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Middle Passage: Memory, History, Metaphor

Collection Collector:
Maltsby, Portia  Search this
Collection Creator:
Smithsonian Institution. Program in African American Culture  Search this
Container:
Box 25, Folder 15
Type:
Archival materials
Date:
1999 February 3-6
Scope and Contents:
The eighteenth annual national conference in observance of African History Month was a symposium and community tribute held from Wednesday, February 3, through Saturday, February 6, 1999, in the Carmichael Auditorium, National Museum of American History, Smithsonian Institution. The Middle Passage conference was launched by the Program on African American Culture series "African Americans at the Millennium: From Middle Passage to Cyberspace". The conference saluted three pioneering educators: Dr. John Henrik Clarke, Dr. Adelaide M. Cromwell and Dr. Joseph E. Harris.

Participants included:

Ronald Bailey, Ph.D., chair of the Department of African-American Studies, Northeastern University

Michael L. Blakey, Ph.D., professor of anthropology and anatomy and curator of the W. Montague Cobb Human Skeletal Collection, Howard University

Kim D. Butler, Ph.D., assistant professor, Department of Africana Studies, Rutgers University

Adama J. Conteh, Ph.D., assistant professor of history, Hampton University

Collaborative Public Art Team; Houston Conwill,sculptor; Estella Conwill Majozo, poet; and Joseph DePace, architect

C. Daniel Dawson, photographer and filmmaker

Tom Feelings, renowned artist and illustrator of children's books

Haile Gerima, film producer, director, writer, and editor

Michael A. Gomez, Ph.D., professor of history, University of Georgia; and adjunct faculty, Spelman College

Leslie King Hammond, Ph.D., artist and illustrator and dean of graduate studies, Maryland Institute College of Art

Sylvia Hill, Ph.D, chair of the Department of Urban Affairs, University of the District of Columbia

James Oliver Horton, Ph.D., Benjamin Banneker Professor of American Studies and History, George Washington University

Noel Ignatiev, Ph.D., a visiting assistant professor of history, Bowdoin College

Joseph E. Inikori, Ph.D., a professor of history and associate director, Frederick Douglass Institute for African and African-American Studies, University of Rochester

Aisha Kahil, performing artist and master teacher in voice and dance and member of the a cappella ensemble Sweet Honey in the Rock

Gilberto Leal, a geologist, labor union and political party leader

Clarence Lusane, Ph.D., political scientist and author

Deborah L. Mack, Ph.D., director of public programs and exhibitions, National Underground Railroad Freedom Center in Cincinnati

Lorna McDaniel, Ph.D., historian and founding editor of New Directions: Readings in African Diaspora Music

Alice McGill, storyteller, author and educator

Diana Baird N'Diaye, Ph.D., a folklorist, anthropologist, and program curator, Smithsonian Institution's Center for Folklife Programs and Cultural Studies

Sylvia Ojukutu-Macauley, Ph.D., visiting assistant professor of history, Georgetown University

Colin A. Palmer, Ph.D., Distinguished Professor of History, New York Graduate School, City University

Carla L. Peterson, Ph.D., professor, Department of English and Comparative Literature, University of Maryland

Bernice Johnson Reagon, Ph.D., curator emerita, National Museum of American History (NMAH); and Distinguished Professor of History, American University

Fath Davis Ruffins, historian at the National Museum of American History

Llewellyn Smith, television producer and playwright

Elisée Soumonni, Ph.D., lecturer, department of history, Université Nationale du Bénin

John Thornton, Ph.D., professor of history, Millersville University

Eleanor W. Traylor, Ph.D., graduate professor of English and chair of the Department of English, Howard University

Sheila S. Walker, Ph.D., Annabel Irion Worsham Centennial Professor in Liberal Arts and director of the Center for African and African American Studies, University of Texas

Margaret Washington, Ph.D., history department, Cornell University

Jacquie Gales Webb, producer, Smithsonian Productions; and radio host

Olabiyi Yai, Ph.D., ambassador from Bénin

African Heritage Dancers and Drummers, a youth intervention program that provides rich portrayals of traditional West African dance, music, crafts, and folklore

Melvin Deal, founder and artistic director of the African Heritage Dancers and Drummers

Olufunmilayo Jomo, master teacher and performance artist of African dance and percussion

Kimberly A. Kelly, Ford Foundation Scholar, master's program, European decorative arts, Parsons/Cooper-Hewitt

Kono Youth Ensemble, founded in 1995 to awaken young people here and abroad to the power and beauty of traditional West African dance and drum

Djimo Kouyate, born in Dianna Senegal, is a diali, an oral historian and musician of Manding traditions

Amshatar Monroe, advocate of indigenous culture and spirituality and founder of Sacred Space

Pam Rogers, director of In Process…, Includes: Michelle Lanchester, Yasmeen Williams, Tammy Adair, Ayo Ngozi, Paula Pree, and Reverend Amitiyah Elayne Hyman

Sacred Space: Where Indigenous Paths Meet, a nonprofit organization committed to providing cultural and educational activities, council of elders: Baba Wande Abimbola, Nana Kwabena Brown, Mounain Eagle Woman (Mama Binta-Bisa Mati), Ione, Baba Kwame Ishangi, and Iya N'Ifa Efunyale (Mother) Taylor

Program number AC408.108.
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
See more items in:
Program in African American Culture Collection
Program in African American Culture Collection / Series 1: Program Files
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep89129c4d2-357d-49d4-8642-fe35fadc394e
EDAN-URL:
ead_component:sova-nmah-ac-0408-ref1315

Material Related to Senga Nengudi and Maren Hassinger Seminar

Collection Creator:
Nengudi, Senga, 1943-  Search this
Container:
Box 10, Folder 11
Type:
Archival materials
Date:
2002
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Senga Nengudi papers, 1947, circa 1962-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Senga Nengudi papers
Senga Nengudi papers / Series 5: Professional Activities
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cb7df187-ae3f-4e85-a66e-4d4af50179f8
EDAN-URL:
ead_component:sova-aaa-nengseng-ref304
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Oral history interview with Betty Cooke

Interviewee:
Cooke, Betty, 1924-  Search this
Interviewer:
Yager, Jan, 1951-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Cranbrook Academy of Art -- Students  Search this
Maryland Institute, College of Art -- Faculty  Search this
Maryland Institute, College of Art -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Beene, Geoffrey  Search this
Bertoia, Harry  Search this
De Patta, Margaret, 1903-1964  Search this
Morton, Philip  Search this
Nakashima, George, 1905-1990  Search this
Steinmetz, Bill  Search this
Extent:
132 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2004 July 1-2
Scope and Contents:
An interview of Betty Cooke conducted 2004 July 1-2, by Jan Yager, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Baltimore, Maryland.
Cooke speaks of her family and growing up in Baltimore, Maryland; taking art classes in high school; attending the Maryland Institute, College of Art; apprenticing in a jeweler's studio; teaching design at the Maryland Institute; buying a house and setting up a studio and shop in it; showing her work in the MoMA "Good Design" Exhibition; marrying fellow artist Bill Steinmetz; working as a design consultant; designing interiors for bowling alleys and restaurants; early jewelry designs; studying one summer at Cranbrook Academy of Art; selling works in various galleries; her interest in folk art; using wood and stones in her pieces; creating a wall mural for a school; working with the Rouse Company; opening The Store Ltd. at Cross Keys and designing the modern interior; her trademark designs; making jewelry on commission; and showing her work in exhibitions. Cooke also speaks of her current studio space and routine; sketching designs; documenting her work; traveling to Mexico, China, Morocco, and London; her current involvement with the Maryland Institute, College of Art; renovating a barn for a new studio; the function and wearability of her jewelry; having a retrospective show in 1995; designing for Geoffrey Beene; her interest in painting and sculpture; defining design versus craft; the market for jewelry; how her work has changed over time; sources of inspiration; collecting objects; deciding to go into retail; choosing metals and tools; masculine and feminine jewelry; and being a female artist. Cooke also recalls Margaret De Patta, Harry Bertoia, Philip Morton, George Nakashima, and others.
Biographical / Historical:
Betty Cooke (1924- ) is a jeweler and metalsmith of Baltimore, Maryland. Jan Yager is a jeweler from Philadelphia, Pennsylvania.
General:
Originally recorded on 5 sound discs. Reformatted in 2010 as 8 digital wav files. Duration is 6 hr., 2 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Jewelers -- Maryland -- Baltimore  Search this
Metal-workers -- Maryland -- Baltimore  Search this
Topic:
Decorative arts  Search this
Women artists  Search this
Women designers  Search this
Function:
Artists' studios
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.cooke04
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94615c64b-45d5-4415-a2ba-a76412a92057
EDAN-URL:
ead_collection:sova-aaa-cooke04
Online Media:

Oral history interview with Herman Maril

Interviewee:
Maril, Herman  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Names:
Cummington School of the Arts -- Faculty  Search this
King-Smith Playhouse and School of Theatre Arts (Washington, D.C.) -- Faculty  Search this
Maryland Institute, College of Art -- Students  Search this
Philadelphia Museum of Art -- Faculty  Search this
Washington Workshop Center for the Arts -- Faculty  Search this
Argento, Mino, 1927-  Search this
Cheney, Sheldon, 1886-  Search this
Cézanne, Paul, 1839-1906  Search this
De Kooning, Willem, 1904-1997  Search this
Dows, Olin, 1904-1981  Search this
Giotto, 1266?-1337  Search this
Gross, Chaim, 1904-1991  Search this
Kandinsky, Wassily, 1866-1944  Search this
Kline, Franz, 1910-1962  Search this
Matisse, Henri, 1869-1954  Search this
O'Hara, Eliot, 1890-1969  Search this
Roosevelt, Eleanor, 1884-1962  Search this
Roosevelt, Franklin D. (Franklin Delano), 1882-1945  Search this
Extent:
39 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1965 September 5
Scope and Contents:
An interview of Herman Maril conducted 1965 September 5, by Dorothy Seckler, for the Archives of American Art.
Maril speaks of growing up in Baltimore, Maryland.; attending the Maryland Institute of Fine Arts; visiting museums in the Washington, D.C. area; exhibiting his paintings in Washington, D.C. galleries and New York City galleries; working for the Treasury Art Project; surviving the Great Depression; teaching at the Cummington School of Art in Cummington, Massachusetts; serving in the Army Air Corps during WWII; painting murals with the Public Buildings Administration; teaching at the King-Smith School, the Washington Workshop of the Arts, the Philadelphia Museum of Art, and the University of Maryland; living in Provincetown; painting and his influences; being interviewed for books and a short film. Maril also recalls Roger Frye, Paul Cézanne, Henry Roben, Charles Walther, Franklin Delano Roosevelt, Edward Rowan, Eleanor Roosevelt, Chaim Gross, Henri Matisse, Piero della Francesca, Mino Argento, Olin Dows, Giotto di Bondone, Georges Henri Rouault, Wassily Kandinksy, Charles Walthrop, Franz Kline, Willem de Kooning, Eliot O'Hara, Sheldon Cheney, Florence Watson, Jacques Lipchitz, Mason F. Lord, and others.
Biographical / Historical:
Herman Maril (1908-1986) was a painter and printmaker from Baltimore, Maryland.
General:
Originally recorded on 1 sound tape. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Painters -- Maryland -- Baltimore  Search this
Printmakers -- Maryland -- Baltimore  Search this
Topic:
Depressions -- 1929  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.maril65
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9647c5ac2-0507-4014-9bb0-163cd7730a2a
EDAN-URL:
ead_collection:sova-aaa-maril65
Online Media:

Lee-Smith, Hughie and Patricia

Collection Creator:
Gammon, Reginald, 1921-2005  Search this
Container:
Box 1, Folder 57
Type:
Archival materials
Date:
1969-2001
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings and electronic records with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Reginald Gammon papers, 1927-2007, bulk 1960-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Reginald Gammon papers
Reginald Gammon papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92dcfa2a4-8875-43b1-9122-e9c4748ad6ea
EDAN-URL:
ead_component:sova-aaa-gammreg-ref59
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Oral history interview with Tony Natsoulas

Interviewee:
Natsoulas, Tony, 1959-  Search this
Interviewer:
Kirwin, Liza  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Handicrafts -- Faculty  Search this
Extent:
54 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2004 August 9-11
Scope and Contents:
An interview of Tony Natsoulas conducted 2004 August 9-11, by Liza Kirwin, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Sacramento, California.
Natsoulas speaks of growing up in Davis, California.; visiting museums as a child; early memories of working with clay; school art projects; taking art classes at the University of California, Davis while in high school; going to college at Sacramento State College and UC Davis; studying at Maryland Institute College of Art; attending art summer schools such as the Skowhegan School of Painting & Sculpture; making life-sized clay figures; exhibiting his work; making caricature heads of famous people; including humor and nostalgia in his work; how his work has changed during his career; teaching at Penland School of Crafts; being part of the Funk art movement; choosing themes for his figures; his home studio; his working process and materials; the influence of art periodicals; working on public and private commissions; his teaching philosophy; collaborating with artist Fred Babb; influential art exhibitions; his Greek heritage; his friendship with artist Clayton Bailey; his recent solo exhibition at the Crocker Museum; titling and pricing his work; his art collection; and making artist websites. Natsoulas also recalls Robert Arneson, David Gilhooly, Francesco Clemente, Peter Voulkos, Viola Frey, Roy De Forest, and others.
Biographical / Historical:
Tony Natsoulas (1959- ) is a ceramicist from Sacramento, California. Liza Kirwin is the Curator of Manuscripts, Archives of American Art, Washington, D.C.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 4 digital wav files. Duration is 3 hrs., 59 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Ceramicists -- California -- Interviews  Search this
Art -- Philosophy  Search this
Art -- Technique  Search this
Art commissions  Search this
Artists' materials  Search this
Art -- Periodicals  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.natsou04
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c7cbeece-12e5-41d0-bca8-7f86ca558dcf
EDAN-URL:
ead_collection:sova-aaa-natsou04
Online Media:

Peter Milton papers

Creator:
Milton, Peter, 1930-  Search this
Names:
Associated American Artists  Search this
Franz Bader Gallery  Search this
Maryland Institute, College of Art -- Faculty  Search this
Print Club (Philadelphia, Pa.)  Search this
Albers, Josef  Search this
Finkelstein, Irving L.  Search this
Hooven, Peter, 1934-  Search this
McNulty, Kneeland  Search this
Peterdi, Gabor  Search this
Extent:
1.4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1962-1983
Scope and Contents:
Correspondence files, project files, teaching files, writings, biographical material, inventories, receipts and price lists of prints, and printed material document Milton's printmaking career.
Primarily correspondence (1 foot), arranged chronologically, 1963-1977, and alphabetically by gallery or organization, relating mainly to exhibitions and sales of Milton's work, with galleries, museums, art organizations, colleagues, and collectors. Contained in some files are clippings, draft replies, inventories, consignment agreements, receipts, and a few photographs. Alphabetical file titles include Alma Pelis Gallery, Associated American Artists, C. Troup Gallery, Comsky Gallery, FAR Gallery, Fein/Art, Franz Bader Gallery, Graphics Gallery, Imprint Gallery, Kneeland McNulty, Museo La Tertulia, Optik Gallery, Orr's Gallery, Gabor Peterdi, Pickard Art Galleries, Pratt Center for Contemporary Printmaking, Priscilla Hartley Gallery, Print Club, Talisman Prints, and Joan Weinberg.
Included in the chronological files are letters, some lengthy, from Peter and Coille Hooven. The McNulty file contains research material for a catalog on Milton's etchings, and includes information on Josef Albers and Gabor Peterdi.
Project files, 1969-1974, regard Irving Finkelstein's article about Milton published in "Artists Proof" in 1971, and Milton's commission for the "Jolly Corner Suite" prints to illustrate "Bartelby" by Melville for Aquarius Press. Teaching files, ca. 1962-1965, include syllabi and notes for classes taught by Milton at the Maryland Institute College of Art. Printed material, ca. 1964-1970, includes exhibition announcements and reproductions of Milton's work.
Biographical / Historical:
Printmaker, educator; New Hampshire. Studied with Josef Albers and Gabor Peterdi at Yale University, where he received a BFA (1954) and an MFA (1962). Taught at the University of Bridgeport (1959-1960), Yale University (1960-1961) and the Maryland Institute College of Art (1961-1968).
Provenance:
Donated 1988 by Peter W. Milton.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Etchers -- New Hampshire  Search this
Printmakers -- New Hampshire  Search this
Educators -- New Hampshire  Search this
Topic:
Prints -- Technique -- United States  Search this
Prints, American  Search this
Prints -- 20th century -- United States  Search this
Identifier:
AAA.miltpete
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f89e690d-32ae-4454-af5e-b38927d4e22c
EDAN-URL:
ead_collection:sova-aaa-miltpete

Artoday, U.S.A.-Florence = Arteoggi, Firenze-U.S.A

Author:
Martini, Richard  Search this
Masini, Lara Vinca  Search this
Subject:
Maryland Institute, College of Art Faculty  Search this
Physical description:
2 pamphlets : ill. (some col.) ; 22 x 23 cm
Type:
Exhibitions
Place:
Italy
Florence
Date:
1986
1986]
20th century
Topic:
Art, American  Search this
Art, Italian  Search this
Call number:
N6512 .A786 1986
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_642350

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