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William and Ethel Baziotes papers

Creator:
Baziotes, William, 1912-1963  Search this
Names:
Kootz Gallery (N.Y.)  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Peter A. Juley & Son  Search this
Solomon R. Guggenheim Museum  Search this
Alloway, Lawrence, 1926-1990  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Baziotes, Christos  Search this
Baziotes, Ethel  Search this
Baziotes, Harry  Search this
Bernshṭin, Meʼir, -1978  Search this
Blesh, Rudi, 1899-1985  Search this
Bodin, Paul, 1910-1994  Search this
Canaday, John, 1907-1985  Search this
Castano, Giovanni, 1896-1978  Search this
Greenberg, Clement, 1909-1994  Search this
Guggenheim, Peggy, 1898-1979  Search this
Halper, Nathan  Search this
Hare, David, 1917-1992  Search this
Hélion, Jean, 1904-1987  Search this
Janis, Harriet Grossman  Search this
Kamrowski, Gerome  Search this
Kootz, Samuel Melvin, 1898-1982  Search this
Lee, Francis P.  Search this
Licht, Michel, 1893-1953  Search this
Matta, 1912-2002  Search this
Motherwell, Maria  Search this
Motherwell, Robert  Search this
Namuth, Hans  Search this
Onslow-Ford, Gordon  Search this
Paneth, Donald  Search this
Peterson, Charles  Search this
Picasso, Pablo, 1881-1973  Search this
Pollock, Jackson, 1912-1956  Search this
Ricci, F.  Search this
Ruiz-Picasso, Maya  Search this
Schumm, Gertrud  Search this
Schwabacher, Ethel, 1903-1984  Search this
Sievan, Maurice  Search this
Still, Clyfford, 1904-1980  Search this
Vazakas, Byron  Search this
Zulieta, Orlando  Search this
Extent:
6.3 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Photographs
Sketchbooks
Date:
circa 1900-1992
bulk 1935-1980
Summary:
The papers of New York City abstract expressionist painter William Baziotes and his wife Ethel measure 6.3 linear feet and date from circa 1900-1992, bulk 1935-1980. The collection includes William Baziotes biographical material, correspondence, writings, printed material, and photographs. The papers of Ethel Baziotes consists of correspondence mostly dated after her husband's death regarding exhibitions of his work, along with limited biographical material and writings.
Scope and Contents:
The papers of New York City abstract expressionist painter William Baziotes and his wife Ethel measure 6.3 linear feet and date from circa 1900-1992, bulk 1935-1980. The collection includes William Baziotes biographical material, correspondence, writings, printed material, and photographs. The papers of Ethel Baziotes consists of correspondence mostly dated after her husband's death regarding exhibitions of his work, along with limited biographical material and writings.

Biographical material on William Baziotes consists of a bibliography, teaching files, a sound recording of an interview, membership cards, sales records, a sketchbook, and other miscellaneous material. There is one folder regarding Ethel Baziotes containing a few certificates and her college diploma.

Correspondence consists of letters to William and Ethel Baziotes. Notable correspondents include Lawrence Alloway, Alfred Barr, Andre Breton, Clement Greenberg, Peggy Guggenheim, David Hare, Jean Helion, Maria and Robert Motherwell, Jackson Pollock, and others. There are also letters from the Samuel M. Kootz Gallery regarding the sales of William Baziotes's artwork and letters written by William Baziotes to his brother Christos. Letters to Ethel Baziotes include condolence letters as well as letters from museum and galleries regarding exhibitions of her husband's work.

Writings include William Baziotes's notes on various subjects, a list of book titles, and a transcript for a speech. Writings by others include essays about William Baziotes and other subjects.

Printed materials consist of clippings, announcements, magazines, and many exhibition catalogs, mostly on group exhibitions which included artwork by William Baziotes.

Photographs are of William Baziotes, Ethel Baziotes, family and friends, their residence, and his artwork. There are a also photographs of Meir Bernstein, Samuel Kootz, Paul Bodin, Maria Motherwell, Pablo and Maya Picasso, Rudi Blesh, Nathan Halper, Ethel Schwabacher, Clyfford Still, and others.
Arrangement:
The collection is arranged as 5 series.

Series 1: Biographical Material, 1933-1982 (Box 1; 0.3 linear feet)

Series 2: Correspondence, 1936-1988 (Boxes 1-2; 1 linear feet)

Series 3: Writings, circa 1950-1992 (Box 2; 0.2 linear feet)

Series 4: Printed Material, 1944-1992 (Boxes 2-7, 9; 4.1 linear feet)

Series 5: Photographs, circa 1900-1979, bulk 1940-circa 1963 (Boxes 7-9; 0.7 linear feet)
Biographical / Historical:
William Baziotes (1912-1963) was an abstract expressionist painter in New York City. Born in Pittsburgh, Pennsylvania, Baziotes moved to New York City in 1933, where he studied painting at the National Academy of Design, 1933-1936. He participated on the Works Progress Administration's Federal Art Project as a teacher, 1936-1938, and painted for the Easel Painting Project, 1938-1940.

In 1941 he married Ethel Copstein. He had his first one-man show at Peggy Guggenheim's Art of This Century Gallery in 1944. The Samuel M. Kootz Gallery, Inc. held a solo show for Baziotes in 1946 and continued to exhibit his works until 1958.

Baziotes taught at Subjects of the Artist, 1948; the Brooklyn Museum Art School and New York University, 1949-1952; the People's Art Center at the Museum of Modern Art, 1950-1952; and Hunter College, 1952-1962. Baziotes died in 1963.
Provenance:
The William and Ethel Baziotes papers were donated by Ethel Baziotes, widow of William Baziotes, in several installments from 1969 to 1993.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Topic:
Abstract expressionism  Search this
Painters -- New York (State) -- New York  Search this
Art, Abstract  Search this
Genre/Form:
Sound recordings
Interviews
Photographs
Sketchbooks
Citation:
William and Ethel Baziotes papers, circa 1900-1992, bulk 1935-1980. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.baziwill
See more items in:
William and Ethel Baziotes papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d6f7f943-90c5-4dd7-b527-e69d86772014
EDAN-URL:
ead_collection:sova-aaa-baziwill

Oral history interview with Harold Rosenberg

Interviewee:
Rosenberg, Harold, 1906-1978  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Club (New York, N.Y.)  Search this
Office of War Information. Washington, D.C.  Search this
United States. Work Projects Administration  Search this
Baumbach, Harold, 1903-  Search this
Blume, Peter, 1906-1992  Search this
Breton, André, 1896-1966  Search this
Davis, Stuart, 1892-1964  Search this
De Kooning, Willem, 1904-1997  Search this
Gorky, Arshile, 1904-1948  Search this
Inverarity, Robert Bruce, 1909-1999  Search this
Krasner, Lee, 1908-1984  Search this
Lundeberg, Helen, 1908-1999  Search this
Léger, Fernand, 1881-1955  Search this
Matta, 1912-2002  Search this
Miró, Joan, 1893-  Search this
Motherwell, Robert  Search this
Newman, Barnett, 1905-1970  Search this
Pollock, Jackson, 1912-1956  Search this
Prestopino, Gregorio  Search this
Rothko, Mark, 1903-1970  Search this
Smith, David, 1906-1965  Search this
Tobey, Mark  Search this
Extent:
244 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1970 December 17-1973 January 28
Scope and Contents:
An interview of Harold Rosenberg conducted 1970 December 17-1973 January 28, by Paul Cummings for the Archives of American Art over nine sessions.
Rosenberg speaks on a wide variety of topics including Marxism and Communism; art criticism; teaching and the philosopy of art; how his interest in art developed over the years; getting his writings published and starting a magazine; what intrigues him about the avant-garde; when and why he started painting; action painting; the inaccuracies in art history about Avant-gardism and Surrealism; working as a mural painter for the College Art Association; moving from the WPA's art project to the writer's project, and becoming an art editor; what happened to the works of art done under the WPA after it ended; and moving to the Hamptons.
He speaks in detail on the New York art scene during the 1930s, 1940s, and 1950s; The Club; writing about art; politics and art; Shakespeare and literature's influence on art and vice versa; the various economic aspects of art; how the Depression affected him and the people he knew; the projects he worked on in the WPA; and working for the OWI after the WPA disbanded.
He recalls Mark Rothko, Harold Baumbach, Willem de Kooning, Robert Motherwell, Peter Blume, Helen Lundberg, André Breton, Arshile Gorky, Roberto Matta, Jackson Pollock, David Smith, Lee Krasner, Fernand Léger, Joan Miró, Jim Leshay, Stuart Davis, Bruce Inverarity, Barney Newman, Mark Tobey, Gregorio Prestopino, and many others.
Biographical / Historical:
Harold Rosenberg (1906-1978) was a writer and educator from New York, N.Y.
General:
Originally recorded on 5 sound tapes. Reformatted in 2010 as 9 digital wav files. Duration is 10 hr., 4 min.
Interview transcript is not in chronological order; arrangement designated by the interviewer Paul Cummings.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art, American  Search this
Educators -- New York (State) -- New York -- Interviews  Search this
Art -- Economic aspects  Search this
Art -- Philosophy  Search this
Art -- Political aspects  Search this
Art and literature  Search this
Art criticism  Search this
Surrealism  Search this
Avant-garde (Aesthetics) -- New York (State) -- New York  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.rosenb70
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw973c587b6-e4b1-453e-9790-0420db435320
EDAN-URL:
ead_collection:sova-aaa-rosenb70
Online Media:

Oral history interview with John Stephan

Interviewee:
Stephan, John Walter, 1906-1995  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Art Institute of Chicago  Search this
Betty Parsons Gallery  Search this
Fairleigh Dickinson University -- Faculty  Search this
Hunter College  Search this
Public Works of Art Project  Search this
United States. Work Projects Administration  Search this
Bennett, Rainey  Search this
Bohrod, Aaron  Search this
Breinin, Raymond, 1910-  Search this
Bulliet, C. J. (Clarence Joseph), 1883-1952  Search this
Cahill, Holger, 1887-1960  Search this
Calas, Nicolas  Search this
Constant, George  Search this
Coryllis, Peter  Search this
Cunningham, Inez  Search this
De Kooning, Willem, 1904-1997  Search this
Denby, Bill  Search this
Ernst, Max, 1891-1976  Search this
Fabian, John  Search this
Flaherty, Robert Joseph, 1884-1951  Search this
Gendel, Milton  Search this
Goossen, E. C.  Search this
Greenberg, Clement, 1909-1994  Search this
Guggenheim, Peggy, 1898-1979  Search this
Harrison, Caleb  Search this
Johnson, Ben  Search this
Jones, Jack  Search this
Kiesler, Frederick  Search this
Kline, Franz, 1910-1962  Search this
Knopf, Alfred  Search this
Kuh, Katharine  Search this
Levy, Julien  Search this
MacLeish, Norman, 1898-1949  Search this
Matta, 1912-2002  Search this
Miller, Edgar, 1899-1993  Search this
Millman, Edward, 1907-1964  Search this
Moran, Connie, 1898-  Search this
Motherwell, Robert  Search this
Nathanson, Winn  Search this
Newman, Barnett, 1905-1970  Search this
Ossorio, Alfonso, 1916-1990  Search this
Ott, Peterpaul, 1895-1992  Search this
Parsons, Betty  Search this
Porter, Fairfield  Search this
Praz, Mario, 1896-1982  Search this
Robinson, Increase, 1890-1981  Search this
Rosenberg, Harold, 1906-1978  Search this
Rothko, Mark, 1903-1970  Search this
Sebartes, Jaime  Search this
Shapiro, Myra  Search this
Siporin, Mitchell, 1910-1976  Search this
Stephan, Dart  Search this
Still, Clyfford, 1904-1980  Search this
Torres, Jesús  Search this
Walgreen, Ruth  Search this
Watson, Dudley Crafts, 1885-  Search this
Watson-Schütze, Eva, 1867-1935  Search this
Weisenborn, Rudolph, b. 1881  Search this
Wheeler, Monroe, 1899-  Search this
Wilhelm, Jerry  Search this
Zadkine, Ossip  Search this
de Diego, Juan  Search this
Extent:
10 Items (Sound recording: 10 sound files (6 hr., 54 min.), digital, wav)
100 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1986 May 20-1987 May 7
Scope and Contents:
Interview of John Walter Stephan, conducted by Robert F. Brown for the Archives of American Art, at Newport, Rhode Island, on May 20, 1986 and May 7, 1987.
Stephan speaks of Chicago childhood and adolescence; life during the Depression; the Art Institute of Chicago; the 1930s Chicago leftist movement; the WPA and PWAP; The Tiger's Eye art magazine; Rome artistic and literary society; the New York School of artists; Betty Parsons Gallery; the Surrealists; teaching at Fairleigh Dickenson University; Hunter College; and his critiques of Pop and contemporary artists. Stephan also recalls Ruth Walgreen, Dart Stephan, Rainey Bennett, Clyfford Still, Juan de Diego, Caleb Harrison, Aaron Bohrod, Dudley Crafts Watson, Jack Jones, George Constant, Connie Moran, CJ Bulliet, Rudolph Weisenborn, Inez Cunningham, Eva Watson-Schütze, Jesus Torres, Edgar Miller, Katherine Kuh, Increase Robinson, Peterpaul Ott, Mitchell Siporin, Raymond Breinin, Holger Cahill, John Fabian, Eddie Millman, Winn Nathanson, Fairfield Porter, Norman MacLeish, Ossip Zadkine, Betty Parsons, Alfonso Ossorio, Max Ernst, Julien Levy, Peggy Guggenheim, Bill de Kooning, Mark Rothko, Franz Kline, Barney Newman, Nicolas Calas, Bob Motherwell, Monroe Wheeler, Myra Shapiro, Clement Greenberg, Harold Rosenberg, Alfred Knopf, Robert Flaherty, Jaime Sebartés, Frederick Kiesler, Robert Matta, Mario Praz, Bill Denby, Ben Johnson, Milton Gendel, Walter Auerbach, Jerry Wilhelm, Eugene Goossens, and others.
Biographical / Historical:
John Walter Stephan (1906-1995) was a painter.
General:
Originally recorded on 6 sound cassettes. Reformatted in 2010 as 10 digital wav files. Duration is 6 hr., 54 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Painters -- Interviews  Search this
Topic:
Art, Modern -- 20th century  Search this
Great Depression  Search this
New York school of art  Search this
Pop art  Search this
Surrealism  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.stepha86
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99597ee0d-a705-446d-af03-ff9fce4f051e
EDAN-URL:
ead_collection:sova-aaa-stepha86
Online Media:

Oral history interview with Brooks Jackson

Interviewee:
Jackson, Brooks, gallery owner  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Berman, Eugene, 1899-1972  Search this
Brauner, Victor, 1903-1966  Search this
Castelli, Leo  Search this
Cornell, Joseph  Search this
De Chirico, Giorgio, 1888-  Search this
Ernst, Max, 1891-1976  Search this
Fini, Leonor, 1908-1996  Search this
Iolas, Alexandros, 1908-1987  Search this
Levy, Julien  Search this
Magritte, René, 1898-1967  Search this
Matta, 1912-2002  Search this
Tchelitchew, Pavel, 1898-1957  Search this
Extent:
1 Item (Sound recording: 1 sound tape reel ; 5 in)
38 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1976 Mar. 22
Scope and Contents:
Interview of Brooks Jackson conducted 1976 Mar. 22, by Paul Cummings, for the Archives of American Art. Jackson speaks of his background; attending the American School of Ballet; why he stopped dancing; his recollections of Madame Hugo; Alexander Iolas' background and his memories of him; how he became interested in art; and working with Iolas. He recalls Alexander Iolas, Pavel Tchelitchew, Giorgio De Chirico, Lenore Fini, Eugene Berman, Victor Brauner, Rene Magritte, Roberto Matta, Max Ernst, Julien Levy, Leo Castelli, Joseph Cornell, and many others.
Biographical / Historical:
Brooks Jackson is an art dealer and former dancer from New York, N.Y. Co-owned and operated the Brooks Jackson Iolas Gallery in New York, N.Y.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art, American  Search this
Art dealers -- New York (State) -- New York -- Interviews  Search this
Ballet  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.jackso76
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9dd369e00-e5f6-443c-8b71-870ffd681c13
EDAN-URL:
ead_collection:sova-aaa-jackso76
Online Media:

Oral history interview with Sue Fuller

Interviewee:
Fuller, Sue, 1914-  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Carnegie Institute of Technology -- Students  Search this
Columbia University. Teachers College -- Students  Search this
Society of American Etchers  Search this
Albers, Josef  Search this
Arms, John Taylor, 1887-1953  Search this
D'Amico, Victor, 1904-1987  Search this
Dewey, John, 1859-1952  Search this
Hofmann, Hans, 1880-1966  Search this
Lejwa, Madeleine Chalette, 1913-1996  Search this
Matta, 1912-2002  Search this
Rattner, Abraham  Search this
Schaefer, Bertha, 1895-1971  Search this
Schanker, Louis, 1903-1981  Search this
Thurn, Ernest  Search this
Extent:
6 Items (Sound recording: 6 sound files, digital, wav file)
94 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Europe -- description and travel
Japan -- Description and Travel
Date:
1975 April 24-May 8
Scope and Contents:
Interview of Sue Fuller, conducted on April 24, 1975, April 30, 1975, and May 8, 1975, by Paul Cummings, for the Archives of American Art, Smithsonian Institution, at the home of Sue Fuller, in Southampton, New York.
Fuller speaks of her family and childhood in Pittsburgh, including art teachers and friends; her childhood painting lessons; her education in prep school, at Carnegie Tech, and at Columbia Teachers' College; her travels to Europe and Japan; her use of plastics; her work as a teacher, commercial artist, and assistant in Bill Hayter's studio; the influence of John Dewey's philosophy on her teaching style; training with Ernest Thurn, Hans Hofmann, Josef Albers; learning printmaking and calligraphy; the Society of American Etchers; the influence of science and mathematics on her work; and her thoughts on contemporary computer art. Fuller also recalls Bertha Schaefer, Victor D'Amico, Madeleine Lejwa, John Taylor Arms, Abraham Rattner, Louis Schanker, Roberto Matta, and others.
Biographical / Historical:
Sue Fuller (1914-2006) was a sculptor and printmaker from Southampton, New York.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Printmakers -- New York (State) -- Southhampton  Search this
Sculptors -- New York (State) -- Southhampton  Search this
Topic:
Art -- Study and teaching  Search this
Calligraphy -- Study and teaching  Search this
Computer Art  Search this
Painting -- Study and teaching  Search this
Prints -- Technique -- Study and teaching  Search this
Women artists  Search this
Women sculptors  Search this
Women printmakers  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.fuller75
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c0a4475b-644c-4b1f-9850-fd4e83e70b88
EDAN-URL:
ead_collection:sova-aaa-fuller75
Online Media:

Oral history interview with Allan Sekula

Interviewee:
Sekula, Allan  Search this
Interviewer:
Panzer, Mary  Search this
Names:
Artforum  Search this
California Institute of the Arts  Search this
Rhode Island School of Design  Search this
Students for a Democratic Society (U.S.)  Search this
The Ohio State University -- Faculty  Search this
University of California, San Diego  Search this
Altoon, John, 1925-  Search this
Antin, David  Search this
Antin, Eleanor  Search this
Ascott, Roy  Search this
Baldessari, John, 1931-  Search this
Barthes, Roland  Search this
Becker, Howard  Search this
Bercovitch, Sacvan  Search this
Beveridge, Karl  Search this
Brach, Paul, 1924-  Search this
Braderman, Joan  Search this
Burch, Noël, 1932-  Search this
Burn, Ian, 1939-1993  Search this
Captain Beefheart  Search this
Charlesworth, Sarah, 1947-2013  Search this
Chayefsky, Paddy, 1923-1981  Search this
Conde, Carol  Search this
Connell, Brian  Search this
Diddley, Bo, 1928-2008  Search this
Evans, Walker, 1903-1975  Search this
Farber, Manny  Search this
Feldman, Ronald, 1938-  Search this
Folks, Homer, 1867-1963  Search this
Fox, Terry, 1943-  Search this
Fried, Howard, 1946-  Search this
Ginsberg, Allen, 1926-1997  Search this
Graham, Dan, 1942-  Search this
Graves, Michael, 1934-2015  Search this
Halleck, DeeDee  Search this
Hanhardt, John G.  Search this
Hassan, Ihab, 1925-2015  Search this
Hayes, Woody, 1913-1987  Search this
Heinecken, Robert, 1931-  Search this
Higgins, Dick, 1938-1998  Search this
Hine, Lewis Wickes, 1874-1940  Search this
Kienholz, Edward, 1927-  Search this
Kirschenbaum, Baruch David, 1931-  Search this
Knowles, Alison, 1933-  Search this
Kosuth, Joseph.  Search this
Kozloff, Max  Search this
Kramer, Hilton  Search this
Krauss, Rosalind E.  Search this
König, Kasper  Search this
Liebling, Jerome  Search this
Lifson, Ben  Search this
Little Richard, 1932-  Search this
Lonidier, Fred  Search this
Lord, Catherine, 1949-  Search this
Lunn, Harry, 1933-1998  Search this
Mac Low, Jackson  Search this
Mandel, Mike  Search this
Matta, 1912-2002  Search this
Mayer, Grace M.  Search this
Michelson, Annette  Search this
O'Doherty, Brian  Search this
Pommer, Richard  Search this
Ramsden, Mel  Search this
Raskin, Jef  Search this
Reagan, Ronald  Search this
Rosler, Martha  Search this
Ross, David A., 1949-  Search this
Ruby, Jay  Search this
Ruscha, Edward  Search this
Salle, David, 1952-  Search this
Salvesen, Britt  Search this
Schimmel, Paul  Search this
Segalove, Ilene, 1950-  Search this
Stein, Sally  Search this
Steinmetz, Philip  Search this
Sultan, Larry  Search this
Van Riper, Peter  Search this
Wakoski, Diane  Search this
Wall, Jeff, 1946-  Search this
Extent:
12 Items (Sound recording: 12 sound files (6 hr.,14 min.), digital, wav)
143 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2011 August 20-2012 February 14
Scope and Contents:
An interview with Allan Sekula conducted 2011 August 20-2012 February 14, by Mary Panzer, for the Archives of American Art at Sekula's studio and home in Los Angeles, California and at the Museum of Modern Art in New York, New York.
Sekula speaks of his career and some of the mediums he works in; language and contemporary art; Roland Barthes; his relation to contemporary art; west coast conceptualism; genre switches; realism; documentary photography; Belgium and the industrial revolution; Meunier; minor figures; art history and marginalism; Roberto Matta; World War I; Homer Folks; Fish Story; historic cinema; economic factors of art shows and publication; galleries and the art world; growing up and his family; his father and moving; Ohio; his brothers and sisters; San Pedro; demographics of students at school; sports at school; Vietnam; protests; cross country and swimming; California; fishing; college; U.C. system; declaring a major; John Altoon; Ed Kienholz; exposure to art; visiting museums; Marcuse's classes; Baldessari's classes; course work and student life; student demonstrations; working in a library and exposure to books; father losing his job; science and working as a chemical technician; politics; his uncle committing suicide; moving away from his father; the draft; John Birch; Students for a Democratic Society; his mother; politics of his parents; Aerospace Folk Tales, autodidacts and scholarship; San Diego and Mexico; obtaining a camera and starting to use it; art school; CalArts; UCSD; Meditations on a Triptych; David Salle; Fred Lonidier; Phel Steinmetz; MFA and art training; poets; story of Allen Ginsberg and one of Sekula's sculptures; production and the audience; A Photograph is Worth a Thousand Questions, photography and the burden of tradition; pictorialism; moving to New York; Artforum; October; New York music scene; Captain Beefheart; Bo Diddley; Little Richard; Steichen and aerial photography; origins of October; New Criterion; Art Critic's Grant; teaching at Ohio State; television; technological historians; New York subway and getting a ticket for using French money; RISD lectures; Long Beach; photography; collages; Metro Pictures; New Topographics; School as a Factory; moral choice and the viewer; work method and the audience; Social Criticism and Art Practice; east and west coasts; Ed Ruscha; documentary; film, Los Angeles; cinema and social history; Ohio State Department of Photography and Cinema; Los Angeles Plays Itself; Committee in Solidarity with the People of El Salvador; Ohio State campus, anti-Semitism; Ronald Reagan and protest; influences and colleagues; intellectual genealogy; Michael Graves and Ohio State architecture; Bad Ohio; tenure; University Exposed; AIDS issue of October; The Body and the Archive; making film; Korean War; collectors and images. Sekula also recalls Eleanor Antin, Jeff Wall, Terry Fox, Lewis Hine, Walker Evans, Paul Saltman, Marcuse, Baldessari, Sacvan Bercovitch, Stanley Miller, Jef Raskin, Paul Brach, David Antin, Howard Fried, Peter Van Riper, Alison Knowles, Dick Higgins, Manny Farber, Ihab Hassan, Diane Wakoski, Jackson Mac Low, Martha Rosler, Lenny Neufeld, Joshua Neufeld, David Wing, Brian Connell, Max Kozloff, Ian Burn, Mel Ramsden, Carole Conde, Karl Beveridge, Barry Rosens, Tom Crow, John Copeland, Harry Lunn, Hilton Kramer, Grace Mayer, Carol Duncan, Eva Cockroft, Richard Pommer, Rosalind Krauss, Sally Stein, Paddy Chayefsky, John Hanhardt, Mel Ramsden, Sarah Charlesworth, Jospeh Kosuth, Baruch Kirschenbaum, Robert Heinecken, Brian O'Doherty, Howard Becker, Jay Ruby, Jerry Liebling, Anna Wilkie, Ronald Feldman, John Gibson, David Ross, Britt Salvesen, Larry Sultan, Mike Mandel, Roy Ascott, Ilene Segalove, Paul Schimmel, DeeDee Halleck, Noel Burch, Joan Braderman, Woody Hayes, Thom Andersen, John Quigley, Ron Green, Kasper Koenig, Dan Graham, Jonathan Green, Christa Wolf, Catherine Lord, Ben Lifson, and Annette Michelson.
Biographical / Historical:
Allan Sekula (1951-2013) was a photographer, filmmaker, and writer, based at the California Institute of the Arts in Valencia, California. Mary Panzer (1955- ) is a historian from New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Photographers -- California  Search this
Filmmakers -- California  Search this
Authors -- California  Search this
Topic:
Activism  Search this
Antisemitism  Search this
Architecture  Search this
Art -- Exhibitions -- Economic aspects  Search this
Art -- History  Search this
Art, Modern -- 20th century  Search this
Art -- Study and teaching  Search this
Conceptual art  Search this
Documentary photography  Search this
Korean War, 1950-1953  Search this
Music -- New York (State) -- New York  Search this
Photography  Search this
Realism  Search this
World War, 1914-1918  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.sekula11
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d657e5da-cd1b-4366-9fe9-1852a4c5be81
EDAN-URL:
ead_collection:sova-aaa-sekula11
Online Media:

Roberto Matta letter to Joseph Cornell

Creator:
Matta, 1912-2002  Search this
Cornell, Joseph, 1903-1972  Search this
Type:
Correspondence
Date:
1947 May 6
Citation:
Matta. Roberto Matta letter to Joseph Cornell, 1947 May 6. Joseph Cornell papers, 1804-1986. Archives of American Art, Smithsonian Institution.
Topic:
Mail art  Search this
Record number:
(DSI-AAA)15560
See more items in:
Joseph Cornell papers, 1804-1986, bulk 1939-1972
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15560
Online Media:

Roberto Matta letter to Joseph Cornell

Creator:
Matta, 1912-2002  Search this
Cornell, Joseph, 1903-1972  Search this
Type:
Correspondence
Date:
1950 September 28
Citation:
Matta. Roberto Matta letter to Joseph Cornell, 1950 September 28. Joseph Cornell papers, 1804-1986. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)17661
See more items in:
Joseph Cornell papers, 1804-1986, bulk 1939-1972
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17661
Online Media:

Roberto Matta letter to Allan Frumkin

Creator:
Matta, 1912-2002  Search this
Frumkin, Allan, 1926-2002  Search this
Type:
Correspondence
Date:
circa 1952
Citation:
Matta. Roberto Matta letter to Allan Frumkin, circa 1952. Allan Frumkin Gallery records, 1880, 1944-2016. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)19963
See more items in:
Allan Frumkin Gallery records, 1880, 1944-2016
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_19963
Online Media:

Roberto Matta Echaurren letter to Joseph Cornell

Creator:
Echaurren, Roberto Matta, 1912-2002  Search this
Cornell, Joseph, 1903-1972  Search this
Type:
Correspondence
Date:
between 1940 and 1970
Citation:
Roberto Matta Echaurren. Roberto Matta Echaurren letter to Joseph Cornell, between 1940 and 1970. Joseph Cornell papers, 1804-1986. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)8112
See more items in:
Joseph Cornell papers, 1804-1986, bulk 1939-1972
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_8112
Online Media:

Roberto Matta Echaurren letter to Joseph Cornell

Creator:
Echaurren, Roberto Matta, 1912-2002  Search this
Cornell, Joseph, 1903-1972  Search this
Type:
Correspondence
Date:
between 1940 and 1970
Citation:
Roberto Matta Echaurren. Roberto Matta Echaurren letter to Joseph Cornell, between 1940 and 1970. Joseph Cornell papers, 1804-1986. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)8113
See more items in:
Joseph Cornell papers, 1804-1986, bulk 1939-1972
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_8113
Online Media:

William Nelson Copley papers

Creator:
Copley, William Nelson, 1919-1996  Search this
Names:
Copley Galleries (Beverly Hills, Calif.)  Search this
Cornell, Joseph  Search this
Duchamp, Marcel, 1887-1968  Search this
Ernst, Max, 1891-1976  Search this
Magritte, René, 1898-1967  Search this
Matta, 1912-2002  Search this
Ray, Man, 1890-1976  Search this
Tanguy, Yves, 1900-1955  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1948-1967
Scope and Contents:
Papers and gallery records including photographs, writings, announcements and catalogs.
REEL 2709: Announcements and catalogs for exhibitions at The Copley Galleries, Beverly Hills, California, 1948-1949; 97 photographs, mostly of installations of exhibitions at the gallery, and a few of paintings by Man Ray, 1948; and an undated essay by Copley, "Portrait of the Artist as a Young Art Dealer," 51 pages in which he describes the brief one year history of the gallery, which exhibited the work of the Surrealists, including Joseph Cornell, Marcel Duchamp, Max Ernst, Rene Magritte, Roberto Sebastian Antonio Matta Echuarren, Man Ray, and Yves Tanguy.
REEL 861: Scrapbook, 1953-1967, in 3 volumes. Includes Copley's newspaper column; magazine clippings relating to his work and exhibits; and exhibition catalogs.
Biographical / Historical:
Painter, New York, N.Y. and gallery owner, Calif. Died May 1996.
Provenance:
Material on reel 2709 donated 1976, by William Copley; material on reel 861 lent for microfilming 1975 by Copley.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Rights:
"Portrait of an Artist as a Young Art Dealer": Authorization to publish, quote or reproduce requires written permission from Director, Centre Beauborg. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters  Search this
Gallery owners -- California  Search this
Topic:
Surrealism  Search this
Identifier:
AAA.coplwill
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99d078059-2f27-4fa5-88d0-4b09e637242b
EDAN-URL:
ead_collection:sova-aaa-coplwill

Matta, the early years / April 27-May 28, 1988

Title:
Early years
Author:
Matta 1912-2002  Search this
Maxwell Davidson Gallery  Search this
Subject:
Matta Echaurren, Roberto Sebastián 1912-2002  Search this
Physical description:
15 p. : ill. (some col.) ; 21 cm
Type:
Books
Exhibitions
Date:
1988
Call number:
N6669.M38 A4 1988b
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_922962

Matta

Title:
Matta : (le cube ouvert)
Cube ouvert
Artist:
Matta 1912-2002  Search this
Publisher:
Kunstmuseum Luzern  Search this
Subject:
Matta 1912-2002  Search this
Physical description:
1 volume (unpaged) : illustrations ; 36 cm
Type:
Books
Exhibitions
Date:
1965
Call number:
ND369.M3 A4 1965
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_724751

Roberto Matta : el arquitecto del Surrealismo = architect of Surrealism / [text by Ana Maria Escallón ; translated by Patricia Cepeda]

Title:
Roberto Matta : architect of Surrealism
Architect of Surrealism
Arquitecto del Surrealismo
Author:
Escallón, Ana María  Search this
Matta 1912-2002  Search this
Art Museum of the Americas  Search this
Subject:
Matta Echaurren, Roberto Sebastián 1912-2002  Search this
Physical description:
24 p. : col. ill. ; 33 cm
Type:
Books
Exhibitions
Date:
2003
[2003?]
Topic:
Surrealism  Search this
Imaginary interviews  Search this
Call number:
N6669.M38 A4 2003
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_727215

Matta100 : Museo Nacional de Bellas Artes, 9 de noviembre al 4 de marzo de 2012 / curaduría e investigación Soledad Novoa Donoso ; textos Patricio Muñoz Zárate, Soledad Novoa Donosa

Title:
Matta cien
Author:
Matta 1912-2002  Search this
Novoa Donoso, Soledad  Search this
Muñoz Zárate, Patricio  Search this
Museo Nacional de Bellas Artes (Chile)  Search this
Subject:
Matta 1912-2002  Search this
Matta 1912-2002  Search this
Physical description:
[28] pages : illustrations (some color) ; 21 cm
Type:
Books
Exhibitions
Criticism and interpretation
Date:
2012
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1052417

Matta, by William Rubin. [Exhibition: The Museum of Modern Art, New York, Sept. 10-Oct. 20, 1957. Walker Art Center, Minneapolis, Nov. 15-Dec. 30, 1957. The Institute of Contemporary Art, Boston, Jan. 18-Mar. 2, 1958]

Author:
Museum of Modern Art (New York, N.Y.)  Search this
Rubin, William Stanley  Search this
Subject:
Matta 1912-2002  Search this
Physical description:
36 p. illus., ports. 26 cm
Type:
Books
Date:
1957
[1957]
Call number:
N40.1.M438 N5
N40.1.M438N5
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_72144

Matta : 1936-1944 : début d'un nouveau monde

Author:
Matta 1912-2002  Search this
Malingue, Olivier  Search this
Daniel Malingue (Gallery)  Search this
Subject:
Matta Echaurren, Roberto Sebastián 1912-2002  Search this
Physical description:
155 p. : ill. (chiefly col.) ; 28 cm
Type:
Books
Exhibitions
Date:
2004
C2004
Call number:
N6669.M38 A4 2004b
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_733797

Masson et Matta : les deux univers : 23 avril-19 juin 1994, Yokohama Museum of Art

Title:
Masson
Matta
Author:
Masson, André 1896-1987  Search this
Matta 1912-2002  Search this
Yokohama Bijutsukan  Search this
Subject:
Masson, André 1896-1987  Search this
Matta Echaurren, Roberto Sebastián 1912-2002  Search this
Physical description:
2 v. : ill. (some col.) ; 29 cm
Type:
Exhibitions
Date:
1994
C1994
20th century
Topic:
Painting, Chilean  Search this
Call number:
ND553.M36 A4 1994
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_910061

Matta : surrealism and beyond / Curtis L. Carter, Thomas R. Monahan ; with essays by Sabine Eckmann, Octavio Paz, André Breton

Author:
Carter, Curtis L  Search this
Matta 1912-2002  Search this
Monahan, Thomas R  Search this
Eckmann, Sabine  Search this
Paz, Octavio 1914-1998  Search this
Breton, André 1896-1966  Search this
Patrick and Beatrice Haggerty Museum of Art  Search this
Subject:
Matta Echaurren, Roberto Sebastián 1912-2002  Search this
Physical description:
80 p. : col. ill. ; 28 cm
Type:
Books
Exhibitions
Date:
1997
C1997
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_738446

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