The Ivan C. Karp papers and OK Harris Works of Art gallery records measure 80.3 linear feet and are dated 1960-2014. The collection documents the operation and activities of the contemporary art gallery founded by Ivan C. Karp in the SoHo area of Manhattan. Exhibition files, artist files, printed material and photographic materials reveal the wide range of artists represented by OK Harris and the gallery's role in introducing Photo-realism to the public. Aso included are administrative files, prints by OK Harris artists, business and personal correspondence, 39 journals by Karp spanning a period of 62 years, and other personal papers. Material pre-dating the 1969 establishment of OK Harris Works of Art consists of printed items and a few letters.
Scope and Contents:
The Ivan C. Karp papers and OK Harris Works of Art gallery records measure 80.3 linear feet and are dated 1960-2014. The collection documents the operation and activities of the contemporary art gallery founded by Ivan C. Karp in the SoHo area of Manhattan. Exhibition files, artists' files, printed material, and photographic materials reveal the wide range of artists represented by OK Harris and the gallery's role in introducing Photo-realism to the public. Also included are administrative files, prints by OK Harris artists, business and personal correspondence, 39 journals by Karp spanning a period of 62 years, and other personal papers. Material pre-dating the 1969 establishment of OK Harris Works of Art consists of printed items and a few letters.
Correspondence, both professional and personal, is with museums, galleries, art dealers, art collectors, and graduate students. Artists John Baeder, Deborah Butterfield, John Clem Clarke, John DeAndrea, Jim Dine, Leonard Dufresne, Robert Ginder, Ralph Goings, Duane Hanson, Richard McLean and Tom Wesselmann are among the correspondents.
Admininstrative files concern the daily operation of OK Harris Works of Art. Included are instructions regarding administrative functions and forms for routine activities to enable employees to conduct business in Ivan Karp's absence. Along with files about other items occasionally sold at the gallery, there are files about projects of interest to the Karps, sample announcements, invitations, and advertisements.
Exhibition files document group shows, collectibles and antique exhibitions, summer invitationals, and special event exhibitions at OK Harris Works of Art. The files include photographs and slides, schedules, lists of titles and prices, artists' resumes, installation layouts, reviews and publicity materials, and other items.
Artist files constitute the largest series in the collection at 34 linear feet, and document the gallery's relationships with artists throughout its 45 year history. Files are comprised of biographical information, correspondence, notes, publicity and other printed material (including a few items pre-dating the gallery). Among the many transactions recorded are arrangements for and documentation of solo exhibitions at OK Harris. There are photographs, slides and color transparencies of individual works, and some views of exhibition installations. John Baeder, Muriel Castanis, Don Celender, Ralph Goings, John Kacere, Richard McLean, Robert Rohm and John Salt are among the most extensively documented artists.
Printed material produced by OK Harris Works of Art includes exhibition catalogs, exhibition announcements, invitations, checklists, price lists posters, and notices of gallery sponsored events and activities. Printed material from other sources consists of exhibition reviews, articles about Ivan and Marilynn Karp, OK Harris Works of Art, and the gallery's artists. These appeared in art and mainstream periodicals, newspapers, exhibition catalogs, and books. Also found are posters, reproductions of artwork, and miscellaneous printed items.
Artwork consists of 40 prints by artists affiliated with OK Harris. Most are signed; 2 are black and white prints, the remainder are color lithographs. Included is Radical Realism I, a set of 6 prints issued by Mother Lode Editions, 1972.
Thirty-two linear feet of photographs, negatives, slides, transparencies and digital images are of artwork by OK Harris artists, exhibition installation views, and miscellaneous subjects. Photographs of artwork by 59 OK Harris artists are found in binders called "Artists' Photo Books." Installation views of exhibitions held at OK Harris Works of Art during its 45 year history fill 61 binders. Miscellaneous subjects include OK Harris office space, galleries and staff. Also found are photographs of group shows, art fairs, and gallery artists' exhibitions at other venues.
The Ivan C. Karp personal papers include obituaries from print and internet sources along with other biographical information, published versions of brief interviews conducted for various purposes, writings, a few materials relating to business and academic activities, and some personal photographs. Journals, 1950-2012 (bulk 1991-2012) record travel, daily activities, and reflections.
Arrangement:
This collection is arranged in 8 series:
Series 1: Correspondence, 1960-2013 (Boxes 1-2B; 2.4 linear feet)
Series 2: Administrative Files, 1969-2014 (Box 3; 0.7 linear feet)
Series 3: Exhibition Files, 1969-2014 (Boxes 3-4; 1.2 linear feet)
Series 4: Artist Files, 1967-2014 (Boxes 4-38, 80; 34 linear feet)
Series 5: Printed Material, 1963-2014 (Boxes 38-44, 80, OV 88 - OV 90; 5.2 linear feet)
Series 6: Artwork, 1970s-circa 1980 (Box 44, OV 81-OV 87; 0.8 linear feet)
Series 7: Photographic Materials, 1960s-2014, bulk 1969-1999 (Boxes 44-76; 32 linear feet)
Series 8: Ivan C. Karp Personal Papers, 1961-2012 (Boxes 76-79; 4 linear feet)
Historical note:
OK Harris Works of Art specialized in a wide range of contemporary art and was known for its early support of Photo-realism. When it opened in 1969, the gallery was one of the first to operate in the SoHo area of Manhattan and its presence helped shape the neighborhood's development into a vibrant arts district.
Ivan C. Karp (1926-2012), the founder of OK Harris Works of Art, established a reputation in the art world while co-director of Leo Castelli Gallery from 1959-1969. He is credited with launching the careers of Pop artists such as Andy Warhol, Roy Lichtenstein, Robert Rauschenberg, John Chamberlain, Tom Wesselmann, and Claes Oldenburg. Karp wrote, published, and lectured extensively on art and the art business. He was the author of a romantic novel about New York life, Doobie Doo (published in 1965, front cover by Roy Lichtenstein, back cover by Andy Warhol) and his short stories were published in literary reviews. Karp was actively involved in architectural preservation efforts in New York City. As President of the Anonymous Arts Recovery Society, he rescued and stored cornices, capitals, portals, columns and other architectural fragments of historical and aesthetic interest from demolition sites. Many are displayed in his Anonymous Arts Museum, Charlotteville, NY and some became part of a sculpture garden that Karp donated to the Brooklyn Museum of Art.
While Leo Castelli Gallery was closed for summer vacations in 1963 and 1964, Karp ran his own contemporary art gallery in Provincetown. He named it OK Harris, a name he thought suggestive of a colorful, very American character. A few years later, Karp opened OK Harris Works of Art in SoHo where a portrait of a bearded man titled "Oscar Klondike Harris" hung in his office. "Mr. Harris" frequently assumed blame for delays, rejections and other unwelcome news or decisions. OK Harris Works of Art (first at 469 West Broadway and later at 383 West Broadway) was a 10,000 square foot ground-floor space where as many as six concurrent solo exhibitions were presented every six weeks. The goal was "to exhibit the broadest spectrum of the most adventuresome art being offered" and the focus was on emerging artists, many of them unknown. In addition to being at the forefront of the Photo-realist movement in 1969, OK Harris Works of Art was the first gallery to exhibit the work of Duane Hanson, Deborah Butterfield, Manny Farber, Richard Pettibone, Robert Cottingham, Robert Bechtle, Marilyn Levine, Nancy Rubins, Malcolm Morley, Luis Jiminez, Jake Berthot, Jack Goldstein, Porfirio DiDonna, and Al Souza.
An approachable, friendly man who enjoyed sharing his knowledge, Karp usually sat at the gallery's front desk and was available to all. Unlike many dealers, he was willing to look at and discuss artists' slides, offered encouragement, and often followed up with studio visits.
At his request, Marilynn Gelfman Karp became gallery director after her husband's death in 2012. She ran the business with gallery staff including Ivan's oldest son, Ethan. Following Ivan's guidelines, OK Harris Works of Art closed with a gala celebration 2014 for all the gallery's artists, collectors and friends.
Related Materials:
Also found in the Archives of American Art are oral history interviews with Ivan C. Karp conducted by Richard Brown Baker, 1963 October 18; by Paul Cummings, 1969 March 12; and by Ronny Cohen, 1986 April 17-1988 October 18. The Marilynn Gelfman Karp Collection of Ephemera owned by the New-York Historical Society includes OK Harris printed material, prints, and posters.
Provenance:
Marilynn Karp, wife of Ivan C. Karp, donated scattered papers in 2011 and 2013, and the bulk of the collection in 2014.
Restrictions:
Use of original material requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
An interview of Richard T. McLean conducted 2009 Sept. 20, by Jason Stieber, for the Archives of American Art, at McLean's home and studio, in Castro Valley, Calif.
Biographical / Historical:
Richard T. McLean (1934- 2014) was a painter in Castro Valley, Calif. McLean was educated at Mills College and California College of Arts and Crafts.
General:
Originally recorded on 5 memory cards. Reformatted in 2010 as 5 digital wav files. Duration is 4 hrs., 30 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Photographs of artists, many from the San Francisco Bay Area, taken by Mimi Jacobs.
Artists photographed: Ansel Adams, Robert Arneson, Ruth Asawa, Billy Al Bengston, Fletcher Benton, Robert Bechtle, J. B. Blunk, William Brice, Joan Brown, Imogen Cunningham, Jay De Feo, Eleanor Dickinson, Richard Diebenkorn, Laddie John Dill, Archeliat Esherick, Sam Francis, David Gilhooly, Joseph Goldyne, Robert Graham, Henry Hopkins, Robert B. Howard, John Ihle, Robert Irwin, Allen Jones, Alvin Light, Lee Mullican, Isamu Noguchi, Howard Paris, Joseph Raffael, Fred Reichman, Ed Ruscha, Betye Saar, Raymond Saunders, Richard Shaw, Louis Siegriest, Nell Sinton, Wayne Thiebaud, DeWain Valentine, Leo Valledor, Carlos Villa, Peter Voulkos, William T. Wiley, Emerson Woelffer.
Photographs of Mark Adams, William Allan, Jeremy Anderson, Ruth Armer, Charles Arnoldi, Dennis Beall, Bruce Beasley, Tony Berlant, Elmer Bischoff, Vija Celmins, Judy Chicago, Bruce Conner, Roy de Forest, Tony DeLap, Guy Dill, Claire Falkenstein, Gerald Gooch, Russell Gordon, Wally Hedrick, Tom Holland, Robert Hudson, Robert Emory Johnson, Frank Lobdell, Robert Craig Kaufman, Richard McLean, Bill Martin, Manuel Neri, Bruce Nauman, Nathan Oliveira, Mel Ramos, Sam Richardson, Michael Todd, Julius Wasserstein, Paul Wonner and Norman Zammitt.
In 1999, additional photographs were donated including many duplicates of the previous donations. These include 50 mounted photographs of West Coast artists, twenty-four of which were exhibited in 1980 at the Museum of Contemporary Art, Los Angeles, and published in 50 West Coast Artists: A Critical Selection of Painters and Sculptors (1981, Chronicle Books). Photographs are of Ansel Adams, Robert Arneson, Billy Al Bengston, Robert Bechtle, Fletcher Benton, J. B. Blunk, William Brice, Joan Brown, Imogen Cunningham, Jay De Feo, Eleanor Dickinson, Richard Diebenkorn, Laddie John Dill, Archeliat Esherick, Sam Francis, David Gilhooly, Joseph Goldyne, Robert Graham, Henry Hopkins, Robert Howard, John Ihle, Robert Irwin, Allen Jones, Alvin Light, Lee Mullican, Isamu Noguchi, Howard Paris, Joseph Raffael, Fred Reichman, Ed Ruscha, Betye Saar, Richard Shaw, Louis Siegrist, Nell Sinton, Wayne Thiebaud, De Wain Valentine, Leo Valledor, Carlos Villa, Peter Voulkos, William Wiley, and Emerson Woeffer.
Biographical / Historical:
Photographer; Kentfield, Calif.; b. 1911; d. April 1, 1999. Known in the San Francisco Bay Area for her portraits of prominent local figures, many of whom were artists. She eventually expanded her scope beyond Northern California to included artists in the Los Angeles region as well. These images were widely reproduced in books and in exhibitions and in many cases became the portraits by which the individuals were best known. Among her subjects were Ed Ruscha, Robert Graham, Peter Voulkos, Joan Brown, Isamu Noguchi, Jay DeFeo, Wayne Thiebaud, Imogen Cunningham, and Richard Diebenkorn. Several exhibitions were devoted to the photographs as independent works of art, an acknowledgement of their pictorial qualities as well as their value as documents.
Provenance:
Donated 1976-1992 by Mimi Jacobs. Additional photos, many of them duplicates of previous donations, were donated in 1999 by Leslie Fleming, Jacobs' daughter, for the Estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
The papers of California Photorealist painter Ralph Goings, measure 4.1 linear feet and date from circa 1950 to 2005. The collection is comprised of biographical material, professional correspondence with artists, dealers, museums, and other art organizations, project files, inventory and sales records dating from 1970 to 1975, and printed material featuring Goings and his artwork. There is a 1.7 linear foot unprocessed addition to this collection donated in 2020 that includes slides and photographs used for paintings (source material and subjects) and images and photographs of works of art; inventory of works of art; correspondence; and project and exhibition files. Materials date from circa 1957-2008. A portion of the addition is in electronic format.
Scope and Contents:
The papers of California Photorealist painter Ralph Goings, measure 4.1 linear feet and date from circa 1950 to 2005. The collection is comprised of biographical material, professional correspondence with artists, dealers, museums, and other art organizations, project files, inventory and sales records dating from 1970 to 1975, and printed material featuring Goings and his artwork. There is a 1.7 linear foot unprocessed addition to this collection donated in 2020 that includes slides and photographs used for paintings (source material and subjects) and images and photographs of works of art; inventory of works of art; correspondence; and project and exhibition files. Materials date from circa 1957-2008. A portion of the addition is in electronic format.
Biographical material includes interview transcripts, personal photographs, teaching records, notes on Realism, and other material. Photorealist artists and dealers represented in the correspondence include Richard McLean, Glennray Tutor, Davis Cone, Daniel Tennant, OK Harris Works of Art, and Ivan Karp. Project files include photographic material used as preparation for Goings's paintings, a work progress notebook, and photographs of finished work.
Arrangement:
This collection is arranged into six series.
Series 1: Biographical Materials, 1955-circa 1990s (Box 1; 0.4 linear feet)
Series 2: Correspondence, circa 1950-2005 (Box 1; 0.4 linear feet )
Series 3: Project Files, 1967-1978 (Boxes 1-3;1.2 linear feet )
Series 4: Inventory and Sales Records, 1970-1975 (Box 3; 0.2 linear feet)
Series 5: Printed Materials, circa 1970s-2005 (Box 3; 0.2 linear feet)
Series 6: Unprocessed Addition, circa 1957-2008 (Boxes 4-5; OV 6-7;1.7 linear feet )
Biographical / Historical:
Ralph Goings (1928-2016) was a Photorealist painter active in Santa Cruz, California.
Goings attended Hartnell College before enrolling in the California College of Arts and Crafts in Oakland, California, where he studied alongside artists Richard McClean, Nathan Oliveira, and Robert Bechtle. Goings continued his studies at Sacramento State College where he received a Master of Fine Arts in 1965. He was known for the paintings of diners, trucks, and everyday scenes that established him as one of the originators of the Photorealist movement. His work has been exhibited and is in collections throughout the United States, Europe, and Asia. Goings died in 2016 in Sacramento, California.
Related Materials:
Also found at the Archives of American Art is an oral history interview with Ralph Goings, conducted on September 10-11, 2009, by Judith Olch Richards for the Archives of American Art.
Provenance:
The Ralph Goings papers were donated in 2009 by Ralph Goings and in 2020 by Shanna Goings, Ralph Goings' widow.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
