Search Results

Creator:

McCausland, Elizabeth, 1899-1965  Search this

Names:

American Art Research Council  Search this

Barnard College -- Faculty  Search this

Federal Art Project (U.S.)  Search this

United States. Farm Security Administration  Search this

Abbott, Berenice, 1898-1991  Search this

Dove, Arthur Garfield, 1880-1946  Search this

Hartley, Marsden, 1877-1943  Search this

Hawthorne, Charles Webster, 1872-1930  Search this

Henri, Robert, 1865-1929  Search this

Henry, Edward Lamson, 1841-1919  Search this

Hine, Lewis Wickes, 1874-1940  Search this

Inness, George, 1825-1894  Search this

Kleinholz, Frank, 1901-  Search this

Lawrence, Jacob, 1917-2000  Search this

Maurer, Alfred Henry, 1868-1932  Search this

Morgan, Barbara Brooks, 1900-1992  Search this

Stieglitz, Alfred, 1864-1946  Search this

Weegee, 1899-1968  Search this

Weston, Edward, 1886-1958  Search this

Extent:

45 Linear feet

Type:

Collection descriptions

Archival materials

Scrapbooks

Drawings

Photographs

Place:

New York N.Y. -- Pictorial works -- Photographs

Date:

1838-1995

bulk 1920-1960

Summary:

The papers of art critic, writer, and historian Elizabeth McCausland measure 45 linear feet and date from 1838 to 1995, with the bulk of the material dating from 1920 to 1960. The collection provides a vast accumulation of research data on various artists and aspects of American art, especially the early American modernists and the Federal Arts Projects. Papers include McCausland's extensive research and writing files, particularly on Marsden Hartley, E. L. Henry, Lewis Hine, George Inness, and Alfred H. Maurer. McCausland's correspondence with artists includes a substantial amount with Arthur Dove and Alfred Stieglitz. Her collaborative work with Berenice Abbott on the Changing New York book and series of photographs is well-documented within the collection. Also found are general writings, subject files, files relating to exhibitions, teaching, and committees, photographs, art work, personal papers, and printed material. Additional McCausland material donated later from the estate of Berenice Abbott include biographical materials, project files, writings, and printed materials.

Scope and Content Note:

The papers of art critic, writer, and historian Elizabeth McCausland measure approximately 45 linear feet and date from 1838 to 1995, with the bulk of the material dating from 1920 to 1995. The collection provides a vast accumulation of data on various artists and aspects of American art, especially the early American modernists and the Federal Arts Projects. Papers include McCausland's extensive research and writing files, particularly on Marsden Hartley, E. L. Henry, Lewis Hine, George Inness, and Alfred H. Maurer. McCausland's correspondence with artists includes a substantial amount with Arthur Dove and Alfred Stieglitz. Her collaborative work with Berenice Abbott on the Changing New York book and series of photographs is well-documented within the collection. Also found are general writings, subject files, files relating to exhibitions, teaching, and committees, photographs, art work, personal papers, and printed material. Additional McCausland material from the estate of Berenice Abbott include biographical materials, project files, writings, and printed materials.

McCausland's personal papers consist of appointment books and engagement calendars, scrapbooks, student papers, works printed on her private press, financial records, biographical material, and scattered memorabilia, which together document other aspects of her life apart from her work. Correspondence includes incoming and outgoing letters along with enclosures, dating from McCausland's time as a journalist for The Springfield Republican in the 1920s and 1930s to her time as a freelance writer, art critic, and historian (1940s-1960s) and mostly concerning professional matters. Also included is a substantial amount of correspondence with artists, particularly Arthur Dove and Alfred Stieglitz, and some personal correspondence with her mother. General writings consists primarily of copies of McCausland's speeches and lectures on various art topics in addition to her early poems (dating from the 1930s) and scattered essays and articles.

The most extensive part of the collection is comprised of McCausland's research and writing files pertaining to large research and curatorial projects, such as ones on the artists Alfred H. Maurer and Marsden Hartley (which was begun by the American Art Research Council and subsequently taken over by McCausland), and one for the American Processional exhibition at the Corcoran Gallery in 1950. A wide variety of smaller projects are also well-documented in the series Other Research and Writing Files, including ones on E. L. Henry, Lewis Hine, George Inness, her collaborative work with Berenice Abbott on the Changing New York book and series of photographs. Numerous other artists and art topics are covered as well, such as Arthur Dove, Robert Henri, Jacob Lawrence, Charles Hawthorne, film, and photography. Files for her book Careers in Art (1950), her many speaking and lecture engagements, and editing work are also found in this series. Files consist primarily of correspondence, notes, research material, manuscripts, bibliographies, photographs of works of art, completed research forms for works of art, card index files, and printed material.

Also found are subject files containing printed material, scattered notes and correspondence, and photographs, which may have been used for reference and/or collected in the course of McCausland's research activities; files relating to various exhibitions organized by McCausland from 1939 to 1944, including ones of silk screen prints and modern photography; files relating to courses on art history taught by McCausland, especially the one she taught at Barnard College in 1956; and files stemming from her participation in various art organizations and committees, especially during the time period just before and during the Second World War.

Printed material consists primarily of clippings and tear sheets of McCausland's newspaper articles and columns, which document her contributions to The Springfield Republican from 1923 to 1946, in addition to scattered exhibition catalogs, announcements, books, and miscellaneous publications. Photographs include ones of various artists and works of art, ones from the Farm Security Administration, and ones by photographers, such as Berenice Abbott (including ones from the Federal Art Project book, Changing New York), Barbara Morgan, Weegee, and Edward Weston, among others. Photographs, sometimes annotated or including notes, are scattered throughout her research files. Also included are photographs of McCausland, dating from her childhood. Art work found in the collection includes drawings, prints, and watercolors that were either given to McCausland by the artist or collected by her in the course of her work as an art critic and historian.

Additional material belonging to Elizabeth McCausland and donated by the estate of Berenice Abbott includes biographical material; business and personal correspondence; professional project files and writings, including drafts and research materials related to the book projects Art in America, Conversations with March, and Frank Kleinholz; and printed materials, including reprints of critical essays and articles by McCausland.

Arrangement:

The collection is arranged as 15 series:

Missing Title

Series 1: Personal Papers, 1838, 1920-1951 (Boxes 1-2, 34; 1.5 linear feet)

Series 2: Correspondence, 1923-1960 (Boxes 2-5; 2.9 linear feet)

Series 3: General Writings, circa 1930-1954 (Boxes 5-6; 0.9 linear feet)

Series 4: Alfred H. Maurer, 1851-1951, bulk 1948-1950 (Boxes 6-9; 3.7 linear feet)

Series 5: American Processional, 1949-1951 (Boxes 10-11; 1.8 linear feet)

Series 6: Marsden Hartley, 1900-1964, bulk 1944-1964 (Boxes 11-21, OV 37; 10 linear feet)

Series 7: Other Research and Writing Files, 1896, 1926-1958 (Boxes 21-25, 31; 4.6 linear feet)

Series 8: Subject Files, 1927-1954 (Boxes 25-26; 1.0 linear feet)

Series 9: Other Exhibition Files, 1939-1941, 1944 (Box 26; 0.1 linear feet)

Series 10: Teaching Files, 1939-1965 (Box 27; 0.5 linear feet)

Series 11: Committee Files, 1936-1960 (Box 27; 0.5 linear feet)

Series 12: Printed Material, 1923-1953 (Boxes 28-32, 34, OV 38, BV 44-47; 4.6 linear feet)

Series 13: Photographs, circa 1905-1950 (Boxes 32-36, OV 37; 1.4 linear feet)

Series 14: Art Work, 1887-1942 (Boxes 33-34, OV 39-43; 0.7 linear feet)

Series 15: Elizabeth McCausland Material from the Estate of Berenice Abbott, 1920-1995 (Boxes 48-53; 5.4 linear feet)

Biographical Note:

Elizabeth McCausland, the art critic and writer, was born in Wichita, Kansas in 1899. She attended Smith College, receiving her Bachelor's degree in 1920 and her Master's in 1922. Beginning in 1923, she worked as a general reporter for The Springfield Republican (Springfield, Massachusetts). After several years, she began to review art exhibitions and soon became an established art critic. In the course of her work, she began to develop friendships with artists, such as Alfred Stieglitz and Arthur Dove. During these early years, she also wrote poetry and designed and printed limited edition publications on her private press.

McCausland moved to New York in 1935, but continued to contribute a weekly art column to The Springfield Republican until it suspended publication in 1946. From the mid-1930s on, she worked primarily as a freelance writer and art critic, contributing articles to publications such as Parnassas, The New Republic, and Magazine of Art. In the latter part of her career, her writings focused more on art history and special studies on artists.

In the late-1930s, McCausland collaborated with the photographer Berenice Abbott on the Federal Art Project book, Changing New York, for which she provided the text to Abbott's now-famous photographs of New York City neighborhoods, architecture, and street scenes. She studied and wrote about photography, including numerous articles on the photographer Lewis Hine (of whose work she organized a retrospective exhibition at the Riverside Museum in 1939), and was appointed to the Advisory Committee of the Museum of Modern Art's Department of Photography in 1944.

McCausland went on to organize other exhibitions, including a show of contemporary work, "The World of Today" (Berkshire Museum, 1939), shows of silk screen prints (Springfield Museum of Fine Arts, March 1940 and New York State Museum, Summer 1940), and a photography show, "Photography Today" (A.C.A. Gallery, 1944). In the late 1930s, she embarked upon a study of "the status of the artist in America from colonial times to the present, with especial attention to the relation between art and patronage," which continued over twenty years (and was never completed) and for which she received a Guggenheim fellowship in 1943.

In addition to her other writing, during the 1940s, McCausland carried out studies on the artists, E. L. Henry and George Inness, which resulted in exhibitions at the New York State Museum in 1942 and the George Walter Vincent Smith Art Museum in 1946, respectively and publications (a report on Henry and a book on Inness). From 1948 to 1949, she carried out an extensive study of the painter, Alfred H. Maurer, organizing an exhibition, "A. H. Maurer: 1868-1932," which showed at the Walker Art Center and the Whitney Museum of American Art in 1949, and publishing the biography, A. H. Maurer, in 1951. In 1950, she worked as a special consultant on the American Processional exhibition at the Corcoran Gallery and as editor of the accompanying book. Shortly thereafter, she began a study of Marsden Hartley for a monograph, which was published in 1952, and she helped organize the Hartley exhibition at the University of Minnesota that same year. She continued the Hartley study on larger scale for a planned biography and catalogue raisonne; although she continued to work on it off and on for the next decade, the project was never completed.

McCausland published other books, including Careers in the Arts (1951), and undertook other research and consulting projects, such as photo-editing Carl Sandburg's Poems of the Midwest (1946), conducting surveys of art and advertising for an article in Magazine of Art and of art education for Cooper Union Art School, and contributing yearly articles on art to various encyclopedias. At different times throughout her career, she supplemented her income by taking teaching positions. She taught courses on art history at Sarah Lawrence College from 1942 to 1944 and at Barnard College in 1956, as well as courses at the Design Laboratory (1939) and the New School for Social Research (1946). She also gave numerous lectures and speeches on various art topics, and regularly participated in conferences and symposiums. Towards the end of her career, she was publishing less, but was still involved in many projects, most notably the Hartley study.

McCausland was a tireless promoter of the arts, and often an advocate for artists. Even though her work was well-known among certain art circles, she never received the recognition as a writer that she deserved. Nor was she ever able to free herself from the pressure of writing for a living. Continually suffering from poor health, she died on May 14, 1965.

Related Material:

Related material found in the Archives includes a sound recording from a symposium on Marsden Hartley, of which McCausland was a participant, held at the Portland Museum of Art in 1961. The Frank Kleinholz papers contain a recorded interview of McCausland done in 1944-1945 for radio station WNYC. Some of McCausland's correspondence is found in the G. Alan Chidsey papers; Chidsey served as a trustee of the Marsden Hartley estate.

Separated Material:

Material separated from the collection includes some issues of Camera Work (Vol. 30, 47, 49/50), which were combined with other issues in an artificial collection created by the Archives at some earlier point.

Provenance:

Elizabeth McCausland donated the bulk of her papers in several installments from 1956 to 1961. An unknown donor, perhaps her literary executor, donated additional papers sometime after her death in 1965. It appears that McCausland originally donated her research files on Marsden Hartley, measuring 10 linear feet, to the Whitney Museum, who then lent them to the Archives for microfilming in 1966, and donated them sometime thereafter. McCausland originally donated files of newspaper clippings and offprints of her articles to the The New York Public Library, who gave them to the Archives in 1968. Additional McCausland material from the estate of Berenice Abbott was donated to the Archives in 2009.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Art historians -- New York (State) -- New York  Search this

Art critics -- New York (State) -- New York  Search this

Women art critics  Search this

Topic:

Federal aid to the arts  Search this

Art -- History -- Study and teaching  Search this

Modernism (Art)  Search this

Women art historians  Search this

Women authors  Search this

Function:

Arts organizations

Genre/Form:

Scrapbooks

Drawings

Photographs

Citation:

Elizabeth McCausland papers, 1838-1995, bulk 1920-1960. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art

Identifier:

AAA.mccaeliz

See more items in:

Elizabeth McCausland papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9cebe32f8-0180-44bb-a2a8-8ed061f173c1

EDAN-URL:

ead_collection:sova-aaa-mccaeliz

Interviewee:

Landon, Edward, 1911-1984  Search this

Interviewer:

Brown, Robert F.  Search this

Names:

American Artists' Congress  Search this

Artists' Union (New York, N.Y.)  Search this

Federal art project (Mass.)  Search this

National Serigraph Society  Search this

Abbott, Berenice, 1898-1991  Search this

Bridgman, George Brant, 1864-1943  Search this

Dove, Arthur Garfield, 1880-1946  Search this

Gottlieb, Harry, 1895-  Search this

Hartley, Dennis  Search this

Hughes, Marian  Search this

Lozowick, Louis, 1892-1973  Search this

Marin, John, 1870-1953  Search this

Mark, Henry  Search this

Mauer, Alfred  Search this

McCausland, Elizabeth, 1899-1965  Search this

O'Keeffe, Georgia, 1887-1986  Search this

Olds, Elizabeth, 1896-1991  Search this

Perry, Marvo  Search this

Rebay, Hilla, 1890-1967  Search this

Rogers, William T.  Search this

Sabbath, Bernie  Search this

Stein, Gertrude, 1874-1946  Search this

Stieglitz, Alfred, 1864-1946  Search this

Strand, Paul, 1890-1976  Search this

Weber, Max, 1881-1961  Search this

Extent:

39 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1975 Apr. 17-May 28

Scope and Contents:

An interview of Edward Landon conducted 1975 Apr. 17-May 28, by Robert Brown, for the Archives of American Art.

Landon speaks of working with the local theater in high school; leaving Hartford at age 17 or 18 for Greenwich Village in New York and the Art Students League; studying figure drawing with George Bridgman; getting married and moving to Springfield, Mass.; exhibiting with the Springfield Art League; the Artist Union and the Artist Congress in the 1930s; spending a summer with Georgia O'Keeffe and Paul Strand in Taos, N.M.; the cooperation amongst artists that lasted into the 1950s to establish serigraphs as an American fine art print medium; when he received the Solomon Guggenheim Scholarship for Non-objective Art in 1939; when he made furniture and picture frames and the publishing of his book on making picture frames in 1946; when he began working as an easel painter in the Massachusetts Federal Art Project of the WPA in 1933; becoming president of the Western Chapter of the Artists Union in 1934; when he corresponded and visited Arthur Dove; his friendship with Elizabeth McCausland; his introduction to Harry Gottlieb and silk screen printing; the love of color and currently trying for emotional effects in his work; initiating silk screen exhibitions in the Springfield Museum; the beginning of the National Serigraph Society and his work as the exhibition secretary; his teaching approach; the first class held in his garage with fellow artists; more on his relationship with Elizabeth McCausland; Arthur Dove's influence on a recent painting Landon finished; his trip to Taos in 1930 and the importance of artist colonies for him early on; the feeling of not having roots, but being comfortable with the idea; the purpose of the National Serigraph Society; his feelings about printmakers moving away from traditional printing; organized exhibitions for the United States Information Service; his enjoyment in organizing things; the commercialization of creating "prints;" how photo-realism does not translate well in the print medium; the importance of trying to convey an idea in his work; his success in covering small boxes, address books and other items, as well as book binding; his preference for printing small editions of 25 to 35 prints; of a description of his method of printing; his Fulbright Fellowship in 1950 to travel to Norway and lecture; an interest in early Scandinavian art; publishing a silkscreen portfolio of pre-Viking art for the American Scandinavian Foundation; traveling through Europe; his influence as an innovator in France and Scandinavia; meeting with silk screen artists in Oslo; art forms in his work at this time; his inclusion in "Who's Who in American Art;" the avoidance of art movements; how by the 1950s the reason for the National Serigraph Society no longer existed because the medium was popular by that time; his move to Vermont in 1957 or 1958; work as a color mixer, book binder, and returning to framing because of health reasons; his second illness changing what he found important in his life; and how the content of his work became more emotional. Landon also recalls Louie Lozowick, Gertrude Stein, Marian Hughes, Elizabeth Olds, John Marin, Alfred Stieglitz, Berenice Abbott, Marvo Perry, Hilla Rebay, Sir William T. Rogers, Max Weber, Dennis Hartley, Alfred Maurer, Bernie Sabbath, and Henry Mark.

Biographical / Historical:

Edward Landon (1911-1984) was a printmaker from Weston, Vt.

General:

Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 39 min.

Provenance:

These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.

Topic:

Art, American  Search this

Printmakers -- Vermont -- Weston -- Interviews  Search this

Printing -- Technique  Search this

Function:

Artist colonies

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.landon75

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9fc2f6099-4ac6-4cf6-b0a9-962e4fb7ba9b

EDAN-URL:

ead_collection:sova-aaa-landon75

Creator:

Crichlow, Ernest, 1914-2005  Search this

Names:

McCausland, Elizabeth, 1899-1965  Search this

Extent:

1 Microfilm reel (16 items on partial microfilm reel)

Type:

Collection descriptions

Archival materials

Microfilm reels

Date:

circa 1941-1963

Scope and Contents:

This microfilm collection of the papers of African American artist Ernest Chrichlow contains biographical data including two award certificates; printed material including seven clippings and an exhibition catalog; a report on Crichlow by Elizabeth McCausland; Crichlow's "Plan of Work;" and five photographs of works of art.

Biographical / Historical:

Ernest Crichlow (1914-2005) was an African American painter, illustrator, and graphic artist in Brooklyn, New York. In 1969 he founded the Cinque gallery with Romare Bearden and Norman Lewis.

Provenance:

Lent for microfilming 1970 by Ernest Crichlow.

Restrictions:

The Archives of American art does not own the original papers. Use is limited to the microfilm copy.

Occupation:

Graphic artists -- New York (State) -- New York  Search this

Illustrators -- New York (State) -- New York  Search this

Painters -- New York (State) -- New York  Search this

Topic:

African American artists  Search this

Citation:

Ernest Crichlow papers. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.cricerne

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9fa854b12-2952-4c95-a207-758a13a5471e

EDAN-URL:

ead_collection:sova-aaa-cricerne

Creator:

McCausland, Elizabeth, 1899-1965  Search this

Subject:

Hartley, Marsden  Search this

Abbott, Berenice  Search this

Hawthorne, Charles Webster  Search this

Henri, Robert  Search this

Henry, Edward Lamson  Search this

Dove, Arthur Garfield  Search this

Kleinholz, Frank  Search this

Morgan, Barbara Brooks  Search this

Stieglitz, Alfred  Search this

Weegee  Search this

Hine, Lewis Wickes  Search this

Inness, George  Search this

Lawrence, Jacob  Search this

Maurer, Alfred Henry  Search this

Weston, Edward  Search this

American Art Research Council  Search this

Federal Art Project (U.S.)  Search this

United States. Farm Security Administration  Search this

Barnard College  Search this

Type:

Scrapbooks

Drawings

Photographs

Place:

New York N.Y. -- Pictorial works -- photographs

Citation:

Elizabeth McCausland papers, 1838-1995, bulk 1920-1960. Archives of American Art, Smithsonian Institution.

Topic:

Springfield Republican  Search this

Federal aid to the arts  Search this

Art -- History -- Study and teaching  Search this

Modernism (Art)  Search this

Women art historians  Search this

Women authors  Search this

Theme:

Diaries  Search this

Photography  Search this

Women  Search this

Research and writing about art  Search this

Record number:

(DSI-AAA_CollID)7839

(DSI-AAA_SIRISBib)210006

AAA_collcode_mccaeliz

Theme:

Diaries

Photography

Women

Research and writing about art

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_210006

Creator:

Ward, Lynd, 1905-1985  Search this

McNeer, May Yonge, 1902-  Search this

Names:

Society of American Graphic Artists  Search this

Eichenberg, Fritz, 1901-1990  Search this

Gag, Wanda, 1893-1946  Search this

Gottlieb, Harry, 1895-  Search this

Kainen, Jacob  Search this

Kent, Rockwell, 1882-1971  Search this

Lozowick, Louis, 1892-1973  Search this

McCausland, Elizabeth, 1899-1965  Search this

Rivera, Diego, 1886-1957  Search this

Taylor, Prentiss, 1907-1991  Search this

Zigrosser, Carl, 1891-  Search this

Extent:

19 Microfilm reels

Type:

Collection descriptions

Archival materials

Microfilm reels

Date:

1929-1981

Scope and Contents:

Correspondence and subject files relate to the activities of Ward, including his membership in the Society of American Graphic Artists, and his collaborative work with his wife, May McNeer Ward.

Correspondents include Fritz Eichenberg, Wanda Gág, Harry Gottlieb, Jacob Kainen, Rockwell Kent, Louis Lozowick, Elizabeth McCausland, Diego Rivera, Prentiss Taylor, and Carl Zigrosser, as well as bookdealers, collectors, children, writers, galleries and museums, publishing and printing companies, advertising and public relations firms, religious organizations, and art, civic, and political associations and societies. Letters are often accompanied by enclosures such as writings and printed material.

Subject files contain awards, drafts and typescripts of Ward's writings, lectures, and speeches, notes, outlines and galley proofs for McNeer's and Ward's books, scripts for radio broadcasts, book contracts and royalty statements, lists of Ward's graphic works, illustrations and Christmas cards by Ward, exhibition announcements and catalogs, clippings, reviews, newsletters, bulletins, press releases, and miscellaneous printed material.

Biographical / Historical:

Lynd Ward: Printmaker, illustrator, writer. Died 1985. May McNeer: Children's book author. Died 1994. Born Chicago, Lynd Kendall Ward majored in Fine Arts at the Teachers College, Columbia University, where he illustrated school publications until his graduation in 1926. In the same year he married May McNeer of Tampa, Florida. They collaborated on many books written by McNeer and illustrated by Ward. Between 1926 and 1927, Ward studied at the National Academy for Graphic Arts in Leipzig, Germany, working with Alois Kolb, George Mathey, and Hans A. Mueller. Ward was a prolific graphic artist, illustrating over one hundred books including GODS' MAN and other woodcut novels produced between 1929 and 1937.

Provenance:

Lent for microfilming 1985 by Georgetown University.

Restrictions:

The Archives of American art does not own the original papers. Use is limited to the microfilm copy.

Occupation:

Book illustrators  Search this

Printmakers  Search this

Topic:

Prints -- 20th century  Search this

Children's literature  Search this

Illustration of books  Search this

Identifier:

AAA.wardlynp

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw972543e86-665d-4b34-96c1-6b48a3ba30c5

EDAN-URL:

ead_collection:sova-aaa-wardlynp

Creator:

Walker, Hudson D. (Hudson Dean), 1907-1976  Search this

Names:

American Federation of Arts  Search this

Artists Equity Association  Search this

Parke-Bernet Galleries  Search this

Walker Art Center  Search this

Benn, Ben, 1884-  Search this

Biberman, Edward  Search this

Blatas, Arbit  Search this

Booth, Cameron, 1892-1980  Search this

Botkin, Henry, 1896-1983  Search this

Brenson, Theodore, 1893-1959  Search this

Browne, Byron, 1907-1961  Search this

Cahn, Joshua Binion, 1915-  Search this

Charlton, Gene, 1909-  Search this

Cook, Howard Norton, 1901-1980  Search this

Davis, Gladys Rockmore, 1901-1967  Search this

Dodd, Lamar  Search this

Evergood, Philip, 1901-1973  Search this

Fuerstenburg, Eugenia M.  Search this

Fuller, Sue, 1914-  Search this

Gaertner, Carl F. (Carl Frederick), 1898-1952  Search this

Greenbaum, Dorothea S.  Search this

Hartley, Marsden, 1877-1943  Search this

Hirsch, Joseph, 1910-1981  Search this

Jules, Mervin, 1912-  Search this

Kemp, Harry, 1883-1960  Search this

Maril, Herman  Search this

Maurer, Alfred Henry, 1868-1932  Search this

McCausland, Elizabeth, 1899-1965  Search this

Moy, Seong  Search this

Reeder, Dickson, 1912-1970  Search this

Ribak, Louis, 1902-1979  Search this

Schnakenberg, H. E. (Henry Ernest), 1892-1970  Search this

Sepeshy, Zoltan, 1898-1974  Search this

Sokole, Miron, 1901-  Search this

Sprinchorn, Carl, 1887-1971  Search this

Sternberg, Harry, 1904-2001  Search this

Tinguely, Jean, 1925-  Search this

Valentiner, Wilhelm Reinhold, 1880-1958  Search this

Walker, Ione  Search this

Weeren-Griek, Hans van  Search this

West, Clifford B.  Search this

Extent:

20 Linear feet ((partially microfilmed on 10 reels))

Type:

Collection descriptions

Archival materials

Date:

1920-1982

Scope and Contents:

Correspondence; biographical material; artists files; files on organizations; business and financial records; photographs; writings and notes; diaries; scrapbooks; appointment calendars; exhibition catalogs and announcements; printed material; and miscellany.

REELS D351-D358: Biographical material; personal and business correspondence with family, artists, museums, and art organizations; 62 artists files containing photos of works of art, printed material, and correspondence; files on the American Federation of the Arts, Artists Equity Association, the Walker Foundation, and other organizations; business and financial records; material relating to Walker's work with Elizabeth McCausland in her studies of Marsden Hartley; printed material; and photos of Walker, his family, and miscellaneous works of art. Among the correspondents are: Berenice Abbott, Ben Benn, Theodore Brenson, Gene Charlton, Philip Evergood, Joseph Hirsch, Mervin Jules, Carl Sprinchorn, Harry Sternberg, and others.

REEL 130: Correspondence with Eugenia M. Fuerstenberg, Oct. 8, 1940-Sept. 25, 1941, concerning the consignment and sale of ca. 400 Alfred Maurer paintings owned by Mrs. Fuerstenberg. One letter is from Parke-Bernet Galleries, declining to handle the paintings.

REEL 1535: 4 volumes of a diary, 1929, 1930, 1942, and 1945. The first two volumes were kept while Walker was a graduate student at Harvard, the 1942 volume covers exhibitions and artists, including Marsden Hartley, and the 1945 volume details Walker's travels in Europe after World War II. Also included are 7 letters, a valentine, and two post cards from his wife, Ione G. Walker, and a 1967 letter from Hans van Weeren-Griek.

UNMICROFILMED: Correspondence with Henry Botkin, Philip Evergood, Susan Fuller, Marsden Hartley, Harry Sternberg and other artists and gallery directors; letters and poems by Harry Kemp, 1948-1955; essays by Walker on Joshua B. Cahn and Marsden Hartley; a report on the Walker Art Center by William Valentiner, 1930; notes from meetings, galleries and art associations; a silk screen by Seong Moy; financial records; 2 diaries, 1938-1939; 2 appointment calendars, 1950-1951; 8 school notebooks; 3 scrapbooks; exhibition catalogs; clippings; and photos of Walker and artists Cameron Booth, Byron Browne, Gladys Rockmore Davis, Carl Gaertner, Dorothea Greenbaum, Mervin Jules, Herman Maril, Dickson Reeder, Henry Schnakenberg, Miron Sokole, Harry Sternberg, Jean Tingley and Clifford West.

Biographical / Historical:

Collector and administrator; New York, N.Y.; d. 1976.

Provenance:

Material on reels D351-D358 & unmicrofilmed donated 1966-1982 by Hudson D. and Ione G. Walker; material on reel 1535 lent for microfilming 1979 by Ione G. Walker, widow of Walker; material on reel 130 donor unspecified.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.

Occupation:

Administrators -- New York (State) -- New York  Search this

Topic:

Art -- Collectors and collecting -- New York (State) -- New York  Search this

Identifier:

AAA.walkhuds

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw919fc6f74-8326-4c09-92b7-a48bafeaca1a

EDAN-URL:

ead_collection:sova-aaa-walkhuds

Creator:

O'Keeffe, Georgia, 1887-1986  Search this

McCausland, Elizabeth, 1899-1965  Search this

Type:

Correspondence

Date:

193-

Citation:

Georgia O'Keeffe. Georgia O'Keeffe letter to Elizabeth McCausland, 193-. Elizabeth McCausland papers, 1838-1995. Archives of American Art, Smithsonian Institution.

Record number:

(DSI-AAA)12108

See more items in:

Elizabeth McCausland papers, 1838-1995, bulk 1920-1960

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_12108

Creator:

Stieglitz, Alfred, 1864-1946  Search this

McCausland, Elizabeth, 1899-1965  Search this

Type:

Correspondence

Date:

1932 Jan. 22

Citation:

Alfred Stieglitz. Alfred Stieglitz letter to Elizabeth McCausland, 1932 Jan. 22. Elizabeth McCausland papers, 1838-1995. Archives of American Art, Smithsonian Institution.

Topic:

Art criticism  Search this

Record number:

(DSI-AAA)15329

See more items in:

Elizabeth McCausland papers, 1838-1995, bulk 1920-1960

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_15329

Creator:

Liebes, Dorothy, 1899-1972  Search this

McCausland, Elizabeth, 1899-1965  Search this

Subject:

Liebes, Dorothy  Search this

Type:

Correspondence

Date:

1946 August 05

Citation:

Dorothy Liebes. Dorothy W. Liebes, San Francisco, California letter to Elizabeth McCausland, New York, NY, 1946 August 05. Elizabeth McCausland papers, 1838-1995. Archives of American Art, Smithsonian Institution.

Topic:

Textile design  Search this

Textile industry  Search this

Record number:

(DSI-AAA)16577

See more items in:

Elizabeth McCausland papers, 1838-1995, bulk 1920-1960

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_16577

Creator:

Smith, David, 1906-1965  Search this

McCausland, Elizabeth, 1899-1965  Search this

Subject:

Smith, David  Search this

Type:

Correspondence

Date:

1940 September 22

Citation:

David Smith. David Smith letter to Elizabeth McCausland, 1940 September 22. Elizabeth McCausland papers, 1838-1995. Archives of American Art, Smithsonian Institution.

Topic:

Sculpture  Search this

Record number:

(DSI-AAA)16578

See more items in:

Elizabeth McCausland papers, 1838-1995, bulk 1920-1960

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_16578

Creator:

Buckley, Charles E. (Charles Edward)  Search this

McCausland, Elizabeth, 1899-1965  Search this

Type:

Correspondence

Date:

1950 March 24

Citation:

Charles E. (Charles Edward) Buckley. Charles E. Buckley birthday card for March Lion the cat, 1950 March 24. Elizabeth McCausland papers, 1838-1995. Archives of American Art, Smithsonian Institution.

Topic:

Cats  Search this

Record number:

(DSI-AAA)19071

See more items in:

Elizabeth McCausland papers, 1838-1995, bulk 1920-1960

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_19071

Creator:

McCausland, Elizabeth, 1899-1965  Search this

Type:

Writings

Date:

1953

Citation:

Elizabeth McCausland. "Spring Equinox" chapter in book Conversations with March, 1953. Elizabeth McCausland papers, 1838-1995. Archives of American Art, Smithsonian Institution.

Record number:

(DSI-AAA)19131

See more items in:

Elizabeth McCausland papers, 1838-1995, bulk 1920-1960

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_19131

Creator:

Buckley, Charles E. (Charles Edward)  Search this

McCausland, Elizabeth, 1899-1965  Search this

Type:

Correspondence

Date:

1951 October 22

Citation:

Charles E. (Charles Edward) Buckley. Charles Edward Buckley letter to Elizabeth McCausland, 1951 October 22. Elizabeth McCausland papers, 1838-1995. Archives of American Art, Smithsonian Institution.

Topic:

Cats  Search this

Record number:

(DSI-AAA)20232

See more items in:

Elizabeth McCausland papers, 1838-1995, bulk 1920-1960

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_20232

Creator:

Stieglitz, Alfred, 1864-1946  Search this

McCausland, Elizabeth, 1899-1965  Search this

Subject:

O'Keeffe, Georgia  Search this

An American Place  Search this

Type:

Correspondence

Date:

1932 Jan. 20

Citation:

Alfred Stieglitz. Alfred Stieglitz letter to Elizabeth McCausland, 1932 Jan. 20. Elizabeth McCausland papers, 1838-1995. Archives of American Art, Smithsonian Institution.

Topic:

Exhibitions  Search this

Record number:

(DSI-AAA)489

See more items in:

Elizabeth McCausland papers, 1838-1995, bulk 1920-1960

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_489

Creator:

Dove, Arthur Garfield, 1880-1946  Search this

McCausland, Elizabeth, 1899-1965  Search this

Subject:

Dove, Arthur Garfield  Search this

McCausland, Elizabeth  Search this

Type:

Correspondence

Date:

1933 May 3

Citation:

Arthur Garfield Dove. Arthur Garfield Dove, Geneva, N.Y. letter to Elizabeth McCausland, New York, N.Y., 1933 May 3. Elizabeth McCausland papers, 1838-1995. Archives of American Art, Smithsonian Institution.

Topic:

Art critics  Search this

Art galleries, Commercial  Search this

Art--Philosophy  Search this

Painters  Search this

Record number:

(DSI-AAA)7603

See more items in:

Elizabeth McCausland papers, 1838-1995, bulk 1920-1960

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_7603

Creator:

ACA Galleries  Search this

Names:

American Contemporary Art Gallery  Search this

Abbott, Berenice, 1898-1991  Search this

Baron, Herman, 1892-1961  Search this

Burliuk, David, 1882-1967  Search this

Cahill, Holger, 1887-1960  Search this

Dondero, George A. (George Anthony), 1883-1968  Search this

Evergood, Philip, 1901-1973  Search this

Gropper, William, 1897-1977  Search this

Gwathmey, Robert, 1903-1988  Search this

Hirsch, Joseph, 1910-1981  Search this

McCausland, Elizabeth, 1899-1965  Search this

Mumford, Lewis, 1895-1990  Search this

Olds, Elizabeth, 1896-1991  Search this

Pickens, Alton  Search this

Refregier, Anton, 1905-  Search this

Soyer, Moses, 1899-1974  Search this

Soyer, Raphael, 1899-1987  Search this

Valente, Alfredo  Search this

Weber, Max, 1881-1961  Search this

Young, Art, 1866-1943  Search this

Photographer:

Newman, Arnold, 1918-2006  Search this

Extent:

1 Linear foot

Type:

Collection descriptions

Archival materials

Writings

Photographs

Date:

1917-1963

Summary:

The scattered records of the ACA (American Contemporary Art) Galleries date from 1917 through 1963 and include writings by founder Herman Baron, artists Philip Evergood and Anton Refregier, and art critic Elizabeth McCausland; printed materials; and photographs of Baron, ACA artists, art collectors, works of art, and exhibitions. Correspondence is with David Burliuk, Philip Evergood, William Gropper, Lewis Mumford, Moses Sawyer, Max Weber, and others. Also found is a small group of Herman Baron's personal papers.

Scope and Content Note:

The scattered records of the ACA (American Contemporary Art) Galleries date from 1917 through 1963 and include writings by founder Herman Baron, artists Philip Evergood and Anton Refregier, and art critic Elizabeth McCausland; printed materials; and photographs of Baron, ACA artists, art collectors, works of art, and exhibitions. Correspondence is with David Burliuk, Philip Evergood, William Gropper, Lewis Mumford, Moses Sawyer, Max Weber, and others. Also found is a small group of Herman Baron's personal papers.

The records are a rich resource for documenting the Social Realist artists and the militant socialist artists during the great depression and the post-World War II era of "McCarthyism".

Correspondence with ACA artists consists of letters from Philip Evergood, David Burliuk, William Gropper, Robert Gwathmey, Joseph Hirsch, Lewis Mumford, Elizabeth Olds, Alton Pickens, Moses Soyer, Max Weber, and Art Young. Some of the letters concern the socialist and communist views of some of the artists, including responses to Congressional Representive George A. Dondero's public statements and attacks on modern art as a conspiracy to spread communism in the United States. There is a letter written by Holger Cahill to the editor of Time magazine concerning WPA artists. Also found is a letter from Raphael Soyer written to the ACA Galleries concerning the American Artists' Congress.

Writings include Herman Baron's written history of the ACA Galleries and scattered pages of Baron's book on Joe Jones and William Gropper. There are essays and writings by art critic Elizabeth McCausland, and artists Anton Refregier and Philip Evergood. Printed materials consist of ACA publications, newspaper clippings, published articles, printed illustrations by Philip Evergood, and printed materials about Congressman Dondero.

Photographs are of David Burliuk, Bruce Calder, Nicolai Cikovsky, Hy Cohen, Robert Cronbach, Alexander Dobkin, Philip Evergood, Mike Gold, Chaim Gross, William Gropper, Joe Jones, Mervin Jules, Irene Rice Pereia, Geri Pine, Philip Reisman, Vic Shifreen, Harry Sternberg, Moses Soyer, Raphael Soyer, James Baare Turnbull, Nicky Walker, Abraham Walkowitz, Nat Werner, and Art Young. Photographers include Berenice Abbott, Arnold Newman, and Alfredo Valente. Additional photographs are of unidentified installations or exhibitions.

Herman Baron's personal papers include letters written to his wife and friends during World War I, writings by Baron for various magazines including Glazier's Journal. Personal photographs are of Herman Baron in his army uniform. There is also an obituary for Herman Baron written by art critic Elizabeth McCausland.

Arrangement:

The collection is arranged as 5 series:

Missing Title

Series 1: Correspondence, circa 1930s-1960s (Box 1; 0.25 linear feet)

Series 2: Writings and Notes, 1938-circa 1960s (Box 1; 8 folders)

Series 3: Printed Material, 1939-1960 (Box 2; 4 folders)

Series 4: Photographs, circa 1930s-circa 1960s (Box 2; 0.25 linear feet)

Series 5: Herman Baron Personal Papers, circa 1910s, 1940s-1960s (Box 2-3; 0.3 linear feet)

Historical Note:

Herman Baron, Stuart Davis, Yasuo Kuniyoshi, and Adolf Dehn founded the American Contemporary Art (ACA) Galleries on August 16, 1932. Located at 1269 Madison Avenue in New York City, the galleries' first show featured watercolorist Hy Cohen. Baron encouraged freedom of expression and did not censor the artworks displayed in his gallery. As a result, the gallery became an outlet for generally unknown and socially conscious artists, including the Social Realists.

Born in Lithuania in 1892, Herman Baron immigrated to the United States as a child. He served in World War I and later attended New York University. Baron founded and edited Glazier's Journal (later Glass Digest) in 1924 as the first journal for the professional glazing trade. Additionally, he wrote short stories and plays for American Hebrew and Young Israel.

In response to economic issues facing the art market during the depresssion of 1930s, ACA Galleries organized relief efforts to financially support their artists. During this period, the gallery became closely allied with militant artists' organizations and some of the more politically radical artists. In 1935, the ACA Galleries and Herman Baron hosted the first meeting of the American Artists' Congress in the gallery space.

The ACA Galleries featured exhibitions of works by artists David Burliuk, Stuart Davis, Philip Evergood, William Gropper, Robert Gwathmey, Joe Jones, Rockwell Kent, Lee Krasner, Yasuo Kuniyoshi, Lewis Mumford, Louise Nevelson, Alton Pickens, Moses Soyer, Raphael Soyer, Max Weber, Art Young, and others. Baron also organized exhibitions of many artists employed by or associated with the Works Progress Administration of the federal arts program. Due to the progressive nature of the works of art found in the ACA Galleries, Herman Baron came under considerable criticism during the McCarthy Era. Baron was condemned by Representative George A. Dondero for supporting "un-American" sympathies and was forced often to defend his gallery and artists.

For years the gallery focused on artists rights and supporting the work of artists, rather than a profit. In the 1950s, a shift occurred when Baron's nephew Sidney Bergen initiated professional business practices and transformed the gallery into a profitable venture. Now located at 529 West 20th Street in New York City, ACA Galleries continues to promote and support various social causes.

Related Material:

The Archives of American Art holds the Herman Baron papers, dating from 1937-1967 which were donated by Syracuse University, George Arents Research Library in 1984. Some exhibition catalogs may be found here.

Provenance:

Ella Baron, widow of the ACA Galleries' founder Herman Baron, donated the records to the Archives of American Art in 1965 and 1966.

Restrictions:

Use of original papers requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Art, American  Search this

World War, 1914-1918  Search this

Politics in art  Search this

Function:

Art galleries, Commercial -- New York (State)

Genre/Form:

Writings

Photographs

Citation:

ACA Galleries records, 1917-1963. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the digitization of this collection was provided by the Terra Foundation for American Art

Identifier:

AAA.acagall

See more items in:

The ACA Galleries records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw97838f702-80fc-493a-940a-86b9373c8141

EDAN-URL:

ead_collection:sova-aaa-acagall

Collection Creator:

McCausland, Elizabeth, 1899-1965  Search this

Container:

Box 5, Folder 21

Type:

Archival materials

Date:

1927

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Elizabeth McCausland papers, 1838-1995, bulk 1920-1960. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art

See more items in:

Elizabeth McCausland papers

Elizabeth McCausland papers / Series 2: Correspondence

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9d39d6437-746e-42a4-84ce-0f0cdca74a3f

EDAN-URL:

ead_component:sova-aaa-mccaeliz-ref100

Collection Creator:

McCausland, Elizabeth, 1899-1965  Search this

Container:

Box 27, Folder 7

Type:

Archival materials

Date:

[1956]

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Elizabeth McCausland papers, 1838-1995, bulk 1920-1960. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art

See more items in:

Elizabeth McCausland papers

Elizabeth McCausland papers / Series 10: Teaching Files / Barnard College

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw995035966-cb99-4424-b99a-7f39cc2636db

EDAN-URL:

ead_component:sova-aaa-mccaeliz-ref1000

Collection Creator:

McCausland, Elizabeth, 1899-1965  Search this

Container:

Box 27, Folder 11

Type:

Archival materials

Date:

1956

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Elizabeth McCausland papers, 1838-1995, bulk 1920-1960. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art

See more items in:

Elizabeth McCausland papers

Elizabeth McCausland papers / Series 10: Teaching Files / Barnard College

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw954e38f61-68f0-4d9d-9784-7aeca46c1f20

EDAN-URL:

ead_component:sova-aaa-mccaeliz-ref1001

Collection Creator:

McCausland, Elizabeth, 1899-1965  Search this

Container:

Box 27, Folder 16

Type:

Archival materials

Date:

1956

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Elizabeth McCausland papers, 1838-1995, bulk 1920-1960. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art

See more items in:

Elizabeth McCausland papers

Elizabeth McCausland papers / Series 10: Teaching Files / Barnard College

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw90a5977f5-f327-4828-b7dd-0324947a47f5

EDAN-URL:

ead_component:sova-aaa-mccaeliz-ref1003