Include speeches and interviews with Walter Landor. In addition there are cassette tapes containing interviews and meetings with Landor associates
Rodney McKnew, Peter McDonald, John Dieffenbach, Chuck Mazell, Bill O'Conner, and Robert Winters.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Landor Design Collection, circa 1862-2002, Archives Center, National Museum of American History.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Includes photos of opening reception for Garry Gross, Brooke Shields, The Woman and the Child (1998) at American Fine Arts, with David Karlin, Spencer Sweeney, Jaiko Suzuki, Brian Degraw, Massimo Audiello, Brice Marden, Helen Marden, Rachel Harrison, Garry Gross, Christine Tsvetanov, Daniel McDonald, John Waters, Takahiro Imamura, Carol Greene, Jacqueline Humphries, Dennis Dermody, and Patricia Hearst.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing audiovisual recordings and born-digital records in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Colin de Land papers, 1968-2008, bulk 1980-2003. Archives of American Art, Smithsonian Institution.
Includes 1980s polaroids of Colin de Land and Pat Hearn, photos of Daniel McDonald, John Waters, Ania Corcilius, Colin de Land, Ingo Taubhorn, Mark Dion at American Fine Arts, and Pat Hearn with Chi Chi. Also includes large series of photos from the Concave Serviette event, California, with Kembra Pfahler and the Girls of Karen Black, including Colin de Land as a Girl of Karen Black.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing audiovisual recordings and born-digital records in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Colin de Land papers, 1968-2008, bulk 1980-2003. Archives of American Art, Smithsonian Institution.
The jovial tradesmen --The roving journeyman --The candlelight fisherman --The canny shepherd laddie --The dairy maid --Green brooms --Gruel --The jug of punch -- The Gresford disaster --The jolly miller --The Irish washerwoman --Farewell to whiskey --The roving ploughboy --The Buchan miller --Fagan the cobbler --The ould piper --Sweep, chimney sweep --The mason's apron -- Rhynie --The tailor by trade --The wee weaver --Jim the carter lad --Drumdelgie --The merry haymakers --I'll mend your pots and kettles.
Track Information:
101 The Jovial Tradesmen / Bob Copper, Ron Copper.
102 The Roving Journeyman / Paddy Doran.
103 The Candlelight Fishermann / Phil Hammond.
104 The Canny Shepard Laddie / Jimmy White.
105 The Dairy Maid / John Maguire.
106 Green Brooms / Sean McDonagh.
107 Gruel / Jimmy MacBeath.
108 The Jug of Punch / Edward Quinn.
109 The Gresford Disaster / A. Cosgrave.
110 The Jolly Miller / John Strachan.
111 The irish Washerwoman / John Doherty.
112 Farewell to Whiskey / Jessie Murray.
113 The Roving Ploughboy / John Mcdonald.
201 The Buchan Miller / John Mcdonald.
202 Fagan the Cobbler / Wickets Richardson.
203 The Ould Piper / Frank McPeake.
204 Sweep, Chimney Sweep / Ron Copper.
205 The Mason's Apron / Agnes Whyte.
206 Rhynie / John Strachan.
207 The Tailor by Trade / Joe Tunney.
208 The Wee Weaver / John Doherty.
209 Jim the Carter lad / Jack Goodfellow.
210 Drumdelgie / Davie Stewart.
211 The Merry Haymakers / Ron Copper.
212 I'll Mend Your Pots and kettles / Seamus Ennis.
Local Numbers:
FW-ASCH-LP-2952
Caedmon.1144
Publication, Distribution, Etc. (Imprint):
New York Caedmon 1961
General:
Peter Kennedy and Alan Lomax, editors. Historical and critical notes, with tunes and timings inserted in each container.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Photographs made by Isabel T. Kelly in Tajin, Papantla, and elsewhere in Mexico. There are images of dances and dancers (including Volador "Flying" dance, Guagua, and Negrito dances), Totonac people, a Totonac wedding, and pyramids and relief sculpture at El Tajin Site. The photographs are enlarged prints, mounted and signed, that were made for an exhibit. In part, the images relate to work of the Institute of Social Anthropology and include photographs made by Isabel T. Kelly, George T. Smisor, Done Otto, Elena Guzman, Bertha B. Harris, and John McDonald; in some cases, multiple photographers documented the same event. Also included is a watercolor drawing "Palo de Voladores" and a school workbook "Silabario Metódico de San Miguel."
Biographical Note:
Isabel Truesdell Kelly (1906-1983) was an archeologist and social anthropologist who specialized in Mexican cultures and prehistory. Born in Santa Cruz, California, she developed a long-standing scholarly interest in anthropology while an undergraduate student at the University of California at Berkeley (UCB). She earned her BA (1926), MA (1927), and PhD (1932) in anthropology at UCB. From 1932-1934, Kelly conducted fieldwork with the Southern Paiute as a National Research Fellow in the Biological Sciences. She then went to Mexico as a research associate under the direction of Carl Sauer and Alfred Kroeber; while there, she directed archeological investigations in Culiacan, Sinaloa. In 1936, she returned to UCB as Carl Sauer's teaching assistant and then conducted research with the Gila Pueblo Archeological Foundation in 1937. With minimal funding from UCB's Anthropology Department, Kelly returned to Mexico for archeological reconnaisance in 1939. She gained Mexican residency in 1940, finally settling in Tepepan. In 1946, Kelly became Ethnologist-in-Charge of the Smithsonian's Institute of Social Anthropology (ISA) Mexico City office; she taught and conducted research among the Totonac Indians in Veracruz and conducted health care research in El Salvador and Mexico. From 1952-1960, Kelly worked with the Institute of Inter-American Affairs (forerunner to the Agency for International Development), studying in Mexico, Bolivia, and Pakistan. In 1960, she returned to research in Mexico with the sponsorship of the Rockefeller Foundation, Wenner-Gren Foundation, and National Geographic Society.
Local Call Number(s):
NAA Photo Lot 80-32
Location of Other Archival Materials:
Totonac artifacts collected by Kelly held in the Department of Anthropology collections in accession 365366.
The National Anthropological Archives holds Institute of Social Anthropology photographs (Photo Lot 4623) and the ISA records.
Photo lot 80-32, Isabel T. Kelly collection of photographs of Totonac people and archeological sites in Mexico, National Anthropological Archives, Smithsonian Institution
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacob Lawrence and Gwendolyn Knight papers, 1816, 1914-2008, bulk 1973-2001. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the 2007 processing and digitization of this collection was provided by the Terra Foundation for American Art. Funding for the 2018 processing of this collection was provided by the Henry Luce Foundation.
Mawdsley, Jonathan R., Organ, John F., Decker, Daniel J., Forstchen, Ann B., Regan, Ronald J., Riley, Shawn J., Boyce, Mark S., McDonald, John E., Dwyer, Chris and Mahoney, Shane P. 2018. Artelle et al. (2018) miss the science underlying North American wildlife management. Science Advances, 4(10) doi:10.1126/sciadv.aat8281
In a different light : growing up in a Yup'ik Eskimo village in Alaska / Carolyn Meyer ; with research assistance by Bernadine Bainton ; contemporary photographs by John McDonald ; archival photographs courtesy of the University of Alaska Fairbanks
