.025
See more items in:
Frank Kenjockety and Louis Belmont Newell Native American Entertainers collection
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv45c139a20-098a-47bc-864e-bac3142f448d
EDAN-URL:
ead_collection:sova-nmai-ac-025
Online Media:

Native Americans

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Introduction:
The continuing traditions of the original inhabitants of this nation were presented in the Native Americans area by representatives of the more than 200 Native American communities throughout the United States. Working with the Smithsonian, they had examined their traditions and created the programs, speaking to their way of life today and their hopes for the future.

The Native Americans area was designed with Native traditions in mind. The entire area lay within a circle that represented the wholeness of life, emphasizing that, in Native philosophy, everything is interrelated. A corn field formed the outlying circle; corn, the contribution of Native Americans to the peoples of the world, is regarded as the gift of Mother Earth. With squash and beans sharing the field, the entire area was thus surrounded by the three staple foods of the Southwest, the "three sisters" of the Iroquois. The Learning Center, designed by architect Dennis Sun Rhodes, Arapaho, faces East, the direction of sunrise and of life, and visitors were intended to proceed inside sunwise, in a circle. In its design and in its presentations of music, crafts, dance, and discussion, the Native Americans area honored the first Americans.

Building upon six years of programming during preceding Festivals, the Bicentennial presentations presented a region-by-region overview of American Indian folklife:

June 16-20, Northeast (Six Nations, Iroquois, Mohawk, Seneca, Onandaga, Tuscarora, Algonkian, Passamaquoddy, Penobscot, Shinnecock, Hassanamisco, Nanticoke, Susquehanna, Wampanoag, Narragansett, Gay Head, Mohegan, Schaghticoke)

June 23-27, Great Lakes (Oneida, Ojibwa)

July 1-5, Southeast (Cherokee, Chickasaw, Choctaw, Creek, Seminole, Tuscarora, Muskogee, Tunica-Biloxi of Louisiana, Mattaponi, Houma Tribe of Louisiana, Alabama Creek, Lumbee)

July 7-11, Southern Plains (Comanche, Kiowa, Kiowa Apache, Omaha, Pawnee, Ponca, Southern Cheyenne)

July 14-18, Prairie (Sac and Fox)

July 21-25, Northern Plains (Northern Cheyenne)

July 28-August 1, Northwest Coast (Alaska Federation of Natives, Confederated Tribes of Siletz, Confederated Tribes of the Warm Springs Indian Reservation)

August 4-8, Southwest (San Juan Pueblo, Navaho, White Mountain Apache, Comanche)

August 11-15, Plateau (Confederated Tribes of the Umatilla Indian Reservation, Confederated Tribes and Bands of the Yakima Indian Nation, Ute, Klamath)

August 18-22, Basin (Northern Paiute, Southern Paiute, Washo, Western Shoshone, Walker River Paiute)

August 25-29, Northern California (Miwok, Wintun, Pomo, Yurok, Karok, Tolowa, Hupa, Klamath, Tchinook, Confederated Tribes of the Umatilla, Quileute)

September 2-6, Arctic (Alaska Federation of Natives)

Lucille Dawson served as program coordinator, assisted by Thomas Kavanagh. The multi-year program was shaped by the Native Americans Advisory Group, including Louis Bruce, Rayna Green, Dell Hymes, Clydia Nahwooksy, Alfonso Ortiz, and William Sturtevant.
Participants:
Northeast

Six Nations, Iroquois

Mohawk

Mary Adams, basket maker

Mike Adams, basket maker

Sally Ann Adams, basket maker

Richard Hill, headdress maker

Stan Hill, bone carver

Tammy Hill, craft sales

Mary Longboat, cornhusk worker

Margaret Torrence, basket maker

Cam Wilson, silversmith

Mark Wilson, craft sales

Wanda Wilson, dancer

Oneida

Eula Chrisjohn, cornhusk worker

Irving Chrisjohn, cornhusk worker

Richard Chrisjohn, Sr., wood carver

Richard Chrisjohn, Jr., wood carver

Onondaga

Andrea Jimerson, dancer

Marty Jimerson, dancer

Huron Miller, project coordinator

James Skye, wood carver

Guy Williams, dancer

Ruby Williams, dancer

Tim Williams, dancer

Seneca

Helen Harris, dancer

Linda Harris, dancer

Philman Harris, drum and rattle maker

Steve Harris, dancer

Hazel Jimerson, dancer

Lester Jimerson, dancer

Mamie Jones, dancer

Paul Jones, dancer

Kevin Johnny John, dancer

Mike Johnny John, dancer

Vera Miller, beadworker

Rodney Pierce, dancer

Marlene Thomas, dancer

Hazel Thompson, gancer

Phillip Thompson, dancer

Natie Watt, basket maker

Ruth Watt, basket maker

Tuscarora

Louise Henry, beadworker

Oscar Moses, Lacrosse stick maker

Kevin Patterson, Lacrosse stick maker

Wes Patterson, Lacrosse stick maker

Edward Sayer, finger weaving

Wilmer Wilson, 1925-2002, craft sales manager

Algonkian

Chuck Comanda, canoe maker

Mary Comanda, canoe maker

William Comanda, canoe maker

Ojibwa

Audrey Pawis, quill worker

Discussants

Asenith D. Vogt, coordinator

Joseph A. Nicholas, discussant, Passamaquoddy

Andy Akins, discussant, Penobscot

Charles Jennings, discussant, Penobscot

Brian Miles, discussant, Pequot

Eva Smith, discussant, Shinnecock

Diane Bess, discussant, Shinnecock

Lois Wilcox, discussant, Hassanamisco

Kenneth Clark, discussant, Nanticoke

Kathy Clark, discussant, Nanticoke

Jody Hale, discussant, Susquehanna

Lydia Hale, discussant, Susquehanna

Edith Andrews, discussant, Wampanoag

Naomi Andrews, discussant, Wampanoag

Alberta Wilcox, discussant, Narragansett

Lloyd Wilcox, discussant, Narragansett

Helen Attaquin, discussant, Gay Head, Aquinnah Wampanoag

Mother Helen Attaquin, discussant, Gay Head, Aquinnah Wampanoag

Stilson Fands, discussant, Mohegan

Trudy Lamb, discussant, Schaghticoke

George Mitchell, Commissioner of Indian Affairs for the State of Maine

Southeast

Cherokee

Wanda Barr, dance leader

Mike Daniels, pottery

Cecil Hall, discussant

Don Mabray, discussant

Frank Mclemore, discussant

Eva Nordwell, discussant

Eunice Old Field, weaver

Knohovtee Scott, jewelry, silversmith

Ross Swimmer, discussant

Dick Spahr, head cook

Mary Lou Spahr, cook

Mrs. Ross Swimmer, discussant

Anicl Barr, dancer

Sheila Barr, dancer

Brenda Johnson, dancer

Jeanette Reese, dancer

Gina Pritchett, dancer

Michelle Ummtukee, dancer

Chickasaw

Aaron Christy, guide

Hazel Christy, dancer, beadwork

Overton James, discussant

Emma Mose, dancer

Buster Ned, dancer

Calvin Ned, dancer

Rhonda Ned, dancer

Wanda Ned, dancer, beadwork

Bienum Pickens, dancer, stickball, drummer

Adam Sampson, singer, dancer, stickball

Richard Sampson, dancer, stickball

Junior Thomas, dancer

Mary Wallace, dancer

Mrs. Overton James

Choctaw

Clelland Billy, stickball

Glendale Billy, food, cook

David Gardner, discussant

Lucinda Gibson, arts and crafts

Eula Goings, cook

Hugh Jefferson, stickball, discussant

Ray Jefferson, stickball

Louise Isscomer, beading

Myrtle Lowman, basket weaving

Sherrin Matlock, discussant

Mrs. David Gardner, discussant

Creek

Claude Cox, discussant

Paul Culley, 1925-, dancer

Wynena Evans, beadwork, singer

Brian Fife, dancer, discussant

Margaret Freeman, cook

Hepsey Gilroy, looming, dancer

Solomon McCombs, artist

Buddy Scott, silversmith, dancer

Genda Scott, basket weaving, dancer

Gene Timothy, discussant, food, Lacrosse

Mrs. Claude Cox, discussant

Seminole

Beulah Bemo, arts and crafts

Mallene Davis, singer, dancer; Miss Indian Oklahoma

Kelly Haney, artist, dancer, stickball

Samantha Hooper, education guide, dancer

Ida Little, food, shell shaker, dancer

Terry Little, cook

H. T. Miller, stomp dancer, stickball

Tom Palmer, stomp dancer, stickball

Ida Lee Redbird, shell shaker, dancer

Jennie Lee Rice, shell shaker, dancer

Ed Tanyan, discussant

Mrs. Ed Tonyan, discussant

Cherokee

William Crow, wood carver

Betty Crow, bead worker

Tuscarora

Ernest Carter, discussant

Benjamin Maynor, discussant

Muskogee

Angela Lyles, discussant

Ann Taylor Tate, discussant

Tunica-Biloxi of Louisiana

Rose Marie Gallardo, discussant

Mary Vercher, discussant

Mattaponi

Chief Curtis Custalow, discussant

Gertrude Custalow, discussant

Houma Tribe of Louisiana

Steve Cheramie, discussant

Randolph Francis, discussant

Alabama Creek

Connie S. Tullis, discussant

Buford L. Rolin, discussant

Lumbee

Donna Chavis

Sonya Allen

Southern Plains

Carla Allrunner, dancer

Richard Asenap, program coordinator

Joe Attocknie, 1911-1984, singer, flute player

Rosalie Attocknie, 1926-2011, artist

Bobbi Bradley, artist

Hawana Bradley, artist

Ronald Burless, artist

Ed Chappabitty, singer

Evelyn Chappabitty, singer

Florence Chasenah, beadworker

Gerald Chasenah, dancer

James Chasenah, singer

Kim Chasenah, dancer

Wallace Coffey, narrator, dancer

James Cox, narrator, tribal chairman

Marie Cox, craftsperson

Sam Devenney, historian, photographer

Jamie Franklin, dancer

Rita Franklin, dancer

Patty Hall

Carol Hall

Melvin Kerchee, singer, dancer

Melvin Kerchee, Jr., dancer

Nettie Kerchee, 1921-2003, dress maker, bead worker

Diane Motah, craftsperson

Lee Motah, historian, narrator

Haddan Nauni, singer

Rose Nauni, craftsperson

Leslie Niedo, bead worker

Frank Oberly, narrator

Mary Oberly, craftsperson

Sam "Doc" Peweardy, singer

Bill Poafpybitty, graphics, sculptor

Richard Ralph Poafpybitty, 1963-1996, actor

Sarah Pohosucut, historian

Henry Pratt, flute player, dancer, singer

Leonard Riddles, artist

Kenneth Saupitty, narrator

Gene Sovo, war dancer

Junior Sovo, war dancer

Margie Sovo, moccasin maker

Jerome Tahawah, singer

Edmond Tate, dancer

Joyce "Doc" Tate Nevaquaya, 1932-1996, flute player, dancer, artist

Jermone Tahawah, singer

May Tonips, beadworker, graphics, sculptor

Rick Tosee, dancer

George Wallace, singer

Juanita Wallace, singer

Eva Watchataker, beadworker

George "Woogee" Watchataker, dancer, flute player

Junior Weryackwe

Eva Weryackwe

Patricia Whitewolf, shawl maker

Sheryle Whitewolf, dancer

Elmer Winnerchy, 1917-1986, singer

Evelyn Winnerchy, 1917-1996, dancer

Prairie

Sac & Fox Tribe

Bill Grass

John Gakey

Shannon Franklin

Omer Jefferson, Jr.

Kate Walker

Winnie Gibson

Delphine Foreman

Sarah Riley

Sharon Byers

Bill Foreman

Jerry Nanaeto

Kimberly Nanaeto

Harriet Nanaeto

Barbara Hawkins

Kartherine Franklin

Ronnie Harris

Sandy Harris

R.J. Harris

Merle Boyd

Tammy Boyd

Pamela Boyd

Mabel Harris

George Harris

Leona Starr

Jimmy Starr

James L. Starr

Leota Black

Carl Butler

Cecil Littlehead

Clarissa Littlehead

Oma Patrick

Irene Harris

Georgianna LeClair

Teresa LeClair

Larry Blanchard

Linda Standing

Karen "Candy" Hunter

Henry O. Hunter

Douglas Franklin

Dino Riley

George Switch

Jessica Patterson

Muriel Patterson

Valerie Patterson

Carol Patterson

Frances Coker

Richard Mullake

Kay Kay Goodeagle

Mary Clark

Donald Marland

Mary Mack

Guy Wakalee

Huge Wakalee

Marilyn Thurman

Herschel Tiger

Jack Thorpe

Lee Bass, Jr.

Elmer Manatowa, Jr.

Northern Plains

Northern Cheyenne

Harry Littlebird, Sr., gourd dance, hand game, arts & crafts, singer

Annie Joyce Littlebird, dancer, gourd dance, hand game, arts & crafts, cook

Richard Littlebird, dancer, gourd dance, hand game

Serena Littlebird, dancer, gourd dance, hand game, arts & crafts

Limona Littlebird, dancer, gourd dance, hand game, arts & crafts

Rose Ann Littlebird, dancer, gourd dance, hand game, arts & crafts

Ginger Littlebird, dancer, gourd dance, hand game, arts & crafts

Theresa Brady, dancer, gourd dance, arts & crafts, cook

Curtis Brady, dancer, gourd dance, hand game

Steve Brady, dancer, gourd dance, hand game

Eggonn Brady, dancer, gourd dance, hand game

Elsie Wick, hand game, arts & crafts, cook

Donna Wick, dancer, gourd dance, hand game, arts & crafts, cook

Christine Wick, gourd dance, hand game, arts & crafts

James Wick, gourd dance, hand game, arts & crafts

Dennis Wick, gourd dance, hand game, arts & crafts

Ernest King, gourd dance, hand game, arts & crafts, singer

Grover Wolfvoice, 1890-1978, hand game, arts & crafts

Dale Brady, gourd dance, hand game, arts & crafts

Joe Lonewolf, dancer, gourd dance, arts & crafts, singer

Crawford Lonewolf, dancer, gourd dance, hand game, singer

Charles Brady, gourd dance, hand game, arts & crafts, singer

Arnie Brady, dancer, gourd dance, hand game, arts & crafts, cook

Hilda Manley, dance, gourd dance, hand game, arts & crafts, cook

James Littlebird, gourd dance, hand game, arts & crafts, singer

Harriet Littlebird, dancer, gourd dance, hand game, arts & crafts, cook

Geofredo Littlebird, dancer, gourd dance, hand game, singer

Clinton Birdhat, dancer, hand game, singer

Marlene Belly Mule, dancer, gourd dance, arts & crafts, cook

Ruth Littlebird, dancer, gourd dance, hand game, arts & crafts, cook

Stacey Gwen Littlebird, gourd dance, hand game, arts & crafts

Rose Medicine Elk, hand game, arts & crafts, cook

John Medicine Elk, Sr., gourd dance, hand game, arts & crafts, singer

John Killsontop, Sr., gourd dance, hand game, arts & crafts, singer

Rose Killsontop, dancer, gourd dance, hand game, arts & crafts, cook

Mike Bearcamesout, gourd dance, hand game, arts & crafts, singer

Robert Bearchum, gourd dance, hand game, arts & crafts, singer

Robert Redwoman, hand game, arts -- & -- crafts, singer

Mary Redwoman, hand game, arts & crafts, cook

Elmer Fightingbear, dancer, hand game, arts & crafts, singer

Tommy Rockroads, dancer, hand game, arts & crafts, singer

Dave Glenmora, dancer, gourd dance, hand game, arts & crafts, singer

Wilson Brady, dancer, gourd dance, hand game, arts & crafts, singer

Tim Littleboy, dancer, hand game, arts & crafts

Webby Runsabove, dancer, hand game, arts & crafts, singer

Billy Runsabove, dancer, hand game, arts & crafts, singer

Fernando Littlebird, dancer, gourd dance, hand game, arts & crafts, singer

Steve Littlebird, gourd dance, hand game, arts & crafts, singer, coordinator

Northwest Coast

Les Houck

Merle Holmes

Charles Rick

Charles McKnight

Edmund Ben

Delores Pigsley

Archie Ben

Paul Jackson

Shirley Walker

Raymond Ben

Judy McKnight

Melvin McKnight

Bunni Houck

Jerry Running Foxe

Paulene Rick

Joe McKnight

Randy Rick

Boby Dumont

Victoria Ben

Dave Harley

Carlene Easter

Delbert Bell

Caroline Easter

Alaska Federation of Natives

Judy Brady

Herman Davis

Ruth Farquhar

Sharon Frank

Larry Garrity

Laura Eliz Joseph

Larry Judy

Alice Kitka

Marla Kitka

Donna Lang

Dorothy Lord

Tim McGraw

Lillian Nielsen

Mike Spoon

Martin Strand, Jr.

Martina Strand

Marlene Thomas

Cynthia Williams

Ethel Williams

Karin Williams

Janice Williams

Isabella Brady

Ethel Makinen

George Ramos

Marie Thiemeyer

Margy Johnson

Southwest

Amos Beatty

Jimmy Thompson

Charles Henry

Ron Quay

Wilkie Dazen

John Chissay

Mike Cooley

Pat Cooley

Bruce Cooley

Theresa Truesdell

Myrna Tessay

Wilfred Peaches

Manuelita Early

Jerry Lupe

Mike Truesdell

Bernice Endfield

Lula Machuse

Azlie Lupe

Pheobe Gooday

Nelson Lupe, Sr.

Shirleen Bullock

Beverly Machuse

June Marie Dale

Ophelia Peaches

Maria Endfield

Umatilla

Traditional Long House Group from Pendleton, Oregon

Edith K. McCloud, narrator, bead worker

Lillian E. Hoptowit, craftsperson, bead worker

Terry L. Hoptowit, dancer

Rosie McCloud, dancer

Eliza B. Nez, dancer

Joseph P. Tias, dancer

Bernadette B. Nez, dancer

Anthony G. Hoptowit Sr., crafts

Anna Marie Brown, buckskin worker

James Hoptowit, dancer

Donna B. Nikolaide, dancer, assist.

Willard D. Showay, singer

Arthur Williams, singer, crafts-beadwork

Lonnie R. Selam Sr., singer

William A. Johnson Sr., feather worker

Mrs. Arthur Williams, bead worker

Phillip Jackson, dancer, assist.

Eliza Bill, coordinator

Norma June Mosquito, dancer

Beksee Mosquito, singer, drummer

John Willard Hoptowit, dancer

Maisie McCloud, dancer

David Dean McKay, dancer

Babette Cowapoo, dancer

Ellen Taylor, dancer

Julie Taylor, dancer

Alberta Taylor, dancer

Ellen Johnson, bead worker

Cidric Bill, dancer

Anthony G. Hoptowit Jr., dancer

Emile Bill, dancer

Robert Bill, dancer

Sheila Bill, dancer

Sonny Gail McCloud, dancer

Angie McCloud, dancer

Raphael Bill, dancer, assist.

Veva E. Bill, storyteller

Sylvester Selam, dancer

Gabriel Selam, singer

Sandy Sampson, dancer, narrator, sign language

The Confederated Tribes and Bands of the Yakima Indian Nation of Toppenash, Washington will also be featured. Simon Sampson is the coordinator.

We will feature the Ute Reservation led by Gwen Mojado, the Inter-Tribal Council of Nevada led by Harold Wyatt, and the Klamath Tribe of Oregon led by Leonard Norris.

Northern California

Miwok Tribe

William Franklin, dancer, lecturer, hand game player

Cora Franklin, dancer, lecturer, hand game player

Margaret Villa, dancer, lecturer, jewelry maker

Theresa Coy, dancer, lecturer, hand game player

Carl Mathiesen, dancer, lecturer, hand game player

Inez Mathiesen, dancer, lecturer, hand game player

David Franklin, dancer, lecturer, hand game player

Ronnie Franklin, dancer, lecturer, hand game player

James Franklin, dancer, lecturer, hand game player

Norman Franklin, dancer, lecturer, hand game player

Robert Coy, dancer, lecturer, hand game player

Elaine Barber, dancer, lecturer, hand game player

Dorothy Stanley, food demonstration, lecturer

Dwight Zutchke, dancer, lecturer

Wintun Tribe

Mary Norton, food sales

Frances McDaniel, basket maker

Pomo Tribe

Elsie Allen, 1899-1990, basket maker, Ukiah, California

Yurok Tribe

Elaine Glairy, jewelry maker

Mary Birchfield, food sales

Ollie Foseide, 1921-, basket maker, Hoopa, California

Warren Abbott, food sales, dancer

Lareta James, dancer, singer

Dewey George, 1899-1985, boat maker, dance leader, McKinleyville, California

Rosie Silva, dancer, singer

Julius Aubrey, boat making assistant, dancer

Oscar Taylor, net maker, singer, dancer

Eileen Figueroa, basket maker, singer

Sam Jones, 1913-1996, stick game player

Mark Sundberg, stick game player, dancer, canoe assistant

Lisa Sundberg, dancer, jewelry maker

Joy Sundberg, Northern California coordinator, lecturer

Karok Tribe

Charlie Tom, singer, drummer, dancer

Jo Peters, 1923-, jewelry maker, basket maker, lecturer, Hoopa, California

Tammy Peters, dancer, jewelry maker

Laura George, guide, assistant

Lorna Dodge, lecturer, guide, assistant

Tolowa Tribe

Billy Richards, dancer

Mark Richards, dancer

Nicole Richards, dancer

Loren Bommelyn, 1956-, lead singer, Fort Dick, California

Fred Moorehead, lead singer

Betty Green, dance assistant

Kim Richards, dancer

Tanya Richards, dancer

Ronnie Richards, dancer

Marvin Richards, dancer

Denise Lopez, dancer, guide

Denise Richards, dancer, guide

Pam Mattz, dancer

Joan Richards, food sales

Darlene Richards, food sales

Lorene Richards, dancer

William Richards, food sales

Viola Richards, food sales

Bill Bommelyn, dancer

Walter Richards, singer

Lila Moorehead, sand bread maker, cook

Hupa Tribe

Merve George, band leader, dancer

Eleanor Abbott, language class leader

Andy Andrioli, lecturer, guitar player, dancer

Kim Yerton, dancer, learning center assistant

Janice Yerton, learning center assistant

Endora Saxson, dancer

Mike Waterman, drummer

Doug Duncan, lead guitar player

George Disdy, guitar player

Ann Taylor, assistant

Pat Andrioli, assistant

Paiute Tribe

Joseph Saulque, lecturer, historian

Film and Video Presentation

Vern Korbe

Carol Korbe

Dick O'Rourke

Lorraine O'Rourke

Brian Tripp

Dolly Tripp

Daniel O'Rourke

Klamath Tribe

Leonard Norris, Jr., Coordinator

Cecil L. Gallagher

Nick Kimbal

Charlie Bates

Rhonda Jimenez

LaNell L. Jackson

Rose Mary Tree Top

Jean Tina Bates

Bill L. Jackson

Anna Marie Jackson

Valgene Teeman

Marc McNair

Tchinook Tribe of Oregon

Karleen F. McKenzie

Confederated Tribes of the Umatilla

Leslie Minthorn, Coordinator

Quileute Tribe

Robert Bojorcas, 1943-, Coordinator, Eugene, Oregon
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1976 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1976, Series 6
See more items in:
Smithsonian Folklife Festival records: 1976 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5faad8354-a427-4717-95e3-f0b878e67f3a
EDAN-URL:
ead_component:sova-cfch-sff-1976-ref44

Songs and Dances of the Great Lakes Indians

Recorder:
Kurath, Gertrude Prokosch  Search this
Producer:
Kurath, Gertrude Prokosch  Search this
Performer:
Pamptopee, Betty  Search this
Roberts, Wilson, Wapanuetak  Search this
Lacasse, Fred  Search this
Shalifoe, Thomas, 1903-1986  Search this
Shagonaby, Susan  Search this
Kenosha, David, Oshawenimiki, 1893-1963  Search this
Albert, Whitney, Zhagezhin  Search this
Thomas, Eli Wassheshkom  Search this
Smoke, Percy, Kanat'he  Search this
Buck, Richard  Search this
Buck, Gordie  Search this
Buck, Morris  Search this
Lewis, Thomas  Search this
Miller, Huron  Search this
Lyons, Mrs.  Search this
Oshawenimiki  Search this
Blue Cloud  Search this
Kadega'ohiyaie  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Indians of North America  Search this
Americans  Search this
Fox  Search this
Ojibwa Indians  Search this
Ottawa Indians  Search this
Onondaga Indians  Search this
Iroquois Indians  Search this
Tutelo Indians  Search this
Seneca Indians  Search this
Type:
Archival materials
Phonograph records
Place:
Michigan
United States
Beartown (Mich.)
New York
Onondaga Indian Reservation (N.Y.)
Ontario
Canada
Six Nations Indian Reserve No. 40 (Ont.)
Iowa
Tama (Iowa)
Wisconsin
Lac du Flambeau (Wis.)
Baraga (Mich.)
Harbor Springs (Mich.)
Cross Village (Mich.)
Mikado (Mich.)
Isabella Reservation (Mich.)
Cattaraugus (N.Y.)
Date:
1956
Contents:
Buffalo head dance 1 ; Buffalo head dance 2 ; Bear claw or Grizzly bear dance ; Pipe of peace or Calumet dance ; Soldier or Victory round dance ; Love song for flute (6:15) -- Fish dance ; Pipe dance ; Powwow or Horse dance ; Forty-nine dance ; Oh Mary (5:11) --Deer song ; Catholic Ojibwa hymn (2:08) --War rally song ; Bear dance ; Eagle dance ; Maple sugar song ; Hoot owl song 1 (3:35) --Hoot owl song 2 ; Coon song ; Rabbit song ; Medicine song (4:48) --Grass dance song ; Drinking song (1:38) --Bear dance (2:18) -- Eagle dance (2:49) --Wasase rain dance or War dance (2:40) --Scalp dance (:56) --Corn dance (2:10) --Women's dance (3:34) --Fishing dance (3:45) --Stomp dance (3:12) -- Two future projects (1:12).
Track Information:
101 Buffalo Head Dance / Wilson, Wapanuetak Roberts. Drum,Water-drum. Fox language.

102 Fish Dance / Fred Lacasse. Drum. Ojibwa language.

103 Deer Song / Thomas Shalifoe. Ojibwa language.

103 Jesus Wegwissian / Thomas Shalifoe. Ojibwa language.

104 War Rally Song / Susan Shagonaby. Ottawa language.

104 Bear Dance / Oshawenimiki, David, Oshawenimiki Kenosha. Ottawa language.

105 Hoot Owl Song / Blue Cloud, Whitney, Zhagezhin Albert. Ottawa language.

106 Grass Dance Song / Eli Wassheshkom Thomas. Ojibwa language.

201 Bear Dance / Percy, Kanat'he Smoke. Drum. Onondaga language.

203 Wasase Rain Dance, War Dance / Richard Buck. Cayuga language.

209 Rituals to the Creator / Gordie Buck, Morris Buck. Cayuga language.

101 Bear Claw Dance, Grizzly Bear Dance / Wilson, Wapanuetak Roberts. Drum,Water-drum. Fox language.

101 Pipe of Peace Dance, Calumet Dance / Wilson, Wapanuetak Roberts. Drum,Water-drum. Fox language.

101 Soldier Dance, Victory Round Dance / Wilson, Wapanuetak Roberts. Drum,Water-drum. Fox language.

101 Love Song / Wilson, Wapanuetak Roberts. Flute. Fox language.

102 Pipe of Peace Dance / Fred Lacasse. Drum. Ojibwa language.

102 Horse Dance, Pow Wow Dance, Friendship Dance, War Dance / Fred Lacasse. Ojibwa language.

102 Forty-nine Dance / Fred Lacasse. Drum. Ojibwa language.

102 Oh Mary / Fred Lacasse. Ojibwa language.

104 Eagle Dance / Oshawenimiki, David, Oshawenimiki Kenosha. Ottawa language.

104 Maple Sugar Song / Oshawenimiki, David, Oshawenimiki Kenosha. Ottawa language.

104 Hoot Owl Song / Oshawenimiki, David, Oshawenimiki Kenosha. Ottawa language.

105 Coon Song / Blue Cloud, Whitney, Zhagezhin Albert. Ottawa language.

105 Rabbit Song / Blue Cloud, Whitney, Zhagezhin Albert. Ottawa language.

105 Medicine Song / Blue Cloud, Whitney, Zhagezhin Albert. Ottawa language.

106 Drinking Song / Eli Wassheshkom Thomas. Ojibwa language.

202 Eagle Dance / Percy, Kanat'he Smoke. Onondaga language.

204 Scalp Dance / Thomas Lewis. Onondaga language.

205 Corn Dance / Thomas Lewis. Onondaga language.

206 Women's Dance / Kadega'ohiyaie, Huron Miller. Onondaga language.

207 Fishing Dance / Kadega'ohiyaie, Huron Miller. Onondaga language.

208 Stomp Dance / Kadega'ohiyaie, Huron Miller. Onondaga language.

209 Wesleyan Hymn / Mrs. Lyons.

209 Owa bagish kichi ingodwok nijinishinabek (O for a thousand tongues) / Betty Pamptopee.
Local Numbers:
Folkways.4003; Folkways.1003

FW-COMM-LP-04003
Publication, Distribution, Etc. (Imprint):
New York Folkways 1956
Date/Time and Place of an Event Note:
Recorded in: Six Nations Indian Reserve No. 40 (Ont.), Canada, Ontario, Onondaga Indian Reservation (N.Y.), New York, Beartown (Mich.), United States, Michigan.
General:
Commercial

Track 102 Personnel: Fred Lacasse, George W. Brown, Sam Link, John Martin. Performed by members of native Indian tribes, principally with percussion acc. Production notes: Recorded in the United States and Canada by Gertrude Prokosch Kurath circa 1956.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Topic:
hymns  Search this
Musicals  Search this
Drum  Search this
Water-drum  Search this
Flute  Search this
Religion  Search this
Catholicism  Search this
Children  Search this
Christianity  Search this
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-COMM-LP-04003
See more items in:
Moses and Frances Asch Collection
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk559107b45-2bd0-4a42-a4f1-58a109d50d57
EDAN-URL:
ead_component:sova-cfch-asch-ref24603

Fenton, Li. Water Med.- prelim MS for U Okla Press

Collection Creator:
Sturtevant, William C.  Search this
Container:
Box 145
Type:
Archival materials
Date:
2000
Scope and Contents note:
William Fenton, Little Water Society of the Seneca: The Great Good Medicine
Collection Restrictions:
Files containing Sturtevant's students' grades have been restricted, as have his students' and colleagues' grant and fellowships applications. Restricted files were separated and placed at the end of their respective series in boxes 87, 264, 322, 389-394, 435-436, 448, 468, and 483. For preservation reasons, his computer files are also restricted. Seminole sound recordings are restricted. Access to the William C. Sturtevant Papers requires an apointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
William C. Sturtevant papers, National Anthropological Archives, Smithsonian Institution
See more items in:
William C. Sturtevant papers
William C. Sturtevant papers / Series 2: Research Files / 2.4: Iroquois
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw36151666a-1d80-4efc-8d98-ac6d70bf090d
EDAN-URL:
ead_component:sova-naa-2008-24-ref5001

James Henri Howard Papers

Creator:
Howard, James H., 1925-1982 (James Henri)  Search this
Correspondent:
Woolworth, Alan R.  Search this
Weslager, C.A.  Search this
Witthoft, John, 1921-1993  Search this
Swauger, James Lee  Search this
Turnbull, Colin  Search this
Horn, Frances L.  Search this
Garcia, Louis  Search this
Fogelson, Raymond D.  Search this
Hodge, William  Search this
Hayink, J.  Search this
Feder, Norman  Search this
Ervin, Sam J. Jr  Search this
Feraca, Stephen E., 1934-  Search this
Feest, Christian F.  Search this
Cree, Charlie  Search this
Davis, Edward Mott  Search this
De Busk, Charles R.  Search this
Iadarola, Angelo  Search this
Brasser, Ted J.  Search this
Bunge, Gene  Search this
Cavendish, Richard  Search this
Clifton, James A.  Search this
DeMallie, Raymond  Search this
Blake, Leonard W.  Search this
Dean, Nora Thompson  Search this
Spier, Leslie, 1893-1961  Search this
Smith, John L.  Search this
Swanton, John Robert  Search this
Sturtevant, William C.  Search this
Peterson, John H.  Search this
Paredes, J. Anthony, 1939- (James Anthony)  Search this
Schleisser, Karl H.  Search this
Reed, Nelson A.  Search this
Medford, Claude W.  Search this
Lurie, Nancy Oestreich  Search this
Opler, Morris Edward  Search this
Nettl, Bruno, 1930-  Search this
Kraft, Herbert C.  Search this
Johnson, Michael G.  Search this
Lindsey-Levine, Victoria  Search this
Kurath, Gertrude  Search this
Adams, Richard N. (Richard Newbold), 1924-  Search this
Allen, James H.  Search this
Barksdale, Mary Lee  Search this
Battise, Jack  Search this
Names:
Lone Star Steel Company  Search this
Extent:
10.25 Linear feet
Culture:
Seminole  Search this
Indians of North America -- Southern States  Search this
Sioux  Search this
Shawnee  Search this
Indians of North America -- Northeast  Search this
Muskogee (Creek)  Search this
Anishinaabe (Chippewa/Ojibwa)  Search this
Indians of North America -- Great Plains  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Chickasaw  Search this
Choctaw  Search this
Yanktonnai Nakota (Yankton Sioux)  Search this
Seneca  Search this
Euchee (Yuchi)  Search this
Omaha  Search this
Iroquois  Search this
Cherokee  Search this
Sahnish (Arikara)  Search this
Potawatomi  Search this
Chaticks Si Chaticks (Pawnee)  Search this
Ponca  Search this
Mi'kmaq (Micmac)  Search this
Kickapoo  Search this
Sac and Fox (Sauk & Fox)  Search this
Menominee (Menomini)  Search this
Lenape (Delaware)  Search this
Oto  Search this
Tonkawa  Search this
Type:
Collection descriptions
Archival materials
Place:
Oklahoma -- Archeology
Date:
1824-1992
bulk 1950-1982
Summary:
To a considerable degree, the James H. Howard papers consist of manuscript copies of articles, book, speeches, and reviews that document his professional work in anthropology, ethnology, ethnohistory, archeology, linguistics, musicology, and folklore between 1950 and 1982. Among these are a few unpublished items. Notes are relatively scant, there being somewhat appreciable materials for the Chippewa, Choctaw, Creek, Dakota, Omaha, Ponca, Seminole, and Shawnee. The chief field materials represented in the collection are sound recordings and photographs, but many of the latter are yet to be unidentified. A series of color photographs of Indian artifacts in folders are mostly identified and represent the extensive American Indian Cultural collection of costumes and artifacts that Howard acquired and created. Other documents include copies of papers and other research materials of colleagues. There is very little original material related to archeological work in the collection and that which is present concerns contract work for the Lone State Steel Company.
Scope and Contents:
The James Henri Howard papers document his research and professional activities from 1949-1982 and primarily deal with his work as an anthropologist, archeologist, and ethnologist, studying Native American languages & cultures. The collection consists of Series 1 correspondence; Series 2 writings and research, which consists of subject files (language and culture research materials), manuscripts, research proposals, Indian claim case materials, Howard's publications, publications of others, and bibliographical materials; Series 3 sound recordings of Native American music and dance; Series 4 photographs; and Series 5 drawings and artwork.

Howard was also a linguist, musicologist, and folklorist, as well as an informed and able practitioner in the fields of dance and handicrafts. His notable books include Choctaw Music and Dance; Oklahoma Seminoles: Medicines, Magic, and Religion; and Shawnee! The Ceremonialism of a Native American Tribe and its Cultural Background.

Some materials are oversize, specifically these three Winter Count items: 1. a Dakota Winter Count made of cloth in 1953 at the request of James H. Howard, 2. a drawing of British Museum Winter Count on 4 sheets of paper, and 3. Photographs of a Winter Count.
Arrangement:
This collection is arranged in 5 series: Series 1. Correspondence, 1960-1982, undated; Series 2. Writings and Research, 1824-1992; Series 3. Sound Recordings, 1960-1979; Series 4. Photographs, 1879-1985; Series 5. Drawings and Artwork, 1928-1982.
Chronology:
1925 -- James Henri Howard was born on September 10 in Redfield, South Dakota.

1949 -- Received his Bachelor of Arts from the University of Nebraska.

1950 -- Received his Master of Arts from the University of Nebraska and began a prolific record of publishing.

1950-1953 -- Began his first professional employment as an archaeologist and preparator at the North Dakota State Historical Museum in Bismarck.

1955-1957 -- Was a museum lecturer at the Kansas City (Missouri) Museum.

1957 -- James H. Howard received his Ph.D. at the University of Michigan. Joined the staff of the Smithsonian's River Basin Surveys in the summer.

1957-1963 -- Taught anthropology at the University of North Dakota.

1962 -- Chief archeologist at the Fortress of Louisberg Archeological Project in Nova Scotia.

1963-1968 -- Taught anthropology at the University of South Dakota; State Archeologist of South Dakota; Director of the W. H. Over Dakota Museum.

1963-1966 -- Director of the Institute of Indian Studies, University of South Dakota.

1968-1982 -- Associate professor of anthropology at Oklahoma State University at Stillwater (became a full professor in 1971).

1979 -- Consulted for exhibitions at the Western Heritage Museum in Omaha, Nebraska.

1982 -- Died October 1 after a brief illness.
Biographical/Historical note:
James H. Howard was trained in anthropology at the University of Nebraska (B.A., 1949; M.A., 1950) and the University of Michigan (Ph.D., 1957). In 1950-1953, he served as archeologist and preparator at the North Dakota State Historical Museum; and, in 1955-1957, he was on the staff of the Kansas City (Missouri) Museum. During the summer of 1957, he joined the staff of the Smithsonian's River Basin Surveys. Between 1957 and 1963, he taught anthropology at the Universtity of North Dakota. Between 1963 and 1968, he served in several capacities with the University of South Dakota including assistant and associate professor, director of the Institute of Indian Studies (1963-1966), and Director of the W.H. Over Museum (1963-1968). In 1968, he joined the Department of Sociology at Oklahoma State University, where he achieved the rank of professor in 1970. In 1979, he was a consultant for exhibitions at the Western Heritage Museum in Omaha, Nebraska.

Howard's abiding interest were the people of North America, whom he studied both as an ethnologist and archeologist. Between 1949 and 1982, he worked with the Ponca, Omaha, Yankton and Yaktonai Dakota, Yamasee, Plains Ojibwa (or Bungi), Delaware, Seneca-Cayuga, Prairie Potatwatomi of Kansas, Mississipi and Oklahoma Choctaw, Oklahoma Seminole, and Pawnee. His interest in these people varied from group to group. With some he carried out general culture studies; with other, special studies of such phenomena as ceremonies, art, dance, and music. For some, he was interest in environmental adaptation and land use, the latter particularly for the Pawnee, Yankton Dakota, Plains Ojibwa, Turtle Mountain Chippewa, and Ponca, for which he served as consultant and expert witness in suits brought before the United Stated Indian Claims Commisssion. A long-time museum man, Howard was also interested in items of Indian dress, articles associated with ceremonies, and other artifacts. He was "a thoroughgoing participant-observer and was a member of the Ponca Hethuska Society, a sharer in ceremonial activities of many Plains tribes, and a first-rate 'powwow man'." (American Anthropologist 1986, 88:692).

As an archeologist, Howard worked at Like-a-Fishhook Village in North Dakota, Spawn Mound and other sites in South Dakota, Gavin Point in Nebraska and South Dakota, Weston and Hogshooter sites in Oklahoma, and the Fortess of Louisbourg in Nova Scotia. He also conducted surveys for the Lone Star Steel Company in Haskall, Latimer, Le Flore and Pittsburg counties in Oklahoma.
Related Materials:
Howard's American Indian Cultural Collection of Costumes and Artifacts, that he acquired and created during his lifetime, is currently located at the Milwaukee Public Museum. In Boxes 19-21 of the James Henri Howard Papers, there are photographs with accompanying captions and descriptions in binders of his American Indian Cultural Collection of Costumes and Artifacts that his widow, Elfriede Heinze Howard, created in order to sell the collection to a museum.
Provenance:
These papers were donated to the National Anthropological Archives by James Henri Howard's wife, Elfriede Heinz Howard, in 1988-1990, 1992, & 1994.
Restrictions:
The James Henri Howard papers are open for research. Access to the James Henri Howard papers requires an appointment.
Rights:
Contact repository for terms of use.
Topic:
Ethnology -- United States  Search this
Ethnomusicology  Search this
Folklore -- American Indian  Search this
Powwows  Search this
Citation:
James Henri Howard Papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.1994-30
See more items in:
James Henri Howard Papers
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw30379c657-37d6-4c9e-99c4-eb8f7be76c10
EDAN-URL:
ead_collection:sova-naa-1994-30
Online Media:

William C. Sturtevant papers

Topic:
Handbook of North American Indians
Creator:
Sturtevant, William C.  Search this
Names:
National Museum of Natural History (U.S.)  Search this
Six Nations  Search this
Extent:
220 Linear feet (The total extent of the collection is 191.41 linear feet (consisting of 473 document boxes and 2 record boxes) plus 254 sound recordings, 94 computer disks, 42 card file boxes, 85 oversize folders, 9 rolled items, 18 binder boxes, and 3 oversize boxes. Of the total extent, 4.79 linear feet (14 boxes) are restricted.)
Culture:
Indians of North America -- Southeast  Search this
Indians of North America -- Northeast  Search this
Indians of North America  Search this
Iroquois  Search this
Seminole  Search this
Type:
Collection descriptions
Archival materials
Realia
Research
Notes
Office files
Theses
Slides (photographs)
Sound recordings
Exhibition catalogs
Field notes
Clippings
Correspondence
Photographs
Microfilms
Newsletters
Manuscripts
Memorandums
Articles
Card files
Books
Artifacts
Negatives
Date:
1952-2007
Summary:
This collection contains the professional papers of William Curtis Sturtevant and documents his activities as Curator of North American Ethnology at the National Museum of Natural History, his work as the editor-in-chief of the Handbook of North American Indians, his research among the Seminole and Iroquois people, and other professional activities. The collection is comprised of books, sound recordings, research and field notes, realia, artifacts, clippings, microfilm, negatives, slides, photographs, manuscripts, correspondence, memorandums, card files, exhibition catalogs, articles, and bibliographies.
Scope and Contents:
This collection contains the professional papers of William Curtis Sturtevant and documents his activities as Curator of North American Ethnology at the Smithsonian Institution's National Museum of Natural History, his work as the editor-in-chief of the Handbook of North American Indians, his research among the Seminole and Iroquois people, and his involvement in various professional activities. The collection is comprised of research and field notes, sound recordings, realia, clippings, negatives, slides, prints, published and unpublished writings, correspondence, memorandums, conference papers and meeting notes, card files, exhibition catalogs, articles, bibliographies, student files such as class notes and papers from Sturtevant's years as an anthropology student, teaching materials including lecture notes and exams, daily planners, passports, military records, artwork including prints and lithographs, maps, and computer files.

The materials in this collection document Sturtevant's career as a preeminent North American ethnologist, museum curator, university professor, his role as General Editor of the Handbook of North American Indians, and his contributions to the field of Anthropology. From his early work with the Seminole Indians of Florida to his forays into Burma, and his decades-long study of how Native Americans have been depicted in artistic and popular culture, Sturtevant's diverse intellectual interests are represented in his research files. A copious note taker, Sturtevant captured his observations and opinions of everything from meetings with colleagues to museum exhibits. Sturtevant's commitment to the anthropological profession can be found in the notes and programs of the many conferences, symposiums, and lecture series he attended and at which he presented. He also held numerous leadership positions in various professional associations and sat on the board of directors/trustees for several cultural organizations including Survival International and the Museum of the American Indian-Heye Foundation. Sturtevant was respected for his vast knowledge of indigenous peoples and he received a voluminous amount of correspondence from colleagues who often included copies of their papers and grant proposals. He kept many of these works, which, it appears he used as reference material. Sturtevant's own work is reflected in his writings; he published over 200 scholarly papers, articles, and books.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Arrangement:
This collection is organized in 14 series: 1. Correspondence, 1951-2008; 2. Research Files, 1851, 1860s, 1880s, 1890, 1939-2006; 3. Writings, 1952-2006; 4. Professional Activities, 1952-2006; 5. Smithsonian, 1954-2008; 6. Handbook of North American Indians, 1971-2007; 7. Biographical Files, 1933-2007; 8. Student Files, 1944-1985; 9. Subject Files, 1902-2002; 10. Photographs, 1927-2004; 11. Artwork, 1699-1998; 12. Maps, 1949-1975; 13. Sound Recordings, 1950-2000; 14. Computer Files, 1987-2006.
Biographical/Historical note:
William C. Sturtevant (1926-2007), preeminent North American ethnologist, museum curator, and university professor, was best known for his contributions to Seminole ethnology, as curator of North American Ethnology in the Department of Anthropology at the Smithsonian Institution's National Museum of Natural History, and for his work as the general editor of the Handbook of North American Indians.

Sturtevant's passion for studying Native peoples began at a young age. In third grade "after a class on American Indians, he asked his father what kind of people study Indians, and his father replied, 'Anthropologists.' Sturtevant decided then that he would make anthropology his career" (Merrill 11). After graduating with honors from the University of California at Berkeley in 1949, Sturtevant went on to Yale University to complete his graduate work in anthropology. When it came time to decide on what area of North America he should focus his research, one of his faculty members at Yale, Irving Rouse, "suggested he consider the Seminoles of south Florida. By the end of his first fieldwork season, Sturtevant was convinced that the dearth of ethnographic information about these Seminoles and their status as one of the least acculturated of all North American Indian societies justified ethnographic research among them and offered the possibility of making an important contribution to North American ethnology" (Merrill 13). Sturtevant spent the summers of 1950 and 1951 conducting preliminary fieldwork among the Mikasuki-speaking Seminole and in 1952 he took up temporary residence at Big Cypress Reservation to undertake research for his dissertation, "The Mikasuki Seminole: Medical Beliefs and Practices." This work focused on Seminole medicine, but also included Sturtevant's analysis of Seminole worldview, religion, history, inter-ethnic relations, material culture, economy, kinship, language, and social organization.

In 1954, while he was finishing his dissertation, Sturtevant made the transition from student of anthropology to professional anthropologist. He was hired as an instructor in Yale's Anthropology Department and began his career in museum work as an assistant curator of anthropology at the Yale Peabody Museum. After receiving his PhD from Yale in 1955, Sturtevant moved on to the Smithsonian Institution, where he accepted a position as a research anthropologist at the Bureau of American Ethnology (BAE). This position afforded Sturtevant the chance to continue to explore his many research interests in ways that a full time professorship or museum curatorship could not. Over the next ten years he studied the Catawba in South Carolina; the Seneca and Cayuga nations of the Iroquois League in New York, Oklahoma, and Ontario; continued his work with the Seminole; visited European museums to examine early ethnographic examples and possible European prototypes of eastern North American Indian material culture; and spent a year in Burma. In 1963, Sturtevant and his wife, Theda Maw, the daughter of a prominent Burmese family, took their three young children to Burma so that they could visit with Maw's family. Sturtevant took this as an opportunity to branch out from his Native American research and spent the year visiting neighborhoods in Rangoon and villages in the surrounding countryside, examining archival materials, studying the Burmese language, learning about Burmese clothing and other aspects of the culture, and taking photographs. He also collected 386 items of clothing and other objects for the Smithsonian.

When Sturtevant returned from Burma, he found the BAE had been dissolved. In 1965, he was transferred from the now-defunct BAE to the Department of Anthropology at the National Museum of Natural History (NMNH), where he became curator of North American Ethnology, a position he held for the next forty-two years. During his tenure at NMNH Sturtevant oversaw all the North American ethnology collections, planned exhibitions, served on committees, and sponsored interns and fellows. One of Sturtevant's primary duties at NMNH was serving as the General Editor of the Handbook of North American Indians, "a major multi-volume reference work summarizing anthropological, linguistic, and historical knowledge about native peoples north of Mexico" (Jackson). Each volume was designed to represent a geographic or topical area of Americanist study. As General Editor, Sturtevant selected volume editors, chapter authors, oversaw office staff, and proofread manuscripts over the course of production.

Besides focusing on the Handbook, much of Sturtevant's time was taken up by responsibilities he held outside the Institution. Sturtevant was extremely involved in professional anthropological associations and held many leadership positions. Fresh out of graduate school, he began a three-year term on the Board of Governors of the Anthropological Society of Washington in 1957. He later became a member of the executive committee of the Florida Anthropological Society, served as book-review editor and associate editor of the American Anthropologist from 1962-1968, was a member of the American Anthropological Association's Committee on Anthropological Research in Museums and was both vice president and president of the committee once it became the Council for Museum Anthropology, was on the American Anthropological Association's Committee on Archives, served three terms on the Board of Trustees of the Museum of the American Indian-Heye Foundation from 1976-1982 and was appointed to a fourth term between 1984 and 1986, and sat on the Board of Directors of Survival International from 1982-1988. He was President of the American Society for Ethnohistory, the American Ethnological Society, the American Anthropological Association, and the Anthropological Society of Washington. Sturtevant also taught classes at Johns Hopkins University as an adjunct professor in the Department of Anthropology, served as a consultant on exhibits at other museums, and reviewed manuscripts for scholarly publications.

Sturtevant remained active in the profession throughout his later years. After divorcing Theda Maw in 1986, he married Sally McLendon, a fellow anthropologist, in 1990 and they undertook several research projects together. Sturtevant was recognized for his dedication and contributions to the field of anthropology in 1996 when he was awarded an honorary doctorate in humane letters by Brown University, and in 2002 when his colleagues published a festschrift in his honor, Anthropology, History, and American Indians: Essays in Honor of William Curtis Sturtevant.

Sturtevant died on March 2, 2007 at the Collingswood Nursing and Rehabilitation Center in Rockville, MD after suffering from emphysema.

Sources Consulted

Estrada, Louie. 2007. William C. Sturtevant; Expert on Indians. Washington Post, March 17. http://www.washingtonpost.com/wp-dyn/content/article/2007/03/16/AR2007031602273.html, accessed August 31, 2012.

Jackson, Jason Baird. 2007. William C. Sturtevant (1926-2007). http://museumanthropology.blogspot.com/2007/03/william-c-sturtevant-1926-2007.html, accessed August 31, 2012.

Merrill, William L. 2002. William Curtis Sturtevant, Anthropologist. In Anthropology, History, and American Indians: Essays in Honor of William Curtis Sturtevant. William L. Merrill and Ives Goddard, eds. Pp. 11-36. Washington D.C.: Smithsonian Institution Press.

1926 -- Born July 26 in Morristown, NJ

1944 -- Entered the University of California at Berkeley as a second-semester freshman

1944 -- Attended summer school at the Universidad Nacional Autonoma de Mexico in Mexico City where he took courses on Mexican archaeology and South American ethnology

1945 -- Drafted into the United States Navy

1946 -- Received an honorable discharge from the Navy with the rank of pharmacist's mate third class and returned to UC Berkeley

1947 -- Attended the University of New Mexico's summer field school in Chaco Canyon, New Mexico

1949 -- January: Received his Bachelor's degree with honors in anthropology from UC Berkeley

1949 -- Began graduate studies at Yale University

1950-1951 -- Spent the summers of 1950 and 1951 in Florida conducting fieldwork among the Mikasuki-speaking Seminole

1951 -- Conducted his first research study of the Iroquois, a classification of Seneca musical instruments, their construction and use, with Harold Conklin

1952 -- May: Moved to Big Cypress Reservation in Florida to conduct research for his dissertation. He focused on Seminole medicine, but also collected physical anthropological data such as blood-type frequencies, handedness, and color blindness

1952 -- July 26: Married Theda Maw

1954 -- Hired by Yale University as an instructor in the Department of Anthropology and as an assistant curator of anthropology in the Yale Peabody Museum

1955 -- Received PhD in anthropology from Yale University

1956 -- Joined the staff of the Smithsonian Institution's Bureau of American Ethnology (BAE) as a research anthropologist

1957 -- Began a three-year term on the Board of Governors of the Anthropological Society of Washington

1957 -- Traveled to Rock Hill, South Carolina to collect linguistic data from Sam Blue, the last member of the Catawba tribe to have maintained some proficiency in the Catawba language. While there, he made a small collection of Catawba pottery for the United States National Museum

1957-1958 -- Spent seven weeks continuing his research among the New York Seneca

1959 -- Returned to Florida to study Seminole ethnobotany. He also collected ethnographic materials, especially objects made for the tourist market, which he deposited in the United States National Museum

1959-1960 -- Member of the executive committee of the Florida Anthropological Society

1960 -- July and August: Visited 17 European museums to examine early ethnographic examples and possible European prototypes of eastern North American Indian material culture

1961-1962 -- Spent the summers of these years conducting ethnographic fieldwork among the Seneca-Cayuga in Oklahoma

1962 -- October: Visited the Six Nations Reserve in Ontario, Canada to conduct fieldwork among the Seneca and Cayuga there

1962-1968 -- Book-review editor and associate editor of the American Anthropologist

1963 -- October: Spent the year in Burma; visited neighborhoods in Rangoon and villages in the surrounding countryside, examined photographs in several archives, studied the Burmese language, and read extensively about the country's history and culture. Assembled notes on Burmese clothing and other aspects of the culture, took hundreds of photographs, and made a collection of 386 items of clothing and other objects for the Smithsonian

1964 -- Visited Inle Lake in the Southern Shan States southeast of Mandalay, where he examined local approaches to artificial island agriculture

1964-1981 -- Became a member of the American Anthropological Association's Committee on Anthropological Research in Museums, which became the Council for Museum Anthropology in 1974. Sturtevant was the Council's first vice president, serving two terms between 1974 and 1978, and was its president from 1978 to 1981

1965 -- Became curator of North American Ethnology in the Department of Anthropology at the National Museum of Natural History after the dissolution of the BAE

1965-1966 -- President of the American Society for Ethnohistory

1966 -- Named the editor of the Handbook of North American Indians

1967-1968 -- Fulbright scholar and lecturer at Oxford University's Institute of Social Anthropology

1969 -- Began serving on the American Anthropological Association's Committee on Archives

1974-1989 -- Adjunct Professor in the Department of Anthropology at Johns Hopkins University

1976-1982 -- Served three terms on the Board of Trustees of the Museum of the American Indian-Heye Foundation and was appointed to a fourth term between 1984 and 1986

1977 -- President of the American Ethnological Society

1980-1981 -- President of the American Anthropological Association

1981 -- Spent part of the spring semester at the University of California Berkeley as a Regents Lecturer

1982-1988 -- Board of Directors of Survival International

1986 -- Divorced Theda Maw

1986-1987 -- Smithsonian Fellow at Oxford University's Worcester College

1990 -- Married Sally McLendon

1992 -- President of the Anthropological Society of Washington

1996 -- Awarded an honorary doctorate in humane letters at Brown University

2007 -- Died March 2 in Rockville, MD
Related Materials:
Other materials relating to William C. Sturtevant at the National Anthropological Archives are included in the following collections:

Manuscript 4504

Manuscript 4595

Manuscript 4806

Manuscript 4821

Manuscript 4972

Manuscript 7045

Photo Lot 59

Photo Lot 79-51

Photo Lot 80-3

Photo Lot 81R

Photo Lot 86-68 (6)

Photo Lot 86-68 (7)

American Society for Ethnohistory records

Committee on Anthropological Research in Museum Records

Handbook of North American Indians records

Records of the Department of Anthropology, National Museum of Natural History

Gordon Davis Gibson Papers, Sound Recordings

SPC Se Powhatan Confederacy Mattapony BAE No # 01790700

DOE Oceania:Amer Poly:Hi:Hawaiian Helmet:Sturtevant 04913800

DOE Oceania:Amer Poly:Hi:Hawaiian Helmet:Sturtevant 04913900

DOE Oceania:Amer Poly:Hi:Hawaiian Helmet:Sturtevant 04914000

Negative MNH 1530

Negative MNH 1530 B

Sturtevant is listed as a correspondent in the following NAA collections:

Administrative file, 1949-1965, Records of the Bureau of American Ethnology

John Lawrence Angel Papers

James Henri Howard Papers

Donald Jayne Lehmer Papers

John Victor Murra Papers

Records of the Society for American Archaeology

Albert Clanton Spaulding Papers

Waldo Rudolph Wedel and Mildred Mott Wedel Papers

Copies of sound recordings made by William C. Sturtevant can be found at The California Language Archive at UC Berkeley in two collections, The William Sturtevant collection of Creek/Seminole sound recordings, which includes 31 minutes of Northern Muskogean linguistic field recordings from 1951, and The William Sturtevant collection of Mikasuki sound recordings, which includes 33 minutes of Mikasuki linguistic field recordings from 1951. Two sound tape reels of Seminole music Sturtevant recorded in Florida in 1951 can be found at Wesleyan University's World Music Archives. Folk songs on these recordings include "Scalping Sickness," "Bear Sickness with blowing," "Bear sickness without blowing," "Lullaby," "Feather Dance," "Snake Dance," and "Crazy Dance." Performers include Josie Billie, Lee Cypress, Harvey Jumper, Boy Jim, Charlie (Johnny?) Cypress, Little Tiger Tail, Billy Ossiola, and Charlie Billy Boy.
Separated Materials:
One video tape, "Seminole History and Tradition", was transferred to the Human Studies Film Archives. Series 2.2, Tukabahchee Plate: Glass negative of spectrogram from FBI (Box 135), removed for storage with other glass plate negatives.
Provenance:
These papers were transferred to the National Anthropological Archives by the Department of Anthropology at the National Museum of Natural History.
Restrictions:
Files containing Sturtevant's students' grades have been restricted, as have his students' and colleagues' grant and fellowships applications. Restricted files were separated and placed at the end of their respective series in boxes 87, 264, 322, 389-394, 435-436, 448, 468, and 483. For preservation reasons, his computer files are also restricted. Seminole sound recordings are restricted. Access to the William C. Sturtevant Papers requires an apointment.
Rights:
Contact the repository for terms of use.
Topic:
Ethnology  Search this
Botany  Search this
Anthropology  Search this
Archaeology  Search this
History  Search this
Linguistics  Search this
Genre/Form:
Realia
Research
Notes
Office files
Theses
Slides (photographs)
Sound recordings
Exhibition catalogs
Field notes
Clippings
Correspondence
Photographs
Microfilms
Newsletters
Manuscripts
Memorandums
Articles
Card files
Books
Artifacts
Negatives
Citation:
William C. Sturtevant papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.2008-24
See more items in:
William C. Sturtevant papers
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3b2223e72-e872-41c5-ae7b-abd0b27eaf6a
EDAN-URL:
ead_collection:sova-naa-2008-24
Online Media:

Root/tuber

Culture/People:
Seneca [Cattaraugus]  Search this
Collector:
George Gustav Heye (GGH), Non-Indian, 1874-1957  Search this
Object Name:
Root/tuber
Media/Materials:
Root/roots
Techniques:
Unmodified
Dimensions:
3.4 x 0.9 x 0.9 cm
Object Type:
Medicines/Remedies
Place:
Cattaraugus Reservation; Erie County, Cattaraugus County, Chautauqua County; New York; USA
Date created:
1903-1904
Catalog Number:
1640
Barcode:
001640.000
See related items:
Seneca [Cattaraugus]
Medicines/Remedies
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws6acc803eb-3d7d-4e0d-9418-fb57ed10c014
EDAN-URL:
edanmdm:NMAI_1122
Online Media:

Little Water Medicine Society flute (Image withheld)

Culture/People:
Seneca  Search this
Previous owner:
Joseph Keppler, Jr. (Udo J. Keppler/Gyantwaka), Non-Indian, 1872-1956  Search this
Seller:
Joseph Keppler, Jr. (Udo J. Keppler/Gyantwaka), Non-Indian, 1872-1956  Search this
Object Name:
Little Water Medicine Society flute (Image withheld)
Media/Materials:
Wood
Techniques:
Carved
Object Type:
Ceremonial/Ritual items
Place:
New York; USA (inferred)
Catalog Number:
2/9590
Barcode:
029590.000
See related items:
Seneca
Ceremonial/Ritual items
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws613e5047b-c2bd-450c-97bf-60aba664af74
EDAN-URL:
edanmdm:NMAI_31232

Wooden Corn Mortar, And Dumbbell Pestle

Collector:
Dr. William N. Fenton  Search this
Donor Name:
Bureau of American Ethnology  Search this
Culture:
Iroquois (Haudenosaunee), Seneca (Onödowá'ga:')  Search this
Object Type:
Mortar/Pestle
Place:
Quaker Bridge, Allegany Reservation, New York, United States, North America
Accession Date:
26 Nov 1940
Topic:
Ethnology  Search this
Accession Number:
158251
USNM Number:
E381249-0
See more items in:
Anthropology
Data Source:
NMNH - Anthropology Dept.
GUID:
http://n2t.net/ark:/65665/3fd62e0f1-3d89-4104-9034-d5152bb78dd1
EDAN-URL:
edanmdm:nmnhanthropology_8416890
Online Media:

Jonas Snow Shows JWF (Non-Native) How to Mix Medicine

Creator:
Fenton, William Nelson  Search this
Collection Creator:
Smithsonian Institution. Bureau of American Ethnology  Search this
National Museum of Natural History (U.S.). Department of Anthropology  Search this
Extent:
1 Photographic print (003 in x 004 in)
Container:
Box XII:3, Folder 1-6
Culture:
Seneca  Search this
Indians of North America -- Northeast  Search this
Type:
Archival materials
Photographic prints
Photographs
Date:
01 SEP 1933
Local Numbers:
NAA INV.00751306

NAA MS.4413
Local Note:
Restricted
Black and white photoprint
Place:
New York -- Allegany Reservation/Cold Spring Village
Topic:
Iroquois  Search this
Genre/Form:
Photographs
Citation:
Photo Lot 24 SPC Ne Iroquois Gen/Unid BAE 4413 00751306, National Anthropological Archives, Smithsonian Institution
See more items in:
Photographs of Native Americans and Other Subjects
Photographs of Native Americans and Other Subjects / Series 1: America north of Mexico / Northeast / Iroquois Gen/Unid
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3d30e76a2-d717-4c5e-bf5e-fc285e93704e
EDAN-URL:
ead_component:sova-naa-photolot-24-ref8787

Sarah Snow Drying Cherry Bark for Medicine

Creator:
Fenton, William Nelson  Search this
Collection Creator:
Smithsonian Institution. Bureau of American Ethnology  Search this
National Museum of Natural History (U.S.). Department of Anthropology  Search this
Extent:
1 Photographic print (003 in x 004 in)
Container:
Box XII:3, Folder 1-6
Culture:
Seneca  Search this
Indians of North America -- Northeast  Search this
Type:
Archival materials
Photographic prints
Photographs
Date:
16 JUL 1934
Local Numbers:
NAA INV.00753502

NAA MS.4413
Local Note:
Restricted
Black and white photoprint
Place:
New York -- Allegany Reservation ?
Topic:
Iroquois  Search this
Genre/Form:
Photographs
Citation:
Photo Lot 24 SPC Ne Iroquois Gen/Unid BAE 4413 00753502, National Anthropological Archives, Smithsonian Institution
See more items in:
Photographs of Native Americans and Other Subjects
Photographs of Native Americans and Other Subjects / Series 1: America north of Mexico / Northeast / Iroquois Gen/Unid
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3451995c5-9b73-4c4f-ab27-7a21e129737c
EDAN-URL:
ead_component:sova-naa-photolot-24-ref8865

Mask, Wood:Hair:Silver Eyes:Pierced Ears:Red Spoon Mouth: False Face Society:with 1 Bag of Medicine Tobacco

Creator:
Fenton, William Nelson  Search this
Names:
Buffalo Historical Society  Search this
Collection Creator:
Smithsonian Institution. Bureau of American Ethnology  Search this
National Museum of Natural History (U.S.). Department of Anthropology  Search this
Extent:
1 Photographic print (003 in x 004 in)
Container:
Box XII:3, Folder 1-6
Culture:
Seneca  Search this
Indians of North America -- Northeast  Search this
Type:
Archival materials
Photographic prints
Photographs
Date:
16 MAR 1935
Local Numbers:
NAA INV.00754803

NAA MS.4413
Local Note:
Restricted
Black and white photoprint
Place:
New York
Topic:
Iroquois  Search this
Genre/Form:
Photographs
Citation:
Photo Lot 24 SPC Ne Iroquois Gen/Unid BAE 4413 00754803, National Anthropological Archives, Smithsonian Institution
See more items in:
Photographs of Native Americans and Other Subjects
Photographs of Native Americans and Other Subjects / Series 1: America north of Mexico / Northeast / Iroquois Gen/Unid
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw394cf73fb-9868-4bd0-b953-b533a556c8b2
EDAN-URL:
ead_component:sova-naa-photolot-24-ref8916

187 Mask, Wood:Hair:Broad Black:Brass:Eyes:False Face Society:with 3 Bags of Medicine Tobacco

Creator:
Fenton, William Nelson  Search this
Names:
Buffalo Historical Society  Search this
Collection Creator:
Smithsonian Institution. Bureau of American Ethnology  Search this
National Museum of Natural History (U.S.). Department of Anthropology  Search this
Extent:
1 Photographic print (003 in x 004 in)
Container:
Box XII:3, Folder 1-6
Culture:
Seneca  Search this
Indians of North America -- Northeast  Search this
Type:
Archival materials
Photographic prints
Photographs
Date:
16 MAR 1935
Local Numbers:
NAA INV.00754901

NAA MS.4413
Local Note:
Restricted
Black and white photoprint
Place:
New York
Topic:
Iroquois  Search this
Genre/Form:
Photographs
Citation:
Photo Lot 24 SPC Ne Iroquois Gen/Unid BAE 4413 00754901, National Anthropological Archives, Smithsonian Institution
See more items in:
Photographs of Native Americans and Other Subjects
Photographs of Native Americans and Other Subjects / Series 1: America north of Mexico / Northeast / Iroquois Gen/Unid
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3e3af56d2-32bd-47b0-9f07-90aac5a70442
EDAN-URL:
ead_component:sova-naa-photolot-24-ref8917

Ceremony, Midwinter Festival

Creator:
Fenton, William Nelson  Search this
Collection Creator:
Smithsonian Institution. Bureau of American Ethnology  Search this
National Museum of Natural History (U.S.). Department of Anthropology  Search this
Extent:
1 Photographic print (004 in x 003 in)
Container:
Box XII:3, Folder 1-6
Culture:
Seneca  Search this
Indians of North America -- Northeast  Search this
Type:
Archival materials
Photographic prints
Photographs
Date:
01 FEB 1936
Scope and Contents:
False Face Beggars' Medicine
Local Numbers:
NAA INV.00759004

NAA MS.4413
Local Note:
Restricted
Black and white photoprint
Place:
New York -- Tonawanda Reservation
Topic:
Iroquois  Search this
Genre/Form:
Photographs
Citation:
Photo Lot 24 SPC Ne Iroquois Gen/Unid BAE 4413 00759004, National Anthropological Archives, Smithsonian Institution
See more items in:
Photographs of Native Americans and Other Subjects
Photographs of Native Americans and Other Subjects / Series 1: America north of Mexico / Northeast / Iroquois Gen/Unid
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw341f734fa-0531-4193-b48e-9b813d4a197c
EDAN-URL:
ead_component:sova-naa-photolot-24-ref9084

Ceremony, Midwinter Festival

Creator:
Fenton, William Nelson  Search this
Collection Creator:
Smithsonian Institution. Bureau of American Ethnology  Search this
National Museum of Natural History (U.S.). Department of Anthropology  Search this
Extent:
1 Photographic print (004 in x 003 in)
Container:
Box XII:3, Folder 1-6
Culture:
Seneca  Search this
Indians of North America -- Northeast  Search this
Type:
Archival materials
Photographic prints
Photographs
Date:
01 FEB 1936
Scope and Contents:
False Face Beggars' Medicine
Local Numbers:
NAA INV.00759005

NAA MS.4413
Local Note:
Restricted
Black and white photoprint
Place:
New York -- Tonawanda Reservation
Topic:
Iroquois  Search this
Genre/Form:
Photographs
Citation:
Photo Lot 24 SPC Ne Iroquois Gen/Unid BAE 4413 00759005, National Anthropological Archives, Smithsonian Institution
See more items in:
Photographs of Native Americans and Other Subjects
Photographs of Native Americans and Other Subjects / Series 1: America north of Mexico / Northeast / Iroquois Gen/Unid
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3ae6ba404-97cf-418b-9cda-d2d61e8b4bae
EDAN-URL:
ead_component:sova-naa-photolot-24-ref9085

Simeon Gibson? with Plant (No 417) Used for Medicine

Creator:
Fenton, William Nelson  Search this
Collection Creator:
Smithsonian Institution. Bureau of American Ethnology  Search this
National Museum of Natural History (U.S.). Department of Anthropology  Search this
Extent:
1 Photographic print (003 in x 004 in)
Container:
Box XII:3, Folder 1-6
Culture:
Seneca  Search this
Cayuga  Search this
Indians of North America -- Northeast  Search this
Type:
Archival materials
Photographic prints
Photographs
Date:
14 AUG 1939
Local Numbers:
NAA INV.00762801

NAA MS.4413
Local Note:
Restricted
Black and white photoprint
Place:
Canada -- Ontario -- Six Nations Reserve/Chiefswood Village
Topic:
Iroquois  Search this
Genre/Form:
Photographs
Citation:
Photo Lot 24 SPC Ne Iroquois Gen/Unid BAE 4413 00762801, National Anthropological Archives, Smithsonian Institution
See more items in:
Photographs of Native Americans and Other Subjects
Photographs of Native Americans and Other Subjects / Series 1: America north of Mexico / Northeast / Iroquois Gen/Unid
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3ffeb8940-ada2-417f-b1fe-84b688bbbc68
EDAN-URL:
ead_component:sova-naa-photolot-24-ref9237

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