Search Results

Artist:

Christian Gullager, 1 Mar 1759 - 12 Nov 1826  Search this

Sitter:

John Davis, 1761 - 1847  Search this

Medium:

Oil on canvas

Dimensions:

50.7cm x 40.6cm (19 15/16" x 16"), Sight

Type:

Painting

Date:

c. 1796

Topic:

Interior  Search this

Home Furnishings\Curtain  Search this

Home Furnishings\Furniture\Bookshelf  Search this

John Davis: Male  Search this

John Davis: Literature\Writer  Search this

John Davis: Literature\Publisher  Search this

John Davis: Education and Scholarship\Scholar\Antiquary  Search this

John Davis: Law and Crime\Judge  Search this

John Davis: Politics and Government\State Senator\Massachusetts  Search this

John Davis: Education and Scholarship\Scholar\Archaeologist  Search this

John Davis: Business and Finance\Accounting\Accountant\Comptroller  Search this

John Davis: Politics and Government\Delegate  Search this

Portrait  Search this

Credit Line:

Owner: Pilgrim Hall Museum

Object number:

1119 PHM

Restrictions & Rights:

Usage conditions apply

See more items in:

Catalog of American Portraits

Data Source:

Catalog of American Portraits

GUID:

http://n2t.net/ark:/65665/sm4b22887d0-694d-4a8f-aab8-9c9bcc78a95e

EDAN-URL:

edanmdm:npg_1119_PHM

Attribution:

Gilbert Stuart, 3 Dec 1755 - 9 Jul 1828  Search this

Sitter:

John Davis, 1761 - 1847  Search this

Medium:

Oil on canvas

Dimensions:

74.9cm x 62.2cm (29 1/2" x 24 1/2"), Sight

Type:

Painting

Date:

c. 1820-30

Topic:

John Davis: Male  Search this

John Davis: Literature\Writer  Search this

John Davis: Literature\Publisher  Search this

John Davis: Education and Scholarship\Scholar\Antiquary  Search this

John Davis: Law and Crime\Judge  Search this

John Davis: Politics and Government\State Senator\Massachusetts  Search this

John Davis: Education and Scholarship\Scholar\Archaeologist  Search this

John Davis: Business and Finance\Accounting\Accountant\Comptroller  Search this

John Davis: Politics and Government\Delegate  Search this

Portrait  Search this

Credit Line:

Owner: Pilgrim Hall Museum

Object number:

295.DUP2

Restrictions & Rights:

Usage conditions apply

See more items in:

Catalog of American Portraits

Data Source:

Catalog of American Portraits

GUID:

http://n2t.net/ark:/65665/sm4f52ed06b-23bc-41c2-a74b-46ce57fc6e50

EDAN-URL:

edanmdm:npg_295.DUP2

Artist:

Shobal Vail Clevenger, 1812 - 19 Sep 1843  Search this

Sitter:

John Davis, 1761 - 1847  Search this

Medium:

Marble

Dimensions:

70.5cm x 50cm x 30.7cm (27 3/4" x 19 11/16" x 12 1/16"), Estimate

Type:

Sculpture

Date:

1839

Topic:

John Davis: Male  Search this

John Davis: Literature\Writer  Search this

John Davis: Literature\Publisher  Search this

John Davis: Education and Scholarship\Scholar\Antiquary  Search this

John Davis: Law and Crime\Judge  Search this

John Davis: Politics and Government\State Senator\Massachusetts  Search this

John Davis: Education and Scholarship\Scholar\Archaeologist  Search this

John Davis: Business and Finance\Accounting\Accountant\Comptroller  Search this

John Davis: Politics and Government\Delegate  Search this

Portrait  Search this

Credit Line:

Owner: Boston Athenaeum

Object number:

BAS36

Restrictions & Rights:

Usage conditions apply

See more items in:

Catalog of American Portraits

Data Source:

Catalog of American Portraits

GUID:

http://n2t.net/ark:/65665/sm43981a170-3ddc-40a6-b383-b56251585eca

EDAN-URL:

edanmdm:npg_BAS36

Artist:

Joseph Greenleaf Cole, 1806 - 1858  Search this

Sitter:

John Davis, 1761 - 1847  Search this

Medium:

Oil on canvas

Dimensions:

88cm x 74cm (34 5/8" x 29 1/8"), Accurate

Type:

Painting

Date:

c. 1836

Topic:

John Davis: Male  Search this

John Davis: Literature\Writer  Search this

John Davis: Literature\Publisher  Search this

John Davis: Education and Scholarship\Scholar\Antiquary  Search this

John Davis: Law and Crime\Judge  Search this

John Davis: Politics and Government\State Senator\Massachusetts  Search this

John Davis: Education and Scholarship\Scholar\Archaeologist  Search this

John Davis: Business and Finance\Accounting\Accountant\Comptroller  Search this

John Davis: Politics and Government\Delegate  Search this

Portrait  Search this

Credit Line:

Owner: Massachusetts Historical Society

Object number:

MA330086

Restrictions & Rights:

Usage conditions apply

See more items in:

Catalog of American Portraits

Data Source:

Catalog of American Portraits

GUID:

http://n2t.net/ark:/65665/sm45d7c4288-a4f0-4b2f-8df5-51e8028688c1

EDAN-URL:

edanmdm:npg_MA330086

Artist:

Unidentified Artist  Search this

Sitter:

John Davis, 1761 - 1847  Search this

Medium:

Plaster

Dimensions:

66cm x 42.5cm x 25cm (26" x 16 3/4" x 9 13/16"), Estimate

Type:

Sculpture

Date:

c. 1825-40

Topic:

John Davis: Male  Search this

John Davis: Literature\Writer  Search this

John Davis: Literature\Publisher  Search this

John Davis: Education and Scholarship\Scholar\Antiquary  Search this

John Davis: Law and Crime\Judge  Search this

John Davis: Politics and Government\State Senator\Massachusetts  Search this

John Davis: Education and Scholarship\Scholar\Archaeologist  Search this

John Davis: Business and Finance\Accounting\Accountant\Comptroller  Search this

John Davis: Politics and Government\Delegate  Search this

Portrait  Search this

Credit Line:

Owner: Harvard Law School

Object number:

P35 (231)

Restrictions & Rights:

Usage conditions apply

See more items in:

Catalog of American Portraits

Data Source:

Catalog of American Portraits

GUID:

http://n2t.net/ark:/65665/sm4c7d19dc0-0926-4fb4-bc7f-55bfa4084db7

EDAN-URL:

edanmdm:npg_P35__231_

Artist:

Auguste Edouart, 1788 - 1861  Search this

Sitter:

John Davis, 1761 - 1847  Search this

Medium:

Lithograph, pencil and cut paper on paper

Dimensions:

Image/Sheet: 28.2cm x 21.2cm (11 1/8" x 8 3/8")

Type:

Silhouette

Place:

United States\Massachusetts\Suffolk\Boston

Date:

1841

Topic:

Home Furnishings\Furniture\Seating\Chair  Search this

Printed Material\Book  Search this

Silhouette\Cut-out  Search this

Nature & Environment\Plant\Tree  Search this

Interior\Interior with Exterior View  Search this

Architecture\Arch  Search this

Home Furnishings\Furniture\Table  Search this

Architecture\Window  Search this

Home Furnishings\Furniture\Bookcase  Search this

Architecture\Column  Search this

Architecture\Building  Search this

John Davis: Male  Search this

John Davis: Literature\Writer  Search this

John Davis: Literature\Publisher  Search this

John Davis: Education and Scholarship\Scholar\Antiquary  Search this

John Davis: Law and Crime\Judge  Search this

John Davis: Politics and Government\State Senator\Massachusetts  Search this

John Davis: Education and Scholarship\Scholar\Archaeologist  Search this

John Davis: Business and Finance\Accounting\Accountant\Comptroller  Search this

John Davis: Politics and Government\Delegate  Search this

Portrait  Search this

Credit Line:

National Portrait Gallery, Smithsonian Institution; gift of Robert L. McNeil, Jr.

Object number:

S/NPG.91.126.119.A

Restrictions & Rights:

CC0

See more items in:

National Portrait Gallery Collection

Data Source:

National Portrait Gallery

GUID:

http://n2t.net/ark:/65665/sm4f5f02a56-f751-47b4-b6bf-46cf3914a270

EDAN-URL:

edanmdm:npg_S_NPG.91.126.119.A

Creator:

National Museum of the American Indian  Search this

Type:

Symposia

YouTube Videos

Uploaded:

2015-07-15T22:50:37.000Z

YouTube Category:

Education  Search this

Topic:

Native Americans;American Indians  Search this

See more by:

SmithsonianNMAI

Data Source:

National Museum of the American Indian

YouTube Channel:

SmithsonianNMAI

EDAN-URL:

edanmdm:yt_Cda0YzPhzI0

Creator:

National Museum of the American Indian  Search this

Type:

Symposia

YouTube Videos

Uploaded:

2013-11-19T16:46:06.000Z

YouTube Category:

Education  Search this

Topic:

Native Americans;American Indians  Search this

See more by:

SmithsonianNMAI

Data Source:

National Museum of the American Indian

YouTube Channel:

SmithsonianNMAI

EDAN-URL:

edanmdm:yt_7TPsrgC6EoI

Creator:

Bushnell, David I., Jr. (David Ives), 1875-1941  Search this

Hodge, Frederick Webb, 1864-1956  Search this

Extent:

5 Items (ca. in. ca. 5 in.)

Type:

Collection descriptions

Archival materials

Photographs

Place:

North Carolina -- Archeology

Mississippi -- Archeology

Pennsylvania -- Archeology

Iowa -- Archeology

Indiana -- Archeology

New York (State) -- Archeology

Maryland -- Archeology

Connecticut -- Archeology

Florida -- Archaeology

Date:

ca. 1912-16

Scope and Contents:

Relates to the proposed Handbook of Aboriginal Remains East of the Mississippi. Includes folders for Rhode Island, North Carolina, Massachusetts, Mississippi, Pennsylvania, Iowa, Wisconsin, Indiana, Maine, New York, Maryland, Connecticut, New Hampshire, Virginia, Kentucky, Florida, and Miscellany.

Local Numbers:

NAA MS 7138

Other Archival Materials:

See also MS 2619-a and MS 4098. MS 2400 also has some materials relating to preparations for the Handbook.

Topic:

Rhode Island -- Archeology  Search this

Massachusetts -- Archeology  Search this

Wisconsin -- Archeology  Search this

Maine -- Archeology  Search this

New Hampshire -- Archeology  Search this

Virginia -- Archeology  Search this

Kentucky -- Archeology  Search this

Genre/Form:

Photographs

Citation:

Manuscript 7138, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.MS7138

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw30e6eaabf-bc3a-4d77-8b95-d3dece41f4c1

EDAN-URL:

ead_collection:sova-naa-ms7138

Creator:

Smithsonian Institution United States National Museum Department of Anthropology Division of Archeology  Search this

Jochelson, Waldemar I.  Search this

Bernheimer, Charles L.  Search this

Colburn, Burnham S.  Search this

Featherstonehaugh, Thomas  Search this

Geist, Otto William  Search this

Hill, A. T.  Search this

Hough, Walter, 1859-1935  Search this

Langford, George Langford  Search this

Montgomery, Henry  Search this

Moore, Clarence B. (Clarence Bloomfield), 1852-1936  Search this

Pittier, Henri F.  Search this

Stebbins, F. B.  Search this

Artex, Charles Artes (archeological collector)  Search this

Beckwith, C. W.  Search this

Branch, C. W.  Search this

Hempstead, F. S.  Search this

Pillars, James  Search this

Price, Governor  Search this

Squier, Ephraim George  Search this

Davis, Edwin Hamilton  Search this

Riaboushinsky Expedition. Ethnological Section  Search this

Collector:

Colburn, Burnham S.  Search this

Photographer:

Hillers, John K., 1843-1925  Search this

Jackson, William Henry, 1843-1942  Search this

Matteson, Sumner W.  Search this

Mearns, Edgar S.  Search this

Mindeleff, Victor, 1860-1948  Search this

O'Sullivan, Timothy H., 1840-1882  Search this

Names:

Wetherill, Richard -- Mancos Canyon, Colorado  Search this

Extent:

1,600 Items

Culture:

Tlingit -- burials  Search this

Cherokee  Search this

Unangan (Aleut)  Search this

Arctic peoples  Search this

Type:

Collection descriptions

Archival materials

Photographic prints

Negatives

Photomechanical prints

Tintypes

Drawings

Clippings

Notes

Letters

Place:

Massachusetts -- Dighton Rock

Alabama -- 1931 -- Moundville

Alabama -- Archeology

Alaska -- Archeology

Arizona -- Archeology

Arkansas -- Archeology

California -- Archeology

Colorado -- Archeology

Connecticut -- Archeology

Delaware -- Archeology

Florida -- Archeology

Georgia -- Archeology

Illinois -- Archeology

Indiana -- Archeology

Iowa -- Archeology

Kansas -- Archeology

Kentucky -- Archeology

Maryland -- Archeology

Maine -- Archeology

Massachusetts -- Archeology

Michigan -- Archeology

Minnesota -- Archeology

Mississippi -- Archeology

Missouri -- Archeology

Nebraska -- Archeology

Nevada -- Archeology

New Jersey -- Archeology

New Mexico -- Archeology

New York (State) -- Archeology

North Carolina -- Archeology

North Dakota -- Archeology

Ohio -- Archeology

Oklahoma -- Archeology

Oregon -- Archeology

Pennsylvania -- Archeology

South Carolina -- Archeology

Tennessee -- Archeology

Texas -- Archeology

Utah -- Archeology

Virginia -- Archeology

Washington -- Archeology

Costa Rica -- Archeology

British Columbia -- Antiquities

Canada -- Archeology

New Zealand -- Archeology

Nova Scotia -- Archeology

Pacific Islanders -- Archeology

West Indies -- Archeology

Date:

1870s-1930s

Scope and Contents:

The material consists mostly of photographic prints. A few negatives, photomechanical prints, tintypes, drawings, newspaper clippings, notes, and letters are also included. Much of the material is annotated. In part, the file was assembled for or relates to many accessions and cataloging units of the division.

The material was received from professionals and amateurs, mostly working in North America. The images are of artifactual and skeletal specimens, fradulent specimens, collections of specimens, sites, excavations, site features, ruins, petroglyphs, and field parties. A few are reproductions of maps and portraits of native people. Some of the specimens are in the Smithsonianʹs collections, but many are not.

Included among the many subjects are photographs of Dighton Rock in Massachusetts; many ruins of the 1931 Moundville, Alabama, excavation; Tlingit burial boxes; excavations, specimens, and Aleut portraits taken by Waldemar I. Jochelsonʹs Ethnological Section of the Riaboushinsky Expedition, 1909-1912; Richard Wetherillʹs party in Mancos Canyon, Colorado, and F. S. Hempsteadʹs Archaeological and Topographic Map of Portsmouth," [Ohio].

Some of the material relates to the work of Charles L. Bernheimer in Utah, Burnham S. Colburn in Georgia and North Carolina, Thomas Featherstonehaugh in Florida, Otto William Geist in Alaska, A. T. Hill in Nebraska, Walter Hough in Arizona (for the Gates-United States National Museum Expedition, 1901), George Langford in Illinois, Henry Montgomery in North Dakota, Clarence B. Moore in Florida, Henri F. Pittier in Costa Rica, and F. B. Stebbins in Tennessee. Collections are those of Charles Artes (filed Indiana), Thomas Beckwith (filed Missouri), C. W. Branch (filed West Indies), Burham S. Colburn Cherokee relics (filed North Carolina), James Pillars (filed Ohio), Governor Price (frauds from New Mexico), Ephraim George Squier and Edwin Hamilton Davis (filed Ohio).

The material is from Alabama, Alaska, Arizona, Arkansas, California, Colorado, Connecticut, Delaware, Florida, Georgia, Illinois, Indiana, Iowa, Kansas, Kentucky, Maryland, Maine, Massachusetts, Michigan, Minnesota, Mississippi, Missouri, Nebraska, Nevada, New Jersey, New Mexico, New York, North Carolina, North Dakota, Ohio, Oklahoma, Oregon, Pennsylvania, South Carolina, Tennessee, Texas Utah, Virginia, Washington, Costa Rica, British Columbia, Canada, New Zealand, Nova Scotia, South Pacific, and West Indies.

The works of many photographers are included. Among them are John K. Hillers, William Henry Jackson, Sumner W. Matteson, Edgar A. Mearns, Victor Mindeleff, and Timothy H. OʹSullivan.

Arrangement:

(1) Frauds; (2) petroglyphs (3) general

Topic:

Archeology -- artifacts -- skeletal specimens -- frauds -- collection -- sites -- Excavations -- Petroglyphs  Search this

Archeology -- frauds -- New Mexico  Search this

Archeology -- Alabama  Search this

Archeology -- Arizona  Search this

Archeology -- Alaska  Search this

Archeology -- Arkansas  Search this

Archeology -- California  Search this

Archeology -- Colorado  Search this

Archeology -- Connecticut  Search this

Archeology -- Delaware  Search this

Archeology -- Florida  Search this

Archeology -- Georgia  Search this

Archeology -- Illinois  Search this

Archeology -- Indiana  Search this

Archeology -- Iowa  Search this

Archeology -- Kansas  Search this

Archeology -- Kentucky  Search this

Archeology -- Maryland  Search this

Archeology -- Maine  Search this

Archeology -- Massachusetts  Search this

Archeology -- Michigan  Search this

Archeology -- Minnesota  Search this

Archeology -- Mississippi  Search this

Archeology -- Missouri  Search this

Archeology -- Nebraska  Search this

Archeology -- Nevada  Search this

Archeology -- New Jersey  Search this

Archeology -- New Mexico  Search this

Archeology -- Archeology  Search this

Archeology -- North Carolina  Search this

Archeology -- North Dakota  Search this

Archeology -- Ohio  Search this

Archeology -- Oklahoma  Search this

Archeology -- Oregon  Search this

Archeology -- Pennsylvania  Search this

Archeology -- South Carolina  Search this

Archeology -- Texas  Search this

Archeology -- Utah  Search this

Archeology -- Virginia  Search this

Archeology -- Washington  Search this

Archeology -- Costa Rica  Search this

Archeology -- British Columbia  Search this

Archeology -- Canada  Search this

Archeology -- New Zealand  Search this

Archeology -- Nova Scotia  Search this

Archeology -- Oceania  Search this

Archeology -- West Indies  Search this

Genre/Form:

Photographic prints

Negatives

Photomechanical prints

Tintypes

Drawings

Clippings

Notes

Letters

Citation:

Photo lot 40, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.PhotoLot.40

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3413cc2cb-bf9c-41d2-bd29-5e2c850d63d9

EDAN-URL:

ead_collection:sova-naa-photolot-40

Creator:

Bushnell, David I., Jr. (David Ives), 1875-1941  Search this

Extent:

5 Items (Typed data on cards, arranged by state. boxes. Typed data on cards, arranged by state. 5 boxes.)

Type:

Collection descriptions

Archival materials

Place:

United States -- Archeology

Date:

undated

Scope and Contents:

Apparently assembled for a proposed Handbook of Aboriginal Remains East of the Mississippi. Also includes data on some states West of Mississippi River.

Box No. 1: Alabama, Arkansas - microfilm on reel 67-4/68, Connecticut, Delaware, District of Columbia, Florida, Georgia, Indiana, Illinois.

Box No. 2: Kentucky, Maine, Maryland, Massachusetts, Michigan, Mississippi, New Hampshire, New Jersey, New York

Box No. 3: North Carolina, Ohio, Pennsylvania, Rhode Island, South Carolina, West Virginia, Vermont.

Box No. 4: Virginia, Wisconsin

Box No. 5: (West of Mississippi River) There is also a miscellaneous group of cards covering various states apparently not completed, including: Iowa, Kansas, Louisiana, Minnesota, Missouri, North Dakota, South Dakota, and Texas. In addition there are miscellaneous notes on the states already completed.

Arrangement:

Alphabetical by state

Local Numbers:

NAA MS 4098

Local Note:

Typed cards

Other Archival Materials:

See also MS 2619-a and MS 7138. MS 2400 also has some materials relating to the Handbook.

Citation:

Manuscript 4098, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.MS4098

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw31e0b3074-2eb9-4aff-8c5d-f45873eca556

EDAN-URL:

ead_collection:sova-naa-ms4098

Creator:

Asch, Timothy, 1932-1994  Search this

Correspondent:

Albert, Bruce  Search this

Andrews, Scott  Search this

Balikci, Asen, 1929-  Search this

Beidelman, Tom  Search this

Bermudez, Beatrice  Search this

Brigard, Emilie de  Search this

Cardozo, Jesus  Search this

Carpenter, Edmund, 1922-2011  Search this

Chagnon, Napoleon A., 1938-  Search this

Connor, Linda  Search this

Fox, James  Search this

Freeman, Derek  Search this

Harrison-Pepper, Sally  Search this

Heider, Karl  Search this

Homiak, John P. (John Paul), 1947-  Search this

Jules-Rosette, Benneta  Search this

Kamerling, Lenny  Search this

Lewis, Doug  Search this

Lizot, Jacques  Search this

Loizos, Peter  Search this

Mead, Margaret, 1901-1978  Search this

Mello, James F., 1936-  Search this

Middleton, John  Search this

Piault, Collette  Search this

Preloran, Jorge, 1933-2009  Search this

Rouch, Jean  Search this

Ruby, Jay  Search this

Smith, Patrice  Search this

Storas, Frode  Search this

Tax, Sol, 1907-1995  Search this

Wayang, Mark  Search this

Wayang, Mary  Search this

Young, Tao  Search this

Extent:

62 Linear feet

Type:

Collection descriptions

Archival materials

Sound recordings

Correspondence

Manuscripts

Photographs

Place:

Venezuela

Date:

1947-1995

Summary:

Timothy Asch was an anthropologist and ethnographic film maker who devoted his professional life to using film as a recording and teaching medium. His papers cover the period from 1966 until his premature death in 1994 and reflect his active career in the field. A large portion of the files relates to his work among the Yanomami people of Venezuela and to his concern with bias in film making.

Scope and Contents:

The papers of Timothy Asch document his career as an anthropologist, educator, photographer and filmmaker through correspondence, photographs, research files (articles and notes), and teaching materials (course information and lecture notes). The files relating to Asch's film projects include articles, field notes, and reviews. The major correspondents in this collection are Patsy Asch, Tom Beidelman, Napoleon Chagnon, James Fox, Robert Gardner, Douglas Lewis, Peter Loizos, David & Olga Sapir, and Minor White.

Arrangement:

The collection is arranged into the following 13 series:

Series 1) Correspondence (1953-1994)

Series 2) College and graduate School (1955-1965)

Series 3) Teaching materials (1964-1993)

Series 4) Film projects (1964-1991)

Series 5) Articles and reviews (1972-1994)

Series 6) Alpha-Subject (1955-1989)

Series 7) Conferences, film festivals, and film organizations (1963-1993)

Series 8) Grants (1962-1993)

Series 9) Other people's work (1952-1995)

Series 10) Personal and family (1951-1994)

Series 11) Photographs (1947-1991)

Series 12) Sound recordings (bulk 1960s-1970s)

Series 13) Note slips, rolodexes, and business cards (1987, undated)

Biographical note:

Asch studied photography at the California School of Fine Arts in San Francisco. While serving in the United States Army in Japan from 1951-55 he spent his off-duty hours photographing rice production and household activities in remote Japanese villages. After his military service, he enrolled in Columbia University graduating in 1959 with an undergraduate degree in Anthropology. After graduation, he went to work at the Peabody Museum at Harvard as an assistant editor to John Marshall on the Kung Bushmen film project. In 1964, he received a Masters Degree in Anthropology from Boston University where he studied in the African Studies Progam and read Anthropology with T.O. Beidelman at Harvard. In 1968, Asch and Marshall founded Documentary Educational Resources, a film distribution company. Anthropologist Napoleon Chagnon approached Asch in 1968 to film among the Yanomammmi people of Venezuela. This collaboration led to a major project resulting in over thirty films.

Chronology

1950-1951 -- California School of Fine Arts and Apprenticeships with photographers Minor White, Edward Weston and Ansel Adams

1953-1954 -- Military Service in Korea

1959 -- B.S. in Anthropology Columbia University

1959-1962 -- Ethnographic film consultant, Harvard University's Peabody Museum

1964 -- M.A. in Anthropology Harvard University

1965-1966 -- Curriculum Consultant, Ethnographic studies and the Bushmen Social Studies Curriculum Project (initially Educational Services, Inc., later called Educational Development Center)

1966-1968 -- Lecturer in Anthropology and Theater Arts, Brandeis University

1966-1968 -- Anthropology Curriculum and Media Consultant to the Newton Public Schools

1967-1994 -- Co-Founder and Director of Documentary Educational Resources, Watertown, Massachusetts, a non-profit curriculum development corporation distributing educational media

1968-1970 -- Visiting Assistant Professor, Anthropology Department, New York University

1969-1973 -- Lecturer, Department of Anthropology, Brandeis University

1973-1979 -- Research Fellow in Ethnographic film, Peabody Museum of Archaeology and Ethnology, Harvard University

1974-1976 -- Lecturer, Department of Anthropology, Harvard University

1975 -- Research Cinematographer, National Anthropological Film Center, Smithsonian Institution, Washington, D.C.

1976-1981 -- Senior Research Fellow, Department of Anthropology, Institute of Advanced Studies, the Australian National University, Canberra, Australia

1982 -- Visiting Research Scholar, Department of Anthropology at Macquarie University, Sydney, Australia

1983-1994 -- Director, Center for Visual Anthropology, Department of Anthropology, University of Southern California

Related Materials:

The Human Studies Film Archives holds 93,000 feet (43 hours) of original film footage and the accompanying sound as well as the edited films from the 1968 and 1971 film projects by Timothy Asch and Napoleon Chagnon documenting the Yanomamo Indians of southern Venezuela and northern Brazil (between the Negro and Upper Orinoco rivers).

Provenance:

Donated to the National Anthropological Archives by Patsy Asch in 1996.

Topic:

Anthropology  Search this

Film -- theory  Search this

Language and languages -- Documentation  Search this

Genre/Form:

Sound recordings

Correspondence -- 1953-1994

Manuscripts

Photographs -- 1947-1991

Citation:

Timothy Asch papers, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.1996-16

See more items in:

Timothy Asch papers

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3ebe64d9d-33d2-4af7-9417-8f21f639c754

EDAN-URL:

ead_collection:sova-naa-1996-16

Collaborator:

McElwee, Ross  Search this

Blitz, Daniel  Search this

Bishop, John Melville  Search this

Baker, Peter  Search this

Ritchie, Claire  Search this

Young, Robert  Search this

Terry, John  Search this

Galvin, Frank  Search this

Bestall, Clifford  Search this

Gardner, Robert  Search this

Asch, Timothy, 1932-1994  Search this

Marshall, Lorna  Search this

Creator:

Marshall, John, 1932-2005  Search this

Extent:

2 Boxes (map drawers)

3 Video recordings (published videos or video series)

99 Linear feet (714,405 feet (332 hours) 16mm film, 435 hours video tape, 309 hours audio tape, 21 published film and video titles, 29 unpublished film and video titles, 14 linear feet paper records)

Culture:

San (African people)  Search this

Bushman  Search this

Type:

Collection descriptions

Archival materials

Video recordings

Documentary films

Place:

Namibia

Date:

1950-2000

Summary:

The John Marshall Ju/'hoan Bushman Film and Video Collection contains full film and video projects (outtake material), film production elements and edited films and videos, audio tapes, still photographs, negatives, transparencies, slides, published and unpublished writing by John Marshall and others, study guides for edited films, Nyae Nyae Development Foundation and Advocacy files, maps, and production files that include letters, shot logs, translations, transcriptions, editing logs, treatments, and proposals spanning from 1950-2000. This material comprises Marshall's long-term documentary record of the Ju/'hoansi of the Nyae Nyae region of the Kalahari Desert in northeastern Namibia. A great deal of the film and video footage focuses on one particular extended family, that of Toma Tsamko, whose ancestral home is at /Gautcha, an area with a large salt pan and a permanent waterhole. The life stories of some family members are captured in the footage; appearing as children in the 1950's, middle-aged parents in the 1980's, and pensioners in the final years of visual documentation. The Marshall Collection also documents other Ju/'hoansi living in Nyae Nyae and elsewhere, their relationships with neighboring ethnic groups, and national politics that affected Ju/'hoansi. Marshall also documented the local political body (the Nyae Nyae Farmers' Cooperative, or NNFC), the foundation he started (the Nyae Nyae Development Foundation of Namibia, or NNDFN), and the ways in which both groups worked with and were affected by international development organizations and foreign aid during the 1990's.

Scope and Contents:

The John Marshall Ju/'hoan Bushman Film and Video Collection contains full film and video projects (outtake material), film production elements and edited films and videos, audio tapes, still photographs, negatives, transparencies, slides, published and unpublished writing by John Marshall and others, study guides for edited films, Nyae Nyae Development Foundation and Advocacy files, maps, and production files that include letters, shot logs, translations, transcriptions, editing logs, treatments, and proposals spanning from 1950-2000.

This material comprises Marshall's long-term documentary record of the Ju/'hoansi of the Nyae Nyae region of the Kalahari Desert in northeastern Namibia. A great deal of the film and video footage focuses on one particular extended family, that of Toma Tsamko, whose ancestral home is at /Gautcha, an area with a large salt pan and a permanent waterhole. The life stories of some family members are captured in the footage; appearing as children in the 1950's, middle-aged parents in the 1980's, and pensioners in the final years of visual documentation. Beginning in 1978, Marshall often conducted lengthy and in depth interviews with many family members, in which they reflect on past, present, and future, and often comment on specific film footage from earlier years which was shown to them during the interviews. The collection is not limited to the /Gautcha family, however; it also documents other Ju/'hoansi living in Nyae Nyae and elsewhere, their relationships with neighboring ethnic groups, and national politics that affected Ju/'hoansi. Marshall also documented the local political body (the Nyae Nyae Farmers' Cooperative, or NNFC), the foundation he started (the Nyae Nyae Development Foundation of Namibia, or NNDFN), and the ways in which both groups worked with and were affected by international development organizations and foreign aid during the 1990's. The collection also documents changes to the landscape and wildlife of the Nyae Nyae region.

Arrangement:

This collection is arranged in 13 series: (1) Unedited Film and Video Projects, 1950-1978, 1981-2003; (2) Published Films and Videos, 1952-2002; (3) Unpublished Films and Videos, 1959-1962, circa 1965; (4) Audio, 1950s, 1978-1990; (5) Field Notes, Shot Logs, Translations, 1951-2000; (6) Production Files, 1952-2004; (7) Correspondence, 1968-2003 [bulk 1993-2000]; (8) Nyae Nyae Development Foundation & Advocacy Files, 1975-2003 [bulk 1984-2003]; (9) Published and Unpublished Writing, 1957-1958, 1980-1999, 2007; (10) Study Guides, 1974, 1982; (11) Writings by Others & Press, 1952-1953, 1965-2005; (12) Photographs, 1930s, 1946-2003; (13) Maps, 1872, 1879, 1914, 1933-1989.

Biographical / Historical:

John Marshall, filmmaker and activist, was born on November 12, 1932 in Boston, Massachusetts. He grew up in Cambridge, Massachusetts and on his family's farm in Peterborough, New Hampshire. Marshall first picked up a camera in 1950, at the age of 18, during the first of several expeditions to the Kalahari organized by his father, Laurence Marshall, the founding president of the Raytheon Corporation. The whole Marshall family - including John's mother, Lorna, and sister, Elizabeth Marshall Thomas - became engaged in a multi-disciplinary study of the Ju/'hoansi. Marshall's father assigned him the task of making a documentary film record of Ju/'hoan life and culture. Between 1950 and 1958, he shot over 300,000 feet of 16mm film (157 hours).

Marshall formed a close bond with many of his Ju/'hoan subjects, particularly with Toma "Stumpy" Tsamko, leader of the /Gautcha band. Amongst Ju/'hoansi, Marshall was known as Toma Xhosi, Toma "Longface". Probably because of this close relationship, he was forced to leave South West Africa in 1958 after his visa expired, and was not allowed back for twenty years.

During the 1960's and 1970's, Marshall became well-established as a cinema vérité filmmaker. After leaving the Film Study Center at Harvard, which he had co-directed with Robert Gardner, he worked briefly with Robert Drew and D.A. Pennebaker, and later collaborated with Fredrick Wiseman on Titicut Follies (1967). He forged friendships with leading documentary and ethnographic filmmakers, including Timothy Asch, Ricky Leacock, and Jean Rouch.

Throughout these years, Marshall continued to work with his extensive footage of Ju/'hoansi. He completed 15 short films, as well as the award-winning Bitter Melons. In 1968, Marshall partnered with Tim Asch to found Documentary Educational Resources (DER), to distribute and support the creation of ethnographic and educational film.

In 1978 Marshall was allowed to return to Nyae Nyae to shoot N!ai, the Story of a !Kung Woman. Finding his Ju/'hoan friends beset by illness, poverty, and growing social ills, John turned his attentions to development and advocacy work. Virtually abandoning his filmmaking career, Marshall started a foundation to assist Ju/'hoansi and spent most of the 1980's helping them establish water access, subsistence farming, and a local government. He began using film as an advocacy tool, and released several urgent, issuefocused videos to raise awareness of the Ju/'hoan struggle for self-determination.

Marshall continued his documentary record of Ju/'hoansi, directing his final shoot in 2000. A Kalahari Family (2002), his epic six-hour series, tells the story of the Ju/'hoansi from 1950-2000 and charts Marshall 's evolution from filmmaker to activist. He made his final visit to Nyae Nyae in 2004, and continued his advocacy work right up to his final days. John Marshall died due to complications from lung cancer on April 22, 2005.

John Marshall Chronology

1932 -- Born in Boston, Massachusetts

1950-1958 -- Marshall Family expeditions to study the Ju/'hoansi of Nyae Nyae

1957 -- Awarded B.A. in Anthropology from Harvard University The Hunters released

1958-1960 -- Associate Director (with Robert Gardner) of the Film Study Center, Peabody Museum, Harvard University

1960 -- Awarded G.S.A.S. in Anthropology from Yale University

1960-1963 -- Director, Bushmen Film Unit, Harvard University

1962 -- Sha//ge Curing Ceremony (early version of A Curing Ceremony), A Group of Women and Joking Relationship screened at Flaherty Seminar

1964-1965 -- Cameraman for NBC covering civil war in Cyprus

1966 -- Awarded M.A. in Anthropology from Harvard University

1967 -- Cameraman and Co-Director of Fredrick Wiseman's Titicut Follies

1968 -- Founded Documentary Educational Resources (DER) with Timothy Asch (first known as CDA, Center for Documentary Anthropology)

1968-1969 -- Cameraman and Director of film shoots for the Pittsburgh Police series, produced through the Center for Violence Studies at Brandeis University

1970-1974 -- Edited and released numerous short films, from both Ju/'hoan (!Kung) and Pittsburgh Police series

1972 -- Collaborated with Nicholas England (musicologist) on a film project documenting a family of drummers in Ghana (this film was never completed)

1972-1973 -- Travel to Botswana to film National Geographic's Bushmen of the Kalahari, produced by Wolper Productions

1974 -- If It Fits, documentary on failing shoe industry in Haverhill, MA, released

1976 -- Director and cameraman of film shoots for Smithsonian Festival of American Folklife

1978 -- Film shoot in Nyae Nyae for N!ai, The Story of a !Kung Woman

1980 -- N!ai, The Story of a !Kung Woman released and broadcast on PBS as partof the Odyssey series

1980-1982 -- Conducted genealogical survey in Nyae Nyae with Claire Ritchie

1982 -- Founded the Ju/wa Cattle Fund (later known as the Nyae Nyae Development Foundation of Namibia)

1985 -- Pull Ourselves Up or Die Out, Marshall's first "field report" edited on video, released

1989 -- Returns to Boston after Namibian independence

1991 -- To Hold Our Ground, another "field report" is aired on Namibian television shortly before a national Land Rights Conference

1993 -- The Cinema of John Marshall published

1995 -- Awarded Honorary M.F.A. from Rhode Island School of Design

2000 -- Final video shoot in Nyae Nyae

2002 -- A Kalahari Family premieres at the Margaret Mead Film Festival in New York City; released for general distribution in 2003

2004 -- Makes final visit to Nyae Nyae; presents proposal for water point protections

2005 -- Dies in Boston, Massachusetts

Orthography Note:

Ju/'hoansi are the speakers of the Ju/'hoan language. Various cultural descriptors used over the years include !Kung which is a language group containing three dialect groups, one of which is the Ju/'hoansi; San, which is now regarded by the Ju/'hoansi to have negative connotations; and Bushman, which ironically (given the derogatory history of this term) is now preferred by the Ju/'hoansi as a term of dignity. (Orthography information provided by Dr. Polly Wiessner, University of Utah anthropologist and longtime field worker among and researcher of the Ju/'hoansi.)

The orthography of the Ju/'hoan language has changed many times, though an official orthography was agreed upon and accepted by the Namibian government in 1991. The finding aid, cataloging records, and shot logs for the Marshall collection at Human Studies Film Archives continue to use the orthography used by the Marshall family beginning in 1950. These spellings are usually anglicized versions of the official orthography. For example, the name ≠Oma was usually rendered by the Marshalls as Toma; the place name /Aotcha as /Gautcha or Gautscha.

The majority of the footage was shot in a region of Namibia (formerly South West Africa) known as Nyae Nyae. In the 1960's, a portion of the Nyae Nyae area was officially established as a homeland for Ju/'hoansi by the South West African administration. This area, once called Eastern Bushmanland, is now known as Eastern Otjozondjupa, however it is still referred to as Nyae Nyae by Ju/'hoansi and others. The Nyae Nyae Conservancy, which encompasses a large portion of Eastern Otjozondjupa, was established in 1996.

Filmography:

JU/'HOAN BUSHMAN FILM SERIES

1952 -- First Film [also known as !Kung Bushmen of the Kalahari] (by Lorna Marshall)

1957 -- The Hunters

1959 -- A Curing Ceremony

1961 -- A Group Of Women

1962 -- A Joking Relationship

1966 -- !Kung Bushmen Hunting Equipment (directed by Lorna Marshall)

1969 -- N/um Tchai: The Ceremonial Dance of the !Kung Bushmen

1969 -- An Argument About A Marriage

1970 -- The Lion Game

1970 -- The Melon Tossing Game

1971 -- Bitter Melons

1972 -- Debe's Tantrum

1972 -- Men Bathing

1972 -- Playing With Scorpions

1972 -- A Rite of Passage

1972 -- The Wasp Nest

1974 -- Baobab Play

1974 -- Children Throw Toy Assegais

1974 -- The Meat Fight

1974 -- Tug-Of-War

1980 -- N!ai, the Story of a !Kung Woman

1985 -- Pull Ourselves Up Or Die Out

1990 -- To Hold Our Ground: A Field Report

1991 -- Peabody Museum !Kung San Exhibit Video

2002 -- A Kalahari Family

In addition to Marshall's many published films on the Ju/'hoansi, he was also involved in a variety of other film projects. He shot and co-directed Titicut Follies, a film by Fredrick Wiseman. Working in association with the Lemburg Center for Violence Studies at Brandeis University, he shot and directed a series of short films about a police squad in Pittsburgh, PA, known as the Pittsburgh Police series. He also shot and directed If It Fits, a film about the failing shoe industry in Haverhill, MA. Marshall was also the subject of two television programs: Bushmen of the Kalahari, a National Geographic special which aired in the United States, and a Japanese program called Forty Years in the Kalahari, part of the television series, Our Wonderful World. All of these, as well as Marshall's Ju/'hoan films, are included in this filmography.

PITTSBURGH POLICE SERIES

1970 -- Inside/Outside Station 9

1971 -- Three Domestics

1971 -- Vagrant Woman

1972 -- 901/904

1972 -- Investigation of a Hit and Run

1973 -- After the Game

1973 -- The 4th, 5th, & Exclusionary Rule

1973 -- A Forty Dollar Misunderstanding

1973 -- Henry Is Drunk

1973 -- The Informant

1973 -- A Legal Discussion of a Hit and Run

1973 -- Manifold Controversy

1973 -- Nothing Hurt But My Pride

1973 -- Two Brothers

1973 -- $21 or 21 Days

1973 -- Wrong Kid

1973 -- You Wasn't Loitering

OTHER FILMS

1967 -- Titicut Follies (Co-Director, Cinematographer; film by Fredrick Wiseman)

1972 -- Ghana Drumming (uncompleted; collaboration with Nicholas England)

1974 -- Bushmen of the Kalahari (by Wolper Productions for National Geographic)

1975 -- Vermont Kids (series of short films; released in 2007)

1976 -- Festival of American Folklife (uncompleted; shot for Smithsonian Institution)

1978 -- If It Fits

1988 -- Our Wonderful World: Forty Years in the Kalahari (by Nippon A-V Productions)

Related Materials:

The Human Studies Film Archives holds several related collections, including:

• The Nicholas England Collection, which consists of audio recordings from 1951-1961. This collection contains both originals and duplicates of audio tapes recorded during the Marshall Expeditions. (2005.9) • The Journal of Robert Gesteland, kept during the Marshall !Kung Expedition VI, 1957-58. (2007.17) • Master copies of the full film record of Bushmen of the Kalahari (1974), a television program featuring John Marshall's 1973 visit to the /Gwi San of Botswana, produced by Wolper Productions for National Geographic. (2008.12) • Reference copies of the full video record of Our Wonderful World: Forty Years in the Desert, Nippon A-V's 1988 Japanese television program about John Marshall and the Ju/Wa Bushman Development Foundation. (2009.2.1) • Master copies of the videotape "library" kept by John Marshall for reference and stock footage purposes. Compiled from various sources, the videos include news programs, documentaries, and raw footage of Ju/'hoansi and other San peoples from the 1920's --1990's, as well as interviews with John Marshall and his mother, Lorna Marshall. (2009.2) • Additional audio recordings, including interviews with Ju/'hoansi made by John Marshall and others. (2009.3) • Full film record of [Ghana Drumming, 1972], an uncompleted project undertaken by John Marshall and Nicholas England, which documents a family of musicians. (2008.11)

The Papers of Timothy Asch, held at the National Anthropological Archives, contain information on Asch's work with John Marshall at Harvard University from 1959-1963, their collaboration in founding DER, and details on the use of Marshall's Ju/'hoan footage in the development of MACOS (Man, A Course of Study).

There are also several closely related collections held at the Peabody Museum of Archaeology and Ethnology, Harvard University. These collections relate to the 1950's Marshall Expeditions and include: Expeditionary Notebooks and Journals of Lorna and Laurence Marshall; Journal of Elizabeth Marshall Thomas; the Marshall Family Photograph Collection; and the Records of the South West Africa Expeditions, 1950- 1959. The Harvard Film Archive, Harvard University, holds film prints of several of Marshall's published films on the Ju/'hoansi, including The Hunters.

Provenance:

The John Marshall Ju/'hoan Bushman Film and Video Collection was received over several years of accessioning from different parties.

Restrictions:

The John Marshall Ju/'hoan Bushman Film and Video Collection is open for research. Please contact the Archives for availabilty of access copies of audio visual recordings. Original audiovisual material in the Human Studies Film Archives may not be played. Materials relating to Series 6 Production Files are restricted and not available for research until 2048, 2063, 2072. Kinship diagrams in Series 13 are restricted due to privacy concerns. Various copyrights and restrictions on commercial use apply to the reproduction or publication of film, video, audio, photographs, and maps.

Rights:

Contact the repository for terms of use. Information on reproduction and fees available from repository.

Topic:

Anthropology  Search this

Genre/Form:

Documentary films

Citation:

The John Marshall Ju/'hoan Bushman Film and Video Collection, 1950-2000, Human Studies Film Archives, Smithsonian Institution.

Sponsor:

Finding aid has been funded through generous support from the Arcadia Fund.

Identifier:

HSFA.1983.11

See more items in:

John Marshall Ju/'hoan Bushman film and video collection

Archival Repository:

Human Studies Film Archives

GUID:

https://n2t.net/ark:/65665/pc9837628c2-5993-4cb8-8a98-9d1139f46452

EDAN-URL:

ead_collection:sova-hsfa-1983-11

Collector:

Dr. Charles Rau  Search this

Donor Name:

Dr. Charles Rau  Search this

Object Type:

Bannerstone

Place:

Unknown County, Massachusetts, United States, North America

Accession Date:

10 Dec 1887

Topic:

Archaeology  Search this

Accession Number:

019931

USNM Number:

A138507-0

See more items in:

Anthropology

Data Source:

NMNH - Anthropology Dept.

GUID:

http://n2t.net/ark:/65665/35e3a05ce-bd4d-493c-963f-ac9e5065f6ff

EDAN-URL:

edanmdm:nmnhanthropology_8017795

Collector:

Dr. Charles Rau  Search this

Donor Name:

Dr. Charles Rau  Search this

Object Type:

Cast

Place:

Middleboro, Plymouth County, Massachusetts, United States, North America

Accession Date:

10 Dec 1887

Topic:

Archaeology  Search this

Accession Number:

019931

USNM Number:

A138637-0

See more items in:

Anthropology

Data Source:

NMNH - Anthropology Dept.

GUID:

http://n2t.net/ark:/65665/33d581a22-c7fb-4c49-8729-cce669fc866f

EDAN-URL:

edanmdm:nmnhanthropology_8017940

Creator:

American Academy in Rome  Search this

Names:

American Academy in Rome  Search this

American School of Architecture in Rome  Search this

American School of Classical Studies in Rome  Search this

Aldrich, Chester Holmes, 1871-1940  Search this

Boring, William, 1859-1937  Search this

Breck, George, 1863-1920  Search this

Dinsmoor, William B.  Search this

Egbert, J. C. (James Chidester), 1859-1948  Search this

Ely, Theo. N.  Search this

Faulkner, Barry, 1881-1966  Search this

Guernsey, Roscoe  Search this

Hewlett, James Monroe  Search this

Kendall, William M.  Search this

La Farge, C. Grant (Christopher Grant), 1862-1938  Search this

Marquand, Allan, 1853-1924  Search this

McKim, Charles Follen, 1847-1909  Search this

Mead, William Rutherford, 1846-1928  Search this

Millet, Francis Davis, 1846-1912  Search this

Morey, Charles Rufus, 1877-1955  Search this

Mowbray, H. Siddons (Harry Siddons), 1858-1928  Search this

Platt, Charles A. (Charles Adams), 1861-1933  Search this

Pope, John Russell, 1874-1937  Search this

Roberts, Laurance P.  Search this

Smith, James Kellum, 1893-1963  Search this

Stevens, Gorham Phillips, 1876-  Search this

Vedder, Elihu, 1836-1923  Search this

Vitale, Ferrucio, 1875-1933  Search this

Ward, John Quincy Adams, 1830-1910  Search this

Extent:

65.9 Linear feet

Type:

Collection descriptions

Archival materials

Photographs

Date:

1855-2012

Summary:

The records of the American Academy in Rome measure 65.9 linear feet and date from 1855 to 2012. The collection documents the history of the institution from its inception in 1894 as the American School of Architecture in Rome, through the end of World War II, and chronicles the contributions the academy has made to America's cultural and intellectual development. Nearly one-half of the collection consists of an unprocessed addition received in 2014 containing records that mostly post-date World War II and include correspondence and subject files of officers and executives based in the New York office of American Academy in Rome.

Scope and Content Note:

The records of the American Academy in Rome measure 65.9 linear feet and date from 1855 to 2012. The collection documents the history of the institution from its inception in 1894 as the American School of Architecture in Rome, through the end of World War II, and chronicles the contributions the academy has made to America's cultural and intellectual development. Nearly one-half of the collection consists of an unprocessed addition received in 2014 containing records that mostly post-date World War II and include correspondence and subject files of officers and executives based in the New York office of American Academy in Rome.

Items predating the 1894 founding of the American School of Architecture in Rome are personal papers and memorabilia of individuals associated with the institution.

Series 1: Predecessor Institutions, is composed of the records of the American School of Architecture in Rome, 1894-1898, and the American School of Classical Studies in Rome, 1895-1913. Records of the American School of Architecture in Rome include records of its Managing Committee, correspondence, financial records, and printed matter. Among the Managing Committee's records are notes and correspondence relative to the founding of the institution, minute books and reports; also, legal documents including records concerning its dissolution prior to being reorganized as the American Academy in Rome. Correspondence is mostly that of Vice President Charles F. McKim who handled administrative matters. Financial records include capital stock certificates, invoices and receipts. Printed matter consists of scholarship competition announcements.

Records of the American School of Classical Studies in Rome include records of its Managing Committee, Committee on Fellowships, publications, printed matter, and treasurers' records. The Managing Committee's records consist of the proposed resolution concerning its merger with the American Academy in Rome. Committee on Fellowship records are comprised of correspondence, reports, and fellowship applications. Publications records include correspondence and invoices. Printed matter includes general information, annual reports of the Managing Committee and Director, annual reports of the Committee on Medieval and Renaissance Studies, fellowship applications and examination questions, and the proposed consolidation agreement. Treasurers' records include the files of Alex. Bell and Willard V. King. Bell's sparse records consist of a budget, receipts for salary payments, an invoice, canceled checks, and correspondence. King's files, while more substantial than those that survive from Bell's tenure, are quite incomplete. They include correspondence, banking records, budgets and financial statements, investment records, invoices, and receipts for salaries and expenses.

Series 2: Board of Trustees Records, is comprised of legal documents, minutes, and reports; records of Trustee committees; records of officers; and records of individual Trustees. Legal documents, 1897-1926 and undated, consist of by-laws and amendments, certificate of incorporation, and constitution and amendments. Minutes and reports of the Board of Trustees, 1897-1947 and 1957, including those of its annual meetings, are carbon copies rather than the official minute books, and are incomplete. Reports of officers are incomplete, as well. Also included are reports of Officers'/Trustees' visits to Rome, and reports of the Director and Secretary in Rome submitted to the Board of Trustees.

Records of Trustee committees, 1905-1946 and undated, consist of reports and/or minutes arranged alphabetically by committee; these, too are incomplete, with many committees represented by a single report. Committees represented are: Building Committee, Carter Memorial Committee, Endowment Committee, Executive Committee, Finance Committee, Library Committee, McKim Memorial Committee, Nominating Committee, Committee on Publications. Committee on the School of Classical Studies records consist of its own minutes and reports, reports of its Advisory Council and the Jury on Classical Fellowships. Committee on the School of Classical Studies also include reports of officers and staff of the School of Classical Studies to the Committee on the School of Classical Studies as follows: Director, Professor in Charge, Annual Professor, Director of the Summer Session, Professor of Archaeology, Curator of the Museum, Editor, Librarian, and Committee on the Welfare of Women Students. Committee on the School of Fine Arts records consist of its own minutes and reports, reports of its Special Committee on the Plan and Expense of a Department of Music in the School of Fine Arts, and report of Fine Arts Program, Triptych Project with the Citizens Committee for the Army and Navy, Inc.; also, reports of officers and staff of the School of Fine Arts to the Committee on the School of Fine Arts as follows: Director, Professor in Charge, Associate in Charge, Annual Professor, Professor in Charge of the Department of Musical Composition. In addition, there are minutes and/or reports of the Committee of Twelve and Subcommittee of Five and the Special Committee on Villa Aurelia.

Records of Officers. 1898-1957 and undated, consist mainly of correspondence files and reports, with large numbers of transcriptions and carbon copies. Included are records of: Presidents Charles F. McKim, William R. Mead, Charles A. Platt, John Russell Pope, and James Kellum Smith; Vice Presidents Theodore N. Ely, George B. McClellan, and Henry James; Secretaries H. Siddons Mowbray (Secretary/Treasurer), Frank D. Millet, C. Grant La Farge, William B. Dinsmoor, and H. Richardson Pratt; and Treasurers William R. Mead, William A. Boring, Leon Fraser, and Lindsay Bradford Office files of President Mead, Secretaries Millet and La Farge, and Treasurer Boring are the most complete; files of other individuals, the Vice Presidents in particular, are often quite sparse.

Records of individual Trustees, 1902-1946 and undated, consist of material relating to official Academy business that was created or maintained by each in his capacity as trustee. (Note: many of these individuals also served as officers or staff of the Academy, and their records documenting those functions will be found in the appropriate series.) Included in this subseries are the records of: Chester H. Aldrich, Gilmore D. Clarke, James C. Egbert, Barry Faulkner, Allan C. Johnson, William M. Kendall, C. Grant La Farge, Edward P. Mellon, Charles Dyer Norton, Charles A. Platt, John Russell Pope, Edward K. Rand, John C. Rolfe, James Kellum Smith, S. Breck Trowbridge, Ferruccio Vitale, John Quincy Adams Ward, Andrew F. West, and William L. Westerman. These records tend to be sparse; files maintained by James C. Egbert, Barry Faulkner, Allan C. Johnson, and Ferruccio Vitale are notable exceptions.

Series 3: New York Office Records, consists of records of staff, rosters, printed matter, photographs, personal papers, Association of Alumni of the American Academy in Rome, and miscellaneous records.

Records of staff, 1919-1950 and undated, include the office files of Executive Secretaries Roscoe Guersney, Meriwether Stuart, and Mary T. Williams; Librarian George K. Boyce; and Endowment Fund Campaign Secretaries Phillilps B. Robinson and Edgar I. Williams.

The rosters, 1895-1939 and undated, are printed forms completed by fellows and students, with occasional attachments (usually correspondence or photographs). Included are the rosters of the School of Fine Arts, School of Classical Studies, and School of Classical Studies Summer Sessions.

Printed matter, 1905-[1981?] and undated, has been classified as Academy produced and produced by others. Items produced by the Academy, 1905-[1981?], include general information including act of incorporation and by-laws, fundraising brochure, constitution, Directory of Fellows and Residents, histories of the institution, newsletter of the Director, and printed items relating to special events. Printed matter specifically relating to the School of Classical Studies includes annual announcements, the consolidation agreement, a directory, fellowship announcements and applications, lecture announcements, newsletters, and brochures about summer sessions. School of Fine Arts printed matter includes annual announcements, concert programs, exhibition checklists and catalogs, fellowship announcements and application forms, history, and newsletters.

Printed matter produced by others, 1905-1940 and undated, consists of three scrapbooks of news clippings and photographs compiled by the American Academy in Rome, extensive clipping files, and articles from miscellaneous publications. All of these items are about the American Academy in Rome, or by or about individuals associated with the institution. Also included is a poster for Leave Courses offered at the Academy for U. S. servicemen.

Photographs, 1891-1941 and undated, are organized into the categories of works of art, people, buildings, places, events, and miscellaneous. Works of art are by visiting students and fellows, Frank D. Millet, collaborative problems, Rome Prize Competitions in Architecture, Rome Prize Competitions in Landscape Architecture, and Prix de Rome Competition exhibitions. Photographs of people are both of individuals and groups; among the groups are summer school students and fellowship winners.

Buildings depicted are American Academy properties. Among them are the "New Building," including interior and exterior construction views; studios; and Villas Aurelia, Mirafiore, and Richardson. Also included is a group of photographs of Academy architecture students measuring buildings in Rome and Florence. Places pictured are views of the Academy property and surrounding areas.

Photographs of events include cricket games, Thanksgiving and Fourth of July dinners, Architectural League exhibition, and inauguration of the Manship Fountain. Miscellaneous photographs are of an architectural drawing for a proposed building.

Personal Papers, Memorabilia, and Ephemera, 1855-1923 an undated, were donated to the American Academy in Rome or otherwise left on its premises. None are official records generated by the institution. Included are: Ernest Lewis' photograph album/scrapbook; Allan Marquand's papers; Charles F. McKim's memorabilia, photographs, printed matter, and artifacts; Charles R. Morey's correspondence; and Elihu Vedder's Bible.

Records of the Association of the Alumni of the American Academy in Rome, 1913-1945 and undated), consist of a small number of scattered records including correspondence, fellows' war/government service information (compiled by Sidney Waugh), membership lists, and a newsletter.

Miscellaneous records, 1899-1926 and undated, are writings and architectural records. Writings consist of published and unpublished manuscript material about the American Academy in Rome and its history, and article by H. Siddons Mowbray advising on ornamentation, and text and illustrations for the Art and Archaeology issue on the Academy. Also included are fragments of unidentified letters. Architectural records [oversize] include property and floor plans of Villas Aurora, Chiaraviglio, Ferrari, and Ludovisi.

Series 4: Rome Office Records, consist of records of staff and personal papers. Records of staff, 1903-1947 and undated, include the office files of Directors H. Siddons Mowbray, George Breck, Jesse Benedict Carter, Gorham Phillips Stevens, James Monroe Hewlett, Chester H. Aldrich, Amey Aldrich [Acting Director, very briefly, perhaps unofficially], Charles R. Morey, and Laurance P. Roberts; and records of two members of the School of Fine Arts faculty, Frank P. Fairbanks, Professor of Fine Arts, and Felix Lamond, Professor of Music. Records of Carter, Stevens, Hewlett, and Aldrich appear to be fairly complete; records of early directors are sparse; those of Morey and Roberts appear to be missing significant portions; and those of Professors Fairbanks and Lamond consist of a few scattered items.

Also surviving are the personal papers of Director Gorham Phillips Stevens, 1912-1931 and undated), consisting of correspondence, financial records, and documentation of professional and charitable activities.

Series 5: Unprocessed Addition to the American Academy in Rome Records was received in 2014 and consists of 31.6 linear feet of the New York office's records for officers, directors, and executives.

Arrangement:

It was obvious that before they came to the Archives of American Art the records had been rearranged more than once, and in such a way that materials from many different departments had been intermingled. In keeping with archival theory and practice, the records were organized to reflect the structure and operation of the institution that created the records, making them more understandable and accessible to a wide variety of researchers.

In general, the records of each officer and staff member are arranged alphabetically, with general correspondence preceding the alphabetical sequence; arrangement within each file is chronological, unless noted otherwise.

Records of the American Academy in Rome are organized into five major series. Each series, except series 5, is divided into several subseries, with the arrangement described in detail in the series descriptions.

Missing Title

Series 1: Predecessor Institutions, 1894-1913 (box 1; 0.88 linear ft.; Reels 5749-5750)

Series 2: Board of Trustees Records, 1897-1957, undated (boxes 1-17, 35, 37; 15.25 linear ft.; Reels 5750-5777)

Series 3: New York Office, 1855-circa 1981, undated (boxes 17-32, 36; 15 linear ft.; 5777-5795)

Series 4: Rome Office, 1903-1943, undated (boxes 32-34; 3 linear ft.; 5795-5800)

Series 5: Unprocessed Addition to the American Academy in Rome Records, 1933-2002 (boxes 35-103; 31.6 linear ft.)

Historical Note:

While in Chicago to advise and work on the fine arts section of the 1893 World's Columbian Exposition, architects Charles F. McKim, Daniel Burnham, and Richard Howland Hunt, painters John La Farge and Frank Millet, and sculptors Augustus Saint-Gaudens, and Daniel Chester French, among others, met regularly. From their collaborative experience and discussions came the idea for an American school for artists in Europe. Charles F. McKim was especially enthusiastic. He strongly believed that collaborative experience should be available to future American artists, and perceived a real need for an American school in Europe--preferably in Rome, the very best place to study art, in his opinion.

By March of the following year, McKim was busy devising plans for the school and persuading like-minded architects and artists to assist. He proposed to finance the school by convincing institutions with traveling scholarships in the arts to send those students to Rome. Columbia University, University of Pennsylvania, and the Rotch Scholarship fund readily agreed to the scheme, and in ensuing years many others followed suit. In October, 1894, the American School of Architecture in Rome opened temporary quarters in the Palazzo Torlonia. The school consisted of its Director, Austin Lord, three fellows, and a visiting student; its "library" contained but one volume.

A move to the larger, more suitable Villa Aurora occurred in July 1895. Rent from two subtenants (the newly established American School of Classical Studies in Rome and the British and American Archaeological Society Library in Rome), along with a personal contribution from McKim, made this financially feasible.

The American School of Architecture in Rome was incorporated in the State of New York, 1895, and 10 shares of capital stock were issued. Despite substantial fundraising efforts in Chicago, New York, and Boston, severe financial problems continued. The American School of Classical Studies in Rome vacated the Villa Aurora in 1896--and with it went a sizeable portion of the School of Architecture's income. McKim frequently made up the deficit from his own pocket.

Eventually, it was decided that the American School of Architecture in Rome must be reorganized along the lines of the French Academy and that national sponsorship needed to be obtained through an act of Congress. In June of 1897, the American School of Architecture in Rome voted to dissolve itself and create the American Academy in Rome. The new institution would assume all assets and obligations, fellowships in painting and architecture were to be added to the program, and its Board of Trustees would include architects and artists. The Academy is not a school. Its fellows and visiting students, already professionally trained, go to Rome for further development and for collaboration and association with others. In the words of Director Gorham Phillips Stevens: "The object of the American Academy in Rome is not to afford opportunities for a few individuals to perfect themselves for the practice of their chosen professions. The ideal is to create an atmosphere in which a limited number of carefully selected artists and scholars may develop that synthesis of intellectual culture which will make them worthy to preserve and continue the great traditions of the past in order that the standard of art and literature may be handed on from year to year, constantly strengthened and improved."

Beginning in 1901, bills to make the American Academy in Rome a "national institution" were introduced in Congress on several occasions. A hearing was finally scheduled in 1905, and a revised bill that prohibited government funding and specified that U.S. officials may not be Trustees was signed into law. Serious efforts to create an Endowment Fund and secure better quarters were associated with the movement to obtain status as a national institution. The Academy was successful in meeting all of these objectives. In 1904, the Academy moved to the Villa Mirafiore (also known as Villa Mirafiori), which it soon purchased and renovated. The Endowment Fund raised well over a million dollars. Donors of $100,000 to the Endowment Fund, designated "Founders" of the American Academy in Rome, were: The Carnegie Foundation, Henry C. Frick, Harvard College, Charles F. McKim, J. P. Morgan, Sr., J. P. Morgan, Jr., The Rockefeller Foundation, John D. Rockefeller, Jr., William K. Vanderbilt, and Henry Walters. Other categories of donors were "Incorporators" (a new Act of Incorporation was required at the time the American Academy in Rome was chartered as a national institution) and "Life Members."

The American School of Classical Studies in Rome, which had been established by the Archaeological Society in 1895 and during its first year shared the Villa Aurora with the American School of Architecture in Rome, entered into a consolidation agreement with the American Academy in Rome in 1911. Their merger went into effect on the last day of 1912, and ever since, the American Academy in Rome has consisted of the School of Fine Arts and the School of Classical Studies, administered by a common director. The School of Classical Studies is composed of fellows and visiting scholars who are graduate students, secondary teachers, or professors engaged in research in the areas of archaeology, ancient art, philology, and humanistic studies. Women were a part of the School of Classical Studies from its beginning, but were not permitted to participate in the School of Fine Arts until well after World War II. Beginning in 1923, the School of Classical Studies instituted Summer Sessions which appealed to secondary teachers, and attracted an enrollment that was largely female.

Originally, the School of Fine Arts offered fellowships in architecture, painting, and sculpture. Fellowships in landscape architecture were added in 1915; in 1920, a Department of Music was established, and along with it fellowships in musical composition. Fellowships in art history were established in 1947. Unmarried men under age 30 were eligible to compete for the fine arts fellowships awarded annually (except for landscape architecture, awarded every third year); the duration of fellowships ranged from one to three years at various points in the institution's history. In residence along with fellows of the American Academy in Rome, might be holders of various traveling scholarships: the McKim Fellowship, the Columbia Traveling Scholarship, the Perkins Scholarship, the Robinson Traveling Scholarship (Harvard), the Rotch Scholarship, the Julia Appleton Scholarship, the Traveling Scholarship and Stewardson Memorial Scholarship (University of Pennsylvania), the Cresson Scholarship (Pennsylvania Academy of the Fine Arts), the Drexel Institute Traveling Scholarship, the Lazarus Scholarship (Metropolitan Museum of Art), the Lowell Scholarship (Massachusetts Institute of Technology), and the Rinehart Scholarship (Peabody Institute, Baltimore). Visiting students, who remained for a much briefer period than fellows or recipients of various traveling scholarships, were admitted to all lectures and granted use the library, but resided elsewhere. The Academy opened an Atelier in downtown Rome for visiting students in 1927, which operated until financial considerations forced its discontinuation seven years later.

As the merger was being planned, J. P. Morgan, Sr., who was interested in both the American Academy in Rome and the American School of Classical Studies in Rome, began buying properties on the Janiculum, adjacent to Villa Aureilia. Villa Aurelia, built on the summit of the Janiculum in 1650, had been bequeathed to the American Academy in Rome in 1909 by Clara Jessup Heyland. Complications surrounding the gift of Villa Aurelia--including the will being contested by Mrs. Heyland's brother, and problems with unsettled tax assessments--were overcome in the interest of acquiring the outstanding building and its extensive grounds. Not long before his death in 1913, Morgan donated his neighboring land, and the American Academy in Rome continued to expand its Janiculum holdings through purchases and gifts from others. Morgan also agreed to provide a loan for construction of a new building. This building, designed by McKim, Mead, and White and known as the Main Building or Academy Building, opened in 1915; it served as the fellows' residence and work area, and included room for the library, offices, and space for exhibitions and other public events.

During World War I, the American Academy in Rome managed to remain open, although no new fellows arrived during the war years and the number of resident fellows and staff dwindled considerably. Most who remained were involved in some type of civilian war work, often with the Red Cross. In fact, Villa Aurelia was rented by the Red Cross in Italy for office space, and the Main Building was offered as a convalescent hospital, but the war ended before it could be put to that use.

After Italy declared war on the United States in 1941, the American Academy in Rome closed for the remainder of World War II. Those who had been awarded fellowships in classics just prior to the Academy's closing were given the option of using their stipends for study at home or waiting until conditions permitted travel to Rome. A very reduced staff stayed to care for the property and continue library cataloguing, coping with often severe wartime shortages of food and fuel. In addition, there were financial hardships. When bank accounts of enemy aliens were frozen and it was no longer possible to transfer funds from the United States, the Swiss Legation and Vatican arranged for loans to keep the Academy and its staff afloat. Funds that would have been awarded to new fellows during this period were put to use in other ways. In 1943, the American Academy in Rome made a grant to the Citizen's Committee for the Army and Navy, Inc. for competitions to award commissions to artists and art students throughout the country, funding more than 100 triptychs for chapels, as well as murals, medals, and sculpture. Seniors in American colleges and universities were eligible to compete for several scholarships for graduate work in classical studies awarded by the American Academy in Rome.

In 1945, the Academy was the site of Leave Courses on various aspects of Italian culture offered to servicemen. From the end of the war until the Academy reopened at the start of the 1946/47 academic year, G.I. Fellowships were offered to discharged soldiers wishing to study at the Academy, making the institution eligible to receive surplus equipment and rations. During this time intensive planning was underway for administrative changes and new programs.

test

1893 -- While in Chicago to collaborate on the fine arts section for the World's Columbian Exposition, architects Charles F. McKim, Daniel Burnham, Richard Howland Hunt, painters John La Farge, and Sculptors Augustus Saint-Gaudens, and Daniel Chester French, among others, met regularly and from their collaborative experience and discussions came the idea for an American school in Europe.

1894 -- American School of Architecture in Rome opened in temporary quarters at the Palazzo Torlonia with Austin Lord, Director, three fellows, and a visiting student.

1895 -- Villa Aurora leased with 2 subtenants, the American School of Classical Studies and the British and American Archaeological Society Library in Rome American School of Architecture incorporated and 10 shares of capital stock issued (2 each to McKim and Hunt, and 1 to Burnham, Kendall, Schermerhorn, Boring, Garland, and Dill) McKim visits Rome.

1896 -- Metropolitan Museum of Art, administrator of Jacob H. Lazarus Scholarship for the study of mural painting, agrees to send the winner to Rome American School of Classical Studies in Rome vacates Villa Aurora.

1897 -- American School of Architecture in Rome dissolved and reorganized as the American Academy in Rome; the assets (including the lease on Villa Aurora) of the American School of Architecture in Rome were transferred and its program expanded to include fellowships in painting and sculpture Samuel A. B. Abbott appointed first Director Rome Prize discontinued (for 9 years) due to lack of funds.

1898 -- Incorporated in New York State; trustees begin to focus on raising an endowment.

1904 -- Move to Villa Mirafiore (also known as Villa Mirafiori); occupied until 1914.

1905 -- Chartered by the Congress of the United States; a bill signed by President Roosevelt made the American Academy in Rome a national institution (receiving no government funding and barring U.S. officials from acting as Trustees).

1906 -- Purchase of Villa Mirafiore finalized; renovations begun.

1909 -- Villa Aurelia bequeathed to the Academy by Clara Jessup Heyland (used until 1932); there were protracted problems surrounding the acquisition of the property including a brother who contested the will and unsettled taxes.

1911 -- School of Classical Studies in Rome (established by the Archaeological Institute of America in 1895) and the American Academy in Rome announce their consolidation [the merger became effective on the final day of 1912].

1912 -- Lands on the Janiculum adjacent to Villa Aurelia, recently acquired by J. Pierpont Morgan, Sr., transferred to the American Academy in Rome.

1913 -- American Academy in Rome now consists of the School of Fine Arts and the School of Classical Studies. New York office moves to the Architect's Building, 101 Park Ave., remaining at this location until 1973. By this date, largely through the generosity of J. Pierpont Morgan, Sr., nearly all of the land bounded by Via Angelo Masina, Via Giacomo Medici, Via Pietro Riselli, and the Aurelian Wall on the Janiculum had been purchased and many improvements made to the properties near the Villa Aurelia. Construction begins on the new Academy building designed by McKim, Mead, and White and situated on the grounds of Villa Aurelia; financed through a loan from J. Pierpont Morgan, Sr. (after Morgan Sr.'s death, his son offered to cancel the loan at an amount equal to funds raised by the Academy for the purpose).

1915 -- First Fellowship in Landscape Architecture established; opening of new Academy building housing the fellows' residential quarters, work areas, library, offices, and spaces for public programs.

1917 -- Villa Aurelia rented to the Red Cross for office space, and the new Main building was slated to become a convalescent hospital, but the war ended before it could be put to use.

1919 -- New York office reorganized by Roscoe Guernsey, executive secretary; sale of Villa Mirafiore; Academic Council established in Rome.

1920 -- Department of Music and Fellowship in Musical Composition established.

1923 -- School of Classical Studies establishes summer sessions, largely attended by teachers.

1926 -- Second Fellowship in Landscape Architecture funded by Garden Club of America (later permanently endowed).

1927 -- Academy opens an Atelier in downtown Rome, providing studios for visiting students (operated until 1934).

1929 -- First Thomas Spencer Jerome lecturer appointed.

1941 -- Academy closes for duration of World War II; a skeletal staff remain behind to care for the property and continue library cataloguing; Italy declares war on the United States.

1942 -- After transfer of funds from the U.S. proved impossible and enemy aliens were prohibited from withdrawing their own funds from Italian banks, the Swiss Legation and Vatican offered assistance to the Academy by providing loans.

1943 -- Academy grant to Citizen's Committee for the Army and Navy, Inc., funded hundreds of triptychs; murals, medals, and sculptures also commissioned Academy awards scholarships in classical studies at American colleges and universities.

1945 -- "Leave courses," held at the Academy, consisting mainly of lectures by distinguished scholars still in Rome, instituted for U.S. servicemen.

1946 -- Regular program resumes at the start of the academic year.

1947 -- Fellowship in the History of Art established.

1965 -- Loan of printed matter for microfilming by the Archives of American Art (reels ITRO 2-3 and 11-13).

1973 -- New York office moves to American Federation of Arts building, 41 East 65th St. (until 1993).

1982 -- Gift of New York office records to the Archives of American Art.

1990 -- Gift of Rome office records to the Archives of American Art.

1993 -- New York office moves to Metropolitan Club, 7 East 60th St.

Related Material:

Papers of a number of former fellows, trustees, and other individuals associated with the American Academy in Rome are among the holdings of the Archives of American Art.

Chaloner Prize Foundation records, 1915-1974 (microfilm reels 5664-5669) were received with the American Academy in Rome records. They have been arranged and described as a separate collection.

Valentine, Lucia and Alan Valentine. The American Academy in Rome, 1894-1969. Charlottesville: University Press of Virginia, 1973.

Separated Material:

The Archives of American Art also holds microfilm of material lent for microfilming (reels ITRO 2-3, and ITRO 11-13) including annual reports, exhibition catalogues, a history of the American Academy in Rome, the American Academy in Rome at the World's Fair, and the Golden Gate Exposition and newsletter. Loaned materials were returned to the lender and can be found at the American Academy in Rome, Italy. This material is not described in the collection container inventory.

Provenance:

The material on reels ITRO 2-3 and ITRO 11-13 were lent to the Archives of American Art for microfilming by the American Academy in Rome in 1965. Records of predecessor institutions, the Board of Trustees, and the New York office, including photographs and personal papers, were donated in 1982 by the Academy president, Calvin G. Rand. In 1990, Rand also gifted the Rome office records and the personal documents of Gorham Phillips Stevens. An addition of New York office records was donated in 2014 by the Academy director, Adele Chatfield-Taylor.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. research center. Contact Reference Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Architecture -- Study and teaching  Search this

Architecture, Classical -- Study and teaching  Search this

Art -- Study and teaching  Search this

Art schools -- Italy -- Rome  Search this

Genre/Form:

Photographs

Citation:

American Academy in Rome records, 1855-2012. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.ameracar

See more items in:

American Academy in Rome records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9eb425e5a-26de-478b-8ecc-8a9006e9dc52

EDAN-URL:

ead_collection:sova-aaa-ameracar

Creator:

Livingstone, Frank B., 1928-2005  Search this

Names:

River Basin Surveys  Search this

University of Michigan. Department of Anthropology  Search this

Extent:

1 Boxe

Type:

Collection descriptions

Archival materials

Field notes

Correspondence

Photographs

Manuscripts

Place:

Liberia

Date:

circa 1948-1990s

Summary:

Frank B. Livingstone (1928-2005) was an anthropologist who conducted fieldwork in Liberia, studying the correlation between malaria and sickle cell anemia. This collection contains files relating to his research in Liberia on malaria and sickle cell anemia; correspondence; a photo of Livingstone; his 1950 application for temporary field work on the Missouri River Basin Survey; reprints and articles by others; a miscellany of materials pertaining to University of Michigan's Anthropology Department; and some conference materials.

Scope and Contents:

This collection consists of Frank Livingstone's bibliographic research and field notes from Liberia on malaria and sickle cell anemia; correspondence, which include his Havard grade transcript; typescript drafts by Livingstone on sickle cells and human evolution; a photograph of Livingstone as a young man (standing on right) working at an excavation site; his 1950 application for temporary field work on the Missouri River Basin Survey; reprints and articles by others; a miscellany of materials pertaining to University of Michigan's Anthropology Department, including a 4-page typescript "[Michigan] Department of Anthropology, 1940-1975"; and some conference materials

Arrangement note:

Folders are arranged in the following order: 1) Correspondence, 1948-1962, 1993; 2) Field Journals (4 folders); 3) Typescript drafts; 4) Reprints, articles, & brochure; 5) University of Michigan; 6) Conferences and seminar; 7) River Basin Survey application and excavation photo; 8) Fortran printouts.

Biographical/Historical note:

Frank B. Livingstone was born on December 8, 1928 in Winchester, Massachusetts. He obtained his undergraduate degree in mathematics from Harvard University (1950) and his Ph.D. in anthropology from University of Michigan in 1957. In 1959, he joined the faculty of University of Michigan's Anthropology Department, retiring in 1998. Livinstone conducted fieldwork in Liberia, studying the correlation between malaria and sickle cell anemia; in recognition of his research, he received the Martin Luther King Award from the Southern Christian Leadership Conference. His publications include Abnormal Hemoglobin in Human Populations (1967), "On the Non-existence of Human Races" (1962), "Did Australopithecines Sing" (1973), and "What Happened to the Universality of the Incest Taboo" (1991). The American Association of Physical Anthropologists (AAPA) awarded Livingstone the Charles R. Darwin Award for Lifetime Achievement in 1999. In 2002, a symposium was held in his honor at AAPA's annual meeting. He passed away on March 21, 2005

Topic:

Physical anthropology  Search this

Sickle cell anemia  Search this

Malaria  Search this

Excavations (Archaeology)  Search this

Genetics  Search this

Human evolution  Search this

Genre/Form:

Field notes

Correspondence

Photographs

Manuscripts

Citation:

Frank Livingstone papers, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.2009-22

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw324154c06-4e68-47c2-b8de-d13c02e23918

EDAN-URL:

ead_collection:sova-naa-2009-22

Extent:

111.5 Linear feet

Note:

The collection is stored off-site. Advanced notice is required to view the collection.

Type:

Collection descriptions

Archival materials

Date:

circa 1970 - circa 1990

Scope and Contents:

With the passage of federal environmental and cultural heritage legislation during the 1960s, 1970s, and 1980s, archaeological investigations were required before federal land could be disturbed for construction projects. Reports of these investigations, often conducted by archaeological contactors, were generally published in processed rather than printed form. The multiliths, electrostats, dittographs, and so forth are referred to as "grey literature." Access to them is sometimes difficult because many libraries decline to collect them.

Included are reports on archaeological work in Alabama, Alaska, Arizona, California, Canada (Alberta), Colorado, Delaware, District of Columbia, Florida, Georgia, Hawaii, Idaho, Illinois, Indiana, Iowa, Kansas, Kentucky, Louisiana, Maryland, Minnesota, Montana, Massachusetts, Mississippi, Missouri, Nebraska, Nevada, New Jersey, New Mexico, New York, North Carolina, North Dakota, Ohio, Oklahoma, Oregon, Pennsylvania, Puerto Rico, Rhode Island, South Carolina, South Dakota, Tennesee, Texas, Utah, Vermont, Virgin Islands, Virginia, Washington, West Virginia, Wisconsin, and Wyoming.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.

Provenance:

The collection was formed largely from four sources: (1) Smithsonian curators, who received contract archaeology reports and passed them on to the NAA; (2) the NAA, which was on the mailing list of some contractors; (3) the Smithsonian Anthropology Library, which turned over its collection to the archives; (4) the National Park Service archaeology program in Washington, D.C., which also placed its collection in the NAA

Restrictions:

The Archaeology reports and related material collection is open for research.

Access to the Archaeology reports and related material collection requires and appointment.

Rights:

Contact the repository for terms of use.

Citation:

Archaeology reports and related material collection, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.1976-028

See more items in:

Archaeology reports and related material collection

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw337cd7520-8e00-43e8-9ceb-7569cbcd64a5

EDAN-URL:

ead_collection:sova-naa-1976-028

Creator:

Ortner, Donald J.  Search this

Names:

Paleopathology Association  Search this

Smithsonian Institution Department of Anthroplogy  Search this

University of Bradford  Search this

Frohlich, Bruno, 1945-  Search this

Putschar, Walter G. J., 1904-1987  Search this

Extent:

44.37 Linear feet (96 boxes, 3 map-folders)

Type:

Collection descriptions

Archival materials

Maps

Photographs

Slides (photographs)

Negatives (photographic)

Manuscripts

Sound recordings

Correspondence

Place:

Virginia

England

Jordan

Peru

Date:

1963-2013

Summary:

The Donald J. Ortner Papers, dated 1963 to 2013, document his research and professional activities while working in the Division of Physical Anthropology in the Department of Anthropology at the Smithsonian Institution National Museum of Natural History. They primarily deal with his contributions to the field of paleopathology and his work with specimens from Bab edh-Dhra, Jordan and Chichester, England. The bulk of this collection consists of correspondence, files related to Ortner's publications, specimen observations and analysis, and photographs.

Scope and Contents:

The Donald J. Ortner Papers primarily document his projects, research, and correspondence working as a biological anthropologist in the Division of Physical Anthropology of the Department of Anthropology from 1963 until his death in 2012. The bulk of the projects represented relate to his work in paleopathology, such as the Near Eastern skeletal biology program in Jordan and the medieval skeletal disease project in England. The collection consists of notes, research materials, correspondence, data and data analysis, transcripts of specimen observations, maps, blueprints, artwork, negatives, slides, photographs, CD-Roms, floppy discs, and sound cassettes.

Arrangement:

This collection is arranged in 8 series: Series 1. Correspondence, 1966-2012; Series 2. Subject files, 1965-2013, undated; Series 3. Near Eastern Skeletal Biology Program, 1977-2010, undated; Series 4. Medieval Skeletal Disease Project, 1988-2006, undated; Series 5. Other publications, projects, and research, 1963-2011, undated; Series 6. Professional activities, 1971-2007, undated; Series 7. Biographical and office files, 1963-2011, undated; Series 8. Artwork, 1978, undated

Biographical Note:

Donald J. Ortner was a biological anthropologist in the Department of Anthropology at the Smithsonian National Museum of Natural History (NMNH). By the time of his death, Ortner had served in many positions at the Museum, including Acting Director (1994-1996). His areas of expertise included human paleopathology, human health in medieval England, bioarcheology of the ancient Near East, and the history and evoluton of human infectious diseases. Ortner was a founding member of the Paleopathology Association.

Ortner was born in 1938 in Stoneham, Massachusetts and arrived at the NMNH in 1963, working primarily with J. Lawrence Angel who had recently started as Curator in the Division of Physical Anthropology. While working at the Museum, Ortner completed his Master's in Anthropology in 1967 and received his Ph.D. from the University of Kansas in 1970. His doctoral dissertation was on The Effects of Aging and Disease on the Micromorphology of Human Compact Bone.

Ortner worked with Walter G. J. Putschar, a pathologist based at Massachusetts General Hospital in Boston, on a series of short-courses (1971-1974) on paleopathology at the Smithsonian. During the summer of 1974, Putschar and Ortner traveled to Europe (London, Edinburgh, Zurich, Strasbourg, Vienna, Prague) studying and photographing examples of skeletal pathology in museums and other repositories. The result of this research was the book Identification of Pathological Conditions in Human Skeletal Remains published in 1981, with later editions in 1985 and 2003.

In 1977, Ortner joined the Expedition to the Dead Sea Plain directed by archaeologists Walter E. Rast and R. Thomas Schaub, focusing on the site of Bab edh-Dhra. Ortner studied the tombs and skeletons for data indicating cultural and biological changes, especially urbanization and connection to the development of other "Western civilizations." Ortner participated in two more field seasons in Bab edh-Dhra in 1979 and 1981. From his research at Bab-edh-Dhra, Ortner published many scholarly articles and recreated two tombs for the Hall of Western Civilization at NMNH.

In 1988, Ortner began his collaboration with the University of Bradford in Bradford, England, teaching short-courses on paleopathology. While a Visiting Professor at the University, he also participated in a project on human health and disease in Medieval England. The project focused on leprosy and syphilis in skeletons from St. James Hospital's leprosarium cemetery in Chichester, Wharram Perry, and Magistrates' Court in Kingston-upon-Hull. He received an Honorary Doctorate of Science from the University in 1995.

Donald J. Ortner died on April 29th, 2012 in Maryland.

Sources consulted:

Ubelaker, D. H. "Obituary: Donald J. Ortner (1938–2012)." American Journal of Physical Anthropology, 149 (2012): 155–156.

Arnoldi, Mary Jo and Ann Kaupp. "Donald J. Ortner, Sr. (1939-2012)." Anthropolog: Newsletter of the Department of Anthropology, Spring 2012: 1-3.

Chronology

1938 -- Born on August 23 in Stoneham, Massachusetts.

1960 -- Received B.A. in Zoology from Columbia Union College in Takoma Park, Maryland.

1963 -- Began working at the Smithsonian Institution.

1967 -- Received M.A. in Anthropology from Syracuse University.

1969 -- Promoted to Assistant Curator.

1970 -- Received Ph.D. from the University of Kansas.

1971 -- Promoted to Associate Curator.

1971-1975 -- Taught part-time at the University of Maryland.

1974 -- Spent summer with Dr. Walter G. J. Putschar studying pathological specimens in Europe.

1976 -- Promoted to Curator in the Anthropology Department, National Museum of Natural History.

1977 -- First field season at Bab edh-Dhra cemetery site in Jordan.

1979 -- Second field season at Bab edh-Dhra cemetery site in Jordan.

1981 -- Third field season at Bab edh-Dhra cemetery site in Jordan.

1988 -- Began association with the University of Bradford in Bradford, England.

1988-1992 -- Chairman of the Department of Anthropology, National Museum of Natural History.

1994-1996 -- Acting Director of the National Museum of Natural History.

1995 -- Awarded an Honorary Doctorate of Science degree from the University of Bradford.

1999-2001 -- President of the Paleopathology Association.

2005 -- Received Eve Cockburn Award from the Paleopathology Association in recognition of his contributions in the field of paleopathology.

2012 -- Died on April 29 in Maryland.

Related Materials:

The following photo lots depicting Donald J. Ortner can be found at the NAA:

Photo Lot 7D: Photograph of attendees after American Anthropological Association annual meeting, 1965

Photo Lot 7A: Portraits made at the annual meeting of the American Association of Physical Anthropologists, 1970

Photo Lot 77-45: Photograph of Smithsonian Institution physical anthropologists, circa 1977

Photo Lot 4822: Division of Physical Anthropology collection of photographs of physical anthropologists, undated

Sound recordings of Donald J. Ortner at the NAA:

John Lawrence Angel Papers, Sound Recordings, "How Humans Adapt: A Biocultural Odyssey," November 9, 1981

Other collections at the NAA in which Donald J. Ortner is a correspondent or creator of material:

Records of the Department of Anthropology, 1877-1980

Department of Anthropology Annual Reports, 1920-1983

John Lawrence Angel Papers, 1930s-1980s

Three films that document Ortner's work in Bab edh-Dhra are located in the Human Studies Film Archives (HSFA):

Film number 2000.9.1, The Bones of Bab edh-Dhra, ca. 1970s

Film number 2000.9.3, Bab edh-Dhra Film Project, 1970-1980

Film number 2014.3, City of the Dead, 1978

The Smithsonian Institution Archives holds the original City of the Dead in Accession 05-282, Office of Telecommunications, Productions.

Provenance:

These papers were transferred to the NAA from the Department of Anthropology in 2014.

Restrictions:

The Donald J. Ortner Papers are open for research.

Access to the Donald J. Ortner Papers requires an appointment.

Requests to view forensic files are subject to review by the NAA. Forensic files can only be viewed in the National Anthropological Archives reading room. No copies are permitted unless permission is granted by the agency the report was written for.

Electronic records are unavailable for research. Please contact the reference archivist for additional information.

Use of audiovisual recordings with no duplicate access copy requires advance notice.

Rights:

Contact the repository for terms of use.

Topic:

Anthropologists -- United States  Search this

Archaeology  Search this

Human remains (Archaeology)  Search this

Excavations (Archaeology) -- Middle East  Search this

Scurvy  Search this

Leprosy -- Research  Search this

Physical anthropology  Search this

Bāb edh-Dhrā Site (Jordan)  Search this

Excavations (Archaeology) -- England  Search this

Forensic anthropology  Search this

Paleopathology  Search this

Bronze age  Search this

Chichester (England)  Search this

Diseases  Search this

Genre/Form:

Maps

Photographs

Slides (photographs)

Negatives (photographic)

Manuscripts

Sound recordings

Correspondence

Citation:

Donald J. Ortner Papers, National Anthropological Archives, Smithsonian Institution.

Sponsor:

The papers of Donald J. Ortner were processed with the assistance of the Smithsonian Institution's Collections Care and Preservation Fund.

Identifier:

NAA.2014-07

See more items in:

Donald J. Ortner Papers

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw34f215cb8-26a6-4988-9af5-a94af54f4ac3

EDAN-URL:

ead_collection:sova-naa-2014-07

Creator:

Tichkematse, 1857-1932  Search this

Etahdleuh, 1856-1888  Search this

Names:

Fort Marion artists  Search this

Extent:

29 Drawings (visual works)

Culture:

Tsitsistas/Suhtai (Cheyenne)  Search this

Kiowa  Search this

Osage  Search this

Niuam (Comanche)  Search this

Ute  Search this

Type:

Collection descriptions

Archival materials

Drawings (visual works)

Works of art

Ledger drawings

Place:

North America

Date:

1879-1880

Scope and Contents:

The collection consists of twenty-nine (29) loose drawings on various types of paper, some double-sided, with scenes of warfare, hunting, and camp life. They were probably produced at different times during the period 1879-1880. Four are inscribed with the name Etahdleuh Doanmoe and the majority of the remainder with the name Tichkematse, plus other descriptive elements in the artists' hand. Two pencil drawings, which lack any identifying name, are in a Western style and may not be by either artist. In two instances, the figures in the drawing have been cut out and pasted to a new backing [08519400; 08601400].

Most of the images adhere to Plains conventions of close up views of encounters, but in three drawings, Etahdleuh used a more distant perspective to show a Kiowa village along the Washita River (08601800), a buffalo hunt (08601900), and a battle against US troops (08517900). Also unusual are two drawings by Tichkematse showing details of tipi life, including women cooking and children playing (08601500-08601600).

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.

Arrangement:

The drawings are unarranged. They have been ordered in the same sequence as the original cataloging under MS 290844-290845 when possible.

Biographical Note:

Tichkematse, or Squint Eyes (Quchkeimus), 1857-1932 was a member of the Southern Cheyenne. Together with other Southern Plains warriors he was held prisoner at Fort Marion in St. Augustine, Florida from 1875-78, during which period he and others became well known as artists. While imprisoned, he learned to speak English and to read and write. Upon release he attended school at the Hampton Institute in Virginia for about a year before coming to work at the Smithsonian Institution. During his time at the Smithsonian (1879-1880) he was trained to prepare bird and mammal specimens for study and display, participating in field expeditions to Florida and the American Southwest. He also served as a gallery guide, a source on Plains gesture language, and acquired cultural materials for the collections from Cheyenne friends and relatives, as well as producing drawings. Upon his return to Oklahoma (then Indian Territory), he served as an Army scout at Fort Supply.

Etahdleuh (1856-1888) was also known as Etahdleeuh, Etadeleuh, Etahdleuh Doanmoe, Boy, and Boy Hunting. He was imprisoned at Fort Marion in St. Augustine, Florida from 1875-1878. After his release from Fort Marion, he attended the Hampton Normal and Agricultural Institute in Virginia, arriving in April, 1878. In 1879, he traveled to the Indian Territory to recruit pupils to attend the Carlisle Institute in Pennsylvania, where he would study and work on and off from 1879 to 1887. He made two extended trips back to the reservation during this period. From February to May 1880, he worked at the Smithsonian Institution in Washington, DC. He was trained as a Presbyterian missionary and returned to the reservation in January 1888 to serve in this capacity.

Edwin Porter Upham (1845-1918) was a museum assistant who worked with the Smithsonian Institution's archeology collections for forty years. Born in Massachusetts, he received a public education there before joining the army during the American Civil War. In 1878, he was hired as an assistant to Dr. Charles Rau, an archeologist at the Smithsonian. After Rau's death, Upham worked with Dr. Thomas Wilson, with whom he cowrote a book entitled Prehistoric Art; Or, The Origin of Art as Manifested in the Works of Prehistoric Man (1898). In 1906, Upham was appointed aide in the division of prehistoric archeology, a position he held until his death.

Related Materials:

Other drawings by Tichkematse are held by the National Anthropological Archives (NAA) in MS 7500, MS 39D2, and in Photo Lot R79-24. For other drawings by Etahdleuh in the NAA, see MS 39C and MS 39D2. Two photographs of Tichkematse in Photo Lot 24 (00438200 and 00438300) are attributed to this accession.

Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Rights:

Contact the repository for terms of use.

Genre/Form:

Works of art

Ledger drawings

Citation:

Tichkematse and Etahdleuh drawings (MS 290844), National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.MS290844

See more items in:

Tichkematse and Etahdleuh drawings

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw37f24bc08-0fd2-4261-bf6b-06d5e82d4921

EDAN-URL:

ead_collection:sova-naa-ms290844