No access restrictions. Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
No access restrictions. Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
On page 129-134, there is a Comanche vocabulary alongside with Spanish and Luiseno. Follows items called for in Smithsonian Institution Comparative Vocabulary. Some Comanche terms lacking.
Contents: Bartlett, John R. "Cochimi language of Lower California obtained through Mr Robinia of Guaymas, Sonora." No date. [post 1852] Autograph document. pages 215-218 in bound volume of vocabularies. Vocabulary written in "American Ethnological Society Circular Number 1, Indian Languages of America, June, 1852," a printed outline of 200 words. Negative microfilm on file. Heintzelman, Major S. P. Vocabulary of the Cocopa language. Fort Yuma, Colorado, April 19, 1854. Copy by Bartlett, pages 165-166. Heintzelmam, Major S. P. Vocabulary of the Mohavi or Hum-mock-havy taken by Major Heintzelman. Copy by Bartlett, pages 167-176. Copy in another hand in printed outline published by American Ethnological Society, pages 177-180. On negative Microfilm reel #37. Comanche San Luis Rey [Bartlett, John R.] San Luis Rey- Comanche comparative vocabulary. No informant or date is recorded for the Comanche vocabulary of about 150 words, pages 129-135. All pages are in the handwriting of George Gibbs, here not specifically attributed to Bartlett. However, penciled note on another copy of the Comanche vocabulary (Bureau of American Ethnology Manuscript Number 762) states "probably of J. R. Bartlett." Approximately 5 extra Comanche terms are listed in 1627 which were not copied into the manuscript filed under 762.
Contents: San Luis Rey Comanche [Bartlett, John R.] San Luis Rey- Comanche comparative vocabulary. San Luis Rey vocabulary of about 180 words, pages 128-135. May 10, 1852. All pages are copies in handwriting of George Gibbs, here not specifically attributed to Bartlett, but so attributed to Bartlett, but so attributed in another copy, namely, Bureau of American Ethnology Manuscript Number 772. According to the discussion, pages 128 and 135, vocabulary was recorded from Pedro Cawewas, an old man called the captain or chief of his tribe, about 150 of which now live where the mission of San Luis Rey is situated. Tiwa: Piro [Bartlett, John R.] Piro vocabulary of about 180 words, pages 53-54, and another copy, pages 67-68. "Language of the Piros," discussion, pages 55-59. No date. [Ca. October 2, 1852: date on "Tigua" (Piro ?) vocabulary immediately following on pages 63-65.] All pages are copies in handwriting of George Gibbs, here not specifically attributed to Bartlett, but so attributed in other copies, namely, Bureau of American Ethnology Numbers 458-b and 458-c. According to discussion, page 55, vocabulary was recorded from Hieronymo Peraza and Marcus Alejo, principal men of the pueblo of "Sinecu" [Senecu del Sur, Chihuahua] a few miles below El Paso de Norte, on the western bank of the Rio Grande. Tiwa: Senecu del Sur (Piro ?) [Bartlett, John R.] "Tigua" vocabulary of about 200 words, pages 63-65. October 2, 1852. Copy in handwriting of George Gibbs, here not specifically attributed to Bartlett, but was so attributed in other copies, namely, Bureau of American Ethnology Numbers 458-a and 458-c. Note following heading: "[Language of ?] Indians of Taos, in New Mexico (pronounced Tee-wa) [sic] taken from Santiago Ortiz (A-he-ba-tu) head chief of Senecu, Isleta, etc. [i. e. Senecu del Sur, Chihuahua; see Bureau of American Ethnology Bulletin 30, II, 509.]" Bartlet's Vocabularies ? 1. Pages 17-19 Sioux vocabulary, translated into Sioux by Bruce Husband, Fort Laramie, February 26, 1849. 2 pages. 2. Pages 21-24 Kiowa vocabulary, from Esteban, a Mexican captive for 7 years among the Comanches and Kiowas in Texas. 5 pages. 3. Pages 25-27 cf. Manuscript 1139- a copy of this. Ceris (Seri) vocabulary taken from a native at Hermosillo, January 1, 1852 (note by Gatschet says 1853). Informant- Colusio. 3 pages. 4. Pages 31-34 Yaqui vocabulary by Fr. Encinas of Ures, December 1851. 4 pages, including notes. 5. Pages 37-39 Opate (Nahuatlan) vocabulary, taken at Ures, Sonora. 3 pages. 6. Pages 43-45; 49-51. Apaches of the Coppermine, taken from Mangus Colorado July, 1851. 3 pages. (also duplicate copy). 7. Pages 53-59; 57 Piro (Tanoaan) vocabulary, taken from two Indians, Hieromymo Peraza and Marcus Alejo. 2 pages. Notes 5 pages. 8. Pages 63-65 "Tigua " [Tiwa] Indians of Taos in New Mexico vocabulary, taken from Santiago Ortiz, head chief of Senecu, Isleta, etc. 3 pages.
Contents: 9. Pages 71-73 Vocabulary of the language of the Coco-Maricopas of the river Gila (Yumian). 3 pages. 10. Pages 77-81; 85-92; Reel #21 Vocabulary of the Diegueno tribe, vocabulary, 8 pages; and 11. Los Angeles Indians, Diegueno tribe, vocabulary, 8 pages. 12. Pages 93-103 Yuman or Cuchan and Comiya (Comeya) vocabulary and notes, 11 pages, including extract from Lt Whipple's diary, October 7, 1849. 13. Pages 105-6; 109-10 13. Vocabulary in the Digger (Pujunan) [Maidu] language, from manuscript in the possession of J. B. Moore obtained by H. B. Brown. 4 pages. 14. Pages 113-116 Napa Valley (Digger) [Pujunan] vocabulary. 3 pages. 15. Pages 117-123 Makah of Cape Flattery and Diggers [Pujunan] of Napa Valley- vocabulary. 6 pages. 16. Pages 125-128 Kechi (Mission of San Luis Rey) vocabulary. Taken from Pedro Cawenas, May 10, 1852, San Luis Rey. Notes. 17. Pages 129-35 San Luis Rey and Comanche vocabulary. 7 pages. Taken from Pedro Cawewas. Includes notes. 18. Pages 137-39. San Luis Obispo vocabulary. 3 pages. 19. Pages 141-144 San Jose Indian vocabulary. 4 pages including notes.
Contents: Bartlett's vocabularies. 20. Pages 145-152 H'hana of Sacramento (Kulanapan) vocabulary, 6 pages. 21. Pages 155-159 Coluse (between Sacramento River and Clear Lake), vocabulary- 6 words only. Erroneously marked Athapaskan in Hewitt's hand. Actually Patwin and Wintun; see word for "Indian"- Note by M. R. Haas. 11/58. Items 21 ans 22: See Pitkin, Harvey and William Shipley, Comparative Survey of California Penutian, IJAL, Volume 24, Number 3, July, 1958, pages 174-88. (Reference from MRH). 22. Coluse and Noema vocabulary. 3 pages. 23. Page 163 Tehama vocabulary. 1 page. 24. Pages 165-66 Cocopa vocabulary. (Fort Yuma, Colorado, Mouth of the Colorado River). 2 pages. April 19, 1854. 25. Pages 167-180 Mohave vocabulary. Major Heintzelman. 14 pages including notes. 26. Pages 181-84 Otomi (Mexico) vocabulary. 3 pages. (1767 and 1826). 27. Pages 186-201 Chitimacha and Attacapa vocabularies and notes. 15 pages. (1848) 28. Pages 203-206 Maya vocabulary. From manuscript dictionary in possession of John Carter Brown. 3 pages. 29. Pages 207-210 Tarahumara vocabulary. 3 pages. (1787 and 1826). 30. Pages 211-214 Cahita (Sonora) vocabulary. 3 pages. 31. Pages 215-18 Cochimi (of Lower California), vocabulary. 3 pages. 32. Pages 219-221 Nevome (Pima of Sonora) vocabulary. 2 pages. (printed). 33. Pages 223-224 Letter to John R. Bartlett from George Gibbs re. to vocabularies. 3 pages.
Contents: Smith, Buckingham. "Vocabulary of the Nevome, As Spoken by the Pima of Moris, A Town of Sonora." 1861, and prior. Printed document. 2 pages. On pages 219 and 221 of this Manuscript. Published excerpt from History Magazine, July, 1861, pages 202-203. Contains grammatical notes, general vocabulary, and the Lord's Prayer in the Nevome dialect of Piman.
Local Numbers:
NAA MS 1627
Local Note:
Manuscript document
Topic:
Dakota language; Mayo dialect (Piman); Kumiai language; Central Pomo language Search this
The papers of Chris Gjording primarily document his research and activities in Central America, particularly his research on the Guaymíes and the Cerro Colorado copper mining project in Chiriquí, Panama. Materials pertaining to Panama include Gjording's field notes (portions of which are missing due to severe insect infestation); photographs; reference materials he collected; and his writings, which include his articles, dissertation, and drafts of his dissertation revised for publication. In addition to his work in Panama are his field notes and photographs from his research on campesino communities in Guatemala and El Salvador. Gjording also kept subject files on Latin American countries, focusing on the poor and oppressed and the social and political climate. His writings on those subjects are present in the collection and include a draft of his unpublished paper on peasant uprising in El Salvador and issues of Informacciónes, the Spanish-language newsletter that Gjording published and wrote articles for in Honduras. The collection also contains correspondence and notes relating to his visits to the Guatemalan Indian refugee camps in Los Lirios and Maya Balam in Quintana Roo in Mexico. In addition, the collection contains some of his correspondence with his mentor Ricardo Falla, a Guatemalan Jesuit priest and anthropologist, whom he refers to as "RF" in his notes. The collection also contains computer disks with chapters in Spanish from Falla's book on Ixcán, possibly Masacres de la selva: Ixcán, Guatemala (1992).
Scope and Contents:
The papers of Chris Gjording primarily document his research and activities in Central America, particularly his research on the Guaymíes and the Cerro Colorado copper mining project in Chiriquí, Panama. Materials pertaining to Panama include Gjording's field notes (portions of which are missing due to severe insect infestation); photographs; reference materials he collected; and his writings, which include his articles, dissertation, and drafts of his dissertation revised for publication. In addition to his work in Panama are his field notes and photographs from his research on campesino communities in Guatemala and El Salvador. Gjording also kept subject files on Latin American countries, focusing on the poor and oppressed and the social and political climate. His writings on those subjects are present in the collection and include a draft of his unpublished paper on peasant uprising in El Salvador and issues of Informacciónes, the Spanish-language newsletter that Gjording published and wrote articles for in Honduras. The collection also contains correspondence and notes relating to his visits to the Guatemalan Indian refugee camps in Los Lirios and Maya Balam in Quintana Roo in Mexico. In addition, the collection contains some of his correspondence with his mentor Ricardo Falla, a Guatemalan Jesuit priest and anthropologist, whom he refers to as "RF" in his notes. The collection also contains computer disks with chapters in Spanish from Falla's book on Ixcán, possibly Masacres de la selva: Ixcán, Guatemala (1992).
Additional materials in the collection are copies of Gjording's curriculum vitae; his student papers; and his college and graduate school diplomas. In addition, the collection contains a letter approving Gjording's advancement to the diaconate and priesthood and his decree of dismissal from the Society of Jesus in 1991.
Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Arrangement:
Arranged into 7 series: (1) Correspondence, 1985-91; (2) Panama, 1977-91; (3) Latin America, 1977-90; (4) Journals, 1977-1982, 1988-1989; (5) Personal Files, 1966-1991; (6) Photographs, 1976-89; (7) Computer Disks
Biographical Note:
Chris Gjording was an anthropologist and Jesuit priest, best known for his research on the Guaymí people of Panama and how they were affected by a transnational copper mining project on their land.
Gjording was born on January 12, 1943 in Los Angeles, California. In 1960 he entered a Jesuit seminary in Sheridan, Oregon and obtained his A.B. in philosophy from Spring Hill College in 1966. After earning his M.A. in philosophy from Tulane University (1967) and his M.Div. in theology from the Toronto School of Theology (1973), he was ordained as a Jesuit priest in Spokane, Washington. He taught philosophy and liberation theology at Gonzaga University (1973-75) before continuing his education at the New School for Social Research, where he received his M.A. (1978) and Ph.D. (1985) in social and cultural anthropology.
As both a priest and anthropologist, he felt that "field research essentially involves interpersonal relationships; and [he had] no category for engaging in such relationships with nothing in view as a potential benefit for the other." (Gjording's journal, January 11, 1978) Influenced by liberation theology, Gjording consequently focused his research on the rural poor of Central America during a period of social and political turmoil.
As a graduate student in 1977, Gjording spent the summer conducting ethnographic fieldwork among campesino communities in Chinacá, Guatemala and in Chirilagua, San Miguel, El Salvador. He returned to Central America the following year to work in Chiriquí, Panama with Centro de Estudios y Acción Social (CEASPA), a Jesuit-sponsored organization, as the anthropologist on an interdisciplinary team studying the Cerro Colorado copper mining project and its impact on Panama. Gjording's research focused on the Guaymí people, who lived on the land where the mining project was to occur. His research became the subject of his dissertation, "The Cerro Colorado Copper Project: Panama, Multinational Corporations and the Guaymi Indians." A revised version of the dissertation was published by the Smithsonian Institution Press in 1991 as Conditions Not of Their Choosing: The Guaymí Indians and Mining Multinationals in Panama.
Gjording left Panama in 1982 but returned to Central America after completing his dissertation in 1985 to serve as codirector of Equipo de Reflexión, Investigación y Comunicación (E.R.I.C.), a Jesuit organization in El Progreso, Yoro, Honduras. As part of his responsibilities, he published and wrote many of the articles for Informaciones, a bimonthly newsletter in Spanish on the social, political, and economic situation in Honduras. In addition, he wrote articles for the Panamanian magazine Diálogo Social; due to the political climate in Panama, he wrote some of the articles under the pseudonym "Enrique Lobo," a name he chose in honor of the anthropologist Eric Wolf. From 1987 to 1989, he made several trips to the Guatemalan refugee camps in Quintana Roo, Mexico. He conducted informal research on the background and situation of the refugees and taught workshops that provided them guidance on whether to return to Guatemala or stay in Mexico.
Gjording returned to the United States in 1989 on a sabbatical from Central America. He left the priesthood in 1991 and obtained a position teaching anthropology and peace studies at Guilford College in Greensboro, North Carolina.
Gjording died of lung cancer on July 5, 1993 at the age of 50.
Sources Consulted
Gjording, Chris. 1978. [Daily Journal]. Chris Gjording Papers. National Anthropological Archives.
Roseberry, William. 1993. Chris N. Gjording. Anthropology Newsletter. 34(7): 44.
Chronology
1943 -- Born January 12 in Los Angeles, California
1966 -- Earns A.B. from Spring Hill College in Philosophy
1967 -- Earns M.A. from Tulane University in Philosophy
1973 -- Earns M.Div. from Toronto School of Theology Becomes an ordained Jesuit priest
1977 -- Spends summer in Central America conducting fieldwork in campesino communities in Guatemala and El Salvador
1978 -- Earns M.A. from the New School for Social Research in Anthropology
1978-1980 -- Conducts fieldwork in Chiriquí, Panama on the Guaymíes and the Cerro Colorado copper mining project
1985 -- Earns Ph.D. from the New School for Social Research in Anthropology
1985-1988 -- Codirector of E.R.I.C. (Equipo de Reflexión, Investigación y Comunicación), El Progreso, Yoro, Honduras
1989 -- Returns to United States
1991 -- Leaves priesthood Teaches Anthropology and Peace Studies at Guilford College in Greensboro, North Carolina
1993 -- Dies on July 5 at the age of 50
Selected Bibliography
1979 -- Gjording, Chris N. "Nicaragua's Unfinished Revolution," America 141 (October 6, 1979): 166-171.
1980 -- Lobo, Enrique. "La Nueva Política Indigenista (o bien: Acabemos con el Indio)," Diálogo Social 123 (May 1980): 15- 18. Lobo, Enrique. "El Pueblo Guaymí y el Gobierno Panameño (o bien: Acabemos con el Guaymí)," Diálogo Social 125 (July 1980): 22-25.
1981 -- Gjording, Chris N. The Cerro Colorado Copper Project and the Guaymí Indians of Panama. Occasional Paper No. 3. Cambridge: Cultural Survival, 1981.
1983 -- Gjording, Chris N. "The Guaymí People and Cerro Colorado." In Panama in Transition: Local Reactions to Development Policies. Monographs in Anthropology 6, edited by John Bort and Mary Helms, 19-52. Columbia: Museum of Anthropology, University of Missouri, 1983.
1987 -- Gjording, Chris N. "25 Años de Reforma Agraria . . . ¿Y Que?." Informaciones 8 (May-July 1987): 9-21.
1991 -- Gjording, Chris N. Conditions Not of Their Choosing: The Guaymí Indians and Mining Multinationals in Panama. Washington: Smithsonian Institution Press, 1991.
Provenance:
These papers were donated to the National Anthropological Archives by Karin Gjording.
Restrictions:
Computer disks in the collection are restricted due to preservation concerns.
Festival Recordings: Assyrian Voices: The Urhoy Choir (Jean "John" Karat, Edward Danho, Sandy Amsih, Adnan Aziz, Ilona Danho, Fadi Karat, Izla Karat, George Kentor, Maya Stifo, Samira Steifo)(Eden Naby); Workshop: Yol Turkic Connections from Istanbul t...
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Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
1 sound recording (compact audio cassette)
Type:
Archival materials
Sound recordings
Date:
2002 June 26
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 2002 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Festival Recordings: Alevi Semah (Aysel Adiguzel, Riza Adiguzel, Alli Aydin, Hasan Aydin, Bahar Bayri, Tutca Cucu, Huseyin Denizhan, Rustu Durna, Suleyman Duran, Ahmet Gungor, Durdane Karagoz, Cemal Ozcan)(Jerome Cler); The Urhoy Choir (sp??Sanaz Amsih...
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1 sound recording (compact audio cassette)
Type:
Archival materials
Sound recordings
Date:
2002 June 28
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Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 2002 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Festival Recordings: Assyrian Voices: The Urhoy Choir (Sandy Amish, Adnan Aziz, Edwar Danho, Ilona Danho, Fadi Karat, Izla Karat, Jean Karat, George Kentar, Maya Stifo, Samira Steifo (Eden Naby); Workshop: Turkish Connections from Istanbul to Kashqar
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Extent:
1 sound recording (compact audio cassette)
Type:
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Sound recordings
Date:
2002 June 28
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Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 2002 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Festival Recordings: Kushtia Bauls (Anjali Ghosh Durga, Shunil Kormakar, Mohammed Naimul Karim Melal, Sanchita Paul, Mohammed Belal Siddique); Assyrian Voices: The Urhoy Choir (Jean "John" Karat, Edward Danho, Sandy Amsih, Adnan Aziz, Ilona Danho, Fadi...
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1 sound recording (compact audio cassette)
Type:
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Sound recordings
Date:
2002 July 3
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 2002 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Festival Recordings: Assyrian Voices: The Urhoy Choir (Jean "John" Karat, Edward Danho, Sandy Amsih, Adnan Aziz, Ilona Danho, Fadi Karat, Izla Karat, George Kentor, Maya Stifo, Samira Steifo)(Eden Naby); Workshop, Yol: Turkic Trail (Birol Yayla, Sergei...
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Extent:
1 sound recording (compact audio cassette)
Type:
Archival materials
Sound recordings
Date:
2002 July 3
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 2002 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Festival Recordings: Niazi Brothers (Javed Niazi, Babar Niazi, Samuel Burke, Khurshed Hassan, Akbar Choudhavi)(Humayan Khan); Manganiyar Music of Rajasthan (Gazi Khan Barana, Anwar Khan, Kheta Khan, Chanan Khan Manganiar)(Shubha Sankaran); Urhoy Choir ...
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1 sound recording (compact audio cassette)
Type:
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Sound recordings
Date:
2002 July 5
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Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 2002 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Festival Recordings: Urhoy Choir: Assyrian Voices (Sandy Amish, Adnan Aziz, Edwar Danno, Ilona Danno, Fadi Karat, Izla Karat, Jean Karat, George Ksntar, Maya stifo, Samira Steifo) (Eden Naby), The Silk Road Ensemble: (YoYo Ma, Edward Arron, Nicolas Car...
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1 sound recording (compact audio cassette)
Type:
Archival materials
Sound recordings
Date:
2002 June 30
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Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 2002 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Festival Recordings: Assyrian Voices: The Orhay Choir Syria (Dandy Amsih, Adnan Azizo, Edwar Danho, Ilona Danho, Fadi Karat, Izla Karat, Jean Karay, George Kentar, Maya Stifo, Samira Steifo) (Eden Naby), Silk Road Fashion Show: Kyrgyzstan, Uzbekistan J...
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Extent:
1 sound recording (compact audio cassette)
Type:
Archival materials
Sound recordings
Date:
2002 July 7
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 2002 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
The papers of New York City abstract expressionist painter William Baziotes and his wife Ethel measure 6.3 linear feet and date from circa 1900-1992, bulk 1935-1980. The collection includes William Baziotes biographical material, correspondence, writings, printed material, and photographs. The papers of Ethel Baziotes consists of correspondence mostly dated after her husband's death regarding exhibitions of his work, along with limited biographical material and writings.
Scope and Contents:
The papers of New York City abstract expressionist painter William Baziotes and his wife Ethel measure 6.3 linear feet and date from circa 1900-1992, bulk 1935-1980. The collection includes William Baziotes biographical material, correspondence, writings, printed material, and photographs. The papers of Ethel Baziotes consists of correspondence mostly dated after her husband's death regarding exhibitions of his work, along with limited biographical material and writings.
Biographical material on William Baziotes consists of a bibliography, teaching files, a sound recording of an interview, membership cards, sales records, a sketchbook, and other miscellaneous material. There is one folder regarding Ethel Baziotes containing a few certificates and her college diploma.
Correspondence consists of letters to William and Ethel Baziotes. Notable correspondents include Lawrence Alloway, Alfred Barr, Andre Breton, Clement Greenberg, Peggy Guggenheim, David Hare, Jean Helion, Maria and Robert Motherwell, Jackson Pollock, and others. There are also letters from the Samuel M. Kootz Gallery regarding the sales of William Baziotes's artwork and letters written by William Baziotes to his brother Christos. Letters to Ethel Baziotes include condolence letters as well as letters from museum and galleries regarding exhibitions of her husband's work.
Writings include William Baziotes's notes on various subjects, a list of book titles, and a transcript for a speech. Writings by others include essays about William Baziotes and other subjects.
Printed materials consist of clippings, announcements, magazines, and many exhibition catalogs, mostly on group exhibitions which included artwork by William Baziotes.
Photographs are of William Baziotes, Ethel Baziotes, family and friends, their residence, and his artwork. There are a also photographs of Meir Bernstein, Samuel Kootz, Paul Bodin, Maria Motherwell, Pablo and Maya Picasso, Rudi Blesh, Nathan Halper, Ethel Schwabacher, Clyfford Still, and others.
Arrangement:
The collection is arranged as 5 series.
Series 1: Biographical Material, 1933-1982 (Box 1; 0.3 linear feet)
Series 2: Correspondence, 1936-1988 (Boxes 1-2; 1 linear feet)
Series 3: Writings, circa 1950-1992 (Box 2; 0.2 linear feet)
Series 4: Printed Material, 1944-1992 (Boxes 2-7, 9; 4.1 linear feet)
Series 5: Photographs, circa 1900-1979, bulk 1940-circa 1963 (Boxes 7-9; 0.7 linear feet)
Biographical / Historical:
William Baziotes (1912-1963) was an abstract expressionist painter in New York City. Born in Pittsburgh, Pennsylvania, Baziotes moved to New York City in 1933, where he studied painting at the National Academy of Design, 1933-1936. He participated on the Works Progress Administration's Federal Art Project as a teacher, 1936-1938, and painted for the Easel Painting Project, 1938-1940.
In 1941 he married Ethel Copstein. He had his first one-man show at Peggy Guggenheim's Art of This Century Gallery in 1944. The Samuel M. Kootz Gallery, Inc. held a solo show for Baziotes in 1946 and continued to exhibit his works until 1958.
Baziotes taught at Subjects of the Artist, 1948; the Brooklyn Museum Art School and New York University, 1949-1952; the People's Art Center at the Museum of Modern Art, 1950-1952; and Hunter College, 1952-1962. Baziotes died in 1963.
Provenance:
The William and Ethel Baziotes papers were donated by Ethel Baziotes, widow of William Baziotes, in several installments from 1969 to 1993.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Annamae Barlup Myers & Stephen Harriman Diaries, 1883-1894, Archives Center, National Museum of American History.
No access restrictions. Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
The Ellis B. Haizlip papers, which date from circa 1945 --1991 (bulk dates 1965-1990) and measure 63.64 linear feets, are the personal papers of Ellis B. Haizlip, a television, theatre, and event producer most noted for his work on Soul! and Watch your Mouth! The collection is comprised of correspondence, scripts, financial and business documents, printed material, objects, photographs, slides, and videotapes.
Scope and Contents n ote:
This collection, consisting of materials which date from 1945 --1991 (bulk dates 1965-1990), contains personal and business documents accrued by Ellis B. Haizlip over the course of his adult life. The papers do not include many documents relating to Haizlip's family or childhood. Included are instances of personal and business correspondence, paperwork and notes relating to the productions with which Haizlip was involved, and documentation of his political, community, and artistic activist work. Also included are photographs and slides both personal and event-related, and videotapes of various television and film projects, including Soul! and Watch Your Mouth!
Arrangement note:
The collection is divided into 7 series.
Series 1: Biographical, 1941-1990; undated
Series 2: Career, 1950-1990; undated
Series 3: Organizations, 1948-1990; undated
Series 4: Scripts, 1942-1988; undated
Series 5: Printed Materials, 1950-1990; undated
Series 6: Photographs, undated
Series 7: Videotapes, undated
Biographical/Historical note:
Born September 21, 1929 in Washington, D.C., Ellis Benjamin Haizlip was the son of Ellis M. and Sarah Corbett Haizlip. Haizlip began his production career during his days at Howard University, where he produced the Howard Players in addition to majoring in sociology and economics. He moved to New York after graduation and began his involvement in professional production, including both productions at the Harlem YMCA of plays such as Dark of the Moon and international tours of James Baldwin's The Amen Corner and the dance show Black New World.
Haizlip is best known for the television series Soul!, a program that aired on public television WNET during the late 1960s and early 1970s, then resurfaced in the early 1980s. Soul! was a variety show focused on African-American experience, featuring music, dance, poetry, and interviews by and with black performers. Haizlip produced and occasionally hosted the program. He also created the educational series Watch Your Mouth!, a sitcom-style program featuring a diverse cast of characters who all struggled with Standard English.
In addition to his career, Haizlip was involved with a plethora of organizations of all sorts, from political campaigns to arts organizations to a variety of African American groups such as Black Convention, Inc. and the Delta Sigma Theta sorority. Haizlip had a complex relationship with these organizations, serving as a board member on some, a hired event producer on others, and in some cases playing multiple roles within a single organization, such as the Alvin Ailey American Dance Theater.
Haizlip was openly gay, and was active in several LGBT rights groups during his life. His personal life was filled with a social circle of devoted and notable friends, among them Betty Shabazz, Novella Nelson, and Nikki Giovanni.
Haizlip died of lung cancer on January 25, 1991. He was 61 years old.
Related Materials:
This collection contains artifacts catalogued in theACM Ojects collection.
Provenance:
The Ellis B. Haizlip papers were donated to the Anacostia Museum and Center for African American History and Culture on November 12, 1995, by Doris (Haizlip) Sanders.
Restrictions:
The collection is open for research. Medical documents, financial materials and some correspondence in Career series are restricted. Use requires an appointment.
Rights:
The Ellis B. Haizlip papers are the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Narration to the second half of reel 1 and the first half of reel 2 only.
Collection Restrictions:
The Lisa Chickering and Jeanne Porterfield collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the National Anthropological Film Collection may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Lisa Chickering and Jeanne Porterfield Collection, National Anthropological Film Collection, Smithsonian Institution
