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Mattress Factory

Collection Creator:
Wortz, Melinda  Search this
Container:
Box 14, Folder 16
Type:
Archival materials
Date:
1980s
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Melinda Wortz papers, 1958-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Melinda Wortz papers
Melinda Wortz papers / Series 7: Subject Files / 7.2: General Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9965a36b5-97ea-4ae8-8a24-e9a6058b9810
EDAN-URL:
ead_component:sova-aaa-wortmeli-ref346

Mattress Factory

Collection Artist:
Ireland, David, 1930-2009  Search this
Container:
Box 14, Folder 4-7
Type:
Archival materials
Date:
circa 1991-circa 1993
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
David Ireland papers, circa 1910s-circa 2009, bulk 1960-2005. Archives of American Art, Smithsonian Institution.
See more items in:
David Ireland Papers
David Ireland Papers / Series 4: Installation Projects and Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94912d4bf-26e2-4380-a8ad-ab64e177d457
EDAN-URL:
ead_component:sova-aaa-ireldavi-ref160

The Mattress Factory

Collection Creator:
Susan Conway Gallery (Washington, D.C.)  Search this
Container:
Box 22, Folder 33
Type:
Archival materials
Date:
2002
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Susan Conway Gallery records, circa 1928, circa 1940s-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Susan Conway Gallery records
Susan Conway Gallery records / Series 5: Administrative and Miscellaneous Records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92a7fc180-a0d9-4182-a114-7a5b534a3f07
EDAN-URL:
ead_component:sova-aaa-susacong-ref909

William Saunders Oral History Interview

Created by:
Civil Rights History Project, American, founded 2009  Search this
Interview of:
William Saunders, American, born 1935  Search this
Interviewed by:
Kieran Walsh Taylor  Search this
Subject of:
Esau Jenkins, American, 1910 - 1972  Search this
Highlander Folk School, American  Search this
Charleston Hospital Workers Movement, American, 1968 - 1969  Search this
Medium:
digital
Dimensions:
Duration: 1 hr., 43 min.
Total: 133.04 GB
Type:
video recordings
oral histories
digital media - born digital
Place collected:
Charleston, Berkeley County, South Carolina, United States, North and Central America
Place depicted:
Johns Island, Charleston County, South Carolina, United States, North and Central America
Date:
June 9, 2011
Topic:
African American  Search this
Activism  Search this
American South  Search this
Civil Rights  Search this
Education  Search this
Korean War, 1950-1953  Search this
Labor  Search this
Mass media  Search this
Politics  Search this
Social reform  Search this
U.S. History, 1961-1969  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture in partnership with the American Folklife Center, Library of Congress
Object number:
2011.174.27.1a-d
Restrictions & Rights:
© Smithsonian National Museum of African American History & Culture and The American Folklife Center, Library of Congress
See more items in:
National Museum of African American History and Culture Collection
Collection title:
Civil Rights History Project
Classification:
Media Arts-Film and Video
Movement:
Civil Rights Movement
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd59da103e0-e32a-4bd1-8355-ae9062944c9d
EDAN-URL:
edanmdm:nmaahc_2011.174.27.1a-d

Material Related to Senga Nengudi and Maren Hassinger Seminar

Collection Creator:
Nengudi, Senga, 1943-  Search this
Container:
Box 10, Folder 11
Type:
Archival materials
Date:
2002
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Senga Nengudi papers, 1947, circa 1962-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Senga Nengudi papers
Senga Nengudi papers / Series 5: Professional Activities
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cb7df187-ae3f-4e85-a66e-4d4af50179f8
EDAN-URL:
ead_component:sova-aaa-nengseng-ref304
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Odd Halseth collection of negatives and photographs

Creator:
Halseth, Odd S.  Search this
Extent:
158 Negatives (photographic) (black and white)
4 Photographic prints (black and white)
Culture:
Puye Pueblo  Search this
K'apovi (Santa Clara Pueblo)  Search this
Diné (Navajo)  Search this
Kewa (Santo Domingo Pueblo)  Search this
Akimel O'odham (Pima)  Search this
San Ildefonso Pueblo  Search this
Piipaash (Maricopa)  Search this
Jemez Pueblo  Search this
Zia Pueblo  Search this
Yoeme (Yaqui) [Pascua Yaqui]  Search this
Tesuque Pueblo  Search this
Cochiti Pueblo  Search this
Type:
Collection descriptions
Archival materials
Negatives (photographic)
Photographic prints
Photographs
Black-and-white negatives
Date:
1920-1925
Summary:
The collection consists of negatives and photographs made by Halseth from 1920 to 1925 in Arizona and New Mexico.
Scope and Contents:
The collection consists of negatives and photographs made by Halseth from 1920 to 1925 in Arizona and New Mexico. The materials are primarily informal, outdoor group and individual portraits of Akimel O'odham (Pima), Diné (Navajo), Yoeme (Yaqui) [Pascua Yaqui], Piipaash (Maricopa), K'apovi (Santa Clara Pueblo), Zia Pueblo, San Ildefonso Pueblo, Jemez Pueblo, Cochiti Pueblo, Kewa (Santo Domingo Pueblo), and Tesuque Pueblo men, women, and children. In addition among the Akimel O'odham photographs are depictions of dwellings, potters, ladle makers, baskets, the construction of an oven, food preparation, dwellings, and mattress factory wokers; among the K'apovi ceremonials and village views; among the Zia pottery and portraits of and paintings by Velino Shije Herrera; among the Jemez ceremonials and village views; among Kewa ovens; and among San Ildefonso village views and paintings by Awa Tsireh. The collection also includes photogrpahs depicting the pictographs at Puye.
Arrangement note:
Negatives Arranged by negative number (N32893-N33051)

Prints Arranged by print number (P19345-P19346, P19630-P19631)
Biographical/Historical note:
Born in 1893 in Moss, Norway, Halseth was an anthropologist, museum director, educator, author, art critic, and lecturer. As a young man he studied electrical engineering and anthropology in Germany and served both Norway and the United States during World War I. While in San Diego for military training, he met archaeologist Edgar L. Hewett and after the war accepted a position with Hewett as the curator of art at the San Diego Museum. In 1923, he moved to Santa Fe, where he was on both the staff of the School of American Research and the Museum of New Mexico. After four years, Halseth was appointed director of the newly established Arizona Museum in Phoenix and in 1929 initiated the excavation of the Pueblo Grande Indian ruins and founded the Pueblo Grande Museum. Halseth was also Phoenix's head archaeologist and superintendent of the city's Division of Archaeology. Active in his field, Halseth was a fellow of the American Anthropological Association, a member of the Society of American Archaeology, and the author of numerous publications on Arizona archaeology and indigenous arts and crafts. He retired in 1960.
Provenance:
Historically, the Museum of the American Indian, Heye Foundation managed all photographic materials separately. This collection description represents current management practices of organizing and contextualizing related archival materials.
Restrictions:
Access is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment.
Rights:
Restricted: Cultural Sensitivity
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
Topic:
Indians of North America -- Arizona -- Photographs  Search this
Indians of North America -- New Mexico -- Photographs  Search this
Genre/Form:
Photographs
Photographic prints
Black-and-white negatives
Citation:
Odd Halseth collection of negatives and photographs, 1920-1925, National Museum of the American Indian Archives, Smithsonian Institution
Identifier:
NMAI.AC.038
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4ec35a040-8abe-41ff-9e12-5370dc81350c
EDAN-URL:
ead_collection:sova-nmai-ac-038

Oral history interview with Winifred Lutz, 2010 Jan. 30-Feb. 3

Interviewee:
Lutz, Winifred Ann, 1942-  Search this
Interviewer:
Berman, Avis, 1949-  Search this
Subject:
United States. General Services Administration. Design Excellence and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Sculptors -- Pennsylvania -- Interviews  Search this
Environmental artists -- Pennsylvania -- Interviews  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)15763
(DSI-AAA_SIRISBib)287543
AAA_collcode_lutz10
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_287543

David Ireland Papers, circa 1910s-circa 2009, bulk 1960-2005

Creator:
Ireland, David Kenneth, 1930-2009  Search this
Subject:
Tingle, Alta  Search this
Marion, Paul  Search this
Lienhard, Marie-Louise  Search this
Lee, Margie  Search this
Grobart, Jeffrey  Search this
Coppola, Eleanor  Search this
Skowhegan School of Painting and Sculpture  Search this
Mattress Factory  Search this
Washington State Arts Commission  Search this
Gallery Paule Anglim  Search this
Center for the Arts at Yerba Buena Gardens  Search this
California College of Arts and Crafts (San Francisco, Calif.)  Search this
Arts Club of Chicago  Search this
American Academy in Rome  Search this
Stanford University  Search this
Walker Art Center  Search this
Helmhaus Zürich  Search this
San Francisco Art Institute  Search this
Perth Institute of Contemporary Arts  Search this
San Francisco Museum of Modern Art  Search this
Western Washington University  Search this
New Museum of Contemporary Art (New York, N.Y.)  Search this
Type:
Video recordings
Sketches
Interviews
Prints
Sound recordings
Drawings
Photographs
Topic:
Artists' studios -- Photographs  Search this
Art -- Study and teaching  Search this
Installations (Art)  Search this
Public art  Search this
Record number:
(DSI-AAA_CollID)15853
(DSI-AAA_SIRISBib)292739
AAA_collcode_ireldavi
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_292739
Online Media:

Mycetophyllia ferox

Collector:
J. Wineberg  Search this
Geologic Age:
Late Pliocene
Preparation:
Dry
Place:
Colon, El Nazareno Village, Housing Development Ca. 5 Km From The Mattress Factory Site, Gatun Formation, Panama
Collection Date:
31 Jul 1993
Common name:
Corals
Published Name:
Mycetophyllia ferox Wells, 1973
USNM Number:
96932
See more items in:
Invertebrate Zoology
Cnidaria
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/3f5542648-e5ac-4555-85e2-bb0f4332b6ff
EDAN-URL:
edanmdm:nmnhinvertebratezoology_68670

Madracis sp.

Collector:
J. Wineberg  Search this
Geologic Age:
Late Pliocene
Preparation:
Dry
Place:
Colon, El Nazareno Village, Housing Development Ca. 5 Km From The Mattress Factory Site, Gatun Formation, Panama
Collection Date:
31 Jul 1993
Common name:
Corals
Published Name:
Madracis sp.
USNM Number:
96413
See more items in:
Invertebrate Zoology
Cnidaria
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/3858b17ed-8bf4-477b-bb29-ad3aaad9cd81
EDAN-URL:
edanmdm:nmnhinvertebratezoology_68153

Madracis sp.

Collector:
J. Wineberg  Search this
Geologic Age:
Late Pliocene
Preparation:
Dry
Place:
Colon, El Nazareno Village, Housing Development Ca. 5 Km From The Mattress Factory Site, Gatun Formation, Panama
Collection Date:
31 Jul 1993
Common name:
Corals
Published Name:
Madracis sp.
USNM Number:
96414
See more items in:
Invertebrate Zoology
Cnidaria
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/33a72128b-d885-4968-821c-7eedc3126b0d
EDAN-URL:
edanmdm:nmnhinvertebratezoology_68154

Madracis sp.

Collector:
J. Wineberg  Search this
Geologic Age:
Late Pliocene
Preparation:
Dry
Place:
Colon, El Nazareno Village, Housing Development Ca. 5 Km From The Mattress Factory Site, Gatun Formation, Panama
Collection Date:
31 Jul 1993
Common name:
Corals
Published Name:
Madracis sp.
USNM Number:
96415
See more items in:
Invertebrate Zoology
Cnidaria
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/3144915c7-0768-4994-8dc6-ca5e31b164b8
EDAN-URL:
edanmdm:nmnhinvertebratezoology_68155

Madracis sp.

Collector:
J. Wineberg  Search this
Geologic Age:
Late Pliocene
Preparation:
Dry
Place:
Colon, El Nazareno Village, Housing Development Ca. 5 Km From The Mattress Factory Site, Gatun Formation, Panama
Collection Date:
31 Jul 1993
Common name:
Corals
Published Name:
Madracis sp.
USNM Number:
96416
See more items in:
Invertebrate Zoology
Cnidaria
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/341435d6f-23f1-4a5b-b06e-2c157db1efe8
EDAN-URL:
edanmdm:nmnhinvertebratezoology_68156

Madracis sp.

Collector:
J. Wineberg  Search this
Geologic Age:
Late Pliocene
Preparation:
Dry
Place:
Colon, El Nazareno Village, Housing Development Ca. 5 Km From The Mattress Factory Site, Gatun Formation, Panama
Collection Date:
31 Jul 1993
Common name:
Corals
Published Name:
Madracis sp.
USNM Number:
96417
See more items in:
Invertebrate Zoology
Cnidaria
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/3e3240cfe-085b-4e4d-9537-a78194106036
EDAN-URL:
edanmdm:nmnhinvertebratezoology_68157

Madracis sp.

Collector:
J. Wineberg  Search this
Geologic Age:
Late Pliocene
Preparation:
Dry
Place:
Colon, El Nazareno Village, Housing Development Ca. 5 Km From The Mattress Factory Site, Gatun Formation, Panama
Collection Date:
31 Jul 1993
Common name:
Corals
Published Name:
Madracis sp.
USNM Number:
96418
See more items in:
Invertebrate Zoology
Cnidaria
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/376a26fb2-0786-4978-bb13-82ccc23b9acb
EDAN-URL:
edanmdm:nmnhinvertebratezoology_68158

Madracis sp.

Collector:
J. Wineberg  Search this
Geologic Age:
Late Pliocene
Preparation:
Dry
Place:
Colon, El Nazareno Village, Housing Development Ca. 5 Km From The Mattress Factory Site, Gatun Formation, Panama
Collection Date:
31 Jul 1993
Common name:
Corals
Published Name:
Madracis sp.
USNM Number:
96419
See more items in:
Invertebrate Zoology
Cnidaria
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/3ad0524c4-e2c5-4adb-b00c-5a93b42807b1
EDAN-URL:
edanmdm:nmnhinvertebratezoology_68159

David Ireland Papers

Artist:
Ireland, David, 1930-2009  Search this
Names:
American Academy in Rome  Search this
Arts Club of Chicago  Search this
California College of Arts and Crafts (San Francisco, Calif.)  Search this
Center for the Arts at Yerba Buena Gardens  Search this
Gallery Paule Anglim  Search this
Helmhaus Zürich  Search this
Mattress Factory  Search this
New Museum of Contemporary Art (New York, N.Y.)  Search this
Perth Institute of Contemporary Arts  Search this
San Francisco Art Institute  Search this
San Francisco Museum of Modern Art  Search this
Skowhegan School of Painting and Sculpture  Search this
Stanford University  Search this
Walker Art Center  Search this
Washington State Arts Commission  Search this
Western Washington University  Search this
Coppola, Eleanor  Search this
Grobart, Jeffrey  Search this
Lee, Margie  Search this
Lienhard, Marie-Louise  Search this
Marion, Paul  Search this
Tingle, Alta  Search this
Extent:
24.8 Linear feet
8.39 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Video recordings
Sketches
Interviews
Prints
Sound recordings
Drawings
Photographs
Date:
circa 1910s-circa 2009
bulk 1960-2005
Summary:
The papers of California conceptual artist and sculptor David Ireland measure 24.8 linear feet and 8.39 GB and date from circa 1910s to circa 2009, with the bulk of the material dating from 1960 to 2005. The papers include biographical material, correspondence, notes and notebooks, installation projects and exhibition files, teaching files, travel files, personal business records, printed and digital material and commercial recordings, photographic materials, artwork, and video and sound recordings.
Scope and Contents:
The papers of California conceptual artist and sculptor David Ireland measure 24.8 linear feet and 8.39 GB and date from circa 1910s to circa 2009, with the bulk of the material dating from 1960 to 2005. The papers include biographical material, correspondence, notes and notebooks, installation projects and exhibition files, teaching files, travel files, personal business records, printed and digital material and commercial sound recordings, photographic materials, artwork, and video and sound recordings.

Biographical material includes awards and certificates, address books and appointment books, artist's statements, resumes, chronologies, student university materials, passports, and sound and video recordings of interviews with Ireland. Correspondence is with friends, peers, universities, galleries, and museums, including Jeffrey Grobart, Eleanor Coppola, Margie Lee, Marie-Louise Lienhard, Paul Marion, and Alta Tingle, among others. Notes and notebooks contain incoming phone messages, notes to self, regarding projects and ideas, as well as various other notes and plans.

Installation projects and exhibition files constitute the bulk of the collection and document David Ireland's extensive projects and exhibitions around the world. Files are found for his Capp Street house project and Pacific Enterprises project in San Francisco; Boott Mills project in Lowell, Massachusetts; IKEA Emeryville Public Art Project in Emeryville, California; and several Washington State Arts Commission and Western Washington University projects. Other exhibition and installation locations found within the files include the American Academy in Rome; Yerba Buena Arts Center in California; Perth Institute of Contemporary Art in Australia; Helmhaus in Zurich, Switzerland; Arts Club of Chicago; SFMOMA; New Museum of Contemporary Art in New York; Walker Art Center in Minneapolis, Minnesota; and the Mattress Factory in Pittsburgh, among many others. The files contain a wide variety of materials, including sound and video recordings in various formats.

Teaching files document David Ireland's many roles as visiting artist, artist-in-residence, instructor, and conference and symposium panelist at the California College of Arts and Crafts, San Francisco Art Institute, Skowhegan School of Painting and Sculpture, and Stanford University Department of Art, among others. Travel files document Ireland's trips abroad, both independent of and as a result of installation and project obligations.

Personal business records are comprised of financial materials and documentation relating to Ireland's two early South African import and safari businesses as well grants and project proposals, various loan agreements, representation through Gallery Paule Anglim, property sales and tax documentation, inventory materials, and various other business materials. Also found within the collection are printed material and four commercial sound recordings. Photographs are of the artist, friends and family, Ireland's Oakland studio, and works of art. There is artwork by Ireland, including sketches, drawings, and prints, and a few pieces of artwork by other artists. In addition to sound and video recordings arranged in other series, there is one video recording and six sound cassettes that are either unidentified or have no additional context within the collection.
Arrangement:
This collection is arranged as 11 series.

Missing Title

Series 1: Biographical Material, circa 1950-circa 2009 (1.5 linear feet; Boxes 1-2)

Series 2: Correspondence, circa 1937-circa 2008 (4 linear feet; Boxes 2-6)

Series 3: Notes and Notebooks, circa 1965-circa 2008 (0.7 linear feet; Boxes 6-7)

Series 4: Installation Projects and Exhibition Files, circa 1960s-circa 2009 (11.6 linear feet; Boxes 7-18, OV26, OV27, 7.84 GB; ER01-ER15)

Series 5: Teaching Files, 1977-1998 (1.2 linear feet; Boxes 18-19)

Series 6: Travel Files, circa 1950s-circa 1994 (0.6 linear feet; Boxes 19-20)

Series 7: Personal Business Records, circa 1965-circa 2008 (1.1 linear feet; Boxes 20-21)

Series 8: Printed Material and Commercial Recordings, 1932-circa 2009 (2.3 linear feet; Boxes 21-23, 0.553 GB; ER16)

Series 9: Photographic Materials, circa 1910s-circa 2005 (1 linear foot; Boxes 23-24)

Series 10: Artwork, circa 1965-circa 2003 (0.2 linear feet; Box 24)

Series 11: Video and Sound Recordings, circa 1965-circa 1990s (0.4 linear feet; Box 25)
Biographical / Historical:
David Ireland (1930-2009) was a conceptual artist and sculptor who worked in San Francisco, California.

Ireland was born in Bellingham, Washington and attended Western Washington University. In 1953, he received a degree in industrial design and printmaking from the California College of Arts and Crafts (now California College of the Arts) in Oakland. He then served two years in the U. S. Army in Missouri, returning to live and work in Bellingham. For several years, Bellingham served as his launch point for extensive travels in Europe and Africa.

In the late 1950s, Ireland founded Hunter Africa, an artifacts import business. He moved the business to San Francisco in 1965 and also began a second business leading safaris in Africa. He married Bellingham native Joanne Westford and had two children, Ian Ireland and Shaughn Niland; they divorced in 1970.

Ireland attended the San Francisco Art Institute and received a graduate degree in 1974. There, he met other Bay Area artists involved in the conceptual movement there, including Tom Marioni, Paul Kos, Howard Fried, and Terry Fox.

Much of Ireland's artwork of the 1980s and 1990s centered on the transformation of his home at 500 Capp Street in San Francisco, where he dramatically physically and conceptually transformed the interior and exterior structure into a mix of architectural sculpture and environmental art piece. He bought a second home in 1979 to transform, and, in the 1980s, completed a renovation of the main building at the Headlands Center for Arts in Sausalito with artist Mark Thompson.

David Ireland's work has been presented in more than forty solo exhibitions at venues that included the Walker Art Center, Minneapolis; Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D. C.; The Museum of Modern Art and the New Museum of Contemporary Art, New York. He created major public projects and private commissions in Los Angeles, San Francisco, Philadelphia, Washington, D. C., and other cities. His work is included in the permanent collections of The Museum of Modern Art and the Whitney Museum of American Art in New York, San Francisco Museum of Modern Art, Los Angeles County Museum of Art, Oakland Museum of California, and University of California, Berkeley Art Museum and Pacific Film Archive, among others.
Provenance:
The David Ireland papers were donated in 2010 by the David Ireland Estate through Jock Reynolds, Special Trustee, The David Ireland Revocable Trust.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- California -- San Francisco  Search this
Conceptual artists -- California -- San Francisco  Search this
Topic:
Artists' studios -- Photographs  Search this
Art -- Study and teaching  Search this
Installations (Art)  Search this
Public art  Search this
Genre/Form:
Video recordings
Sketches
Interviews
Prints
Sound recordings
Drawings
Photographs
Citation:
David Ireland papers, circa 1910s-circa 2009, bulk 1960-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ireldavi
See more items in:
David Ireland Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw927567772-c71f-4f30-a427-adbd535e1009
EDAN-URL:
ead_collection:sova-aaa-ireldavi

Mattress Factory [Folder]

Additional name:
Mattress Factory Museum  Search this
Contents:
Folder(s) may include exhibition announcements, newspaper and/or magazine clippings, press releases, brochures, reviews, invitations, illustrations, resumes, artist's statements, exhibition catalogs.
Place:
Pittsburgh (Pa.)
Topic:
Art Organizations  Search this
Location:
Art & Artist files at the Smithsonian American Art Museum/ National Portrait Gallery Library
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILAF_103904

Oral history interview with Winifred Lutz

Interviewee:
Lutz, Winifred  Search this
Interviewer:
Berman, Avis  Search this
Creator:
United States. General Services Administration. Design Excellence and the Arts Oral History Project  Search this
Names:
United States. General Services Administration. Design Excellence and the Arts Oral History Project  Search this
Extent:
4 Items (WMA files (7 hr., 21 min.), digital)
119 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2010 Jan. 30-Feb. 3
Scope and Contents:
An interview of Winifred Lutz conducted 2010 Jan. 30 and Feb. 3, by Avis Berman, for the Archives of American Art's U.S. General Services Administration, Design Excellence and the Arts oral history project, at Lutz's home and studio, in Huntington Valley, Penn.
Lutz speaks of her upbringing and childhood; education and teaching at the Cleveland Institute of Art; interest in environmental art; education at the Cleveland Institute of Art and Cranbrook; studying abroad in Paris and extensive discussion about her travels there; interests in Japanese papermaking both two-dimensionally and later three-dimensionally, the processes involved therewithal; teaching job at Aquinas College; various outdoor pieces including Drawing Dock Creek [2008], Sorting the Residue of Years [2009], Flux & Interruption [2001] the creation of various landscapes, including one at the CDC in Atlanta and the Mattress Factory in Pittsburg [The Reclamation Garden]. both in great detail. Lutz also recalls John Clague, Toshiko Takaezu, Stanley William Hayter, Timothy Barrett, David von Schlegell, Samia Halaby, Gretna Campbell, Inge Druckrey, Erwin Hauer, and others.
Biographical / Historical:
Winifred Lutz (1942- ) is a sculptor in Huntington Vally, Penn. Lutz is known for her site-integrated sculpture installations and handmade paper techniques.
General:
Originally recorded on 1 sound disc. Reformatted in 2010 as 4 digital wma files. Duration is 7 hrs., 21 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Rights:
Authorization to quote or reproduce for the purposes of publication requires written permission from Winifred Lutz. Contact Reference Services for more information.
Topic:
Sculptors -- Pennsylvania -- Interviews  Search this
Environmental artists -- Pennsylvania -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.lutz10
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99258303a-4526-4eda-9a0b-31e6bee3114b
EDAN-URL:
ead_collection:sova-aaa-lutz10

Phyllis Rosenzweig Files:

Collection Creator::
Hirshhorn Museum and Sculpture Garden. Department of Painting and Sculpture  Search this
Container:
Box 54 of 66
Type:
Archival materials
Collection Restrictions:
Box 66 contains materials restricted indefinitely; see finding aid. Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Record Unit 481, Hirshhorn Museum and Sculpture Garden. Department of Painting and Sculpture, Exhibition Records
See more items in:
Exhibition Records
Exhibition Records / Box 54
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0481-refidd1e18289

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