National Air and Space Museum. Archives Division. Search this
Type:
Archival materials
Collection Restrictions:
The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.
National Air and Space Museum. Archives Division. Search this
Container:
Drawer J1, Folder 1931-200-01
Type:
Archival materials
Scope and Contents note:
Documents
Collection Restrictions:
The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.
National Air and Space Museum. Archives Division. Search this
Container:
Drawer AA, Folder 018560-01
Type:
Archival materials
Scope and Contents note:
Documents
Collection Restrictions:
The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.
National Air and Space Museum. Archives Division. Search this
Container:
Drawer AA, Folder 018560-80
Type:
Archival materials
Scope and Contents note:
Photos
Collection Restrictions:
The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.
National Air and Space Museum. Archives Division. Search this
Container:
Drawer AA, Folder 018560-OS
Type:
Archival materials
Scope and Contents note:
Oversize
Collection Restrictions:
The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.
Whitehead, Henry P. (Prenton), 1917-2002 Search this
Container:
Box 103, Folder 17
Type:
Archival materials
Date:
1975-1980
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
The Henry P. Whitehead collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Collection Citation:
Henry P. Whitehead collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Michael A. Watkins.
The collection is open for unrestricted research. Use requires an appointment.
Collection Rights:
The Bladensburg Union Burial Association records are the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Collection Citation:
Bladensburg Union Burial Association records, Anacostia Community Museum Archives, Smithsonian Institution, gift of Reverend L. Jerome Fowler.
2 slicks, liner notes mechanicals, liner notes mechanicals, mechanical with overlay and attached photograph.
Cover Design: Ronald Clyne
Collection Restrictions:
Access by appointment only. Contact the Ralph Rinzler Folklife Archives and Collections at rinzlerarchives@si.edu or (202) 633-7322 for additional information.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Nin.a asomate a la reja --Alegrias con bulerias --Cuando veo unos ojitos negros --Sevillanas (Inez Munez) --El vito Cordobas (Dansadors de Cordoba ; Manuel Saez Can.ete, conductor) --Sevillanas --Soleares (Luis Aceta Pontones ; Dansadors de Cordoba) --Peteneras --Malaguen.a --Soleares --Tango gitano (Rose Maya la Faraona) --Vendors' cries -- Fandango (Ramon Montoyanito, guitar) --Soleares -- Rondena (La Gartera, guitar) --Fandango (Senora Maria Nunez) --Aguinaldo --Parrandos (Anna Speranda and Esperanza Madurana) --Soleares.
Local Numbers:
FW-ASCH-LP-0672
Publication, Distribution, Etc. (Imprint):
Westminster 196x
General:
Sung in Spanish. Notes: Program notes by Alan Lomax in English on container. Performer(s): Various performers. Inez Munez; Manuel Saez Can.ete; Luis Aceta Pontones; Ramon Montoyanito; La Fartera.; Maria Nunez; Anna Speranda; Esperanza Madurana; Dansadors de Cordoba.; Rosa Maya la Faraona.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Creole o Voudoun -- Ayizan marche -- Signaler Agwer arroyo -- Zulie Banda -- Ibo lerler -- Ghede nimbo -- Nago jaco colocoto -- Miro miba -- Po drapeaux.
Track Information:
101 Creole O Voudoun.
102 Ayizian Marche.
103 Signaleagwe Arroyo.
104 Zulie Banda.
105 Ibo Lele.
201 Ghede Nimbo.
202 Nago Jaco Colocoto.
203 Miro Miba.
204 Po Drapeaux.
Local Numbers:
FW-ASCH-LP-2327
Elektra.5
Publication, Distribution, Etc. (Imprint):
New York Elektra 1953
Date/Time and Place of an Event Note:
Recorded in: Haiti.
General:
Excerpts from Haitian Voudoun ceremonies. Descriptive and analytical notes by Maya Deren (11 p. : ill.) inserted in container; additional notes on container.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Record labels, correspondence, label copy, proofs, program, misc. production notes, photograph and slides, liner notes (draft, final)
Collection Restrictions:
Access by appointment only. Contact the Ralph Rinzler Folklife Archives and Collections at rinzlerarchives@si.edu or (202) 633-7322 for additional information.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
One volume, three quarter-bound maroon leather with maroon bead-grain cloth and marbled endpapers. Gilt titles on front board, gilt spine, false raised bands. Bookplate of W.K. Bixby on the inside front board. Loosely inserted in the front is an obituary clipping for Fenollosa. Approximately 180 tipped-in leaves, consisting of the manuscripts of Fenollosa's poetry which would eventually be published as East and West: The Discovery of America and Other Poems. The final 10 leaves consist of Fenollosa's explanatory notes.
Contains manuscripts of his five-part poem East and West: Part I. The First Meeting of East and West; Part II. The Separated East; Part III. The Separated West; Part IV. The Present Meeting of East and West; Part V. The Future Union of East and West. .
Contains manuscripts of his minor poems: Pastoral, December, The Hour, Speak softly, The Dryad, On Opening an Album, The Question, The Snowdrop, Love's Youth, The Golden Age, Sonnet, Sonnet, Sonnet--Fuji at Sunries, Sonnet (She-), Reproach, The Mood Dove, September, New Year's Eve 1875, God's Forests, Music and Poetry, At Her Tomb, In Norway, Telepathy, Reverie, In the Aura, Song of the Wind, In Vain, Karma, Maya, May, With Death, Spring Breath.
Contains manuscripts of his symphonic poem, Discovery of America: First Movement. The Sea and the Sky; Second Movement. Dreams; Third Movement. Wedding Music; Fourth Movement. Triumph.
East and West, the discovery of America, and minor poems
Arrangement:
Organized in one flat box.
Biographical / Historical:
Ernest Francisco Fenollosa (1853-1908) was a poet and student of Asian art. Born in Salem, Massachusetts, Fenollosa studied at Harvard, Cambridge University and the art school at the Boston Museum of Fine Arts before traveling to Japan to teach political economy and philosophy at the Imperial University at Tokyo. In 1988, he helped establish the Tokyo Fine Arts Academy and the Imperial Museum, serving as its director. For his many efforts to preserve temples and shrines and their art work, the Emperor of Japan decorated him with the orders of the Rising Sun and the Sacred Mirror. In 1890 Fenollosa returned to the Boston Museum of Fine Arts to take the position of curator of the department of Oriental arts. However, his public divorce and immediate remarriage in 1895 to the writer Mary McNeill Scott (1865-1954) led to his dismissal from the Museum in 1896 and he returned to Japan to teach English literature at the Tokyo Higher Normal School. He returned to the United States in 1900 to write and lecture on Asia. His works include East and West: The Discovery of America and Other Poems (1893); Epochs of Chinese and Japanese Art (1912), compiled by his widow, Mary McNeil Fenollosa; and two works on Japanese drama (ed. by Ezra Pound, 1916).
A former chairman of the board of American Car & Foundry, William Keeney Bixby (1857-1931), like Charles Lang Freer, was an avid patron and collector of the arts. A handwritten note inscribed by Bixby on a flyleaf states that he acquired these manuscripts from a Boston dealer, having become "interested in Japanese Art and in Mr. Fenallosa & his work through seeing the collection of Chas. S. Freer on many delightful visits at his house and from frequent conversations with him [...] I feel that the Ms. of East & West should belong to my friend who taught me to appreciate early Japanese Art." In another inscription, dated March 4, 1910, Bixby dedicates the volume to Freer "with regards of his friend [...] for presentation to Smithsonian Institute or otherwise as he may elect."
Local Numbers:
FSA A.01 04.01
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Genre/Form:
Poetry
Collection Citation:
Charles Lang Freer Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
Use of original papers requires an appointment. Use of audiovisual recordings without access copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Esther McCoy papers, circa 1876-1990, bulk 1938-1989. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the John Randolph Haynes and Dora Haynes Foundation and the Terra Foundation for American Art.
Use of original papers requires an appointment. Use of audiovisual recordings without access copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Esther McCoy papers, circa 1876-1990, bulk 1938-1989. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the John Randolph Haynes and Dora Haynes Foundation and the Terra Foundation for American Art.
