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Fenollosa, Ernest Francisco. East and West, the Discovery of America and other poems by Ernest Francisco Fenollosa.

Creator:
Fenollosa, Ernest Francisco, 1853-1908  Search this
Bixby, William K. (William Keeney), 1857-1931  Search this
Collection Creator:
Freer, Charles Lang, 1856-1919  Search this
Extent:
180 Leaves (36 x 23 cm.)
Container:
Box 56, Folder 1
Type:
Archival materials
Leaves
Poetry
Place:
USA -- Massachusetts -- Boston
Date:
circa 1893
Scope and Contents:
One volume, three quarter-bound maroon leather with maroon bead-grain cloth and marbled endpapers. Gilt titles on front board, gilt spine, false raised bands. Bookplate of W.K. Bixby on the inside front board. Loosely inserted in the front is an obituary clipping for Fenollosa. Approximately 180 tipped-in leaves, consisting of the manuscripts of Fenollosa's poetry which would eventually be published as East and West: The Discovery of America and Other Poems. The final 10 leaves consist of Fenollosa's explanatory notes.
Contains manuscripts of his five-part poem East and West: Part I. The First Meeting of East and West; Part II. The Separated East; Part III. The Separated West; Part IV. The Present Meeting of East and West; Part V. The Future Union of East and West. .
Contains manuscripts of his minor poems: Pastoral, December, The Hour, Speak softly, The Dryad, On Opening an Album, The Question, The Snowdrop, Love's Youth, The Golden Age, Sonnet, Sonnet, Sonnet--Fuji at Sunries, Sonnet (She-), Reproach, The Mood Dove, September, New Year's Eve 1875, God's Forests, Music and Poetry, At Her Tomb, In Norway, Telepathy, Reverie, In the Aura, Song of the Wind, In Vain, Karma, Maya, May, With Death, Spring Breath.
Contains manuscripts of his symphonic poem, Discovery of America: First Movement. The Sea and the Sky; Second Movement. Dreams; Third Movement. Wedding Music; Fourth Movement. Triumph.
East and West, the discovery of America, and minor poems
Arrangement:
Organized in one flat box.
Biographical / Historical:
Ernest Francisco Fenollosa (1853-1908) was a poet and student of Asian art. Born in Salem, Massachusetts, Fenollosa studied at Harvard, Cambridge University and the art school at the Boston Museum of Fine Arts before traveling to Japan to teach political economy and philosophy at the Imperial University at Tokyo. In 1988, he helped establish the Tokyo Fine Arts Academy and the Imperial Museum, serving as its director. For his many efforts to preserve temples and shrines and their art work, the Emperor of Japan decorated him with the orders of the Rising Sun and the Sacred Mirror. In 1890 Fenollosa returned to the Boston Museum of Fine Arts to take the position of curator of the department of Oriental arts. However, his public divorce and immediate remarriage in 1895 to the writer Mary McNeill Scott (1865-1954) led to his dismissal from the Museum in 1896 and he returned to Japan to teach English literature at the Tokyo Higher Normal School. He returned to the United States in 1900 to write and lecture on Asia. His works include East and West: The Discovery of America and Other Poems (1893); Epochs of Chinese and Japanese Art (1912), compiled by his widow, Mary McNeil Fenollosa; and two works on Japanese drama (ed. by Ezra Pound, 1916).
A former chairman of the board of American Car & Foundry, William Keeney Bixby (1857-1931), like Charles Lang Freer, was an avid patron and collector of the arts. A handwritten note inscribed by Bixby on a flyleaf states that he acquired these manuscripts from a Boston dealer, having become "interested in Japanese Art and in Mr. Fenallosa & his work through seeing the collection of Chas. S. Freer on many delightful visits at his house and from frequent conversations with him [...] I feel that the Ms. of East & West should belong to my friend who taught me to appreciate early Japanese Art." In another inscription, dated March 4, 1910, Bixby dedicates the volume to Freer "with regards of his friend [...] for presentation to Smithsonian Institute or otherwise as he may elect."
Local Numbers:
FSA A.01 04.01
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Genre/Form:
Poetry
Collection Citation:
Charles Lang Freer Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
Identifier:
FSA.A.01, Item FSA A.01 04.01
See more items in:
Charles Lang Freer Papers
Charles Lang Freer Papers / Series 4: Freer Colleague Materials / 4.1: Ernest Fenollosa Materials
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_component:sova-fsa-a-01-ref2357

A Maya Temple--The Nunnery at Uxmal [picture postcard]

Topic:
Ethnic Imagery Project, Archives Center
Collector:
Blenkle, Victor A., Dr., 1900-1978 (physician)  Search this
Names:
Century of Progress International Exposition (1933-1934 : Chicago, Ill.)  Search this
Collection Creator:
National Philatelic Collection, Smithsonian Institution.  Search this
Blenkle, Victor A., Dr., 1900-1978 (physician)  Search this
Collection Source:
Extractive Industries, Division of.  Search this
Extent:
1 Item (color, 3-1/2" x 5-1/2".)
Type:
Archival materials
Postcards
Picture postcards
Place:
Yucatan (Mexico)
Uxmal Site (Mexico)
Date:
1933
Scope and Contents:
A drawing depicting the front entrance of a Mayan temple at Uxmal. The image has been colored in green, red and orange to highlight designs on the temple. According to the description on the back of the card, this is an exact replica, located at the World's Fair in Chicago, of a temple in "far away" Yucatan.
General:
Series III, Box 28, World's Fairs and Expositions--Chicago, 1933.
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Mayas -- Antiquities -- 1900-1920  Search this
Temples -- Mexico -- 1900-1920  Search this
Indians of Mexico -- 1900-1920  Search this
Ruins -- Maya  Search this
Genre/Form:
Postcards -- 1900-1920
Picture postcards -- 1900-1920
Collection Citation:
Victor A. Blenkle Postcard Collection, c. 1880-c. 1970, Archives Center, National Museum of American History, Smithsonian Institution,
See more items in:
Victor A. Blenkle Postcard Collection
Victor A. Blenkle Postcard Collection / Series 3: Subjects / World Fairs and Expositions, Century of Progress (Chicago, Illinois, 1933)
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0200-ref2182

The American South

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Introduction:
The Olympic Games join athletes from across the globe in the highest levels of competition and excellence. The games have included, since their inception, a cultural component, but never before as extensively as in Atlanta in 1996. The Centennial Olympic Games brought together musical and dramatic performances, exhibitions, and artists from around the world. But most importantly, the Olympic Arts Festival highlighted the American South.

Southern culture was born from the interactions over past centuries of Native Americans, European settlers, and peoples from Africa. In the South, various forms of expression have arisen and transcended boundaries of race, gender, religion, and geography. So powerful have these expressions been - jazz, blues, gospel, rock 'n' roll, civil rights songs, Southern oratory, and food - that they have constituted unique American contributions to world culture. At the 1996 Festival on the National Mall, these forms of expressive culture were celebrated. Later the same summer in Atlanta during the Olympic Games, the program was the core of Southern Crossroads, a festival of Southern culture mounted in the new Centennial Olympic Park - the gathering spot for several hundred thousand visitors a day and billions more through television coverage. An Enhanced-CD Smithsonian Folkways recording with Internet connections and other educational material derived from the Festival program reached countless more after the Olympic Games.

The 1996 program not only exposed regional cultural roots but also showed how many of them have become part of traditions known to America and the world. Technology amplified the stories and songs of Southern rivers and roads, travails and struggles - as documenters recorded, disk jockeys broadcast, and performers toured these cultural expressions, helping them bridge race, gender, class, and ethnicity and producing forms of music now identified with American culture as a whole.

The world of Southern culture celebrated in the 1996 Festival was one of family, home, and community. The program explored new points of juncture and the evolution of new identities. In these could be discovered in today's South the roots of a new, evolving American culture.

Philippa Thompson Jackson was Program Curator and Phyllis K. Kimbrough was Program Coordinator.

The American South was made possible by and was produced in collaboration with The Atlanta Committee for the Olympic Games Cultural Olympiad and in cooperation with the Southern Arts Federation. Additional support was provided by The Recording Industries Music Performance Trust Funds.
Presenters:
Dori Addison, Tara Browner, Katherine Hagedorn, Joyce Jackson, Worth Long, Derek Lowery, Tim Patridge, Henry Willett Ill, Otis Williams, Joe Wilson
Particpants:
Performance Traditions

BEAUSOLEIL AVEC MICHAEL DOUCET

Jimmy Breaux, Acadian accordion, Lafayette, Louisiana

David Doucet, lead and backing vocals, acoustic guitar, Lafayette, Louisiana

Michael Doucet, lead vocals, fiddle, Lafayette, Louisiana

Al Tharp, vocals, banjo, bass, fiddle, Lafayette, Louisiana

Billy Ware, percussion, Lafayette, Louisiana

THE BIRMINGHAM SUNLIGHTS

Reginald Speight, tenor, Birmingham, Alabama

Barry Taylor, bass, Birmingham, Alabama

James Taylor, light tenor, Birmingham, Alabama

Steve Taylor, bass, Birmingham, Alabama

Wayne Williams, tenor, Birmingham, Alabama

CALLIOPE HIGHSTEPPERS

Henry Freeman, dancer, New Orleans, Louisiana

Johnny Stevenson, dancer, New Orleans, Louisiana

James Taylor, dancer, New Orleans, Louisiana

THE FREEDOM SINGERS

Betty Mae Fikes, 1946-, vocals

Rutha Harris, vocals

Charles Neblett, 1941-, vocals

Cordell Hull Reagon, 1943-1996, vocals

GENO DELAFOSE & FRENCH ROCKIN' BOOGIE

Geno Delafose, diatonic, Acadian & piano accordion, vocals, Eunice, Louisiana

Bobby Broussard, guitar, Eunice, Louisiana

John Espre, bass, Eunice, Louisiana

Germaine Jack, drums, Eunice, Louisiana

Steven Nash, rub board, Eunice, Louisiana

IFÉ ILÉ

Philbert Armenteros, congas, Miami, Florida

Rodolfo L. Caballero, vocals, Miami, Florida

Catalino Diaz, dancer, Miami, Florida

Ruben Romeu, congas, Miami, Florida

Luis E. Torres, bata, congas, chekere, Miami, Florida

Neri Torres, lead dancer, Miami, Florida

Tony Littleturtle Clark, Lumberton, North Carolina

Kat and Ray Littleturtle, Lumberton, North Carolina

Willie Lowery, Lumberton, North Carolina

MAGGIE LEWIS WARWICK WITH TILLMAN FRANKS' OLD TIME LOUISIANA HAYRIDE BAND

Maggie Lewis Warwick, guitar, vocals, Shreveport, Louisiana

Jimmy Day, lead guitar, Shreveport, Louisiana

Tillman Franks, acoustic bass, Shreveport, Louisiana

Paul Griffith, drums, Shreveport, Louisiana

John Peck, fiddle, Shreveport, Louisiana

Felton Pruitt, steel guitar, Shreveport, Louisiana

Kenny Bill Stinson, keyboards, Shreveport, Louisiana

NEW COON CREEK GIRLS

Dale Ann Bradley, guitar, Renfro Valley, Kentucky

Kathy Kuhn, fiddle, White Creek, Tennessee

Vicky Simmons, bass, Berea, Kentucky

Ramona Church Taylor, banjo, Wilkesboro, North Carolina

Eddie Pennington, Princeton, Kentucky

Douglas Quimby, 1936-, Brunswick, Georgia

Frankie Quimby, Brunswick, Georgia

Arnold Richardson, London, Kentucky

SKEETER BRANDON & HWY 61

Skeeter Brandon, vocals, keyboards, North Carolina

Chris Grant, bass, North Carolina

Armand Lenchek, guitars, North Carolina

Kelly Pace, drums, North Carolina

Rusty Smith, trombone, North Carolina

Wally West, tenor saxophone, North Carolina

TREME BRASS BAND

Benny Jones, Sr., snare drum, New Orleans, Louisiana

James Andrews, trumpet, vocals, New Orleans, Louisiana

Lionel Baptiste, bass drum, vocals, New Orleans, Louisiana

Kirk Joseph, tuba, New Orleans, Louisiana

Frederick Shepherd, trumpet, vocals, New Orleans, Louisiana

Gregory Veal, trombone, New Orleans, Louisiana

ULALI

Pura Fe Crescioni, Cherokee-Tuscarora, vocals, rattles, hand drum, Philadelphia, Pennsylvania

Jennifer Kreisberg, Cherokee-Tuscarora, vocals, rattles, hand drum, Hartford, Connecticut

Soni Moreno, Aztec-Maya, vocals, rattles, hand drum, Staten Island, New York

Craft Traditions

David Allen, cane carver, Homer, Louisiana

Anna Branham, potter, Rock Hill, South Carolina

Monty Branham, potter, Rock Hill, South Carolina

Nola Campbell, potter, Rock Hill, South Carolina

Melissa Darden, basket weaver, Charenton, Louisiana

Mary Jackson, basket maker, Charleston, South Carolina

Eric Miller, potter, Brent, Alabama

MISSISSIPPI CULTURAL CROSSROADS (MCC)

Essie Buck, quilter, Port Gibson, Mississippi

Patty Crosby, quilter, Port Gibson, Mississippi

Geraldine Nash, quilter, Port Gibson, Mississippi

Mary Ann Norton, quilter, Port Gibson, Mississippi

Shirley Motlow, patchwork clothing, Baton Rouge, Louisiana

Donnie Tolson, biblical carver, Winchester, Kentucky

Elsie Trivette, rug maker, Zionsville, North Carolina

Alvin Wood, basket maker, Murfreesboro, Tennessee

Trevle Wood, basket maker, Murfreesboro, Tennessee

Foodways Traditions

Larry Frey, food demonstrations, Eunice, Louisiana

Julietta Garcel, food demonstrations, Miami, Florida

Lucky Grissette, food demonstrations- Mountain View, Arkansas

Johnny Kallus, food demon¬strations, Katy, Texas

Steve Orsak, food demon¬strations, Katy, Texas

Larry Wietstruck, food demon¬strations, Katy, Texas

Sara Wilson, food demonstrations, St. Helena, South Carolina

Gospel Sing

THE CHAPLIERS, UNION CHAPEL BAPTIST CHURCH

Rev. Jimmy Strickland, minister, Pembroke, North Carolina

PROSPECT UNITED METHODIST CHURCH CHOIR

Rev. Bill James Locklear, minister, Maxton, North Carolina

Harold Dean Jacobs, diatonal minister, Maxton, North Carolina

THE SPIRITUAL TONES, WEEPING MARY FULL GOSPEL BAPTIST CHURCH

Rev. Henson F. Brooks, pastor, Salisbury, Maryland

Rev. Russell Campars, Sr., Salisbury, Maryland

Timothy Waters, II, manager, Salisbury, Maryland

WESLEY TEMPLE GOSPEL CHOIR, UNITED METHODIST CHURCH

Rev. Grant Johnson, minister, Salisbury, Maryland

Diane West, choir director, Salisbury, Maryland

Mary Winder, pianist, Salisbury, Maryland

Janet Ames, president and business manager, Salisbury, Maryland

WHITE HILLS FREE WILL BAPTIST CHURCH CHOIR

Rev. Jerry Locklear, minister, Maxton, North Carolina

Eddie Carter, music director, Maxton, North Carolina
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1996 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1996, Series 2
See more items in:
Smithsonian Folklife Festival records: 1996 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-1996-ref18

Diary

Collection Creator:
Tam, Reuben  Search this
Container:
Box 5, Folder 8
Type:
Archival materials
Date:
1962-1974
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Reuben Tam papers, 1931-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Reuben Tam papers
Reuben Tam papers / Series 3: Diaries
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-tamreub-ref160
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  • View Diary digital asset number 1

October

Collection Creator:
Cornell, Joseph  Search this
Container:
Box 7, Folder 47
Type:
Archival materials
Date:
1961
Scope and Contents note:
Includes references to: Cass., E.B. Ward, too much "cataloging," the death of Maya Deren, recurrent images from old Fourth Ave browsing days, Antiques Fair, "corrected" sense of people, Assemblage exhibit, compartment boxes, and so-called Humeur Vagabonde series.
Collection Restrictions:
Use of the original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Joseph Cornell papers, 1804-1986, bulk 1939-1972. Archives of American Art, Smithsonian Institution.
See more items in:
Joseph Cornell papers
Joseph Cornell papers / Series 3: Diaries / 3.1: Diary Entries
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-cornjose-ref460

Project Report for Maya Language Project

Collection Creator:
Goossen, E. C.  Search this
Container:
Box 9, Folder 6
Type:
Archival materials
Date:
1969
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
E.C. (Eugene) Goossen papers, circa 1935-2004. Archives of American Art, Smithsonian Institution.
See more items in:
E.C. (Eugene) Goossen papers
E.C. (Eugene) Goossen papers / Series 6: Professional Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-goose-ref135

Scattered Business Records

Collection Creator:
Los Angeles Independent Film Oasis  Search this
Extent:
(Box 1; 13 folders)
Type:
Archival materials
Date:
1976-1981
Scope and Contents note:
Scattered business records include contracts, grant proposals, film rental agreements, the constitution and by-laws, a check ledger, written histories of the organization, schedules of film screenings, tax information, a job description, forms, and publicity contacts. Also found are resumes of Oasis members Morgan Fisher, Roberta Friedman, Leslie Gehry, Lyn Gerry, Amy Halpern, Beverly and Pat O'Neill, and William Moritz.

See Appendix for a list of Los Angeles Independent Film Oasis screenings from Series 1.
Appendix: List of Los Angeles Independent Film Oasis Screenings from Series 1:
Below is a list of all known film screenings held at the Los Angeles Independent Film Oasis as documented within the records.

DateFilm Screening1976 March 7 -- Norman Zammitt

1976 April 8 -- New Westerns

1976 April 22 -- Films by Women Independent Filmmakers

1976 May 2 -- Landscapes: An Exploration of Open Spaces

1976 May 16 -- Chick Strand

1976 May 30 -- Funny Business

1976 June 6 -- Werner Schroeter

1976 June 6 -- Udo Serke

1976 June 13 -- Eastern Influences

1976 July 25 -- House Blend

1976 August 22 -- Thom Anderson

1976 August 22 -- David Lamelas

1976 August 22 -- Robert Nelson

1976 August 29 -- An Evening of Deranged Funnies

1976 October 3 -- Pat O'Neill

1976 October 17 -- Rudy Burckhardt

1976 October 31 -- William Raban

1976 November 21 -- New British Avant-Garde, Part 1

1976 November 28 -- New British Avant-Garde, Part 2

1976 December 12 -- L.A. Today

1977 January 9 -- Trollstenen

1977 January 23 -- Night Cleaners

1977 February 6 -- L.A. Today

1977 February 27 -- Jack Goldstein

1977 April 10 -- Robert Breer

1977 April 24 -- Hollis Frampton

1977 May 8 -- James McBride

1977 May 8 -- Kenneth Anger

1977 May 8 -- George Kuchar

1977 May 15 -- Robert Bresson

1977 May 29 -- Films with Few Images

1977 June 12 -- Michael Snow

1977 June 26 -- The Naked and the Nude

1977 July 10 -- Eye Music, San Francisco

1977 July 24 -- Films by Jean-Marie Straub and Thom Anderson

1977 September 18 -- Michael Snow

1977 September 18 -- Robert Nelson

1977 October 2 -- The Films of Gary Beydler

1977 October 16 -- Maya Deren

1977 October 16 -- Andrew Noren

1977 October 16 -- Dore O

1977 November 5 -- Paul Sharits

1977 November 6 -- Hollis Frampton

1977 November 6 -- David Wilson

1977 November 6 -- Victor Grauer

1977 November 6 -- Bruce Conner

1977 November 20 -- Films by Women

1977 December 4 -- Juvenile Liason

1977 December 18 -- Rosa von Praunheim

1978 January 15 -- Artifacts from the Machine Age

1978 January 29 -- Kenji Mizoguchi

1978 February 12 -- The Present Remembered

1978 February 26 -- Films by Jean-Marie Straub

1978 March 12 -- Oasis Potluck

1978 March 19 -- Warren Sonbert

1978 April 2 -- Dan Graham

1978 April 16 -- James Broughton

1978 April 30 -- Jon Jost

1978 May 21 -- John Whitney

1978 May 28 -- Hans Richter

1978 June 11 -- Hollis Frampton

1978 July 2 -- White, Scorsese, Gutman

1978 July 16 -- Gottheim, Benning

1978 July 23 -- Robert Nelson

1978 July 30 -- Lenny Lipton

1978 August 13 -- Some Interesting New Films

1978 August 27 -- Super 8 Films

1978 September 17 -- Kenji Mizoguchi

1978 September 24 -- Bruce Conner

1978 September 24 -- Bruce Baillie

1978 September 24 -- Danny Lyons

1978 October 1 -- Victor Faccinto

1978 October 15 -- Jon Rubin

1978 October 29 -- Lewis Hock

1978 November 19 -- Films of Ernie Gehr and Vincent Grenier

1978 November 26 -- Richard Meyers

1978 December 3 -- Yvonne Rainer

1978 December 10 -- Joseph Cornell

1979 January 14 -- Martha Haslanger

1979 January 28 -- William Moritz

1979 February 18 -- Roy Barge

1979 February 24-25 -- Ondine with Chelsea Girls

1979 March 11 -- James Benning

1979 April 1 -- Suzan Pitt

1979 April 8 -- Ericka Beckman

1979 April 22 -- Animation

1979 May 27 -- Ernie Gehr

1979 June 3 -- Babette Mangolte

1979 June 10 -- Robert Bresson

1979 June 17 -- Maya Deren

1979 June 24 -- Andrew Noren

1979 September 23 -- Stan Brakhage

1979 September 30 -- Emerson Woelffer

1979 October 7 -- Roberta Friedman

1979 October 7 -- Grahame Weinbren

1979 October 14 -- Larry Gottheim

1979 October 28 -- James Whitney

1979 November 4 -- Guvnor Nelson

1979 November 4 -- Dorothy Wiley

1979 November 11 -- George Griffin

1979 November 18 -- Bill Brand

1979 November 25 -- Chick Strand

1979 December 2 -- Malcolm Le Grice

1979 December 9 -- Suzan Pitt

1979 December 9 -- Tim Shepard

1979 December 9 -- Anita Thatcher

1979 December 16 -- New Animated Shorts

1980 January 1 -- Oskar Fischinger

1980 January 28 -- Roberta Friedman

1980 January 28 -- Grahame Weinbren

1980 February 10 -- Danny Lyons

1980 February 10 -- Chick Strand

1980 February 10 -- Bruce Conner

1980 February 17 -- Dennis Pies

1980 February 24 -- Amos Poe

1980 March 2 -- Pat's Selection

1980 March 9 -- Vincent Grenier

1980 March 16 -- Henry Hills

1980 March 23 -- New Bay Area Films

1980 March 30 -- Manuel De Landa

1980 April 6 -- Robert Huot

1980 April 13 -- Oblowitz, McCall, Gordon

1980 April 20 -- Lionel Soukaz

1980 April 20 -- Guy Hocquenhem

1980 April 27 -- J.J. Murphy

1980 May 11 -- Owen Land

1980 May 18 -- Rick Blanchard

1980 May 25 -- Yvonne Blanchard

1980 June 1 -- Larry Jordan

1980 June 15 -- Robert Frank

1980 June 22 -- Oasis Group Show

1980 June 29 -- The Italian Olfactory Cinema of Gianikian and Ricci Lucchi

1980 September 21 -- Salt for Svanetia

1980 September 28 -- John Baldessari

1980 October 5 -- Ann Arbor Film Festival

1980 October 12 -- Bruce Baillie

1980 October 19 -- Birnbaum, Haslanger, Keller

1980 October 26 -- Ethnographic Films

1980 November 2 -- Rob Danielson

1980 November 9 -- Smithson, Serra, Oldenburg, Mangolte and Childs

1980 November 16 -- Jonas Mekas

1980 November 23 -- Saint Carmin's Choice

1980 December 7 -- Jean Pierre Gorin

1980 December 14 -- Pat O'Neill

1981 March 15 -- Susan Kleckner

1981 June 21 -- Michael Snow

1981 June 28 -- Polish Avant-Garde

1981 July 5 -- Alex Cox

1981 July 5 -- Amy Halpern

1981 July 12 -- Chicago Filmmakers; Edited by Harvey Nosowitz

1981 July 19 -- The Oasis Police Show

1981 July 26 -- Stan Brakhage

1981 August 2 -- Political Newsreels

1981 August 23 -- Pat O'Neill
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Los Angeles Independent Film Oasis records, 1976-1981. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.losangei, Series 1
See more items in:
Los Angeles Independent Film Oasis records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-losangei-ref13

Deren, Maya

Collection Creator:
Los Angeles Independent Film Oasis  Search this
Container:
Box 1, Folder 54
Type:
Archival materials
Date:
1977, 1979
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Los Angeles Independent Film Oasis records, 1976-1981. Archives of American Art, Smithsonian Institution.
See more items in:
Los Angeles Independent Film Oasis records
Los Angeles Independent Film Oasis records / Series 5: Filmmaker and Artists Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-losangei-ref77

Maya Aviña

Collection Creator:
Nengudi, Senga, 1943-  Search this
Container:
Box 6, Folder 18
Type:
Archival materials
Date:
2000-2012
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Senga Nengudi papers, 1947, circa 1962-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Senga Nengudi papers
Senga Nengudi papers / Series 3: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-nengseng-ref144

Assorted Writings by Others

Collection Creator:
Nengudi, Senga, 1943-  Search this
Container:
Box 8, Folder 62
Type:
Archival materials
Date:
1982-1992
2010
undated
Scope and Contents:
Includes writings by Maya Aviña, Kae Bell, Maria Clare, Jill Crane, Francine Farr, Jill Nelson, Greg Angaza Pitts, as well as an unidentified sketch/note.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Senga Nengudi papers, 1947, circa 1962-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Senga Nengudi papers
Senga Nengudi papers / Series 4: Writings / Writings by Others
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-nengseng-ref253

Printed Material Related to Other Individuals

Collection Creator:
Nengudi, Senga, 1943-  Search this
Container:
Box 11, Folder 32
Type:
Archival materials
Date:
1969
1979-2015
Scope and Contents:
Includes material related to Maya Angelou, Amiri Baraka, Cheryl Banks, Houston Conwill, Maureen Fleming, Linda Goode-Bryant, David Hammons, Maren Hassinger, Ulysses S. Jenkins, Lucy Lippard, Lawrence "Butch" Morris, John Outterbridge, Franklin Parker, Noah Purifoy, Gerry Riggs, Alison Saar, Bettye Saar, Lowery Stokes Sims, Paul Thaxter, and Floyd Tunson. Also includes interview with Maren Hassinger conducted by Lorraine O'Grady, 1993.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Senga Nengudi papers, 1947, circa 1962-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Senga Nengudi papers
Senga Nengudi papers / Series 6: Printed Material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-nengseng-ref360

Works of Art by Maya Aviña

Collection Creator:
Nengudi, Senga, 1943-  Search this
Container:
Box 12, Folder 33
Type:
Archival materials
Date:
2001
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Senga Nengudi papers, 1947, circa 1962-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Senga Nengudi papers
Senga Nengudi papers / Series 9: Artwork
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-nengseng-ref398

Oversize Works of Art by Maya Aviña

Collection Creator:
Nengudi, Senga, 1943-  Search this
Container:
Box 15, Folder 4
Type:
Archival materials
Date:
2001
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Senga Nengudi papers, 1947, circa 1962-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Senga Nengudi papers
Senga Nengudi papers / Series 9: Artwork
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-nengseng-ref399

Notes on the Careers of Maya Archaeologists

Collection Creator:
Smith, Joseph Lindon, 1863-1950  Search this
Container:
Box 4, Folder 65
Type:
Archival materials
Date:
undated
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Joseph Lindon Smith papers, 1647-1965, bulk 1873-1965. Archives of American Art, Smithsonian Institution.
See more items in:
Joseph Lindon Smith papers
Joseph Lindon Smith papers / Series 5: Notes and Writings
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-smitjose-ref135

Typescripts "Hadiths" and "Maya Civilization,"

Collection Creator:
Smith, Joseph Lindon, 1863-1950  Search this
Container:
Box 5, Folder 27
Type:
Archival materials
Date:
undated
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Joseph Lindon Smith papers, 1647-1965, bulk 1873-1965. Archives of American Art, Smithsonian Institution.
See more items in:
Joseph Lindon Smith papers
Joseph Lindon Smith papers / Series 5: Notes and Writings
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-smitjose-ref161

Typescript "The Ancient Maya" by Sylvanus G. Morley

Collection Creator:
Smith, Joseph Lindon, 1863-1950  Search this
Container:
Box 6, Folder 37
Type:
Archival materials
Date:
undated
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Joseph Lindon Smith papers, 1647-1965, bulk 1873-1965. Archives of American Art, Smithsonian Institution.
See more items in:
Joseph Lindon Smith papers
Joseph Lindon Smith papers / Series 5: Notes and Writings
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-smitjose-ref224

Advertising

Collection Creator:
Woman's Building (Los Angeles, Calif.)  Search this
Container:
Box 7, Folder 1
Type:
Archival materials
Date:
1985-1986
Collection Citation:
Woman's Building records, 1970-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Woman's Building records
Woman's Building records / Series 1: Administrative Files / 1.4: Publicity and Outreach
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-womabuil-ref290
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
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"Divine Horsemen: The Living Gods of Haiti" by Maya Deren

Collection Creator:
Woman's Building (Los Angeles, Calif.)  Search this
Container:
Box 20, Folder 5
Type:
Archival materials
Date:
1984
Collection Citation:
Woman's Building records, 1970-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Woman's Building records
Woman's Building records / Series 3: Gallery Programs / 3.5: Film and Video
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-womabuil-ref926

Beckmann, Peter and Maya

Collection Creator:
Catherine Viviano Gallery  Search this
Container:
Box 3, Folder 82
Type:
Archival materials
Date:
1967-1972
undated
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Catherine Viviano Gallery records, 1930-1990, bulk 1949-1978. Archives of American Art, Smithsonian Institution.
See more items in:
Catherine Viviano Gallery records
Catherine Viviano Gallery records / Series 2: Correspondence / 2.1: General Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-cathvivi-ref245

Correspondence

Collection Creator:
Outterbridge, John, 1933-2020  Search this
Extent:
1.1 Linear feet (Boxes 1-2, OV 7)
Type:
Archival materials
Date:
1970-1997
Scope and Contents:
Correspondence is from family, artists, friends, colleagues, museums, galleries, and universities. The topics covered include exhibition arrangements, travel, teaching, and programs and activities related to arts administration. Notable correspondents include Maya Angelou, Johnny Otis, Jere Van Syoc, and Charles White. Many named folders only include one or two letters.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
John Outterbridge papers, 1953-1997. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.outtjohn, Series 2
See more items in:
John Outterbridge papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-outtjohn-ref52

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