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Colin de Land collection

Creator:
De Land, Colin, 1955-2003  Search this
Names:
American Fine Arts, Co.  Search this
Armory Show (1913: New York, N.Y.)  Search this
Art Cologne  Search this
Art Forum Berlin  Search this
Biennale di Venezia  Search this
Documenta  Search this
International Art Fair  Search this
Balk, Dennis  Search this
Beckwith, Patterson  Search this
Davey, Moyra  Search this
Dion, Mark, 1961-  Search this
Fend, Peter  Search this
Fraser, Andrea  Search this
Greene, Carol  Search this
Heilmann, Mary, 1940-  Search this
Marks, Matthew  Search this
McDonald, Daniel  Search this
Morris, Paul  Search this
Pierson, Jack, 1960-  Search this
Wadlin, Craig  Search this
Waters, John, 1946-  Search this
Extent:
15.15 Linear feet
0.901 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Scrapbooks
Motion pictures (visual works)
Video recordings
Date:
1968-2008, bulk 1980-2003
bulk 1980-2003
Summary:
The Colin de Land collection measures 15.15 linear feet and 0.901 GB and dates from 1968 to 2008, with the bulk of the collection dating from the early 1980s through 2003. The majority of the collection consists of photographic material, primarily snapshots, documenting daily life in and around de Land's gallery American Fine Arts, Co., as well as de Land's pesonal life and affairs. There are candid photographs of exhibition openings, day-to-day gallery operations, art fairs, vacations, social gatherings, and New York City street scenes. Also included are some personal objects belonging to de Land and his wife Pat Hearn, as well as two scrapbooks containing items once decorating the walls of de Land's office at American Fine Arts. The collection includes video recordings documenting trips to Cape Cod, Hearn's illness, and occasional art world events.
Scope and Contents:
The Colin de Land collection measures 15.15 linear feet and 0.901 GB and dates from 1968 to 2008, with the bulk of the collection dating from the early 1980s through 2003. The majority of the collection consists of photographic material, primarily snapshots, documenting daily life in and around de Land's gallery American Fine Arts, Co., as well as de Land's pesonal life and affairs. There are candid photographs of exhibition openings, day-to-day gallery operations, art fairs, vacations, social gatherings, and New York City street scenes. Also included are some personal objects belonging to de Land and his wife Pat Hearn, as well as two scrapbooks containing items once decorating the walls of de Land's office at American Fine Arts. The collection includes video recordings documenting trips to Cape Cod, Hearn's illness, and occasional art world events.

The bulk of the collection consists of snapshots, along with their negatives and the envelopes provided by commercial photographic printers. The envelopes are sometimes annotated. The photographs, not typically identified by photographer, were taken by de Land, Hearn, and gallery employees, artists, and visitors. Most of the snapshots provide a candid record of life within de Land's circle, and not formal documentation of gallery exhibitions.

The figures in this collection often occupied blurred boundaries between artist, gallery employee, critic, and friend. Many of the photographs include AFA staff, including Daniel McDonald, Patterson Beckwith, and Craig Wadlin. Also of note are photos showing AFA artists, including John Waters, Mark Dion, Andrea Fraser, Moyra Davey, Dennis Balk, Peter Fend, and Jack Pierson.

In addition to life within the gallery, de Land's cameras also documented a larger art world of the era, candidly showing openings at other galleries, art fairs such as Art Basel, Art Cologne, and the Berlin Artforum, as well as festivals including the Venice Biennale and Documenta, many of which included AFA artists. There is some documentation of the Gramercy International Contemporary Art Fair and The Armory Show. The photographs frequently include de Land and Hearn's friends and fellow art dealers Paul Morris, Matthew Marks, and Carol Greene. Some images include artists that showed at Pat Hearn Art Gallery, such as Mary Heilmann. Collectors, celebrity visitors to the gallery, and critics also occasionally appear in the photographs. There is one 1968 photograph of de Land's mother and a small number of 1970s images of both de Land and Hearn.

In addition to the snapshots, there are a variety of other photographic formats, including digital, in the collection. The contents of the slides are of similar nature to the snapshots. The contact sheet binders offer some formal exhibition installation documentation, but are not exhaustive.

The collection also includes film and video footage. Thirty-five reels of Super-8 motion picture film primarily documents frequent vacations to Cape Cod, as well as the final stages of Hearn's illness and subsequent death. The 31 DV-mini cassettes include similar content, and some footage of opening receptions and other art world events.

Most of the official gallery records are missing, most likely lost in the frequent floods in the gallery basement. Two scrapbooks include material that was often photographed on the walls surrounding de Land's desk at AFA. Additional artifacts include one small painting by artist Charles Clough, inscribed to Hearn, a baseball hat frequently worn by de Land and appearing in many of the snapshots, and one page of an autographed calendar.
Arrangement:
This collection is arranged in 4 series:

Series 1: Photographic Material, 1968-2003, bulk 1980-2003 (14 linear feet; Box 1-14, 0.901 GB; ER01)

Series 2: Scrapbooks, circa 1980s-2003 (0.2 linear feet; Box 19)

Series 3: Video and Film Recordings, circa 1980-2003 (1.1 linear feet; Box 15, 16, 18)

Series 4: Artifacts, 1988-2008 (0.3 linear feet; Box 14, 17, 19)
Biographical / Historical:
Colin de Land (1955-2003) was a gallery owner whose New York City spaces challenged traditional modes of exhibition and art dealing.

Raised in Union City, New Jersey, de Land came to the art world from an academic background, having studied philosophy and linguistics at New York University. In 1984, de Land opened Vox Populi, a largely unrenovated space in the East Village, at 511 East 6th Street. The gallery showed experimental work by emerging artists, including the enigmatic John Dogg, thought to be a collaboration between de Land and artist Richard Prince.

In 1986, De Land opened his longest standing gallery, American Fine Arts, Co. (AFA), in the same space previously occupied by Vox Populi. The gallery moved to SoHo in 1988, first to 40 Wooster Street then to 22 Wooster Street in 1993. During the late 1990s, as most SoHo galleries moved to Chelsea, AFA remained a mainstay of the downtown arts scene. De Land's wife, Pat Hearn, whom he married in 1999 after over a decade together, was also a well known art dealer. Her gallery, Pat Hearn Art Gallery, also moved from the East Village to SoHo, later becoming one of the first to set down roots in Chelsea.

Known for his eccentric fashion and unorthodox business style, de Land cultivated a culture of experimentation within the AFA community. He typically hired young art students or recent graduates, often nurturing their own artistic careers. Along with a group of Cooper Union graduates, many of whom worked at the gallery, he founded the artist collective Art Club 2000. De Land often showed artists working in hybrid media, for example film and photography or music and installation. He was especially interested in ecological and environmental art, as well as work that took as its subject exhibition practice and the act of creating art. He often staged large thematic group shows. Artists who showed at the gallery included Mark Dion, John Waters, Andrea Fraser, Moyra Davey, Dennis Balk, Peter Fend, Tom Burr, James Welling, Mariko Mori, Dan Graham, Jessica Stockholder, Alex Bag, Christian Philipp Muller, and Jack Pierson.

In 1994, de Land and Hearn, along with gallerists Matthew Marks and Paul Morris, established the Gramercy International Contemporary Art Fair. Fashioned after the tradition of inexpensive hotel art fairs, four galleries were invited to exhibit artwork in rooms of the Gramercy Park Hotel, to be sold in a cash and carry model. The fair became an annual event, branching out to other cities, including Miami and Los Angeles, and growing significantly in size in New York. It later became known as The Armory Show.

De Land often carried a point-and-shoot camera and kept several on hand in the gallery. He documented opening receptions, art world social gatherings, concerts, and day-to-day happenings and invited visitors to the gallery and employees to do the same.

After Hearn's death from liver cancer in 2000, de Land became involved with Kembra Pfahler, the performance artist and leader of the rock band The Voluptuous Horror of Karen Black. De Land took over Hearn's Chelsea gallery, operating it as a second location of AFA. Following his own struggle with cancer, de Land passed away in 2003. AFA remained open, closing at the end of 2004 with a tribute group exhibition to de Land.
Related Materials:
The archival gallery records of Colin de Land's art gallery American Fine Arts, Co. as well as the gallery records of the Pat Hearn Gallery are available at the Center for Curatorial Studies at Bard College in New York. The gallery records there also include a fair amount of de Land's personal papers. Bard also acquired de Land's and Hearn's personal library.
Provenance:
The Colin de Land papers were donated to the Archives of American Art in 2008 by Dennis Balk, an artist represented by American Fine Arts, Co. and a close friend of de Land.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings and born-digital records in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Genre/Form:
Photographs
Scrapbooks
Motion pictures (visual works)
Video recordings
Citation:
Colin de Land papers, 1968-2008, bulk 1980-2003. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.delacoli
See more items in:
Colin de Land collection
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-delacoli
Online Media:

Sperandio and Grannan at AFA, Madrid

Collection Creator:
De Land, Colin, 1955-2003  Search this
Container:
Box 7, Folder 13
Type:
Archival materials
Photographs [31027000764833]
Date:
1998 January-February
Scope and Contents:
Includes photos of installation and opening of the exhibition The Bradford 100 (1998) by Christopher Sperandio and Simon Grennan at American Fine Arts, John Waters, Takahiro Imamura, Craig Wadlin, Rosalie Knox, Christian Nagel, Marta Cervera, Colin de Land, Pat Hearn, Frank Schroder, Daniel McDonald, Daniel Reich, Peter Fend, artwork by Jack Pierson.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings and born-digital records in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Colin de Land papers, 1968-2008, bulk 1980-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Colin de Land collection
Colin de Land collection / Series 1: Photographic Material / 1.1: Snapshots
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-delacoli-ref385

Chateau Marmont

Collection Creator:
De Land, Colin, 1955-2003  Search this
Container:
Box 8, Folder 11
Type:
Archival materials
Photographs [31027000764775]
Date:
1998 December
Scope and Contents:
Includes photos of Colin de Land, Daniel McDonald, Daniel's brother, Sally McDonald, Esther Friedman, [Tara Donovan?], [Dannette?], [Stephen Prina?], artwork by Garry Gross, unidentified band.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings and born-digital records in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Colin de Land papers, 1968-2008, bulk 1980-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Colin de Land collection
Colin de Land collection / Series 1: Photographic Material / 1.1: Snapshots
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-delacoli-ref448

De Land Hearn Wedding, MoMA Opening

Collection Creator:
De Land, Colin, 1955-2003  Search this
Container:
Box 8, Folder 27
Type:
Archival materials
Photographs [31027000764775]
Date:
1999 March
Scope and Contents:
Includes photos of Colin de Land and Pat Hearn's wedding at New York's City Hall. Guests included Sam Grubman, Nan Goldin, Nils Norman, Jackie McAllister, Peter Fend, Mary Heilmann, David Karlin, Daniel McDonald, Daniel Reich, Matthew Marks, Sophie Calle, Dennis Balk, John Hearn, Craig Wadlin, Brice Marden, Torsten Wiesel, Jean Stein, [Joan Jonas?], [Jane Beckwith?]. Also includes photos of the opening reception for Museum as Muse (1999) at MoMA, New York, with photos of Andrea Fraser, Hans Haacke, Takahiro Imamura, Colin de Land, Mark Dion, Nils Norman, and Daniel McDonald, plus Rikrit Tiravanija and Elizabeth Peyton at American Fine Arts.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings and born-digital records in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Colin de Land papers, 1968-2008, bulk 1980-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Colin de Land collection
Colin de Land collection / Series 1: Photographic Material / 1.1: Snapshots
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-delacoli-ref480

Pat Hearn Memorial Dinner and Pat Hearn Art Gallery

Collection Creator:
De Land, Colin, 1955-2003  Search this
Container:
Box 10, Folder 4
Type:
Archival materials
Photographs [31027000765020]
Date:
Fall 2000
Scope and Contents:
Includes photos of Pat Hearn memorial dinner at Matthew Marks Gallery and gathering at Pat Hearn Art Gallery, with Colin de Land, Alice Hearn, John Hearn, Jack Pierson, Tom Burr, Daniel McDonald, Daniel Reich, Pat de Groot, Massimo Audiello, Margaret Deluccia, Spencer Sweeney, Carol Greene, Emma Chapa, David Karlin, Takahiro Imamura, Rachel Harrison, Leslie Nolen, Patterson Beckwith, Chivas Clem, Chandler Hearn, and Sam Grubman.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings and born-digital records in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Colin de Land papers, 1968-2008, bulk 1980-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Colin de Land collection
Colin de Land collection / Series 1: Photographic Material / 1.1: Snapshots
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-delacoli-ref570

Miscellaneous Records

Type:
Archival materials
Date:
1865–68
Scope and Contents:
Unbound miscellaneous records, 1865–68, are arranged by type of record. The series consists of lists of destitutes, quartermaster returns, bills of lading, receipts, abstracts, requisitions, and two lists of births, marriages, and deaths.
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commerical use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.FB.M1909, File 4.9.15
See more items in:
Records of the Field Offices for the State of North Carolina, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872
Records of the Field Offices for the State of North Carolina, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872 / Series 4: Subordinate Field Offices / 4.9: Fayetteville (Subassistant Commissioner)
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-fb-m1909-ref169
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Christmas at the home of Pat Hearn and Colin de Land

Photographer:
de Land, Colin, 1955-2003  Search this
Subject:
Hearn, Chandler  Search this
Hearn, Pat  Search this
Knox, Rosalie  Search this
McDonald, Daniel  Search this
Moor, Chris  Search this
Wadlin, Craig  Search this
Type:
Photographs
Date:
1995 Dec. 28
Record number:
(DSI-AAA)14457
See more items in:
Colin de Land collection, 1968-2008, bulk 1980-2003
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14457
Online Media:

Daniel McDonald, Patterson Beckwith, and Gillian Haratani at American Fine Arts

Photographer:
de Land, Colin, 1955-2003  Search this
Subject:
Beckwith, Patterson  Search this
Haratani, Gillian  Search this
McDonald, Daniel  Search this
American Fine Arts, Co.  Search this
Type:
Photographs
Date:
1996 July
Record number:
(DSI-AAA)14460
See more items in:
Colin de Land collection, 1968-2008, bulk 1980-2003
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14460

Daniel McDonald and Spencer Sweeney in Cape Cod

Subject:
McDonald, Daniel  Search this
Sweeney, Spencer  Search this
Type:
Photographs
Date:
2002
Record number:
(DSI-AAA)16976
See more items in:
Colin de Land collection, 1968-2008, bulk 1980-2003
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16976
Online Media:

Colin de Land collection, 1968-2008, bulk 1980-2003

Creator:
de Land, Colin, 1955-2003  Search this
Subject:
Waters, John  Search this
Fraser, Andrea  Search this
Dion, Mark  Search this
Marks, Matthew  Search this
Morris, Paul  Search this
Balk, Dennis  Search this
Davey, Moyra  Search this
Pierson, Jack  Search this
Fend, Peter  Search this
Heilmann, Mary  Search this
Greene, Carol  Search this
Wadlin, Craig  Search this
Beckwith, Patterson  Search this
McDonald, Daniel  Search this
Art Forum Berlin  Search this
International Art Fair  Search this
American Fine Arts, Co.  Search this
Biennale di Venezia  Search this
Documenta  Search this
Art Cologne  Search this
Armory Show  Search this
Type:
Photographs
Scrapbooks
Motion pictures (visual works)
Video recordings
Record number:
(DSI-AAA_CollID)13702
(DSI-AAA_SIRISBib)279482
AAA_collcode_delacoli
Theme:
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_279482
Online Media:

Removal of the Pottawattomie Indians from northern Indiana; embracing also a brief statement of the Indian policy of the government, and other historical matter relating to the Indian question. By Daniel McDonald

Author:
McDonald, Daniel 1833-1916  Search this
Physical description:
3 p. l., [5]-59 p. front., 1 illus., plates, ports. 23 cm
Type:
Books
Date:
1899
Topic:
Government relations  Search this
Call number:
E99.P8M2X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_290669

Removal of the Pottawattomie Indians from northern Indiana : embracing also a brief statement of the Indian policy of the government, and other historical matter relating to the Indian question / by Daniel McDonald

Author:
McDonald, Daniel 1833-1916  Search this
Physical description:
59 p. : ill., ports. ; 25 cm
Type:
Books
Date:
2012
1898
[2012?]
Topic:
Government relations  Search this
Call number:
E99.P8 M2 2012
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_992021

Mrs. Daniel P. McDonald (Margaret Caroline Brevard) (1815-60), (painting)

Painter:
Unknown  Search this
Subject:
McDonald, Daniel P., Mrs. (Margaret Caroline Brevard)  Search this
Medium:
Oil
Type:
Paintings
Topic:
Portrait female--Bust  Search this
Control number:
IAP 72900408
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_163479

Confederate Soldier, (sculpture)

Sculptor:
McDonald, Daniel  Search this
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Magnolia Cemetery Confederate Rest Cemetery Mobile Alabama
Topic:
History--United States--Civil War  Search this
Figure male  Search this
Occupation--Military--Soldier  Search this
Control number:
IAS 75000027
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_348

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