Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Art historian Mary Margaret Sittig's research material on Louis Prang dates from 1860 to 1978 and measures 3.5 linear feet. Found within the papers are biographical material for Louis Prang and for Mary Margaret Sittig, collected letters from various members of the Prang family, and scattered letters to Sittig from friends. Additional collected research materials include scattered personal business records for Louis Prang and his wife, notes and writings, art work, printed material, and photographs.
Scope and Content Note:
Art historian Mary Margaret Sittig's research material on Louis Prang dates from 1860 to 1978 and measures 3.5 linear feet. Found within the papers are biographical material for Louis Prang and for Mary Margaret Sittig, collected letters from various members of the Prang family, and scattered letters to Sittig from friends. Additional collected research materials include scattered personal business records for Louis Prang and his wife, notes and writings, art work, printed material, and photographs.
Biographical material concerning Louis Prang includes a record book and genealogy listing Prang family members, ephemera, and scattered family papers. Biographical material concerning Mary Margaret Sittig includes resumes, a photograph of Sitting, and scattered ephemera. Letters primarily consist of scattered communications between miscellaneous Prang family members, and a few business-related letters. Letters to Mary Margaret Sittig are primarily from friends and discuss her research activities. Personal business records consist of an account book for Louis Prang's wife, Rosa, and miscellaneous receipts for Louis Prang.
Notes and writings primarily consist of photocopies of research material on Louis Prang collected by Mary Margaret Sittig and include a typescript of her thesis L. Prang and Company, Fine Art Publishers. Art work consists of ink drawings, watercolor sketches, an etching, a block print, and an oil painting on fabric.
Printed material concerning Louis Prang includes clippings, commercial lithographs of book illustrations, chromolithographs of ceramics from the Walters Collection, and printed reproductions of work by others.
Photographs are of Louis Prang, his wives Rosa Prang and Mary Dana Hicks Prang, miscellaneous Prang family members, and of scattered art work. There is also the Prang Family Photograph Album that contains annotations, but no photographs.
Arrangement:
The collection is arranged as 7 series:
Missing Title
Series 1: Biographical Material, 1881-1973 (Box 1; 10 folders)
Series 2: Letters, 1864-1974 (Box 1; 23 folders)
Series 3: Personal Business Records, 1875-1917 (Box 1; 2 folders)
Series 4: Notes and Writings, 1890-1978 (Box 1; 16 folders)
Series 5: Art Work, circa 1880 (Box 1; 9 folders)
Series 6: Printed Material, 1866-1972 (Box 1-8; 2.5 linear feet)
Series 7: Photographs, 1860-1957 (Box 3, 7; 6 folders)
Biographical Note:
Mary Margaret Sittig was a doctoral student at George Washington University in Washington D.C. working on a dissertation about the life and work of Boston lithographer Louis Prang (1824-1909), often referred to as the "father of the American Christmas card." Sittig completed her Master's theses L. Prang and Company, Fine Art Publishers in 1970, but died before completing her doctoral dissertation.
In 1864, Prang visited Europe to study the latest techniques in German lithography. He returned to Boston to create high quality reproductions of major works of art using a lithographic process he called "chromos." In 1874, he began producing greeting cards for the popular market in England and began selling the Christmas card in the United States the next year. Also in 1874, Prang began publishing books for drawing and elementary art study for public schools. This latter activity proved so successful that he formed the Prang Educational Company in 1882.
Related Material:
The Archives also holds the Louis Prang papers, 1848-1932.
Provenance:
The papers were donated by Mary Margaret Sittig's brother James C. Sittig in 2001, in memory of Charlotte, Edgar, and Mary Sittig.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Carl Holty papers, circa 1860s-1972 (bulk 1940-1967). Archives of American Art, Smithsonian Institution.
Writings and notes by Audrey Flack include artist's statements, drafts of a manuscript, and essays, including an account of her early years as a Photorealist artist. Included are typescripts and notes of Flack's speeches on public sculpture and her commencement address at the Boston Museum School of Fine Arts. A notebook contains Flack's notes on the creative process. Also included is an abbreviated autobiographical account.
Writings and notes by others include masters theses and doctoral dissertations on Audrey Flack's work. Found are several poems dedicated to Audrey Flack. The files also include scattered notes by Audrey Flack, printed material, and a book proposal.
Sound recordings are found of talks and lectures by Flack at museums, academic institutions, and arts organizations, including Cooper Union, Metropolitan Museum of Art, New York Studio School. Video recordings are found of her talks and panel discussions for Artists Alliance, Artists Talk on Art, St. John's Museum of Art, and other venues. Some of the sound cassettes and videocassettes are unidentified.
Arrangement:
This series is arranged as three subseries.
Missing Title
4.1: Writings and Notes by Audrey Flack, circa 1970-2000
4.2: Writings by Others, 1970-2007
4.3: Lectures and Talks, 1976-2003
Collection Restrictions:
Use of original material requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Audrey Flack papers, 1950-2009. Archives of American Art, Smithsonian Institution.
University files date from around 1954-1990 and document Bischoff's career as a professor at UC Berkeley, as well as his time as a student in the UC Extension program. Included are class rolls, material on committees for budgets and research, and university forms. Also included are masters' theses and student papers written about Elmer Bischoff, some of which were written by students from other universities.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Elmer Bischoff papers, 1914-1990. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Smithsonian Institution Collections Care Preservation Fund.
Jones, John Allen "List of Unpublished Doctoral Dissertations and Masters Theses in the Field of Anthropology Bearing on North American Indians North of Mexico"
Container:
Box 18
Type:
Archival materials
Text
Date:
Circa 1952
Collection Restrictions:
Materials with student grades were separated and have been restricted. Most of the restricted materials are not open for access until 2030.
Collection Rights:
Contact repository for terms of use.
Sponsor:
Processed with the support of a Wenner-Gren Foundation Historical Archives Program grant.
Bieke Gils Thesis "Pioneers of Flight: an Analysis of Gender Issues in United States Civilian (Sport) and Commercial Aviation 1920-1940"
Extent:
0.05 Cubic feet ((1 folder))
Type:
Collection descriptions
Archival materials
Masters theses
Date:
bulk 2009
Scope and Contents:
This collection consists of a 8.5 x 11 x 1 inch bound volume Master's thesis entitled "Pioneers of Flight: an Analysis of Gender Issues in United States Civilian (Sport) and Commercial Aviation 1920-1940" by Bieke Gils, in fulfillment of a Master's Degree of Human Kinetics at the University of Windsor, Ontario, Canada.
Biographical / Historical:
Bieke Gils is a Belgian national who attended the University of Windsor from 2007-2009, pursuing a Master's Degree in Human Kinetics. As part of her requirements she completed a thesis on women pilots in the United States aviation sport and industry between 1920 and 1940. Her primary sources were the Smithsonian Institution and the National Air and Space Museum Archives. Ms. Gils is now pursuing a Ph.D. at the University of British Columbia in Vancouver.
Provenance:
Bieke Gils, Gift, 2010
Restrictions:
No restrictions on access.
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Bieke Gils Thesis "Pioneers of Flight: an Analysis of Gender Issues in United States Civilian (Sport) and Commercial Aviation 1920-1940", Accession 2010-0038, National Air and Space Museum, Smithsonian Institution.
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
This collection consists of materials documenting the Castor Advertising Corporation, Castor SG&B, and Castor Spanish International, which specialized in reaching Hispanic audiences.
Content Description:
Archival materials documenting the Castor Advertising Corporation, Castor SG&B, and Castor Spanish International. This collection includes correspondence, business records, awards, a copy of Fernández's MBA thesis, photographs, newspaper clippings, magazines, a DVD containing an interview with Fernández, and advertising reels recorded on VHS tapes, cassettes, and 16mm film.
Arrangement:
This collection is arranged into four series.
Series 1: Background Materials, 1961-2001, 2018
Series 2: Advertising Materials, 1969-1987
Series 3: Newspaper Clippings and Publications, 1968-2000
Series 4: Audiovisual Materials, 1960-2007
Biographical / Historical:
Castor A. Fernández Capote was born in 1943 in Havana, Cuba and moved to the United States in 1961. Fernández first lived in Miami, Florida but moved to New York City soon after. He attended City College of New York where he received his Bachelor and Master of Business Administration in Marketing. For his MBA thesis, "Market Segmentation through Television Advertising," Fernandéz focused his research on the potential for Spanish-language media to engage the Spanish-speaking market of New York. Fernández began his nearly four-decade-long advertising career in firms throughout New York City such as Link Advertising and Palmer Advertising. In 1968, Fernández established his own advertising firm called Castor Spanish International, focusing specifically on marketing designed for to the multiple groups of people described under the umbrella term "Hispanic." In 1989, Castor Spanish International merged with the Miami-based advertising corporation, Garcia-Serra & Blanco Advertising, to form a new agency: Castor SG&B. The agency dissolved the merger in 1990 and Fernández established Castor Advertising Corporation. Fernández retired from advertising in 2002. Throughout his decades-long career, he and his agencies did work for many major American corporations such as Café Bustelo, Citibank, McDonald's, Coca-Cola, Anheuser-Busch, Kmart, Richardson-Vicks, and Heublein Incorporated.
Provenance:
Collection donated to the Archives Center in 2018 by Castor Fernández.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
A thesis documenting the history of the Royal Hawaiian Band from 1836-1980. The history of the band parallels Hawaii's own history and the development of music education. Research sources include books, newspaper articles, periodicals, diaries, government documents, and interviews. Appendices include sample musical programs, musical repertoire, membership rosters, tours, and sound recordings.
Arrangement:
1 series.
Related Materials:
Materials in the Archives Center, National Museum of American History
Hazen Collection of Band Photographs and Ephemera NMAH.AC0253
Warshaw Collection of Business Americana, Series: Hawaii NMAH.AC0060
Collection donated by Friends of the Royal Hawaiian Band, through David Wayne Bandy on October 30, 1989.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
National Museum of American History (U.S.). Division of Medical Sciences Search this
Extent:
0.15 Cubic feet (1 box)
Type:
Collection descriptions
Archival materials
Theses
Masters theses
Manuscripts
Diaries
Date:
1948-1951.
Scope and Contents note:
Halkett and Wesolow(ski) materials show the process of technological innovation through laboratory protocols. They also demonstrate the various alternatives explored in the search for effective artificial circulation by using materials which would not damage or clot blood and that could be sterilized. The evolution of the pumping mechanism and power source, the design and materials of the pump itself, and a series of catheters (cannulae) or varying shapes and materials are described as a workable solution is found. Secondly, diversity of techniques developed to solve the problems of artificial circulation and their contributions to that work are documented.
The 2018 addenda documents the life and career of physicist James A.E. Halkett. It includes papers relating to his education, his U.S. Navy service, his work with various employers, his research in various fields including radio, metallurgy, ordnance, and radioactivity. Some of the papers relate to his work with General Electric in developing the proximity fuse. The papers include letters; notes, including lab notes, graphs and charts; reports; drawings; photographs; training and operational manuals; bibliographic card files; journals, conference materials and other publications; and miscellany.
Arrangement:
The collection is organized into three series.
Series 1: James A. E. Halkett Papers
Series 2: Sigmund A. Wesolowski Papers
Series 3: H.J. Sugarman Papers
Biographical/Historical note:
James A. E. Halkett and Sigmund A. Wesolowski, M.D. (now named Adam Wesolow) experimented on an early mechanical heart. In 1948, James Halkett and William Sewell succesfully bypassed the left side of a cat's heart. Modifications in the pump and surgical procedures allowed Dr. Sigmund A. Wesolowski and others to achieve long-term survival of animals after bypass surgery. Halkett and Wesolowski went on to other projects. Although Wesolowski published articles on this work, neither went on to develop this technology for trials with human subjects.
Provenance:
Collection donated by James A. E. Halkett and Adam Wesolow, May 6, 1985.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
