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Inka Road Symposium 08 - Inka Engineering: The Technology and Culture of Roads and Bridges

Creator:
National Museum of the American Indian  Search this
Type:
Symposia
YouTube Videos
Uploaded:
2015-07-15T22:50:37.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_Cda0YzPhzI0

Materials Issues in Art and Archaeology VI: Symposium held November 26-30, 2001, Boston, Massachusetts, USA, Materials Research Society Symposium Proceedings Volume 712

Editor:
Vandiver, Pamela B.  Search this
Goodway, Martha  Search this
Mass, Jennifer L.  Search this
Object Type:
Smithsonian staff publication
Year:
2002
Citation:
Vandiver, Pamela B., Goodway, Martha, and Mass, Jennifer L., editors. 2002. Materials Issues in Art and Archaeology VI: Symposium held November 26-30, 2001, Boston, Massachusetts, USA, Materials Research Society Symposium Proceedings Volume 712. Warrendale, Pennsylvania: Materials Research Society.
Identifier:
55808
Data source:
Smithsonian Libraries and Archives
EDAN-URL:
edanmdm:slasro_55808

Lizard figure

Culture/People:
Lower Muscogee (Georgia Creek)  Search this
Artist/Maker:
Joseph F. Johns (Cayoni), Muscogee (Creek), 1928-2020  Search this
Previous owner:
Indian Arts and Crafts Board, Department of the Interior (IACB), 1935-  Search this
IACB source:
Joseph F. Johns (Cayoni), Muscogee (Creek), 1928-2020  Search this
Object Name:
Lizard figure
Media/Materials:
Walnut wood, brass tacks/bosses, wood stain, wax
Techniques:
Carved, stained
Dimensions:
102.2 x 21 x 4.7 cm
Object Type:
Sculpture/Carving/Figures
Place:
Cambridge; Middlesex County; Massachusetts; USA
Date created:
1979
Catalog Number:
25/6178
Barcode:
256178.000
See related items:
Lower Muscogee (Georgia Creek)
Sculpture/Carving/Figures
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws6b32b9e7e-67a9-4a9d-ac8b-e67d4a37cde7
EDAN-URL:
edanmdm:NMAI_272051
Online Media:

Inka Engineering Symposium 4: Suspension Bridge Technology

Creator:
National Museum of the American Indian  Search this
Type:
Symposia
YouTube Videos
Uploaded:
2013-11-19T16:46:06.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_7TPsrgC6EoI

Timothy Asch papers

Creator:
Asch, Timothy, 1932-1994  Search this
Correspondent:
Albert, Bruce  Search this
Andrews, Scott  Search this
Balikci, Asen, 1929-  Search this
Beidelman, Tom  Search this
Bermudez, Beatrice  Search this
Brigard, Emilie de  Search this
Cardozo, Jesus  Search this
Carpenter, Edmund, 1922-2011  Search this
Chagnon, Napoleon A., 1938-  Search this
Connor, Linda  Search this
Fox, James  Search this
Freeman, Derek  Search this
Harrison-Pepper, Sally  Search this
Heider, Karl  Search this
Homiak, John P. (John Paul), 1947-  Search this
Jules-Rosette, Benneta  Search this
Kamerling, Lenny  Search this
Lewis, Doug  Search this
Lizot, Jacques  Search this
Loizos, Peter  Search this
Mead, Margaret, 1901-1978  Search this
Mello, James F., 1936-  Search this
Middleton, John  Search this
Piault, Collette  Search this
Preloran, Jorge, 1933-2009  Search this
Rouch, Jean  Search this
Ruby, Jay  Search this
Smith, Patrice  Search this
Storas, Frode  Search this
Tax, Sol, 1907-1995  Search this
Wayang, Mark  Search this
Wayang, Mary  Search this
Young, Tao  Search this
Extent:
62 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Correspondence
Manuscripts
Photographs
Place:
Venezuela
Date:
1947-1995
Summary:
Timothy Asch was an anthropologist and ethnographic film maker who devoted his professional life to using film as a recording and teaching medium. His papers cover the period from 1966 until his premature death in 1994 and reflect his active career in the field. A large portion of the files relates to his work among the Yanomami people of Venezuela and to his concern with bias in film making.
Scope and Contents:
The papers of Timothy Asch document his career as an anthropologist, educator, photographer and filmmaker through correspondence, photographs, research files (articles and notes), and teaching materials (course information and lecture notes). The files relating to Asch's film projects include articles, field notes, and reviews. The major correspondents in this collection are Patsy Asch, Tom Beidelman, Napoleon Chagnon, James Fox, Robert Gardner, Douglas Lewis, Peter Loizos, David & Olga Sapir, and Minor White.
Arrangement:
The collection is arranged into the following 13 series:

Series 1) Correspondence (1953-1994)

Series 2) College and graduate School (1955-1965)

Series 3) Teaching materials (1964-1993)

Series 4) Film projects (1964-1991)

Series 5) Articles and reviews (1972-1994)

Series 6) Alpha-Subject (1955-1989)

Series 7) Conferences, film festivals, and film organizations (1963-1993)

Series 8) Grants (1962-1993)

Series 9) Other people's work (1952-1995)

Series 10) Personal and family (1951-1994)

Series 11) Photographs (1947-1991)

Series 12) Sound recordings (bulk 1960s-1970s)

Series 13) Note slips, rolodexes, and business cards (1987, undated)
Biographical note:
Asch studied photography at the California School of Fine Arts in San Francisco. While serving in the United States Army in Japan from 1951-55 he spent his off-duty hours photographing rice production and household activities in remote Japanese villages. After his military service, he enrolled in Columbia University graduating in 1959 with an undergraduate degree in Anthropology. After graduation, he went to work at the Peabody Museum at Harvard as an assistant editor to John Marshall on the Kung Bushmen film project. In 1964, he received a Masters Degree in Anthropology from Boston University where he studied in the African Studies Progam and read Anthropology with T.O. Beidelman at Harvard. In 1968, Asch and Marshall founded Documentary Educational Resources, a film distribution company. Anthropologist Napoleon Chagnon approached Asch in 1968 to film among the Yanomammmi people of Venezuela. This collaboration led to a major project resulting in over thirty films.

Chronology

1950-1951 -- California School of Fine Arts and Apprenticeships with photographers Minor White, Edward Weston and Ansel Adams

1953-1954 -- Military Service in Korea

1959 -- B.S. in Anthropology Columbia University

1959-1962 -- Ethnographic film consultant, Harvard University's Peabody Museum

1964 -- M.A. in Anthropology Harvard University

1965-1966 -- Curriculum Consultant, Ethnographic studies and the Bushmen Social Studies Curriculum Project (initially Educational Services, Inc., later called Educational Development Center)

1966-1968 -- Lecturer in Anthropology and Theater Arts, Brandeis University

1966-1968 -- Anthropology Curriculum and Media Consultant to the Newton Public Schools

1967-1994 -- Co-Founder and Director of Documentary Educational Resources, Watertown, Massachusetts, a non-profit curriculum development corporation distributing educational media

1968-1970 -- Visiting Assistant Professor, Anthropology Department, New York University

1969-1973 -- Lecturer, Department of Anthropology, Brandeis University

1973-1979 -- Research Fellow in Ethnographic film, Peabody Museum of Archaeology and Ethnology, Harvard University

1974-1976 -- Lecturer, Department of Anthropology, Harvard University

1975 -- Research Cinematographer, National Anthropological Film Center, Smithsonian Institution, Washington, D.C.

1976-1981 -- Senior Research Fellow, Department of Anthropology, Institute of Advanced Studies, the Australian National University, Canberra, Australia

1982 -- Visiting Research Scholar, Department of Anthropology at Macquarie University, Sydney, Australia

1983-1994 -- Director, Center for Visual Anthropology, Department of Anthropology, University of Southern California
Related Materials:
The Human Studies Film Archives holds 93,000 feet (43 hours) of original film footage and the accompanying sound as well as the edited films from the 1968 and 1971 film projects by Timothy Asch and Napoleon Chagnon documenting the Yanomamo Indians of southern Venezuela and northern Brazil (between the Negro and Upper Orinoco rivers).
Provenance:
Donated to the National Anthropological Archives by Patsy Asch in 1996.
Topic:
Anthropology  Search this
Film -- theory  Search this
Language and languages -- Documentation  Search this
Genre/Form:
Sound recordings
Correspondence -- 1953-1994
Manuscripts
Photographs -- 1947-1991
Citation:
Timothy Asch papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.1996-16
See more items in:
Timothy Asch papers
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3ebe64d9d-33d2-4af7-9417-8f21f639c754
EDAN-URL:
ead_collection:sova-naa-1996-16

Giulio V. Blanc papers

Creator:
Blanc, Giulio V.  Search this
Names:
Cuban Museum of Arts and Culture (Miami, Fla.)  Search this
Brito, Maria, 1947-  Search this
Cano, Margarita, 1932-  Search this
Cano, Pablo  Search this
Carreño, Mario  Search this
Carulla, Ramón, 1938-  Search this
Demi, 1955-  Search this
Garcia, Hernan, 1935-  Search this
Gattorno, Antonio  Search this
Gaztelu, A. (Angel)  Search this
Goldman, Shifra M., 1926-2011  Search this
Gómez-Peña, Guillermo  Search this
Lam, Wifredo  Search this
Larraz, Julio  Search this
Libin, Victoria  Search this
Macia, Carlos A., 1951-1994  Search this
Martínez-Cañas, María  Search this
Riverón, Enrique  Search this
Rodríguez, Arturo, 1956-  Search this
Sánchez, Juan, 1954-  Search this
Sí, Juan  Search this
Trasobares, César  Search this
Vater, Regina  Search this
Vázquez Lucio, Oscar E. (Oscar Edgardo), 1932-  Search this
Interviewee:
Cabrera, Lydia  Search this
Gómez Sicre, José  Search this
Extent:
11 Linear feet
0.001 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sound recordings
Date:
1920-1995
Summary:
The dates for the Giulio V. Blanc papers range from 1920-1995. Measuring a total of eleven linear feet and 0.001 GB, the collection provides documentation of the art exhibitions Blanc curated during his career, including original writings and exhibition catalogs. The extensive artists files in the collection provide information on numerous Latin American and Caribbean artists. The collection also provides historical information on the life and culture of Cuba.
Scope and Content Note:
The Giulio V. Blanc papers measure approximately 11 linear feet and 0.001 GB and date from 1920 to 1995. Compiled by Blanc since the beginning of his curatorial, writing, and research career in the 1980s, the papers consist primarily of artist files on Cuban, Cuban-American, and Latin American artists (1920-1995 and undated). Also found is biographical information (1994-1995), interviews by Blanc (1984-1987, 1994) and miscellaneous letters from artists and friends (1983-1995 and undated).

The first series, Biographical Files, 1994-1995 includes information about Blanc's career. Series 2: Miscellaneous Letters, 1983-1995, undated, consists of letters from artists and friends on various topics. Series 3: Artist Files, 1920-1995, undated, represents the bulk of the collection (approximately 300 artists in all, 6 linear feet), and contain materials either collected by Blanc or received by Blanc from the artists themselves. These consist of biographical material about the artist, usually two or three paragraphs written by Blanc, scattered resumes and copies of fellowship applications. Also found are newspaper clippings, exhibition announcements and catalogs, and letters or correspondence between Blanc and the artists. Of special interest in this series are numerous taped interviews with celebrated Cuban artists and art historians such as José Gómez Sícre, founder and first director of the Art Museum of the Americas, Organization of American States. Gómez-Sícre describes his early career and involvement with acquisitions for the museum's permanent collection as well as his working relationship with Alfred H. Barr, first director of the Museum of Modern Art in New York. Gómez-Sícre's notable book, Pintura Cubana de Hoy, published in Havana in 1944 is included in the files.

Elena Peláez de Medero, another interviewee, discusses her sister, Cuban painter Amelia Peláez (1896-1968). Blanc interviewed Elena Peláez in Miami for his 1988 exhibition Amelia Peláez: A Retrospective. The Peláez file includes Blanc's correspondence with her as well as copies of rare 1930s and 1940s exhibition catalogs from Amelia Peláez's early career. Among the catalogs is a copy of Modern Cuban Painters from the 1944 exhibition held at the Museum of Modern Art in New York. Also found are rare French, German and Spanish newspaper clippings on Peláez dating back to the 1920s. Of interest is a copy of Amado Blanco's 1937 poetry book, Poema desesperado. Published in Havana, the book is dedicated to the memory of Federico García Lorca and includes illustrations by Peláez.

Another prominent artist whom Blanc interviewed was Enrique Riverón (b. 1901) leader of the Cuban vanguardia. He was a member of El Grupo de Montparnasse, a talented group of painters and writers living in the southern district of Paris in the late 1920s, an area noted for its boisterous after-hour activities. The interview was published in the Journal of Decorative and Propaganda Arts in 1997. Also found in the papers are illustrated letters and greeting cards addressed to Blanc and his parents, Baron Lodovico Blanc and María V. Blanc.

Series 4: Exhibition Files, 1977-1995, undated, consists primarily of material Blanc compiled for exhibitions he curated. Found here are letters from museum directors, artists and colleagues, drafts and finished essays for exhibition catalogs, and printed material such as newspaper clippings of art reviews. This series also includes files on exhibitions Blanc did not curate.

Series 5: Subject Files, 1933-1995, undated, are files relating to Cuban art, culture, and society, the Cuban revolution, book projects, Biennials in Havana and São Paulo, the 1988 controversy surrounding the Cuban Museum of Arts and Culture (Miami, FL) and other topics. Found are letters, drafts of writings, notes, printed material such as newspaper clippings and magazine articles, press releases, and exhibition announcements.

Particularly extensive is the documentation about the 1980s conflict at the Cuban Museum of Arts and Culture. In April 1988, a fund-raising auction at the 24-year-old 'little Havana' institution resulted in heated disputes that escalated to violence. The works auctioned were by Cuban artists still living on the island. Many in Miami's Cuban community considered these artists to be supporters of the Communist regime and were outraged. One of the disputed works purchased the night of the auction, a drawing by Manuel Mendive, was taken across the street by its successful bidder and burned. In addition, the museum building was damaged by a pipe bomb shortly after the sale. In the National Public Radio news story (available in Blanc's papers on audio cassette) Helen Kohen, critic for the Miami Herald commented, "We're not talking about paintings. We're talking about `my brother's in jail'. That's what we're talking about." The situation intensified quickly; transcending local politics and involving the Treasury and Justice Departments, the American Civil Liberties Union, the Federal Bureau of Investigation, and Sotheby's and Christie's auction houses. Ramón Cernuda, the museum vice-president who organized the auction also had his personal collection of Cuban art impounded by the FBI. A second bombing took place in 1989 to protest an exhibition of Cuban artists who came to the U. S. during the early 1980s Mariel boatlift.

The seriousness of the conflicts in the Miami museum prompted the Museum of Modern Art in New York to withdraw an offer to lend three paintings to the Cuban museum for the 1988 exhibition Amelia Peláez: A Retrospective scheduled to open later that year. Curated by Giulio Blanc, it was the first U.S. retrospective of this important Cuban artist and the exhibition helped situate her work. The Cuban Museum of Art in Daytona Beach, an institution that helped start the Miami museum, also withdrew an offer to lend "Amelias". The result was an exhibition devoid of works owned by the Museum of Modern Art, important paintings created after 1963, the year President Kennedy imposed economic sanctions on Cuba.

To publicize the Peláez exhibition and boost attendance, the museum placed a public invitation in the Spanish section of the Miami Herald. The half page ad, also found in the Blanc papers, lists more than 100 intellectuals and professionals who supported the exhibition. Blanc stated in a letter to the Miami Herald, "It is horrifying to think there are those in Miami who would burn a painting for the sake of politics. This was the same reasoning utilized by Joseph Goebbels when he made bonfires of books and paintings by anti-Nazi and `degenerate' artists and writers in 1930s Germany... One can only pity the ignorance of those who play into the hands of the Castro regime by resorting to uncivilized tactics that can only hurt the image of the Cuban-exile community and of Miami in general."

The files concerning the Cuban Museum of Arts and Culture contain exhibition announcements, copies of court orders, press releases and correspondence between Blanc and the Museum of Modern Art in New York regarding the museum and the Peláez exhibition. Also included are a great number of newspaper articles printed in two of Miami's major newspapers, the Miami Herald and El Nuevo Herald which covered the story until it was resolved in the early 1990s. Offering additional information on the controversy are a number of letters addressed to either Blanc or his parents from artists and friends expressing either discontent with the museum's state of affairs or gratitude for the Blanc's financial support during the museum's reconstruction. These provide remarkable insight into a relatively heterogeneous Cuban community.

Series 6: Sound Recordings, 1992, 1994 consists of two untranscribed audio cassette tapes. One is of the 1992 College Art Association's session: Artistic Voices of Latin America: The Aesthetics of Anti-Colonialism held in Chicago, Illinois in which Giulio V. Blanc was a panelist. The other is a rare 1994 interview conducted by Blanc with poet-priest Monseñor Angel Gaztelu, a friend of many Cuban writers and artists, and who presided over Peláez's funeral service in 1968.

The last series, Series 7: Photographs, 1981-1993, undated, includes black and whiteportraits of artists, group shots of Blanc with "Miami Generation" artists María Brito, Pablo Cano, María Martínez-Cañas, Carlos Macía, Arturo Rodríguez, and César Trasobares, and photos of other artists.
Arrangement:
The Giulio V. Blanc papers are arranged into seven series primarily according to type of material. Within each series, materials are arranged chronologically, except for Artist Files and Subject Files which are arranged alphabetically by either name or subject.

Missing Title

Series 1: Biographical Files, 1994-1995, undated (box 1; 3 folders)

Series 2: Miscellaneous Letters, 1983-1995, undated (box 1; 3 folders)

Series 3: Artist Files, 1920-1995, undated (boxes 1-8, ER01; 6 linear ft., 0.001 GB)

Series 4: Exhibition Files, 1977-1995, undated (box 8; 1 linear foot)

Series 5: Subject Files, 1933-1995, undated (boxes 8-12; 2.5 linear feet)

Series 6: Untranscribed Sound Recordings, 1992-1994 (box 12; 2 folders)

Series 7: Photographs, 1981, 1993, undated (box 12; 2 folders)
Biographical Note:
Cuban born independent curator, critic, art historian and consultant Giulio V. Blanc (1955-1995) specialized in Cuban and Latin American art history and in his lifetime collected a wealth of material on the subject. Through his numerous exhibitions and keen articles appearing in national and international art journals, Blanc became a leading authority on Latin American art and successfully established himself as a link between Cuban and Cuban-American artists and US galleries and museums. The Miami Generation (1983) and Amelia Peláez: A Retrospective (1988) are two significant exhibitions Blanc curated for Miami's Cuban Museum of Arts and Culture in addition to the celebrated Wifredo Lam and His Contemporaries, 1938-1952 (1992) for New York's Studio Museum in Harlem. Giulio V. Blanc was among the key figures that catapulted Latin American art onto the mainstream in the early 1980s.

Giulio V. Blanc was born in Havana in 1955 to Baron Lodovico Blanc and María V. Blanc. The Blanc name hails from Italy and the title of Baron was awarded to Alberto Blanc, Lodovico Blanc's grandfather, while he was Secretary of State in 1873 under Victor Emmanuel II of Italy. As young advocates of Cuban culture, the Blanc's collected a number of paintings by Cuban artists but were forced to leave behind the works of Cuban masters such as Carlos Enríquez, Victor Manuel, René Portocarrero, Fidelio Ponce and others to facilitate an uncomplicated exodus from the country during the revolution. Lodovico and María were in their thirties and Giulio was five years old when the family settled in Miami.

Giulio Blanc completed his undergraduate education at Harvard and proceeded to Brown University and the Institute of Fine Arts in New York for graduate work (1979-1980). During his career, he served as an independent curator and consultant to The Cuban Museum of Arts and Culture (Miami), The Metropolitan Museum (Miami), and The Museum of Contemporary Hispanic Art (New York) among others. He also lectured on Latin American art history at the Art Museum of the Americas, OAS (Organization of American States), Washington, DC, The University of Miami, and El Museo Nacional de Arte in La Paz, Bolivia. In addition, he worked as a consultant in the Latin American Paintings Department at Sotheby's auction house in New York and served on the editorial board of the magazine Art Nexus. Blanc was pursuing a doctoral degree in art history at the City University of New York before his premature death in 1995 at the age of thirty-nine.

Missing Title

1955 -- Born November 1 in Havana, Cuba to Baron Lodovico and Baroness María V. Blanc, young collectors of Cuban art. The title of Baron was awarded to Alberto Blanc, Lodovico Blanc's grandfather, in 1873 while Alberto was Secretary of State under Victor Emmanuel II of Italy.

1960 -- The Blanc family migrates to the United States because of the escalating revolution. Lodovico and Maria V. Blanc are in their thirties when they flee the island. The works of Cuban painters such as Carlos Enríquez, Victor Manuel, René Portocarrero, Fidelio Ponce and others were left behind to facilitate an uncomplicated exodus.

1976 -- Giulio V. Blanc serves as research assistant for one year at the Tozzer Library, Peabody Museum, Harvard University.

1977 -- Graduates cum laude from Harvard College with a B.A. in Archeology.

1979 -- Graduates from Brown University with a M.A. in Archeology. Was a research assistant until 1980 at the Gallery of the Center for Inter-American Relations, New York city.

1980 -- Receives a certificate in Museum Studies from the Graduate School of Arts and Science, New York University. Curates Emilio Sánchez: Lithographs which opens at the Pagoda, Ransom-Everglades School, Coconut Grove, Florida. Co-curates Cuba in the Nineteenth Century for Miami's Miami-Dade Public Library.

1981 -- Joins the Latin American Paintings Department, Sotheby's Auction House, New York and serves for two years.

1982 -- Co-curates Young Hispanics, USA which opens at the Lehigh University Museum, Bethlehem, Pennsylvania and curates Ten Out of Cuba for INTAR Latin American Gallery in New York.

1983 -- Curates Cuban Fantasies at the Kouros Gallery in New York and Pablo Cano en Paris for the 4 Place de Saussaies in Paris, France. Also curates The Miami Generation: Nine Cuban-American Artists for the Cuban Museum of Arts and Culture in Miami and the Meridian House in Washington, DC.

1984 -- Serves as independent curator and consultant to Miami's Metropolitan Museum and Art Center and The Cuban Museum of Arts and Culture; The Museum of Contemporary Hispanic Art in New York and other institutions. Lectures at the Art Museum of the Americas (Organization of American States) in Washington, DC; The University of Miami; The Cuban Museum of Arts and Culture (Miami); The Center for the Fine Arts (Miami); Rockland Center for the Arts (West Nyack, NY); and the National Museum of Art, La Paz, Bolivia. Curates Young Collector's of Latin American Art which opened at Miami's Metropolitan Museum and Art Center.

1985 -- Curates Dancing Faces: An Exhibition of Mexican Masks for the Metropolitan Museum and Art Center in Miami and Nuevas Vistas: Latin American Paintings which opens at the Wistariahurst, Holyoke, Massachusetts. Curates Architecture in Cuban Painting, for the Miami Dade Public Library.

1986 -- Receives and M.A. in Art History at New York University's Institute of Fine Arts. Curates Carlos Enríquez for the Cuban Museum of Arts and Culture, Miami, Florida and Into the Mainstream: Ten Latin American Artists Working in New York for the Jersey City Museum in Jersey City, New Jersey.

1987 -- The exhibition Aurelia Muñoz: Selections, curated by Blanc, opens at the Metropolitan Museum of Art in Miami, Florida. Serves as juror for Expresiones Hispanas: Coors National Hispanic Art Exhibition, Denver, Colorado. Curates Visions of Self: The American Latin Artist for the Miami-Dade Community College gallery.

1988 -- Receives a grant from the NY State Council on the Arts for research on Cuban artist Wifredo Lam for the exhibition at the Studio Museum in Harlem, New York. Enrolls in the art history Ph.D. program at the City University Graduate Center, New York city. First bombing of the Cuban Museum of Arts and Culture in Miami takes place. Blanc's Amelia Peláez: A Retrospective successfully opens at the Cuban Museum of Arts and Culture despite much controversy.

1989 -- Curates Urgent Dream: New Work by Mario Bencomo at the Museum of Contemporary Hispanic Art (MoCHA), New York. Second bombing of the Cuban Museum of Arts and Culture, Miami FL.

1990 -- New York correspondent for Arte en Colombia, Bogota. Serves as adjunct lecturer at Queens College (CUNY) for the Fall semester. Curates the exhibition, The Post-Miami Generation for the Inter-American Gallery in Miami, Florida. Co-curates Figurative Perspectives: Six Artists of Latin American Background for the Rockland Center for the Arts, West Nyack, NY.

1991 -- Visiting scholar at University of Massachusetts at Amherst. Writes a small play, Tía Carmela: A Cuban Tragicomedy, illustrated by Cuban artist and friend Pablo Cano.

1995 -- Dies at the age of forty of AIDS related complications.
Related Materials:
Papers of Giulio V. Blanc, 1930-1982, are also located at the University of Miami Archival Collections.
Provenance:
Margherite Blanc, sister of Giulio V. Blanc, donated her brother's papers in 1998 to the Archives of American Art, Smithsonian Institution. This collection, along with numerous other Latino collections, was acquired through the 1996 Latino Art Documentation Project in South Florida. Initiated to chronicle the thriving art scene so apparent in the city's galleries, museums, and private collections, the project resulted in numerous acquisitions described in the revised edition of the Papers of Latino and Latin American Artists. Both the project and the publication were made possible, in part, with funding provided by the Smithsonian Institution's Center for Latino Initiatives.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- Florida -- Miami  Search this
Topic:
Cuban American art  Search this
Art, Latin American  Search this
Artists -- Cuba  Search this
Cuban American artists  Search this
Latino and Latin American artists  Search this
Genre/Form:
Sound recordings
Citation:
Giulio V. Blanc papers, 1920-1995. Smithsonian Institution. Archives of American Art.
Identifier:
AAA.blangiul
See more items in:
Giulio V. Blanc papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d3c414b1-dc78-4f66-889d-963690fe0282
EDAN-URL:
ead_collection:sova-aaa-blangiul
Online Media:

Archaeology reports and related material collection

Extent:
111.5 Linear feet
Note:
The collection is stored off-site. Advanced notice is required to view the collection.
Type:
Collection descriptions
Archival materials
Date:
circa 1970 - circa 1990
Scope and Contents:
With the passage of federal environmental and cultural heritage legislation during the 1960s, 1970s, and 1980s, archaeological investigations were required before federal land could be disturbed for construction projects. Reports of these investigations, often conducted by archaeological contactors, were generally published in processed rather than printed form. The multiliths, electrostats, dittographs, and so forth are referred to as "grey literature." Access to them is sometimes difficult because many libraries decline to collect them.

Included are reports on archaeological work in Alabama, Alaska, Arizona, California, Canada (Alberta), Colorado, Delaware, District of Columbia, Florida, Georgia, Hawaii, Idaho, Illinois, Indiana, Iowa, Kansas, Kentucky, Louisiana, Maryland, Minnesota, Montana, Massachusetts, Mississippi, Missouri, Nebraska, Nevada, New Jersey, New Mexico, New York, North Carolina, North Dakota, Ohio, Oklahoma, Oregon, Pennsylvania, Puerto Rico, Rhode Island, South Carolina, South Dakota, Tennesee, Texas, Utah, Vermont, Virgin Islands, Virginia, Washington, West Virginia, Wisconsin, and Wyoming.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Provenance:
The collection was formed largely from four sources: (1) Smithsonian curators, who received contract archaeology reports and passed them on to the NAA; (2) the NAA, which was on the mailing list of some contractors; (3) the Smithsonian Anthropology Library, which turned over its collection to the archives; (4) the National Park Service archaeology program in Washington, D.C., which also placed its collection in the NAA
Restrictions:
The Archaeology reports and related material collection is open for research.

Access to the Archaeology reports and related material collection requires and appointment.
Rights:
Contact the repository for terms of use.
Citation:
Archaeology reports and related material collection, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.1976-028
See more items in:
Archaeology reports and related material collection
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw337cd7520-8e00-43e8-9ceb-7569cbcd64a5
EDAN-URL:
ead_collection:sova-naa-1976-028

Interdisciplinary Investigations of the Boott Mills, Lowell, Massachusetts: Volume III The Boarding House System as a Way of Life

Editor:
Beaudry, Mary C.  Search this
Creator:
Mrozowski, Stephen A. (editor)  Search this
Extent:
1 Volume (xix + 310 pages)
Type:
Archival materials
Volumes
Printed material
Place:
Massachusetts -- Antiquities
Lowell (Mass.) -- Archeology
Date:
1989
Restrictions:
Item in off site storage. Contact archives for information on availability.
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Genre/Form:
Printed material
Citation:
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Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3dc4a89a5-f9ad-4972-b824-003892a44f9f
EDAN-URL:
ead_component:sova-naa-1976-028-ref1

Archeological Reconnaissance and Testing at Fort Massachusetts Gulf Islands National Seashore, Mississippi for the New Boardwalk Installation and the Park Building Demolition

Creator:
Saunders, David  Search this
Extent:
1 Volume (iv + 33)
Type:
Archival materials
Volumes
Printed material
Place:
Mississippi -- Antiquities
Fort Massachusetts (Gulf Islands National Seashore, Harrison County, Mississippi) -- Archeology
Date:
January 1988
Restrictions:
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Genre/Form:
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Citation:
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Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw36324a53d-38d8-4586-837c-d2bc69c20f9c
EDAN-URL:
ead_component:sova-naa-1976-028-ref1014

Archeological Collections Management at The Springfield Armory National Historic Site, Massachusetts

Creator:
DeCesare, Louise M.  Search this
Extent:
1 Volume (ix + 73)
Type:
Archival materials
Volumes
Printed material
Place:
Massachusetts -- Antiquities
Springfield Armory National Historic Site -- Springfield -- Massachusetts -- Archeology
Date:
1990
Restrictions:
Item in off site storage. Contact archives for information on availability.
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Genre/Form:
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Citation:
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Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw38cee4f33-5405-46b9-8375-6515a7d9d5ff
EDAN-URL:
ead_component:sova-naa-1976-028-ref1766

The Prince Hall Mystic Cemetery, Arlington, Massachusetts: A Geophysical Survey and Archival Study

Creator:
Pendleton, Sally  Search this
Extent:
1 Volume (54 pages)
Type:
Archival materials
Volumes
Printed material
Place:
Massachusetts -- Antiquities
Arlington (Mass.) -- Archeology
Date:
1989
Restrictions:
Item in off site storage. Contact archives for information on availability.
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Topic:
Cemeteries -- Arlington, Massachusetts  Search this
Genre/Form:
Printed material
Citation:
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Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3b2052ef0-ab84-4991-bfa4-afb64de1c3db
EDAN-URL:
ead_component:sova-naa-1976-028-ref236

Historic Properties Reconnaissance for Archaeological Potential of Selected Fort Devens Off-Base Facilities in Connecticut, Massachusetts, Rhode Island and Vermont

Creator:
Bourassa, Marie Lynn  Search this
Atwood, Kathleen A.  Search this
Extent:
1 Volume (ix + 462)
Type:
Archival materials
Volumes
Printed material
Place:
Connecticut -- Antiquities
Massachusetts -- Antiquities
Rhode Island -- Antiquities
Vermont -- Antiquities
Connecticut -- Archeology
Massachusetts -- Archeology
Rhode Island -- Archeology
Vermont -- Archeology
Date:
October 1988
Restrictions:
Item in off site storage. Contact archives for information on availability.
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Genre/Form:
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Citation:
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Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3ef5562a4-df9c-4b46-93d3-061705216405
EDAN-URL:
ead_component:sova-naa-1976-028-ref556

The 1983 Excavations at 19BN281

Creator:
Borstel, Christopher L.  Search this
Extent:
1 Volume (186 pages)
Type:
Archival materials
Volumes
Printed material
Place:
Massachusetts -- Antiquities
Barnstable County (Massachusetts) -- Archeology
Date:
1985
Restrictions:
Item in off site storage. Contact archives for information on availability.
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Genre/Form:
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Citation:
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Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3784f6703-a6be-4f8e-8a4b-480fdc521e0b
EDAN-URL:
ead_component:sova-naa-1976-028-ref6

Archeological Investigations at Captain William Smith House

Creator:
Towle, Linda A.  Search this
Hsu, Dick Ping  Search this
Extent:
1 Volume (27 pages)
Type:
Archival materials
Volumes
Printed material
Place:
Massachusetts -- Antiquities
Middlesex County -- Massachusetts -- Archeology
Date:
1984
Restrictions:
Item in off site storage. Contact archives for information on availability.
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Genre/Form:
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Citation:
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Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3e7c69d7b-1530-44d8-99b8-77eacbc80215
EDAN-URL:
ead_component:sova-naa-1976-028-ref7

An Archeological Survey of the Deerfield Industrial Park

Creator:
Ulrich, Thomas G.  Search this
Extent:
1 Volume (51 pages)
Type:
Archival materials
Volumes
Printed material
Place:
Massachusetts -- Antiquities
Franklin County (Massachusetts) -- Archeology
Date:
December 1978
Restrictions:
Item in off site storage. Contact archives for information on availability.
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Genre/Form:
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Citation:
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Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw35a06a7c9-4dcd-4af2-ae09-d7e9490b782d
EDAN-URL:
ead_component:sova-naa-1976-028-ref8

Quartz Flakes and Turtle Bones: The North Bridge Site at Minute Man National Historical Park

Creator:
Towle, Linda A.  Search this
Extent:
1 Volume (126 pages)
Type:
Archival materials
Volumes
Printed material
Place:
Massachusetts -- Antiquities
Middlesex County -- Massachusetts -- Archeology
Date:
August 1984
Restrictions:
Item in off site storage. Contact archives for information on availability.
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Genre/Form:
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Citation:
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Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3303628b8-5baf-42bc-af28-b1118770b827
EDAN-URL:
ead_component:sova-naa-1976-028-ref9

Boston Harbor Floatable Debris: A Cultural Resource Reconnaissance Survey

Creator:
Talmage, Valerie  Search this
Moran, Geoffrey P.  Search this
Extent:
1 Volume (128 pages + appendices)
Type:
Archival materials
Volumes
Printed material
Place:
Massachusetts -- Antiquities
Boston Harbor (Massachusetts) -- Archeology
Date:
January 1978
Restrictions:
Item in off site storage. Contact archives for information on availability.
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Genre/Form:
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Citation:
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Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw37bc6ef0d-1b82-42bb-b555-3decc0bb082c
EDAN-URL:
ead_component:sova-naa-1976-028-ref942

A Cultural Resource Survey of the Parker River National Wildlife Refuge, Massachusetts

Creator:
Bolian, Charles E.  Search this
Winter, Eugene C.  Search this
Trombley, Thomas  Search this
McDonnell, Mark  Search this
Ewing, Robert  Search this
Brummer, Martha  Search this
Extent:
1 Volume (iv + 61)
Type:
Archival materials
Volumes
Printed material
Place:
Massachusetts -- Antiquities
Parker River National Wildlife Refuge -- Plum Island -- Massachusetts -- Archeology
Date:
April 14, 1981
Restrictions:
Item in off site storage. Contact archives for information on availability.
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Genre/Form:
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Citation:
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Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3260f2332-0c97-473b-ab81-559b7348e0e1
EDAN-URL:
ead_component:sova-naa-1976-028-ref943

A Cultural Resources Survey of the Great Meadows National Wildlife Refuge, Massachusetts

Creator:
Bolian, Charles E.  Search this
Dillon, R. Scott  Search this
Winter, Eugene C.  Search this
Extent:
1 Volume (50 pages)
Type:
Archival materials
Volumes
Printed material
Place:
Massachusetts -- Antiquities
Great Meadows National Wildlife Refuge (Sudbury River Valley, Massachusetts) -- Archeology
Date:
September 27, 1982
Restrictions:
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Genre/Form:
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Citation:
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Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw39009f1ab-91f4-4922-b035-2b4f74166f0a
EDAN-URL:
ead_component:sova-naa-1976-028-ref944

Historic and Archaeological Resources of Southeast Massachusetts: A Framework for Preservation Decisions

Creator:
Massachusetts Historical Commission  Search this
Extent:
1 Volume (ii + 285)
Type:
Archival materials
Volumes
Printed material
Place:
Massachusetts -- Antiquities
Bristol County (Mass.) -- Archeology
Plymouth County (Massachusetts) -- Archeology
Date:
June 1982
Restrictions:
Item in off site storage. Contact archives for information on availability.
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Genre/Form:
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Citation:
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Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw30269da2e-c2e5-4a38-adeb-953a99289a9e
EDAN-URL:
ead_component:sova-naa-1976-028-ref945

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