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[Lippincott, Inc. photographs], 1968-1977 and [undated]

Creator:
Lippincott, Inc  Search this
Everett, Roxanne  Search this
Subject:
Breer, Robert  Search this
Doty, Robert M.  Search this
Dubuffet, Jean  Search this
Indiana, Robert  Search this
Kelly, Ellsworth  Search this
Lichtenstein, Roy  Search this
McKee, David  Search this
Meadmore, Clement  Search this
Morris, Robert  Search this
Murray, Robert  Search this
Myers, Forrest Warden  Search this
Nevelson, Louise  Search this
Newman, Barnett  Search this
Oldenburg, Claes  Search this
Rosati, James  Search this
Samaras, Lucas  Search this
Sugarman, George  Search this
Yamasaki, Minoru  Search this
Topic:
Photography of sculpture  Search this
Sculpture, Modern -- 20th century  Search this
Record number:
(DSI-AAA_CollID)9147
(DSI-AAA_SIRISBib)211341
AAA_collcode_ippinc
Theme:
Audio - Visual
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211341

Clement Meadmore papers, 1967-1980

Creator:
Meadmore, Clement Lyon, 1929-2005  Search this
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)10467
(DSI-AAA_SIRISBib)213878
AAA_collcode_meadclem
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213878

Byron Gallery records, circa 1950s-1991

Creator:
Byron Gallery  Search this
Subject:
Antonakos, Stephen  Search this
De Chirico, Giorgio  Search this
Ernst, Max  Search this
Consagra, Pietro  Search this
Copley, Alfred L.  Search this
Goeritz, Mathias  Search this
Friedeberg, Pedro  Search this
Nivola, Costantino  Search this
Meadmore, Clement  Search this
Gilliam, Sam  Search this
Matta Echaurren, Roberto Sebastián  Search this
Grilo, Sarah  Search this
Youngerman, Jack  Search this
Calder, Alexander  Search this
Talman, Paul  Search this
Sleigh, Sylvia  Search this
Galleria dell'Ariete  Search this
Type:
Photographs
Scrapbooks
Topic:
Surrealism  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)6253
(DSI-AAA_SIRISBib)216580
AAA_collcode_byrogall
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216580
Online Media:

Artists Talk on Art records

Creator:
Artists Talk on Art  Search this
Names:
Barnet, Will, 1911-2012  Search this
Bourgeois, Louise, 1911-2010  Search this
Christo, 1935-  Search this
De Niro, Robert, Sr., 1922-1993  Search this
Denes, Agnes  Search this
Goldberg, Michael, 1924-  Search this
Jeanne-Claude, 1935-2009  Search this
Longo, Robert  Search this
Mendieta, Ana, 1948-1985  Search this
Morris, Robert, 1931-  Search this
Murray, Elizabeth, 1940-  Search this
Neel, Alice, 1900-1984  Search this
Pavia, Philip, 1915-2005  Search this
Sleigh, Sylvia  Search this
Wilke, Hannah  Search this
Wojnarowicz, David  Search this
Extent:
64.4 Linear feet
317.43 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Sound recordings
Scrapbooks
Transcripts
Video recordings
Date:
circa 1974-2018
Summary:
The records of Artists Talk on Art (ATOA) measure 64.4 linear feet and 317.43 gigabytes and date from circa 1974-2018. The bulk of the records consist of extensive video and sound recordings of events organized by the group featuring artists, critics, historians, dealers, curators and writers discussing contemporary issues in the American art world in hundreds of panel discussions, open screenings, and dialogues held in New York City. Events began in 1975 and continue to the present; recordings in the collection date from 1977 and 2016. A smaller group of records include administrative files, panel flyers, three scrapbooks, as well as photographs, slides, and negatives of panel discussions and participants.
Scope and Contents:
The records of Artists Talk on Art (ATOA) measure 64.4 linear feet and 317.43 gigabytes and date from circa 1974-2018. The bulk of the records consist of extensive video and sound recordings of events organized by the group featuring artists, critics, historians, dealers, curators and writers discussing contemporary issues in the American art world in hundreds of panel discussions, open screenings, and dialogues held in New York City. Events began in 1975 and continue to the present; recordings in the collection date from 1977 and 2016. A smaller group of records include administrative files, panel flyers, three scrapbooks, as well as photographs, slides, and negatives of panel discussions and participants.

ATOA's recordings chronicle the American art world, covering critical discussions and significant art world issues over five decades. Thousands of artists such as Will Barnet, Louise Bourgeois, Christo and Jeanne-Claude, Robert De Niro, Agnes Denes, Michael Goldberg, Robert Longo, Ana Mendieta, Robert Morris, Elizabeth Murray, Alice Neel, Philip Pavia, Howardena Pindell, Larry Rivers, Sylvia Sleigh, Kahinde Wiley, Hannah Wilke, David Wojnarowicz, and others speak about their work. The original recordings exist in a variety of formats, including U-Matic and VHS videotape, MiniDVs, sound cassettes and sound tape reels. ATOA digitized most of the video and sound recordings prior to donating the collection.

The collection also includes printed histories, board and program committee meeting minutes, financial statements, general correspondence files of the president and chair, attendance statistics, grant files, panel participant release forms, sixteen panel transcripts, a complete set of panel flyers (many are annotated) and other printed materials, three dismantled scrapbooks, as well as photographs, slides, and negatives of panels and panel participants.
Arrangement:
The records are arranged into nine series.

Series 1: Adminstrative Files, 1974-2013 (0.4 linear feet, Box 1)

Series 2: Director's and Chairman's Correspondence, 1977-2006 (0.4 linear feet, Box 1)

Series 3: Grant Files, 1977-2009 (1 linear foot, Boxes 1-2)

Series 4: Panel Release Forms, 1978-2012 (1 linear foot, Boxes 2-3)

Series 5: Panel Transcripts, 1981, 1986, 1988, 2017-2018 (1 folder, Box 3; 0.002 GB, ER01)

Series 6: Printed Materials, 1975-2015 (0.8 linear feet, Boxes 3-4; 0.434 GB, ER02)

Series 7: Scrapbooks, 1975-1989 (0.2 linear feet, Box 4)

Series 8: Photographic Materials, circa 1975-circa 2000 (1 linear foot, Boxes 4-5)

Series 9: Video and Sound Recordings of Events, 1977-2016 (59 linear feet, Boxes 6-65; 317.43 GB, ER03-ER04)
Biographical / Historical:
Established in 1974 and still active in New York, Artists Talk on Art is the art world's longest running and most prolific aesthetic panel discussion series organized by artists for artists. Founded by Lori Antonacci, Douglas I. Sheer, and Robert Wiegand, the forum has presented 6,000 artists in nearly 1,000 documented panels or dialogues. ATOA held its first panel, "Whatever Happened to Public Art," on January 10, 1975 and it drew a "crowd" of 77 people. In the decades that followed, ATOA presented dozens of panels or dialogues a year, tackling such diverse topics as "What is Happening with Conceptual Art," with Louise Lawler and Lawrence Weiner; "Painting and Photography: Defining the Difference," with Sarah Charlesworth, Jack Goldstein, Joseph Kosuth, Barbara Kruger, and Robert Mapplethorpe; "Organizing Arts Activism," with Lucy Lippard; "The Artist and the Epidemic—an information panel about AIDS"; "Cross-generational Views of Feminism"; and hundreds more.
Provenance:
The Artists Talk on Art (ATOA) records, including digital files of the video and sound recordings, were donated to the Archives in 2016 by Douglas Sheer, Chairman of ATOA.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, American  Search this
Art critics  Search this
Art dealers  Search this
Art historians  Search this
Artists  Search this
Historians  Search this
Genre/Form:
Photographs
Sound recordings
Scrapbooks
Transcripts
Video recordings
Citation:
Artists Talk on Art records, circa 1974-2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.artitalk
See more items in:
Artists Talk on Art records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-artitalk
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Online Media:

Clement Meadmore papers

Creator:
Meadmore, Clement  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1967-1980
Scope and Contents:
A brief biography; articles and statements by Meadmore, 1968 and undated; price lists, 1980; printed material, 1967-1980, including exhibition catalogs, clippings, reviews, and Meadmore's book HOW TO MAKE FURNITURE WITHOUT TOOLS (1975).
Biographical / Historical:
Sculptor, furniture designer; New York, N.Y. Born 1929. Died 2005.
Provenance:
Donated 1980 by Clement Meadmore.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Furniture designers -- New York (State) -- New York  Search this
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Identifier:
AAA.meadclem
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-meadclem

[Lippincott, Inc. photographs]

Creator:
Lippincott, Inc.  Search this
Everett, Roxanne  Search this
Names:
Breer, Robert  Search this
Doty, Robert M.  Search this
Dubuffet, Jean, 1901-1985  Search this
Indiana, Robert, 1928-  Search this
Kelly, Ellsworth, 1923-  Search this
Lichtenstein, Roy, 1923-1997  Search this
McKee, David  Search this
Meadmore, Clement  Search this
Morris, Robert, 1931-2018  Search this
Murray, Robert, 1936-  Search this
Myers, Forrest Warden, 1941-  Search this
Nevelson, Louise, 1899-1988  Search this
Newman, Barnett, 1905-1970  Search this
Oldenburg, Claes, 1929-  Search this
Rosati, James, 1912-1988  Search this
Samaras, Lucas, 1936-  Search this
Sugarman, George, 1912-1999  Search this
Yamasaki, Minoru, 1912-  Search this
Extent:
1.2 Linear feet ((ca. 700 items partially microfilmed on two reels))
Type:
Collection descriptions
Archival materials
Date:
1968-1977 and [undated]
Scope and Contents:
Photographs by Roxanne Everett, of artists fabricating and installing their sculpture at Lippincott, Inc., and other sites.
REEL 1400: 23 photographs including: Robert Breer, Ellsworth Kelly, Donald Lippincott, Clement Meadmore, Robert Morris, Louise Nevelson, Barnett Newman, Claes Oldenburg, Lucas Samaras, George Sugarman, and Minoru Yamasaki.
REEL 1875: 79 photographs including: Robert McIntyre Doty, Jean Dubuffet, Robert Indiana, Roy Lichtenstein, David McKee, Clement L. Meadmore, Robert Murray, Forest Warden Myers, Claes Oldenburg, James Rosati, Lucas Samaras, George Sugarman, and others.
UNMICROFILMED: 593 photographs, among them ca. 300 of Claus Oldenburg, and many of Robert Murray, George Sugarman, Louise Nevelson, Roy Lichtenstein, James Rosati, Ellsworth Kelly, and others.
Biographical / Historical:
North Haven, Ct. Founded in 1966 by Donald B. Lippincott as a place for artists to create large sculptures and receive help in transportation and installation of their work.
Provenance:
Photographs on reel 1400 donated 1974 by Roxanne Everett and Donald B. Lippincott; those on reel 1875 donated 1978 by Everett. Unmicrofilmed photographs donated by Roxanne Everett, October 4, 1983.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Rights:
Authorization to publish, quote or reproduce must be obtained from Jonathan Lippincott.
Occupation:
Photographers  Search this
Sculptors  Search this
Topic:
Photography of sculpture  Search this
Sculpture, Modern -- 20th century  Search this
Identifier:
AAA.ippinc
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ippinc

Byron Gallery records

Creator:
Byron Gallery  Search this
Names:
Galleria dell'Ariete  Search this
Antonakos, Stephen, 1926-2013  Search this
Calder, Alexander, 1898-1976  Search this
Consagra, Pietro, 1920-  Search this
Copley, Alfred L.  Search this
De Chirico, Giorgio, 1888-  Search this
Ernst, Max, 1891-1976  Search this
Friedeberg, Pedro, 1937-  Search this
Gilliam, Sam  Search this
Goeritz, Mathias, 1915-1990  Search this
Grilo, Sarah  Search this
Matta Echaurren, Roberto Sebastián, 1911-  Search this
Meadmore, Clement  Search this
Nivola, Costantino, 1911-1988  Search this
Sleigh, Sylvia  Search this
Talman, Paul  Search this
Youngerman, Jack, 1926-  Search this
Extent:
16.3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Date:
circa 1950s-1991
Summary:
The records of New York Byron Gallery measure 16.3 linear feet and date from circa 1950s-1991, with the bulk of the material dating from 1960-1971. The records document the gallery's representation and exhibition of Surrealist and contemporary American artists, as well as the occasional pre-Columbian and Old Masters artwork. Found are over ten linear feet of artists and subject files, fifty-seven exhibition scrapbooks, exhibition catalogs, and sales records. There are also exhibitions catalogs of the Milan Galleria Dell'Arieti.
Scope and Content Note:
The records of New York Byron Gallery measure 16.3 linear feet and date from circa 1950s-1991, with the bulk of the material dating from 1960-1971. The records document the gallery's representation and exhibition of Surrealist and contemporary American artists, as well as the occasional pre-Columbian and Old Masters artwork. Found are extensive artists and subject files, exhibition files and scrapbooks, exhibition catalogs, and sales records. There are also exhibitions catalogs of the Milan Galleria Dell'Arieti.

Artist and subject files comprise over one-half of the records and contain business correspondence, sales information, photographs and transparencies, catalogs, and exhibit reviews for each artist either represented or sold by the gallery, or participated in an exhibition organized by the gallery. Particularly rich files are found for Alcopley, Stephen Antonakos, Alexander Calder, Pietro Consagra, Giorgio De Chirico, Max Ernst, Pedro Friedeberg, Sam Gilliam, Mathias Goeritz, Sarah Grilo, Roberto Sabastiano Matta, Clement Meadmore, Constantino Nivola, Sylvia Sleigh, Paul Talman, and Jack Youngerman.

Fifty-seven exhibition scrapbooks in binder sleeves represent a complete documentary record of Byron Gallery exhibits from 1963-1970. The scrapbook contain a wide variety of materials, including correspondence, catalogs, price lists, installation photographs and slides, printed reproductions of exhibited art work, and newspaper clippings and reviews. Additional printed materials include exhibition catalogs and invitations. There is also a near-complete run of catalogs from the Galleria Dell'Arieti, a contemporary gallery in Milan, Italy, 1961-1970.

Financial and business records are contained in a series of invoices from 1963-1971, and a card file of artwork sold or returned.
Arrangement:
The collection is arranged as 5 series:

Series 1: Artist and Subject Files, circa 1950s-1991, undated (Box 1-10, 17; 10.2 linear feet)

Series 2: Exhibition Scrapbooks, 1963-1970 (Box 11-14, 17; 4.1 linear feet)

Series 3: Printed Material, 1961-1970 (Box 15; 0.5 linear foot)

Series 4: Invoices, 1963-1971 (Box 15; 0.5 linear foot)

Series 5: Card Files, circa 1960s-1970s (Box 16; 1 linear foot)
Historical Note:
The Byron Gallery was founded in 1961 by Charles Byron (b. 1918) and located on Madison Avenue in New York, New York. The gallery primarily showed Surrealist masters and up-and-coming contemporary American painters and sculptures, as well as an occasional ancient and Old Masters exhibit.

Among the artists represented by the gallery were Alcopley, Herbert Bayer, Albert Kotin, Clement Meadmore, Richard Merkin, Constantino Nivola, Brian O'Doherty, and Hans Richter. Additional artists handled by the gallery or given shows were Max Ernst, Sam Gilliam, Robert Sebastian Matta, Renee Magritte, Sylvia Sleigh, and Jack Youngerman. The gallery also sold work by artists represented by other galleries, or from the secondary market.

Several prescient group shows were organized by the gallery, including the Box Show in 1965, featuring the work of over 100 artists, including Arakawa, Lee Bontecou, Chryssa, Joseph Cornell, Alcopley, Walter De Maria, Dan Flavin, Donald Judd, Edward Kienholz, Sol Lewitt, Louise Nevelson, Constantino Nivola, Robert Rauschenberg, Michell Stuart, and Andy Warhol. The Paris Review show in 1965 was another stellar event, with contributions from Richard Anuszkiewicz, Allan D'Arcangelo, Jim Dine, Helen Frankenthaler, Robert Indiana, Alex Katz, Ellsworth Kelly, Lindner, Richard Robert Motherwell, Louise Nevelson, Estaban Vicente, and Andy Warhol. In 1964, the gallery also organized an exhibition of over 40 American landscape artists, American Landscapes. The gallery also exhibited two shows based on Pre-Columbian objects, and, in the late 1960s, held two major exhibitions, 400 Years of Italian Art: Florentine Relief Fund Art Show (1967) and Greek Gold Exhibition (1967-1968).
Provenance:
The Byron Gallery papers were donated to the Archives of American Art by gallery owner Charles Byron in 1999.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Byron Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Surrealism  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Scrapbooks
Citation:
Byron Gallery records, circa 1950s-1991, bulk 1960-1971. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.byrogall
See more items in:
Byron Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-byrogall
Online Media:

Meadmore, Clement

Collection Creator:
Kulicke, Barbara  Search this
Container:
Box 4, Folder 20
Type:
Archival materials
Date:
1967-1985
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Barbara Kulicke papers, 1963-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Barbara Kulicke papers
Barbara Kulicke papers / Series 2: Alphabetical Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-kulibarb-ref118

Meadmore, Clement, 1977-1990

Collection Creator::
Smithsonian American Art Museum. Curatorial Office  Search this
Container:
Box 6 of 12
Type:
Archival materials
Collection Rights:
Restricted for 15 years, until Jan-01-2033. Records may contain personally identifiable information (PII) that is permanently restricted. Transferring office; 3/22/2019 memorandum, Johnstone to Laura Augustin; Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Accession 19-136, Smithsonian American Art Museum. Curatorial Office, Acquisition Records (Declined)
See more items in:
Acquisition Records (Declined)
Acquisition Records (Declined) / Box 6
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa19-136-refidd1e7624

Meadmore, Clement

Collection Creator:
Fendrick Gallery  Search this
Container:
Box 29, Folder 2-3
Type:
Archival materials
Date:
1971-1973, 1983, 1988-1997, undated
Collection Restrictions:
The collection is open for research. Use of unmicrofilmed material requires an appointment.
Collection Rights:
The Fendrick Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Fendrick Gallery records, 1952-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Fendrick Gallery records
Fendrick Gallery records / Series 1: Artists Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-fendgall-ref304

Meadmore, Clement

Collection Creator:
Fendrick Gallery  Search this
Container:
Box 57, Folder 18
Type:
Archival materials
Date:
1991-1998
Collection Restrictions:
The collection is open for research. Use of unmicrofilmed material requires an appointment.
Collection Rights:
The Fendrick Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Fendrick Gallery records, 1952-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Fendrick Gallery records
Fendrick Gallery records / Series 3: Commissioned Works and Projects / U .S. General Services Administration, Art-In-Architecture Program
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-fendgall-ref673

Meadmore, Clement - Clippings

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 60, Folder 35
Type:
Archival materials
Date:
1997
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The André Emmerich Gallery records and André Emmerich papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 6: Artists Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-andremmg-ref2995

Meadmore, Clement - Correspondence

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 60, Folder 36
Type:
Archival materials
Date:
1989-1993
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The André Emmerich Gallery records and André Emmerich papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 6: Artists Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-andremmg-ref2996

Meadmore, Clement - Correspondence

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 60, Folder 37
Type:
Archival materials
Date:
1994-1997
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The André Emmerich Gallery records and André Emmerich papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 6: Artists Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-andremmg-ref2997

Meadmore, Clement - Inventories

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 60, Folder 38
Type:
Archival materials
Date:
circa 1986
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The André Emmerich Gallery records and André Emmerich papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 6: Artists Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-andremmg-ref2998

Meadmore, Clement - Price Lists

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 60, Folder 39
Type:
Archival materials
Date:
1995-1996
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The André Emmerich Gallery records and André Emmerich papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 6: Artists Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-andremmg-ref2999

Meadmore, Clement - Printed Materials

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 60, Folder 40
Type:
Archival materials
Date:
1995
1991
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The André Emmerich Gallery records and André Emmerich papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 6: Artists Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-andremmg-ref3000

Meadmore, Clement

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 77, Folder 45
Type:
Archival materials
Date:
1991-1995
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The André Emmerich Gallery records and André Emmerich papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 7: Artist Accounts
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-andremmg-ref3666

Artist Inventory Cards

Collection Creator:
André Emmerich Gallery  Search this
Type:
Archival materials
Date:
circa 1954-1998
Scope and Contents note:
Inventory cards track artwork entering and leaving the gallery. Each card lists a work's artist, title, date, media, and measurements. Most cards include a photograph of the artwork, and most cards further list the ultimate action taken regarding the work (sold, returned to artist or gallery, consigned, etc.), the list price or paid price, exhibition and catalog history, and the history of price quotes given for the work. The gallery used a number of abbreviations for the transactions on the inventory cards:

NFS - Not For Sale

RTA - Returned to Artist

o/c - On Consignment (from)

o/a - On Approval

OOG - Out of Gallery

O/L - On Loan (from)

TGF - Top Gallant Farm

There are no inventory cards tracking pre-Columbian art and artifacts in the collection. The cards represent works from both the New York gallery and Zurich gallery.

The cards are arranged into ten overlapping groups established by the gallery representing transactions, such as sales and consignments, loans, returns, and other general art movement. Within each category, most of the cards are alphabetized by artist and thereafter by title, but occasionally an artist's work is divided into categories (for example by media) before being arranged alphabetically by title:

Returned to Artist

Sold (pre-1993)

Sold

Sold and/or Returned to Artist

Returned to Artist

Sold

Old Top Gallant Farm Sculptures

Emmerich Private Sold

Last Active Inventory and Sales

Additional Cards

See Appendix for a list of artists' names represented by the Artist Inventory Cards in Series 8.1.
Appendix: Artists' Names Represented in Artist Inventory Cards in Series 8.1.:
Aakre, Richard

Abbott, Berenice

Abercrombie, Douglas

Adams, Ansel

Adams, Robert

Africano, Nicholas

Albers, Josef

Alechinsky, Pierre

Altoon, John

Amerine, Wayne

Andre, Carl

Annesley, David

Appel, Karel

Arakawa

Arbus, Diane

Arman

Arp, Jean (Hans)

Ashbaugh, Dennis

Atget, Eugene

Atkins, Anna

Audubon, J.J.

Avery, Milton

Bacon, Francis

Bailey, William

Baldus, Edouard

Ball, Lillian

Balthus

Bannard, Walter Darby

Barlett, Jennifer

Barth, Frances

Barth, Wolf

Bartolini, Luciano

Basquiat, Jean-Michel

Baziotes, William

Beasley, Barth

Bireline, George

Bleckner, Ross

Blossfeldt, Karl

Bocklin, Arnold

Boisseu

Boisson, L.

Bolotowsky, Ilya

Bolus, Michael

Bonnard, Pierre

Bonnet, Phi

Bradley, Peter

Beasley, Bruce

Becher, Bernd and Hillar

Bellocq, E.J.

Benazzi, Raffael

Benton, Fletcher

Best, Mary Ellen

Beuys, Joseph

Bill, Max

Boepple, Willard

Bogart, Bram

Borofsky, John

Boxer, Stanley

Botero, Fernardo

Boudin, Eugene

Bourke-White, Margaret

Brach, Paul

Brancusi, Constantin

Braque, George

Brassaï

Breed, Charles

Brui

Brush, Daniel

Buchwald, Howard

Buckley, Stephen

Bucklow, Christopher

Bush, Jack

Butterfield, Deborah

Calder, Alexander

Callahan, Harry

Cascella, Andrea

Caracciolo, Roberto

Caro, Anthony

Cezanne, Paul

Chadwick, Lynn

Chagall, Marc

Chamberlain, John

Chase, Louisa

Chillida, Eduardo

Christensen, Dan

Christo

Clifford, Charles

Close, Chuck

Cohen, Elaine Lustig

Conlon, William

Contino, Leonard

Crile, Susan

cummings, e.e.

Dahl-Wolfe, Louise

David, Michael

Davis, Gerald

Davis, Lynn

Davis, Ronald

de Amaral, Olga

de Chirico, Giorgio

de Clercq, Louis

de Kooning, Willem

Degas, Edgar

Dehner, Edgar

Delaunay, Robert

Delaunay, Sonia

Dembiczak, J.G.

de Valdivia, Marco

di Suvero, Mark

Diebenkorn, Richard

Dill, Guy

Dill, Lesley

Diller, Burgoyne

Dine, Jim

Disderi

Dorazio, Piero

Downes, Rackstraw

Drapell, Joseph

Drentwett

Dubuffet, Jean

Duchamp, Marcel

Duck-Hyun, Cho

Dufy, Raoul

Du Maine, H.

Durandelle, Louis-Emille

Durrant, Jennifer

Dzubas, Friedel

Edgerton, Dr. Harold

Egger, Marc

Eggleston, William

Embry, Norris

Ellis, Stephen

Emmerich, Tobias

Ernst, Max

Evans, Walker

Fautrier, Jean

Feeley, Paul

Feist, Harold

Ferber, Herbert

Ferrara, Jackie

Fessler, Cristina

Fischl, Eric

Flavin, Dan

Fleming, Linda

Fontana, Corsin

Fontana, Lucio

Ford, Hermine

Fornier, Paul

Foster, John

Fournier, Paul

Francis, Sam

Francis, Sherron

Franck

Frank, Robert

Frankenthaler, Helen

Freud, Lucian

Friedberg, Richard

Freres, Henry

Friedlander, Lee

Fuger

Funakoshi, Katsura

Fuss, Adam

Galanin, Igor

Giacometti, Alberto

Gibbons, Arthur

Gilliam, Sam

Ginnever, Charles

Giordani, Patrice

Glarner, Fritz

Gliko, Carl

Gonzalez, Julio

Goodnough, Robert

Gorchov, Ron

Gordon, Harry

Gorky, Arshile

Gossweiler, Christoph

Gottlieb, Adolph

Graffin, Daniel

Graham, John

Graubner, Gotthard

Graves, Nancy

Green, June

Greenleaf, Ken

Griefen, John Adams

Grill

Gris, Juan

Groover, Jan

Guston, Philip

Gutman, John

Hacklin, Alan/Allan

Hagemeyer, Johan

Hall, Lee

Hantai, Simon

Haring, Keith

Harman, Maryann

Hartley, Marsden

Hartung, Hans

Hatcher, Brower

Held, Al

Hendler, Raymond

Hennessy, Richard

Hepworth, Barbara

Herdeg, Christian

Hide, Peter

Highstein, Jene

Hirschfeld

Hitch, Stewart

Hockney, David

Hodgkin, Howard

Hoenigsberg, Helga

Hofmann, Hans

Hollega, Wolfgang

Honegger, Gottfried

Hope, Polly

Hopper, Edward

Horne, Bernard Shea

Hosiasson, Philippe

Hoyland, John

Hoyningen-Heune, George

Hughto, Darryl

Hughto, Margie/Marjorie

Humphrey, Ralph

Hutchinson, Jay

Hutchinson, Jaqueth

Indiana, Robert

Isherwood, Jon

Jenkins, Paul

Jensen, Bill

Johns, Jasper

Johnson, Meredith

Jorn, Asger

Kandinsky, Wassily

Kelly, Ellsworth

Kertesz, Andre

Keskeny, George

Kiesler, Frederick

Kisling

Klee, Paul

Klein, Yves

Klett, Mark

Kline, Franz

Knoop, Guitou

Koekoek, B.C.

Krasner, Lee

Kupka, Frantisek

Kuwayama, Tadaaki

Lack, Stephen

Landfield, Ronnie

Lange, Dorothea

Langlois and Martens

La Noue, Terence

Laurens, Henri

Leger, Fernand

Le Gray, Gustave

Lehman, Wendy

LeRoy, Jeanette

Letellier, B.

Lettron, J.

Levee, John

Levinson, Moss

Levitt, Helen

Lewitt, Sol

Liberman, Alexander

Lichtenstein, Roy

Lindner, Richard

Lipschitz, Jacques

Lipski, Donald

Lipsky, Pat

Lissitsky, El

Lipsky, Pat

Lohse, Richard Paul

Long, Richard

Longobardi, Nino

Louis, Morris

Lüthi, Bernhard

Lüthi, Urs

Lutz

Lydis, Mariette

MacWhinnie, John

Maillol, Aristide

Mairwöger, Gottfried

Mapplethorpe, Robert

Marden, Brice

Maril, Herman

Marin, John

On Consignment from Peter Marks

Martin, Agnes

Martins, Maria

Marx, G.L.

Maryan

Masullo, Andrew

Mathieu, Georges

Matisse, Henri

Matta, Roberto

McDermott & McGough, Messrs.

McDonnell, Joseph Anthony

McLaughlin, John

McLean, John

Meadmore, Clement

Megert, Christian

Miller, Robert

Milton, Peter

Miró, Joan

Misrach, Richard

Mitchell, Joan

Model, Lisette

Moholy-Nagy, Laszlo

Monet, Claude

Moore, Henry

Morandi, Giorgio

Moses, Ed

Motherwell, Robert

Mulder, George

Muller-Brittnau, Willy

Murray, Elizabeth

Muybridge, Eadweard

Nadar, (Felix Tournachon)

Nadelman, Elie

Nakian, Reuben

Natkin, Robert

Nemont, G.

Neugass, Fritz

Nevelson, Louise

Newman, Arnold

Newman, Barnett

Nezhdanov, Alexander

Nicholson, Ben

Nickson, Graham

Nixon, Nicholas

Noel, Georges

Noguchi, Isamu

Noland, Kenneth

Nolde, Emil

Offord, J. Milton

Oldenburg, Claes

Olitski, Jules

Olmec

Ono, Yoko

Orr, Eric

O'Sullivan, Timothy

Otterness, Tom

Outerbridge, Paul

Paik, Nam June

Parodi, Filippo

Penn, Irving

Pepper, Beverly

Perless, Robert

Perlman, Joel

Pettet, William

Pfaff, Judy

Picabia, Francis

Picasso, Pablo

Pissarro, Camille

Pollock, Jackson

Pomodoro, Arnaldo

Poons, Lawrence

Porter, Fairfield

Porter, Katherine

Poulos, Basilios

Press, Naomi

Quaytman, Harvey

Quigley, Edward

Quisgard, Liz Whitney

Rainer, Arnulf

Raush, Mark

Rauschenberg, Robert

Ray, Man

Recanati, Dina

Reddinger

Reinhardt, Ad

Richter, Gerhard

Rickey, George

Ridenhour, William

Rivers, Larry

Robb, Charles

Robbins, Bruce

Robert, Louis

Rockburne, Dorothea

Rodin, Auguste

Rosan, Larry

Rosen, Felix

Rosenthal, Tony

Rosenquist, James

Rossi, Rosalie

Rothko, Mark

Row, David

Rozen, Feliz

Rutherford, Louis M.

Ryan, Anne

Ryan, Kevin

Ryman, Robert

Saba, Richard

de Saint Phalle, Niki

Saito, Kikuo

Salemme, Attilio

Samaras, Lucas

Sander, August

Sander, Ludwig

Sanders, John

Santomaso, Giuseppe

Schapiro, Miriam

Schlemmer, Oskar

Schlesinger, Mark

Schumacher, Emil

Scott, Robert

Scott, Tim

Scott, William

Seery, John

Segal, George

Seligmann, Kurt

Sellers, Daniel

Serra, Richard

Shapiro, Joel

Shields, Alan

Signac, Paul

Simpson, David

Sisley, Alfred

Slone, Sandi

Smith, David

Smith, Hassel

Smith, Kimber

Smith, Tony

Sohanievich, Oleg

Sommer, Frederick

Sommer, Giorgio

Southall, Derek

Spence, Andrew

Stamos, Theodoros

Stankiewicz, Richard

Steichen, Edward

Steiner, Michael

Stella, Frank

Stephan, Gary

Stettheimer, Florine

Stevens, Peter

Still, Clyfford

Stoltz, David

Stone, Sylvia

Strand, Paul

Sugarman, George

Sugimoto, Hiroshi

Sultan, Donald

Sutton, Carol

Sutton, Pat Lipsky

Tajiri, Shinkichi

Talbot, William Henry Fox

Tanger, Susanna

Tatafiore, Ernesto

Thiebaud, Wayne

Thorne, Joan

Tillyer, William

Torres-Garcia, Joaquin

Truitt, Anne

Twombly, Cy

Tworkov, Jack

Unger, Mary Ann

Upton, Ann

Wagner, Merrill

Van Dongen, Kees

Van Gogh Manuscript

Van Stalbent, Adrien

Van Velde, Bram

Vasarely, Victor

Venet, Bernar

Verna, Germaine

Vicente, Esteban

Vuillard, Edouard

Waid, Mary Joan

Walsh, James

Ward, Cora Kelly

Warhol, Andy

Warren, Catharine

Wells, Lynton

Watkins, Charlton E.

Wegman, William

Wessel, Henry

Wesselman, Tom

Westfall, Stephen

Wiegmann, Jenny

Willette, Adolph

Williams, Neil

Williams, Roger

Willis, Thornton

Wilmarth, Christopher

Winogrand, Garry

Witkin, Isaac

Witkin, Joel-Peter

Woelfli, Adolf

Wofford, Philip

Wolfe, James

Wols, Alfred Otto Wolfgang

Wonner, Paul

Woodman, Betty

Woolf, Paul

Wotruba, Fritz

Yokoi, Teruko

Youngerman, Jack

Yunkers, Adja

Zerbe, Karl

Zimmerman, Daniel

Zox, Larry
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The André Emmerich Gallery records and André Emmerich papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.andremmg, Subseries 8.1
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 8: Inventory Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-andremmg-ref3791

Meadmore, Clement

Collection Creator:
André Emmerich Gallery  Search this
Extent:
4 Folders
Container:
Box 231, Folder 1-4
Type:
Archival materials
Date:
circa 1991-1994
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The André Emmerich Gallery records and André Emmerich papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 16: Photographic Materials / 16.5: Sculpture at Top Gallant Farm
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-andremmg-ref8158

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