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Warshaw Collection of Business Americana Subject Categories: Indians

Creator:
Warshaw, Isadore, 1900-1969  Search this
Extent:
1.17 Cubic feet (consisting of 1.5 boxes, 1 folder, 2 oversize folders, 1 map case folder, 1 flat box (partial).)
Type:
Collection descriptions
Archival materials
Business ephemera
Ephemera
Date:
undated
circa 1837-1964
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Indians forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
This material consists primarily of various types of images of Native Americans. It also includes booklets, bills/receipts, scattered correspondence on letterhead stationery, and speeches. Most of the material is by others about the Indians and not by the Indians themselves. State of New York reports and acts from the committee on Indian Affairs in 1861. Memorials from the New York State Senate, 1861. State of New York Committee on Indian Affairs minority reports in 1849 and state of New York Committee on Claims Reports in 1849.

Correspondence includes letters from the United States Indian Service between the years 1888-1892. Correspondence discusses. Also letters from the Treasury Department in 1868 and 1869. Discusses. United States Land Office correspondence discuss 1895.

There is little information on Indian organizations. There is however information on the third annual conference of the Society of American Indians.

Publications include "Indian Moccasin" published monthly at Afton, Indian Territory by Jeremiah Hubbard 1893 & 1895.

Images include photographs, miniatures, wood engravings and chromolithographs. Images depict Indian ball playing, Indian chiefs, battle of the Thames and death of Tecumseh, battle of little bighorn and death of Custer, domestic life among the Indians, smith rescued by Pocahontas, burial of a hunter, lessons in the forest, and William Penn's treaty with the Indians. Many of the photographs are copies and photographs of paintings and drawings.

Postcards include photographic images and lithographed images. There is a set of postcards made of some kind of wood product containing images of different ethnic groups of Indians depicting basket making, dancers, belt weavers, silversmith, turquoise workers, rug weavers, pottery makers, basket dancer corn dancer, drum maker and kachina maker . Various ethnic groups include Hopi, Pueblo, Apaches. A number of these cards are images of yucca wood. All postcards have brief descriptions on the reverse side.

One folder of visual references of images pulled from other subjects with pictures of Indians. Mostly consist of advertisements for various products. There are a number of products that tended to use images of Native Americans. Such products include tobacco, patent medicines, fruit labels, fertilizers, hotels, coffee, meat, cosmetics and soap. Consult subjects in vertical document boxes for other images of Native Americans. One folder of photocopies of stereographs removed from the subject to stereographs.
Materials in the Archives Center:
Archives Center Collection of Business Americana (AC0404)
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Missing Title

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Indians is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Indians  Search this
Genre/Form:
Business ephemera
Ephemera
Citation:
Warshaw Collection of Business Americana Subject Categories: Indians, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.Indians
See more items in:
Warshaw Collection of Business Americana Subject Categories: Indians
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8573dae99-ee4c-40de-b825-89a0aef955ac
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-indians
Online Media:

Smithsonian Folklife Festival records: 1991 Festival of American Folklife

Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Names:
Smithsonian Folklife Festival  Search this
Extent:
1 Cubic foot (approximate)
Type:
Collection descriptions
Archival materials
Audiotapes
Photographic prints
Correspondence
Memorandums
Notes
Plans (drawings)
Digital images
Videotapes
Audiocassettes
Business records
Negatives
Sound recordings
Slides (photographs)
Contracts
Video recordings
Date:
June 28-July 7, 1991
Summary:
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Scope and Contents note:
This collection documents the planning, production, and execution of the 1991 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Arrangement note:
Arranged in 5 series.

Missing Title

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: Family Farming in the Heartland

Series 3: Forest, Field and Sea: Folklife in Indonesia

Series 4: Land in Native American Cultures

Series 5: Roots of Rhythm and Blues: The Robert Johnson Era
Historical note:
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1991 Festival of American Folklife was produced by the Smithsonian Office of Folklife Programs and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.
Introduction:
The 1991 Festival programs were largely about human relationships to land. Indonesian land punctuates sea and ocean to form some 13,000 volcanic islands. On these islands is an amazing diversity of environments, ranging from the sandy beaches of Sumatra to snowcapped mountains that rise above the rainforests in Irian Jaya on New Guinea. To sample this diversity, the Festival presented cultural traditions from three particular environments - the forests of Kalimantan, the fields of Java, and the sea coast of Sulawesi. Half a world away from Indonesia and much closer to home is the American "heartland." American culture embodies a few elemental self-images with mythic stature - the frontier is surely one; the family farm is surely another. The idea of the family farm also entails some of our strongest values - hard work, self-reliance, family solidarity, and community life, all on view to Festival visitors.

For millennia before Columbus's arrival in the New World, native peoples gathered and cultivated its bounty, bred new crops, derived medicines to cure sickness, mined ores for making tools and ornaments, used its earth, stone and wood for building homes, made dyes for cloth, and invented ways of preparing and cooking food. Land and its use informed social, moral, religious, and cosmological beliefs, and sacred and secular practices. Some of this knowledge and practice of land use and its symbolic elaboration in artistic forms are continued among many Native American groups. At the Festival, culture bearers from the Haida, Tlingit, and Tsimshian people from Alaska; Hopi from Arizona; Maya and Lacandón from Chiapas, Mexico; Zapotec and Ikood from Oaxaca, Mexico; Shuar and Achuar from Ecuador; Jalq'a and Tiwanaku from Bolivia; and Taquile from Peru illustrated how the land in many varied environments is cared for and thought about, and how, almost five hundred years after Columbus, the wise and humane use, the knowledge and power of land must be re-"discovered."

The 1991 Festival, which also featured a program on the roots of rhythm and blues, took place for two four-day weeks (June 28-July 1 and July 4-7) between Madison Drive and Jefferson Drive and between 10th Street and 14th Street, south of the National Museum of American History and the National Museum of Natural History (see site plan).

The 1991 Program Book included schedules and participant lists for each program; keynote essays on each of the four programs were supplemented by shorter pieces focusing on particular topics.

The Festival was co-presented by the Smithsonian Institution and National Park Service and organized by the Office of Folklife Programs.

Office of Folklife Programs

Richard Kurin, Director; Diana Parker, Festival Director; Anthony Seeger, Director, Folkways Records; Peter Seitel, Senior Folklorist; Thomas Vennum, Jr., Senior Ethnomusicologist; Olivia Cadaval, Director, Quincentenary Projects; Richard Kennedy, Program Analyst; Betty Belanus, Vivian Chen, Diana N'Diaye, Folklorists; Marjorie Hunt, Ed O'Reilly, Frank Proschan, Nicholas Spitzer, Research Associates; Arlene L. Reiniger, Program Specialist; Jeffrey Place, Archivist

Folklife Advisory Council

Roger Abrahams, Richard Bauman, Henry Glassie, Rayna Green, John Gwaltney, Charlotte Heth, Adrienne Kaeppler, Ivan Karp, Bernice Reagon, John Tchen, Carlos Vélez-Ibáñez

National Park Service

James M. Ridenour, Director; Robert G. Stanton, Regional Director, National Capital Region
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.
Forms Part Of:
Smithsonian Folklife Festival records: 1991 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]
Related Archival Materials note:
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
arts and crafts  Search this
Folk art  Search this
World music  Search this
Folk festivals  Search this
Folk music  Search this
Food habits  Search this
Folklore  Search this
Genre/Form:
Audiotapes
Photographic prints
Correspondence
Memorandums
Notes
Plans (drawings)
Digital images
Videotapes
Audiocassettes
Business records
Negatives
Sound recordings
Slides (photographs)
Contracts
Video recordings
Citation:
Smithsonian Folklife Festival records: 1991 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1991
See more items in:
Smithsonian Folklife Festival records: 1991 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5d98aecba-6aa1-482c-ac66-da49e3e1f4e8
EDAN-URL:
ead_collection:sova-cfch-sff-1991

Modern American Indian leaders their lives and their work Dean Chavers ; with a foreword by Troy Johnson

Author:
Chavers, Dean  Search this
Physical description:
2 volumes illustrations 24 cm
Type:
Biography
Biographies
Date:
2007
Topic:
Indian civic leaders  Search this
Leaders indiens d'Amérique  Search this
American Indians  Search this
Biographies  Search this
Indians of North America  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_822640

MS 2932 Notes on sign language and miscellaneous ethnographic notes on Plains Indians

Creator:
Scott, Hugh Lenox, 1853-1934  Search this
Dunbar, John Brown, 1841-1914  Search this
He Dog  Search this
Red Feather  Search this
Whirling  Search this
Addressee:
Wissler, Clark, 1870-1947  Search this
Names:
United States. Bureau of Indian Affairs  Search this
Bruguiere, Johnnie, 1849-1898  Search this
Petalesharo, 1797-1836  Search this
Extent:
4 Boxes
2,736 Items (2,736 pages)
Culture:
Dakota Indians  Search this
Blackfoot  Search this
Chippewa  Search this
Sioux  Search this
Niitsitapii (Blackfoot/Blackfeet)  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Anishinaabe (Chippewa/Ojibwa)  Search this
Paiute  Search this
Salish (Flathead)  Search this
A'aninin (Gros Ventre)  Search this
Hopi Pueblo  Search this
Kiowa  Search this
Diné (Navajo)  Search this
Wichita  Search this
Osage  Search this
Apache  Search this
Numakiki (Mandan)  Search this
Sahnish (Arikara)  Search this
Minitari (Hidatsa)  Search this
Cree  Search this
Apsáalooke (Crow/Absaroke)  Search this
Niuam (Comanche)  Search this
Niimíipuu (Nez Perce)  Search this
Shoshone  Search this
Inunaina (Arapaho)  Search this
Bannock  Search this
Ute  Search this
Chaticks Si Chaticks (Pawnee)  Search this
Lenape (Delaware)  Search this
Slave  Search this
Denésoliné (Chipewyan)  Search this
Caddo  Search this
Assiniboine (Stoney)  Search this
Sarsi Indians  Search this
Plains Apache (Kiowa Apache)  Search this
Pikuni Blackfeet (Piegan)  Search this
Ponca  Search this
White River Ute (Yampa)  Search this
Indians of North America -- Subarctic  Search this
Indians of North America -- Great Basin  Search this
Indians of North America -- Northeast  Search this
Indians of North America -- Great Plains  Search this
Indians of North America -- Plateau  Search this
Northwest Coast  Search this
Kootenai (Kutenai)  Search this
Indians of North America -- Southwest, New  Search this
Indians of North America -- Southern States  Search this
Type:
Collection descriptions
Archival materials
Date:
1934
Scope and Contents:
Much of this material is relevant to the Dakotas. Includes: miscellaneous notes on Dakota history, bands, and sign for "Dakota," Autograph Document. Approximately 100 pages. (Box 2); account of the Battle of Little Big Horn by He Dog, Red Feather, and Whirling, Autograph Document. 7 pages. (Box 3); "The Custer Battle with the Sioux, Autograph Document. 10 pages. (Box 3); notes on sign language in general, its history and distribution, Autograph and Typescript Document, 1 box (Box 4).
Local Numbers:
NAA MS 2932
Local Note:
manuscript document
Topic:
Sign language  Search this
Marriage and family -- Berdache  Search this
Weapons -- bow  Search this
Dance -- calumet  Search this
American Indian  Search this
Rituals, formulas and ceremonies  Search this
Zoology -- Buffalo  Search this
Dance -- grass  Search this
War -- Battle of Little Bighorn  Search this
Medicine  Search this
Names, place  Search this
Dance -- Ghost dance  Search this
Religion -- soul, concept of  Search this
Language and languages -- Documentation  Search this
Navaho  Search this
Shoshone  Search this
Ute  Search this
White River (Parusanuch and Yampa)  Search this
Lenape  Search this
Assiniboin  Search this
Sioux  Search this
Plains Apache  Search this
Sarcee  Search this
Kootenai  Search this
Kutenai  Search this
Blackfeet  Search this
Citation:
Manuscript 2932, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS2932
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3febc7aa5-2cb3-42c2-a107-dfb270046f91
EDAN-URL:
ead_collection:sova-naa-ms2932

Festival Recordings: Plaza Stage: Ikood Music and Dance; Mayan Healing Ceremony

Creator:
Smithsonian Institution. Festival of American Folklife. Quincentenary Program 1991 Washington, D.C.  Search this
Performer:
Vetterli, Betty, 1927-  Search this
Bernet, Martha, 1927-  Search this
Coochwikvia, Marcus, 1951-  Search this
Calnimptewa, Merle, 1962-  Search this
Joshvehma, Patrick, 1968-  Search this
Pitchford, Lonnie  Search this
Quispe Mamani, Mariano  Search this
Huatta Yucra, Salvador, 1940-  Search this
Figuera, Apolinar  Search this
Hidalgo, Baltazar  Search this
Carvajál, Ricardo  Search this
Callazo, Salvador Lunes  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Americans  Search this
Indians of North America  Search this
Peruvians  Search this
Mexicans  Search this
Swiss Americans  Search this
Hopi  Search this
Taquili (Peru)  Search this
Ikoods  Search this
Mayan Indians  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
Wisconsin
Monroe (Wis.)
Arizona
Peru
Mississippi
Mexico
Chiapas (Mexico)
Date:
1991 July 5
Track Information:
101 Cross Cultural Program: Tiwanaku and Swiss Yodelers / Betty Vetterli, Martha Bernet. Accordion.

102 Hopi Dance / Marcus Coochwikvia, Merle Calnimptewa, Patrick Joshvehma.

103 Cross Cultural Program: Instrument Making / Lonnie Pitchford, Mariano Quispe Mamani, Salvador Huatta Yucra. Diddley bow,Flute,Aerophone.

101 Ikood Music and Dance / Apolinar Figuera, Baltazar Hidalgo, Ricardo Carvajál.

101 Mayan Healing Ceremony / Salvador Lunes Callazo.
Local Numbers:
FP-1991-CT-0214
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 5, 1991.
Restrictions:
Restrictions on access. Hopi materials are in-house research only, No duplication.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
World music  Search this
Folk songs -- United States  Search this
Dance  Search this
American Indian  Search this
Oral history  Search this
Accordion  Search this
Diddley bow  Search this
Flute  Search this
Aerophone  Search this
Yodels  Search this
Musical instruments  Search this
Musical instruments -- Construction  Search this
Medicine  Search this
Shamans  Search this
Herbs -- Theraputic use  Search this
Rites and ceremonies  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1991 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1991, Item FP-1991-CT-0214
See more items in:
Smithsonian Folklife Festival records: 1991 Festival of American Folklife
Smithsonian Folklife Festival records: 1991 Festival of American Folklife / Series 4: Land in Native American Cultures / 4.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk59f5b4172-7e88-45d4-8da6-dbb20b1ce3f8
EDAN-URL:
ead_component:sova-cfch-sff-1991-ref1053

Festival Recordings: Plaza Stage: Mayan Healing Ceremony; Hopi Clown Dance; Andean Wedding Feast

Creator:
Smithsonian Institution. Festival of American Folklife. Quincentenary Program 1991 Washington, D.C.  Search this
Performer:
Collazo, Salvador Lunes  Search this
Tsavatawa, Bertrum, 1970-  Search this
Andrews, Ernie, 1963-  Search this
Joshvehma, Patrick, 1968-  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Mexicans  Search this
Indians of North America  Search this
Americans  Search this
Mayan Indians  Search this
Hopi  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
Mexico
Chiapas (Mexico)
Arizona
Date:
1991 July 6
Track Information:
101 Mayan Healing Ceremony / Salvador Lunes Collazo.

102 Hopi Clown Dance / Bertrum Tsavatawa, Ernie Andrews, Patrick Joshvehma.
Local Numbers:
FP-1991-CT-0215
General:
tape /
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 6, 1991.
Restrictions:
Restrictions on access. Hopi materials are in-house research only, No duplication.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Oral history  Search this
Dance  Search this
American Indian  Search this
Medicine  Search this
Shamans  Search this
Herbs -- Theraputic use  Search this
Healing  Search this
Costumes  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1991 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1991, Item FP-1991-CT-0215
See more items in:
Smithsonian Folklife Festival records: 1991 Festival of American Folklife
Smithsonian Folklife Festival records: 1991 Festival of American Folklife / Series 4: Land in Native American Cultures / 4.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk550cb5644-1403-4e58-a18d-85bb1a176639
EDAN-URL:
ead_component:sova-cfch-sff-1991-ref1054

Land in Native American Cultures

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Introduction:
Oriented both by the Smithsonian's overall concern for the conservation of cultures and by global attention focused on the meaning of the Columbian Quincentenary, this program offered an opportunity to hear the voices of members of Native American societies that had persevered for 500 years and had maintained an ancient care for the earth and the continuity of their own cultures.

The program was about land, ecosystems, and cultural knowledge that sustained Native American cultures before Columbus and to the present day. Each culture represented has a vision of the cosmos and the world as a system of dynamic and interconnected processes. Research for the program examined how domestic, economic, and ceremonial processes are connected through material and expressive culture to form a social fabric of productivity and meaning. Agricultural and ritual cycles often coincide in Native American cultures and echo seasonal rhythms of the land.

Participants of the Quincentenary program came from 15 cultural groups in six different ecological areas, including northern and tropical rainforests, Andean highlands, Arizona desert, and Sierra Madre mountains and coastal dunes of the Isthmus of Tehuantepec in Mexico. Participants demonstrated subsistence activities and craft skills, presented parts of ritual performances, and narrated oral histories. These cultural elements have been passed from generation to generation and speak eloquently of the connections Native Americans have constructed between land and society. Discussion sessions were devoted to some of the major issues confronting Native American cultures. These included: natural resource management, traditional technology, maintenance and destruction of ecological equilibrium and questions of monocultivation, property titles, national parks, transnational corporations, military zones, economic development models, agrarian reform laws, foreign debt, political repression, self determination, cultural identity, intrusion of religious sects, fragmentation of lands, and human rights.

Olivia Cadaval was Curator and Vivien T.Y. Chen was Program Coordinator. Regional Coordinators included Jose-Luis Krafft for Oaxaca, Mexico; Pilar Larreamendi de Moscoso, for Ecuador; Elisa Ramirez, for Oaxaca, Mexico; Oswaldo Rivera Sundt, for the Andes; and Beatriz Torres, for Chiapas, Mexico.

Land in Native American Cultures, co-sponsored by the Smithsonian Institution's National Museum of the American Indian, was made possible with the support of the Inter-American Foundation; the U.S. Embassy of Bolivia; the Ruth Mott Fund; Sealaska Heritage Foundation; the Government of Chiapas, Mexico; lnstituto Nacional Indigenista of Mexico; Centro de Investigación y Estudios Superiores en Antropología Social; the Hopi Tribal Council; and American Airlines of Quito, Ecuador. The program was an activity of the Smithsonian Quincentenary Programs. The Institution's Quincentennial commemoration of the voyages of Columbus to the Americas focused on the cultural, historical and scientific implications of the pan-Hemispheric encounter that would continue to be of global importance for centuries to come.
Fieldworkers and research consultants:
Fieldworkers

Verónica Cereceda, Nora M. Dauenhauer, Celso Fiallo, Alejandro Flores, Barbara Fraust, Enrique González, Ellen Hays, Tomás Huanca, Juan Jaen, Leigh Jenkins, Merwin Kooyahoema, Robbie Littlefield, Gabriel Martínez, Saul Millán V., Miguel Puwairichir, Julio Quispe, Manuel Ríos Morales, Oswaldo Rivera Sundt, Priscilla Schulte

Research Consultants

Beatríz Torres, Roxanna Adams, Jacinto Arias, Barry Bergey, Jose Manuel Del Val, Reynold Denny, Rayna Green, Kevin Benito Healy, Susie Jones, Alan Kalata, Emory Sekaquaptewa, Esther Shea, Carlos Vélez-Ibáñez, William Wallace, Rosita Worl, Irene Zimmermann de la Torre, Elayne Zorn
Presenters:
Jacinto Arias, Verónica Cereceda, Andrew Connors, Richard Dauenhauer, Kevin Benito Healy, Tomás Huanca, Leigh Jenkins, Alan Kolata, Merwin Kooyahoema, José Luis Krafft, Pilar Larreamendi de Moscoso, Gabriel Martínez, Saul Millán V., Elisa Ramírez, Manuel Rios Morales, Oswaldo Rivera Sundt, Maria Williams, Rosita Worl, Irene Zimmerman de la Torre, Elayne Zorn
Participants:
Alaska

Haida

Dolores Churchill, 1929-, Haida, weaver, basket maker, Alaska

Holly J. Churchill, 1955-, Haida, weaver, basket maker, Alaska

Tlingit

Austin Hammond, Tlingit, storyteller, subsistence, Alaska

Ernestine Hanlon, 1951-, Tlingit, weaver, Alaska

Esther Susan Shea, 1917-2003, Tlingit, beader, storyteller, Alaska

Mark Jacobs, Jr., 1923-2005, Tlingit, subsistence, Alaska

Nathan Jackson, 1938-, Tlingit, carver, dancer, subsistence, Alaska

Nora Marks Dauenhauer, Tlingit, dancer, singer, Alaska

Steven Jackson, Tlingit, carver, dancer, Alaska

Tsimshian

Jack Hudson, 1936-, Tsimshian, carver, dancer, singer, Alaska

Arizona

Hopi

Fawn Garcia, 1959-, Hopi, potter, Arizona

James "Masa" Garcia, 1958-, Hopi, potter, Arizona

Marcus "Cooch" Coochwikvia, 1951-, Hopi, silversmith, Arizona

Patrick Joshvehma, 1968-, Hopi, carver, katsina dolls, toys, Arizona

Merle Calnimptewa, 1962-, Hopi, weaver, belts, Arizona

Ernie "Patusngwa-Ice" Andrews, 1963-, Hopi, weaver, Arizona

Pearl Kootswytewa, 1927-, Hopi, basket maker, coil, Arizona

Tamie Jean "T.J." Tootsie, 1969-, Hopi, cook, piki bread, Arizona

Bertrum "Bert" Tsavatawa, 1970-, Hopi, painter, Arizona

Hershel Talashoema, 1936-, Hopi, storyteller, Arizona

Bolivia

Jalq'a

Apolinaria Mendoza, Jalq'a, dancer, cook, weaver, Bolivia

Gerardo Mamani, Jalq'a, costume maker, dancer, Bolivia

Honorato Mamanit, Jalq'a, costume maker, dancer, Bolivia

Juliana Rodriguez, Jalq'a, dancer, cook, weaver, Bolivia

Marcelo Cruz, Jalq'a, maker, dancer, Bolivia

Tiwanaku

Cesar Callisaya Yurijra, Tiwanaku, dancer, cook, weaver, Bolivia

Roberto Cruz Yupanqui, Tiwanaku, agriculture, dancer, Bolivia

Martin Condori Callisaya, Tiwanaku, agriculture, dancer, Bolivia

Tito Flores Nina, Tiwanaku, agriculture, dancer, Bolivia

Bonifacia Quispe Fernandez, Tiwanaku, dancer, cook, weaver, Bolivia

Patricia Uruchi Limachi, Tiwanaku, dancer, cook, weaver, Bolivia

Elena Uruchi Quispe, Tiwanaku, dancer, cook, weaver, Bolivia

Benita Ranos Uruchi, Tiwanaku, dancer, cook, weaver, Bolivia

Ecuador

Shuar

Luisa Marta Tunki Kayap, Shuar, dancer, Ecuador

Numi Vicente Tkakimp Atum, Shuar, dancer, Ecuador

Felipe Unkush Tsenkush, Shuar, storyteller, hunter, fisherman, Ecuador

Miguel Puwainchir, Shuar, storyteller, hunter, fisherman, Ecuador

Jose Shimpu Marit-Saap, Shuar, weaver, basket maker, Ecuador

Hilda Gomez, Shuar, cook, Ecuador

Alltonieta Tiwiran Taish, Shuar, cook, Ecuador

Jose Miguel Tsunki Tempekat Yampanas, Shuar, musician, Ecuador

Mexico

Maya

Petrona Intzin, Maya, weaver, dyer, Mexico

Maria Pérez Peso, Maya, weaver, dyer, cook, Mexico

Salvador Lunes Collazo, Maya, medicine man, Mexico

Catalina Meza Guzmán, Maya, interpreter, translator, Mexico

Lacandón

Vincente K'in Paniagua, Lacandón, potter, farmer, arrow maker, Mexico

Ikoods

Teofila Palafox, weaver, Ikoods, Mexico

Virginia Tamariz, Ikoods, weaver, Mexico

Alfredo Abasolo, Ikoods, fisherman, net maker, dancer, Mexico

Ricardo Carvajál, Ikoods, -- chirimia -- , singer, fisherman, net maker, Mexico

Lino Degollado, Ikoods, dancer, net maker, Mexico

Albino Figueroa, Ikoods, drum, turtle shell, fisherman, net maker, Mexico

Apolinar Figueroa, Ikoods, drum, turtle shell, basket maker, net maker, Mexico

Juan Olivares, Ikoods, narrator, researcher, fisherman, Mexico

Peru

Taquile

Paula Quispe Cruz, Taquile, dancer, weaver, Peru

Terencia Marca Willi, Taquile, dancer, weaver, Peru

Alejandro Flores Huatta, Taquile, weaver, musician, Peru

Alejandro Huatta Machaca, Taquile, weaver, musician, Peru

Salvador Huatta Yucra, Taquile, weaver, musician, Peru

Jesus Marca Quispe, Taquile, weaver, musician, Peru

Cipriano Machaca Quispe, Taquile, weaver, musician, Peru

Mariano Quispe Mamani, Taquile, weaver, musician, Peru

Zapotec

Cenorina Garcia, 1968-, Zapotec, potter, Peru

Alberta Martínez "ria-bert" Marcial, 1960-, Zapotec, weaver, cook, Peru

Angela Marcial "ria-ranc" Mendoza, 1945-, Zapotec, weaver, narrator, cook, Peru

Flaviano Beltrán, 1926-, Zapotec, tanner, leatherworker, farmer, Peru

Pedro Rios Hernández, 1921-, Zapotec, -- chirimia -- , basket maker, dance master, Peru

Arnulfo M. Ramos, 1931-, Zapotec, -- chirimia -- , rope maker, Peru
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 1991 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1991, Series 4
See more items in:
Smithsonian Folklife Festival records: 1991 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk51b2e0948-ac59-4ee3-9c9b-47624733a2e5
EDAN-URL:
ead_component:sova-cfch-sff-1991-ref34

Annual Reports

Collection Creator:
Museum of the American Indian, Heye Foundation  Search this
Collection Director:
Heye, George G. (George Gustav), 1874-1957  Search this
Container:
Box 404, Folder 2
Type:
Archival materials
Date:
1921 - 1924
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from the National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Museum of the American Indian/Heye Foundation Records, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
Museum of the American Indian/Heye Foundation records
Museum of the American Indian/Heye Foundation records / Series 12: Publications / 12.1: Annual Reports
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4fa3c7756-911e-471c-9d6d-53a7a94bf6be
EDAN-URL:
ead_component:sova-nmai-ac-001-ref15241
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Annual Reports digital asset number 1

View of Hopi altar, Antelope Dance Altar, Arizona

Creator:
Carpenter, Charles H.  Search this
Collector:
Tilton, Willis G.  Search this
Names:
Polihungwa  Search this
Collection Collector:
Tilton, Willis G.  Search this
Extent:
1 Item (photographic negative)
Culture:
Hopi  Search this
Type:
Archival materials
Place:
Arizona -- Mishongnovi
Date:
ca 1901
Local Numbers:
OPPS NEG.T478
Local Note:
Cataloging based on examination of NAA file print.
Silver nitrate negative
Related Materials:
Related negatives in the Field Museum of Natural History, Photography Department, Roosevelt Road at Lake Shore Drive, Chicago, Illinois 60605-2496
Collection Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Photo Lot 89-8, Willis G. Tilton collection of photographs of Native Americans, National Anthropological Archives, Smithsonian Institution
See more items in:
Willis G. Tilton collection of photographs of Native Americans
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3eb06e024-629b-4118-8836-0c236358443e
EDAN-URL:
ead_component:sova-naa-photolot-89-8-ref858

Snake Dance ceremony, Arizona

Creator:
Carpenter, Charles H.  Search this
Collector:
Tilton, Willis G.  Search this
Names:
Sosonkiwa  Search this
Collection Collector:
Tilton, Willis G.  Search this
Extent:
1 Glass plate negative
Culture:
Hopi  Search this
Type:
Archival materials
Glass plate negatives
Place:
Arizona -- Mishongnovi
Date:
ca 1901
Scope and Contents:
After washing snakes in Kiva. Sosonkiwa, a priest, is wearing the costume of a Kalehtaka.
Local Numbers:
OPPS NEG.T485
Local Note:
Cataloging based on examination of NAA file print.
Related Materials:
Related negatives in the Field Museum of Natural History, Photography Department, Roosevelt Road at Lake Shore Drive, Chicago, Illinois 60605-2496
Collection Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Photo Lot 89-8, Willis G. Tilton collection of photographs of Native Americans, National Anthropological Archives, Smithsonian Institution
See more items in:
Willis G. Tilton collection of photographs of Native Americans
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw32e2beae4-6449-420e-8395-0d7aaeee049f
EDAN-URL:
ead_component:sova-naa-photolot-89-8-ref862

Hopi Indian altar, Arizona

Creator:
Voth, H. R. (Henry R.), 1855-1931  Search this
Collector:
Tilton, Willis G.  Search this
Collection Collector:
Tilton, Willis G.  Search this
Extent:
1 Item (photographic negative)
Culture:
Hopi  Search this
Type:
Archival materials
Place:
Arizona -- Oraibi
Date:
1897, 1901 or 1903
Scope and Contents:
"The large, wide slabs represent corn-stalks, the zigzag lightning, the small sticks, deceased members of the order. The figurines are the Marau-Manas, (deities of the order). Near the ridge stands the tiponi, the badge of of office of the chief priest, consisting of an ear of corn, wound with cotton twine, and a bunch of different kinds of feathers in the upper end. In the foreground is the medicine bowl with six ears of corn, aspergills, etc., also two netted gourd vessels, trays with meal, rattles, bone whistles and other articles used in the ceremonies. In front of the left side figurine stand two "mother tiponies," consisting of an old elongated basket, to the top of which are tied long, black prayer sticks which have nakwakwosois tied to one end. Behind this figurine stands a small wooden cone with a crystal inserted into the upper end. Small wooden frogs are placed along the front, andwooden cloud symbols on the rear side of the sand ridge."
Biographical / Historical:
"The ceremonies on which this description of the winter performance is based, took place in the years 1897, 1901 and 1903:--The author was then missionary among the Hopi ...." page 12.
Local Numbers:
OPPS NEG.T33312
Local Note:
Cataloging based on examination of NAA file print.
Silver nitrate negative
Related Materials:
Related negatives in the Field Museum of Natural History, Photography Department, Roosevelt Road at Lake Shore Drive, Chicago, Illinois 60605-2496
Collection Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Photo Lot 89-8, Willis G. Tilton collection of photographs of Native Americans, National Anthropological Archives, Smithsonian Institution
See more items in:
Willis G. Tilton collection of photographs of Native Americans
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw33a73aa85-05a6-475d-b18c-8f9e3ade8dde
EDAN-URL:
ead_component:sova-naa-photolot-89-8-ref912

Washington -- Native Landscape at the National Museum of the American Indian

Creator:
Sakiestewa, Ramona, design collaborator  Search this
EDAW Inc., landscape architectural firm  Search this
Artist:
Naranjo-Morse, Nora, 1953-  Search this
House, Donna.  Search this
Building architect:
Cardinal, Douglas  Search this
Landscape architect:
Jones, Johnpaul A., 1941-  Search this
Type:
Archival materials
Digital images
Slides (photographs)
Photographic prints
Negatives
Place:
United States of America -- District of Columbia -- Washington
General:
The Smithsonian's National Museum of the American Indian (NMAI) and its surrounding Native Landscape garden opened on September 21, 2004. At a total of 4.25 acres, the building and landscape lie east of 4th Street SW and south of Jefferson Drive, on the National Mall in Washington, D.C. Rather than a controlled, linear style that is found in much of the surrounding buildings, the NMAI museum and landscape evoke feelings of fluidity and connection with nature. The landscape contains more than 33,000 plants of approximately 150 species, all of which are native to the Piedmont region between the Atlantic coastal plain and the Appalachian Mountains. Additionally, all of the species have an ethnobotanical use for Native Americans, whether for food, medicine, fiber, dye, or ceremonial purposes.
Legislation was enacted to create NMAI on November 28, 1989. Leaders from nearly 150 native communities spanning North and Central America were consulted, culminating in a planning document entitled "The Way of the People," published in 1993. Architect Douglas Cardinal (Blackfoot tribe) of Ottawa, Canada, designed the building of the museum. For the landscape, the architectural firm EDAW, Inc. (now part of AECOM) collaborated with ethnobotanist Donna House (Navajo/Oneida) on the design and plant selection, and with landscape architect Johnpaul Jones (Choctaw/Cherokee) and artist Ramona Sakiestewa (Hopi).
The Native Landscape is comprised of four habitats of the natural regional landscape: upland hardwood forest (on the north side of the museum), wetlands (east), cropland (southeast), and meadow (southwest). The 24,000-square-foot forest habitat is divided into three zones with different soil moisture levels that affect the kinds of plants that grow in each zone. The 6,000-square-foot wetlands is a lush aquatic landscape filled with water lilies and cattails, inspired by the site's geologic history as a swamp. The 5,200-square-foot cropland is an organically sustained garden, maintained through Native American strategies of crop rotation and companion planting, along with the use of natural pest-predators such as ladybugs. Produce harvested from the cropland is used in NMAI's café and for on-site ceremonies. The 5,500-square-foot meadow lies on both sides of the south entrance, and is comprised of wildflowers, grasses, and two American elm trees.
Art and architecture adorn the landscape. Ever-evolving clay sculptures entitled "Always Becoming," designed by Nora Naranjo-Morse (Santa Clara Pueblo), have stood in the meadow habitat since 2007. The north side of NMAI features an acclaimed waterfall feature which represents Tiber Creek, a former tributary of the Potomac River in Washington, D.C. An offering area and many places of rest and reflection are built into the architecture of the landscape. Performances are held at the fire pit and outdoor amphitheater or at the Welcome Plaza. Astronomical artworks are engraved in the pavement at the museum's north and east entrances.
Four stone cardinal direction markers lie along the east-west and north-south axes of the building. These large boulders come from four corners of the western hemisphere, and date from different epochs: North (Canada, Basins Group era), south (Chile, Cretaceous period), east (Maryland, Cambrian period), and west (Hawaii, ca. 1662). Forty additional boulders lie along the landscape's perimeter, to serve as protective bollards and also symbolize the longevity and memories of native tribes. These "Grandfather Rocks" were blessed by American Indians in both Canada (from which they originated) and the United States.
Plantings include columbine (Aquilegia canadensis), flowering dogwood (Cornus florida), serviceberry (Amelanchier arborea), yellow wakerobin (Trillium luteum), mannagrass (Glyceria striata), wild rice (Zizania aquatica), buttonbush (Cephalanthus occidentalis), goldenrod (Solidago sp.), watercress (Nasturtium officinale), tobacco (Nicotiana tabacum), corn (Zea mays), barley (Hordeum vulgare).
People associated with this garden include: EDAW (landscape architectural firm, circa 1989-2004). Donna House (Navajo/Oneida) (ethnobotanist, circa 1990-2004). Johnpaul Jones (Cherokee/Choctaw) (landscape architect, circa 1990-2004). Ramona Sakiestewa (Hopi) (design collaborator, circa 1990-2004). Nora Naranjo-Morse (Santa Clara Pueblo) (artist, 2007- ). Douglas Cardinal (Blackfoot) (building architect, circa 1990-2004).
Related Materials:
Native Landscape at the National Museum of the American Indian related holdings consist of (35mm slides (photographs), negatives, photographic prints, and digital images)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- District of Columbia -- Washington  Search this
Genre/Form:
Digital images
Slides (photographs)
Photographic prints
Negatives
Collection Citation:
Smithsonian Gardens Image Library, Archives of American Gardens, Smithsonian Institution.
Identifier:
AAG.SGI, File SG008
See more items in:
Smithsonian Gardens Image Library
Smithsonian Gardens Image Library / Series 1: Garden Images / United States of America / District of Columbia
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6da109589-3627-4b6b-86b6-d16f4d63250b
EDAN-URL:
ead_component:sova-aag-sgi-ref11

Navajo Medicine Man kachina

Culture/People:
Hopi Pueblo  Search this
Previous owner:
Indian Arts and Crafts Board, Department of the Interior (IACB), 1935-  Search this
IACB source:
Hopi Arts and Crafts & Silvercraft Cooperative Guild  Search this
Title:
Navajo Medicine Man kachina
Object Name:
Kachina/Katsina
Media/Materials:
Cottonwood, feather/feathers, cotton cloth, paint, glue
Techniques:
Carved, painted, glued
Dimensions:
10.5 x 9.5 x 24.9 cm
Object Type:
Sculpture/Carving/Figures
Place:
Arizona; USA
Date created:
1962-1963
Catalog Number:
26/2010
Barcode:
262010.000
See related items:
Hopi Pueblo
Sculpture/Carving/Figures
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws6b6264482-4188-4502-a3c7-cfe1c86d9a99
EDAN-URL:
edanmdm:NMAI_278117

Medicine bundle (Image withheld)

Culture/People:
Hopi Pueblo  Search this
Previous owner:
Larry Frank (Lawrence Frank, Jr.), Non-Indian, 1926-2006  Search this
Seller:
Larry Frank (Lawrence Frank, Jr.), Non-Indian, 1926-2006  Search this
Object Name:
Medicine bundle (Image withheld)
Media/Materials:
Cotton cloth, feather/feathers
Techniques:
Wrapped
Object Type:
Ceremonial/Ritual items: Bundles
Place:
Hopi Reservation; Navajo County, Coconino County; Arizona; USA (inferred)
Catalog Number:
23/3151
Barcode:
233151.000
See related items:
Hopi Pueblo
Ceremonial/Ritual items: Bundles
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws6a4cbeca3-986c-4d6e-929d-6461874f9aa1
EDAN-URL:
edanmdm:NMAI_247925
Online Media:

Medicine Man obtaining plant for medicinal use

Culture/People:
Hopi Pueblo  Search this
Artist/Maker:
Arlo Nuvayouma, Hopi [Second Mesa], 1923-2004  Search this
Seller:
Byron Harvey, III (Byron Schemerhorn Harvey III), Non-Indian, 1932-2005  Search this
Collector:
Byron Harvey, III (Byron Schemerhorn Harvey III), Non-Indian, 1932-2005  Search this
Previous owner:
Byron Harvey, III (Byron Schemerhorn Harvey III), Non-Indian, 1932-2005  Search this
Title:
Medicine Man obtaining plant for medicinal use
Object Name:
Painting
Media/Materials:
Paper, watercolor
Techniques:
Painted
Dimensions:
37.6 x 27.7 cm
Object Type:
Painting/Drawing/Print
Place:
Songoopavi (Shongopovi), Second Mesa, Hopi Reservation; Navajo County; Arizona; USA
Date created:
October 9, 1965
Catalog Number:
23/7492
Barcode:
237492.000
See related items:
Hopi Pueblo
Painting/Drawing/Print
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws6ac2a4212-ea3f-42d3-be68-2baaabaaf8a3
EDAN-URL:
edanmdm:NMAI_252554
Online Media:

Ngakuyathihkya: Taking Snake Dance Medicine

Culture/People:
Hopi Pueblo  Search this
Artist/Maker:
Arlo Nuvayouma, Hopi [Second Mesa], 1923-2004  Search this
Seller:
Byron Harvey, III (Byron Schemerhorn Harvey III), Non-Indian, 1932-2005  Search this
Collector:
Byron Harvey, III (Byron Schemerhorn Harvey III), Non-Indian, 1932-2005  Search this
Previous owner:
Byron Harvey, III (Byron Schemerhorn Harvey III), Non-Indian, 1932-2005  Search this
Title:
Ngakuyathihkya: Taking Snake Dance Medicine
Object Name:
Painting (Image withheld)
Media/Materials:
Paper, watercolor
Techniques:
Painted
Dimensions:
37.3 x 27.9 cm
Object Type:
Painting/Drawing/Print
Place:
Songoopavi (Shongopovi), Second Mesa, Hopi Reservation; Navajo County; Arizona; USA
Date created:
September 27, 1965
Catalog Number:
23/7493
Barcode:
237493.000
See related items:
Hopi Pueblo
Painting/Drawing/Print
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws62ff67b65-003d-44be-a54a-e3f4aff16bac
EDAN-URL:
edanmdm:NMAI_252555
Online Media:

Medicine Man (Provoska)

Culture/People:
Hopi Pueblo  Search this
Artist/Maker:
Leroy Kewanyama (Leroy Lewanyouma), Hopi Pueblo, 1922-1997  Search this
Seller:
Byron Harvey, III (Byron Schemerhorn Harvey III), Non-Indian, 1932-2005  Search this
Collector:
Byron Harvey, III (Byron Schemerhorn Harvey III), Non-Indian, 1932-2005  Search this
Previous owner:
Byron Harvey, III (Byron Schemerhorn Harvey III), Non-Indian, 1932-2005  Search this
Title:
Medicine Man (Provoska)
Object Name:
Painting (Image withheld)
Media/Materials:
Paper, watercolor
Techniques:
Painted
Dimensions:
37.5 x 27.9 cm
Object Type:
Painting/Drawing/Print
Place:
Songoopavi (Shongopovi), Second Mesa, Hopi Reservation; Navajo County; Arizona; USA
Date created:
December 4, 1965
Catalog Number:
23/7508
Barcode:
237508.000
See related items:
Hopi Pueblo
Painting/Drawing/Print
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws678155da1-82b5-40e1-98b9-e38916cba295
EDAN-URL:
edanmdm:NMAI_252570
Online Media:

Medicine Man

Culture/People:
Hopi Pueblo  Search this
Artist/Maker:
Arlo Nuvayouma, Hopi [Second Mesa], 1923-2004  Search this
Seller:
Byron Harvey, III (Byron Schemerhorn Harvey III), Non-Indian, 1932-2005  Search this
Collector:
Byron Harvey, III (Byron Schemerhorn Harvey III), Non-Indian, 1932-2005  Search this
Previous owner:
Byron Harvey, III (Byron Schemerhorn Harvey III), Non-Indian, 1932-2005  Search this
Title:
Medicine Man
Object Name:
Painting (Image withheld)
Media/Materials:
Paper, watercolor
Techniques:
Painted
Dimensions:
37.4 x 28.1 cm
Object Type:
Painting/Drawing/Print
Place:
Songoopavi (Shongopovi), Second Mesa, Hopi Reservation; Navajo County; Arizona; USA
Date created:
June 27, 1965
Catalog Number:
23/7449
Barcode:
237449.000
See related items:
Hopi Pueblo
Painting/Drawing/Print
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws629747e55-e23b-4430-bb5f-dd31c268b89b
EDAN-URL:
edanmdm:NMAI_252719

Tihikyat Wikto: Going after Medicine Man

Culture/People:
Hopi Pueblo  Search this
Artist/Maker:
Arlo Nuvayouma, Hopi [Second Mesa], 1923-2004  Search this
Seller:
Byron Harvey, III (Byron Schemerhorn Harvey III), Non-Indian, 1932-2005  Search this
Collector:
Byron Harvey, III (Byron Schemerhorn Harvey III), Non-Indian, 1932-2005  Search this
Previous owner:
Byron Harvey, III (Byron Schemerhorn Harvey III), Non-Indian, 1932-2005  Search this
Title:
Tihikyat Wikto: Going after Medicine Man
Object Name:
Painting
Media/Materials:
Paper, watercolor
Techniques:
Painted
Dimensions:
37.3 x 27.8 cm
Object Type:
Painting/Drawing/Print
Place:
Songoopavi (Shongopovi), Second Mesa, Hopi Reservation; Navajo County; Arizona; USA
Date created:
July 29, 1965
Catalog Number:
23/7466
Barcode:
237466.000
See related items:
Hopi Pueblo
Painting/Drawing/Print
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws617c84e66-05c8-44c5-a60f-c74ee60c451a
EDAN-URL:
edanmdm:NMAI_252736
Online Media:

Old Man Going to Medicine Man for Eye Disease

Culture/People:
Hopi Pueblo  Search this
Artist/Maker:
Arlo Nuvayouma, Hopi [Second Mesa], 1923-2004  Search this
Seller:
Byron Harvey, III (Byron Schemerhorn Harvey III), Non-Indian, 1932-2005  Search this
Collector:
Byron Harvey, III (Byron Schemerhorn Harvey III), Non-Indian, 1932-2005  Search this
Previous owner:
Byron Harvey, III (Byron Schemerhorn Harvey III), Non-Indian, 1932-2005  Search this
Title:
Old Man Going to Medicine Man for Eye Disease
Object Name:
Painting
Media/Materials:
Paper, watercolor
Techniques:
Painted
Dimensions:
37.5 x 27.8 cm
Object Type:
Painting/Drawing/Print
Place:
Songoopavi (Shongopovi), Second Mesa, Hopi Reservation; Navajo County; Arizona; USA
Date created:
January 28, 1966
Catalog Number:
23/7533
Barcode:
237533.000
See related items:
Hopi Pueblo
Painting/Drawing/Print
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws6a3135e4c-84ff-43a0-87bb-f6a03cdc173b
EDAN-URL:
edanmdm:NMAI_252901
Online Media:

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