National Museum of Natural History (U.S.). Department of Anthropology Search this
Smithsonian Institution. Department of Anthropology Search this
Smithsonian Institution. United States National Museum. Department of Anthropology Search this
Extent:
330.25 Linear feet (519 boxes)
Note:
Some materials are held off-site; this will be indicated at the series or sub-series level. Advanced notice must be given to view these portions of the collection.
Type:
Collection descriptions
Archival materials
Date:
1840-circa 2015
Summary:
The Department of Anthropology records contain administrative and research materials produced by the department and its members from the time of the Smithsonian Institution's foundation until today.
Scope and Contents:
The Department of Anthropology records contain correspondence, manuscripts, photographs, memoranda, invoices, meeting minutes, fiscal records, annual reports, grant applications, personnel records, receipts, and forms. The topics covered in the materials include collections, exhibits, staff, conservation, acquisitions, loans, storage and office space, administration, operations, research, budgets, security, office procedures, and funding. The materials were created by members of the Section of Ethnology of the Smithsonian Institution, the Division of Anthropology of the United States National Museum, the Office of Anthropology of the National Museum of Natural History, and the Department of Anthropology of the National Museum of Natural History and range in date from before the founding of the Smithsonian Institution to today. The Department of Anthropology records also contain some materials related to the Bureau of American Ethnology, such as documents from the River Basin Surveys.
Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Arrangement:
This collection is arranged in 28 series: (1) Correspondence, 1902-1908, 1961-1992; (2) Alpha-Subject File, 1828-1963; (3) Alpha-Subject File, 1961-1975; (4) Smithsonian Office of Anthropology Subject Files, 1967-1968; (5) River Basin Survey Files, 1965-1969; (6) Research Statements, Proposals, and Awards, 1961-1977 (bulk 1966-1973); (7) Publication File, 1960-1975; (8) Memoranda and Lists Concerning Condemnations, 1910-1965; (9) Notebook on Special Exhibits, 1951-1952 (10) Section on Animal Industry; (11) Administrative Records, 1891-1974; (12) Administrative Records, 1965-1994 (bulk 1975-1988); (13) Fiscal Records, 1904-1986; (14) Annual Reports, 1920-1983; (15) Chairman's Office Files, 1987-1993; (16) Division of Archaeology, 1828-1965; (17) Division of Ethnology, 1840s, 1860-1972, 1997; (18) Division of Physical Anthropology; (19) Division of Cultural Anthropology, 1920-1968; (20) Records of the Anthropological Laboratory/Anthropology Conservation and Restoration Laboratory, 1939-1973; (21) Collections Management, 1965-1985; (22) Photographs of Specimens and Other Subjects (Processing Laboratory Photographs), 1880s-1950s; (23) Exhibit Labels, Specimen Labels, Catalog Cards, and Miscellaneous Documents, circa 1870-1950; (24) Antiquities Act Permits, 1904-1986; (25) Ancient Technology Program, circa 1966-1981; (26) Urgent Anthropology; (27) Records of the Handbook of North American Indians; (28) Personnel; (29) Repatriation Office, 1991-1994
Administrative History.:
The Smithsonian Institution was founded in 1846. Although there was no department of anthropology until the creation of the Section of Ethnology in 1879, anthropological materials were part of the Smithsonian's collection from its foundation. The Section of Ethnology was created to care for the rapidly growing collection. In 1881, the United States National Museum was established. Soon thereafter, in 1883, it was broken up into divisions, including the Division of Anthropology. In 1904, Physical Anthropology was added to the Division.
The Bureau of American Ethnology (BAE) was created in 1879 as a research unit of the Smithsonian, separating research from collections care. However, during the 1950s, research became a higher priority for the Department of Anthropology and, in 1965, the BAE was merged with the Department of Anthropology to create the Office of Anthropology, and the BAE's archives became the National Anthropological Archives (NAA).
In 1967, the United States National Museum was broken up into three separate museums: the Musuem of History and Technology (now the National Museum of American History), the National Museum of American Art, and the National Museum of Natural History (NMNH). The Office of Anthropology was included in NMNH and was renamed the Department of Anthropology in 1968.
New divisions were added to the Department, including the Human Studies Film Archives (HSFA) in 1981, the Research Institute on Immigration and Ethnic Studies (RIIES) in 1982, and the Repatriation Office in 1993. In 1983, the Smithsonian opened the Museum Support Center (MSC) in Suitland, Maryland, as offsite housing for collections with specialized storage facilities and conservation labs.
The Department of Anthropology is currently the largest department within NMNH. It has three curatorial divisions (Ethnology, Archaeology, and Biological Anthropology) and its staff includes curators, research assistants, program staff, collections specialists, archivists, repatriation tribal liaisons, and administrative specialists. It has a number of outreach and research arms, including the Repatriation Office, Recovering Voices, Human Origins, and the Arctic Studies Center.
The Museum is home to one of the world's largest anthropology collections, with over three million specimens in archaeology, ethnology, and human skeletal biology. The NAA is the Smithsonian's oldest archival repository, with materials that reflect over 150 years of anthropological collecting and fieldwork. The HSFA is the only North American archive devoted exclusively to the collection and preservation of anthropological film and video.
Sources Consulted
National Museum of Natural History. "Department of Anthropology: About" Accessed April 13, 2020. https://naturalhistory.si.edu/research/anthropology/about
National Museum of Natural History. "History of Anthropology at the Smithsonian." Accessed April 13, 2020. https://naturalhistory.si.edu/sites/default/files/media/file/history-anthropology-si.pdf
National Museum of Natural History. "History of the Smithsonian Combined Catalog." Accessed April 13, 2020 https://sirismm.si.edu/siris/sihistory.htm
Chronology
1846 -- The Smithsonian Institution is founded
1879 -- George Catlin bequeaths his collection to the Smithsonian The Section of Ethnology is established to oversee ethnological and archaeological collections The Bureau of Ethnology is established by Congress as a research unit of the Smithsonian
1881 -- The U.S. National Museum (USNM) is established as a separate entity within the Smithsonian Institution
1883 -- The staff and collections of the USNM are reorganized into divisions, including a Division of Anthropology
1897 -- The United States National Museum is reorganized into three departments: Anthropology headed by W. H. Holmes; Biology with F. W. True as head; and Geology with G. P. Merrill in charge The Bureau of Ethnology is renamed the Bureau of American Ethnology (BAE) to emphasize the geographic limit of its interests
1903 -- The Division of Physical Anthropology established
1904 -- The Division of Physical Anthropology is incorporated into the Division of Anthropology
1910 -- The USNM moves into the new Natural History Building
1965 -- The Smithsonian Office of Anthropology is created on February 1 The BAE is eliminated and merged with the Office of Anthropology
1968 -- The Smithsonian Office of Anthropology (SOA) of the National Museum of Natural History is retitled the Department of Anthropology on October 29
1973 -- The Research Institute on Immigration and Ethnic Studies (RIIES) is established at the National Museum of Natural History's (NMNH) Center for the Study of Man (CSM) to study the waves of immigration to the United States and its overseas outposts that began in the 1960's
1975 -- The National Anthropological Film Center is established
1981 -- The National Anthropological Film Center is incorporated into the Department of Anthropology
1982 -- The RIIES, part of the CSM at the NMNH, is transferred to the Department of Anthropology
1991 -- NMNH establishes a Repatriation Office
1993 -- The Repatriation Office is incorporated into the Department of Anthropology
Head Curators and Department Chairs
1897-1902 -- William Henry Holmes
1902-1903 -- Otis T. Mason (acting)
1904-1908 -- Otis T. Mason
1908-1909 -- Walter Hough (acting)
1910-1920 -- William Henry Holmes
1920-1923 -- Walter Hough (acting)
1923-1935 -- Walter Hough
1935-1960 -- Frank M. Setzler
1960-1962 -- T. Dale Stewart
1963-1965 -- Waldo R. Wedel
1965-1967 -- Richard Woodbury
1967-1970 -- Saul H. Riesenberg
1970-1975 -- Clifford Evans
1975-1980 -- William W. Fitzhugh
1980-1985 -- Douglas H. Ubelaker
1985-1988 -- Adrienne L. Kaeppler
1988-1992 -- Donald J. Ortner
1992-1999 -- Dennis Stanford
1999-2002 -- Carolyn L. Rose
2002-2005 -- William W. Fitzhugh
2005-2010 -- J. Daniel Rogers
2010-2014 -- Mary Jo Arnoldi
2014-2018 -- Torbin Rick
2018-2022 -- Igor Krupnik
2022-2023 -- Laurie Burgess
2022- -- Richard Potts
Related Materials:
The NAA holds collections of former head curators and department chairs, including the papers of Otis Tufton Mason, Walter Hough, T. Dale Stewart, Waldo Rudolph and Mildred Mott Wedel, Saul H. Riesenberg, Clifford Evans, and Donald J. Ortner; the photographs of Frank Maryl Setzler; and the Richard B. Woodbury collection of drawings of human and animal figures.
Other related collections at the NAA include the papers of Gordon D. Gibson, Eugene I. Knez, and Betty J. Meggers and Clifford Evans; and the records of the Bureau of American Ethnology, the Center for the Study of Man, and the River Basin Surveys.
Provenance:
This collection was transferred to the National Anthropological Archives (NAA) by the National Museum of Natural History's Department of Anthropology in multiple accessions.
Restrictions:
Some materials are restricted.
Access to the Department of Anthropology records requires an appointment.
The Donald J. Ortner Papers, dated 1963 to 2013, document his research and professional activities while working in the Division of Physical Anthropology in the Department of Anthropology at the Smithsonian Institution National Museum of Natural History. They primarily deal with his contributions to the field of paleopathology and his work with specimens from Bab edh-Dhra, Jordan and Chichester, England. The bulk of this collection consists of correspondence, files related to Ortner's publications, specimen observations and analysis, and photographs.
Scope and Contents:
The Donald J. Ortner Papers primarily document his projects, research, and correspondence working as a biological anthropologist in the Division of Physical Anthropology of the Department of Anthropology from 1963 until his death in 2012. The bulk of the projects represented relate to his work in paleopathology, such as the Near Eastern skeletal biology program in Jordan and the medieval skeletal disease project in England. The collection consists of notes, research materials, correspondence, data and data analysis, transcripts of specimen observations, maps, blueprints, artwork, negatives, slides, photographs, CD-Roms, floppy discs, and sound cassettes.
Arrangement:
This collection is arranged in 8 series: Series 1. Correspondence, 1966-2012; Series 2. Subject files, 1965-2013, undated; Series 3. Near Eastern Skeletal Biology Program, 1977-2010, undated; Series 4. Medieval Skeletal Disease Project, 1988-2006, undated; Series 5. Other publications, projects, and research, 1963-2011, undated; Series 6. Professional activities, 1971-2007, undated; Series 7. Biographical and office files, 1963-2011, undated; Series 8. Artwork, 1978, undated
Biographical Note:
Donald J. Ortner was a biological anthropologist in the Department of Anthropology at the Smithsonian National Museum of Natural History (NMNH). By the time of his death, Ortner had served in many positions at the Museum, including Acting Director (1994-1996). His areas of expertise included human paleopathology, human health in medieval England, bioarcheology of the ancient Near East, and the history and evoluton of human infectious diseases. Ortner was a founding member of the Paleopathology Association.
Ortner was born in 1938 in Stoneham, Massachusetts and arrived at the NMNH in 1963, working primarily with J. Lawrence Angel who had recently started as Curator in the Division of Physical Anthropology. While working at the Museum, Ortner completed his Master's in Anthropology in 1967 and received his Ph.D. from the University of Kansas in 1970. His doctoral dissertation was on The Effects of Aging and Disease on the Micromorphology of Human Compact Bone.
Ortner worked with Walter G. J. Putschar, a pathologist based at Massachusetts General Hospital in Boston, on a series of short-courses (1971-1974) on paleopathology at the Smithsonian. During the summer of 1974, Putschar and Ortner traveled to Europe (London, Edinburgh, Zurich, Strasbourg, Vienna, Prague) studying and photographing examples of skeletal pathology in museums and other repositories. The result of this research was the book Identification of Pathological Conditions in Human Skeletal Remains published in 1981, with later editions in 1985 and 2003.
In 1977, Ortner joined the Expedition to the Dead Sea Plain directed by archaeologists Walter E. Rast and R. Thomas Schaub, focusing on the site of Bab edh-Dhra. Ortner studied the tombs and skeletons for data indicating cultural and biological changes, especially urbanization and connection to the development of other "Western civilizations." Ortner participated in two more field seasons in Bab edh-Dhra in 1979 and 1981. From his research at Bab-edh-Dhra, Ortner published many scholarly articles and recreated two tombs for the Hall of Western Civilization at NMNH.
In 1988, Ortner began his collaboration with the University of Bradford in Bradford, England, teaching short-courses on paleopathology. While a Visiting Professor at the University, he also participated in a project on human health and disease in Medieval England. The project focused on leprosy and syphilis in skeletons from St. James Hospital's leprosarium cemetery in Chichester, Wharram Perry, and Magistrates' Court in Kingston-upon-Hull. He received an Honorary Doctorate of Science from the University in 1995.
Donald J. Ortner died on April 29th, 2012 in Maryland.
Sources consulted:
Ubelaker, D. H. "Obituary: Donald J. Ortner (1938–2012)." American Journal of Physical Anthropology, 149 (2012): 155–156.
Arnoldi, Mary Jo and Ann Kaupp. "Donald J. Ortner, Sr. (1939-2012)." Anthropolog: Newsletter of the Department of Anthropology, Spring 2012: 1-3.
Chronology
1938 -- Born on August 23 in Stoneham, Massachusetts.
1960 -- Received B.A. in Zoology from Columbia Union College in Takoma Park, Maryland.
1963 -- Began working at the Smithsonian Institution.
1967 -- Received M.A. in Anthropology from Syracuse University.
1969 -- Promoted to Assistant Curator.
1970 -- Received Ph.D. from the University of Kansas.
1971 -- Promoted to Associate Curator.
1971-1975 -- Taught part-time at the University of Maryland.
1974 -- Spent summer with Dr. Walter G. J. Putschar studying pathological specimens in Europe.
1976 -- Promoted to Curator in the Anthropology Department, National Museum of Natural History.
1977 -- First field season at Bab edh-Dhra cemetery site in Jordan.
1979 -- Second field season at Bab edh-Dhra cemetery site in Jordan.
1981 -- Third field season at Bab edh-Dhra cemetery site in Jordan.
1988 -- Began association with the University of Bradford in Bradford, England.
1988-1992 -- Chairman of the Department of Anthropology, National Museum of Natural History.
1994-1996 -- Acting Director of the National Museum of Natural History.
1995 -- Awarded an Honorary Doctorate of Science degree from the University of Bradford.
1999-2001 -- President of the Paleopathology Association.
2005 -- Received Eve Cockburn Award from the Paleopathology Association in recognition of his contributions in the field of paleopathology.
2012 -- Died on April 29 in Maryland.
Related Materials:
The following photo lots depicting Donald J. Ortner can be found at the NAA:
Photo Lot 7D: Photograph of attendees after American Anthropological Association annual meeting, 1965
Photo Lot 7A: Portraits made at the annual meeting of the American Association of Physical Anthropologists, 1970
Photo Lot 77-45: Photograph of Smithsonian Institution physical anthropologists, circa 1977
Photo Lot 4822: Division of Physical Anthropology collection of photographs of physical anthropologists, undated
Sound recordings of Donald J. Ortner at the NAA:
John Lawrence Angel Papers, Sound Recordings, "How Humans Adapt: A Biocultural Odyssey," November 9, 1981
Other collections at the NAA in which Donald J. Ortner is a correspondent or creator of material:
Records of the Department of Anthropology, 1877-1980
Department of Anthropology Annual Reports, 1920-1983
John Lawrence Angel Papers, 1930s-1980s
Three films that document Ortner's work in Bab edh-Dhra are located in the Human Studies Film Archives (HSFA):
Film number 2000.9.1, The Bones of Bab edh-Dhra, ca. 1970s
Film number 2000.9.3, Bab edh-Dhra Film Project, 1970-1980
Film number 2014.3, City of the Dead, 1978
The Smithsonian Institution Archives holds the original City of the Dead in Accession 05-282, Office of Telecommunications, Productions.
Provenance:
These papers were transferred to the NAA from the Department of Anthropology in 2014.
Restrictions:
The Donald J. Ortner Papers are open for research.
Access to the Donald J. Ortner Papers requires an appointment.
Requests to view forensic files are subject to review by the NAA. Forensic files can only be
viewed in the National Anthropological Archives reading room. No copies are permitted unless
permission is granted by the agency the report was written for.
Electronic records are unavailable for research. Please contact the reference archivist for
additional information.
Use of audiovisual recordings with no duplicate access copy requires advance notice.
Hubbard Garden related holdings consist of 2 folders, 60 35 mm. slides (1995) and 44 digital images (2018). Folders include numerous photocopies of articles about the garden.
General:
The two-acre property has a 1937 Colonial revival house and gardens that have been reworked many times since 1969 when the current owners moved in. The sloping property has been terraced, replacing a grassy hillside in back with dense plantings and winding stone walkways that lead eventually to a woodland garden. Along the front of the house there are three courtyards connected by a broad brick walkway that culminates at an antique cast iron bench painted turquoise blue; the doorway to the house is through another small private courtyard off to one side under a rough timber pergola. A curving 840-square-foot swimming pool with a dark gray reflective interior has a stone wall with fountains. The owners have collected thousands of trees, shrubs, perennials and bulbs that fill the terraces in front and back as well as screen their property. Conifers that have year round interest include Japanese umbrella pine, blue spruce, hinoki cypress, and Japanese cedar. There are modernist sculptures places around the upper terraces, along with a fish pond. Raised beds for growing vegetables now grow tulips and other flowers. Dwarf conifers and sedum are planted in hypertufa troughs. Other plant collections include more than 150 varieties of daylilies, hydrangeas, azaleas, rhododendron and ornamental grasses that were amassed by landscape architect Kurt Bluemel. The areas designed by Bluemel hug the hillside with curving terraces supported by dry stone walls that bring the gardens into closer association with the house. Perennials are planted in large drifts while evergreens are used as backdrops and screens. Plants that succumb are replaced with different varieties and deer fencing was installed in 2009.
Persons associated with the property include: Dr. and Mrs. Henrich (former owners, 1937-1969); T. Worth Jamison (1893-1964) (architect, 1937); Kurt Bluemel (1933-2014) (landscape designer, 1990); Ingrid Ernestl (gardener, 1994-2010); Ulrich Ruckriem (sculptor); Ian Aurbuch (sculptor); Matthew Harris (sculptor); Costas Velatsis (sculptor); Anthony Card (sculptor); Wade Saunders (sculptor); and Jon Iserwood (sculptor).
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Maryland -- Owings Mills -- Baltimore
Scope and Contents:
The folder includes worksheets, photocopies of images and an illustrated history of the family, house and garden.
General:
The five-acre Brightside gardens were built from 1983 to 2014 on a property with a large country house of white-painted bricks and a slate roof, surrounded by woodland shade and poor soil. Described as a dialog between the heart and the head there are 54 discrete garden areas, including Lutyens-style stairways, a potager, a cemetery for family pets with a statue of a beloved pug, gardens named after the neoclassical statues within them or the friends that designed or inspired them, a pool garden. Formal garden rooms are near the house and more rustic woodlands gardens are further from the house. Some of the hardscapes of the formal gardens were designed to echo the neoclassical lines of Baltimore Federal furniture. Each garden has a theme inspired by a quotation from philosophy, religion, literature or poetry that bespeaks the spirit of that area, with plantings that refer to the symbolic Victorian language of flowers. The owners have been inspired by their visits to hundreds of gardens and the Greek and Roman ideals embodied in neoclassicism and the American Federal and empire styles from the late 18th and early 19th centuries. Among their favorites are the English garden design collaborations of Gertrude Jekyll and Sir Edwin Lutyens, William Kent's Rousham, Sissinghurst, Hidcote, and the fantasy elven gardens in J.R.R. Tolkien's The Lord of the Rings.
In 1990 woodlands were cleared of understory and hundreds of tons of soil were deposited under the remaining tall trees and dogwood to sculpt a new landscape. Within one week 500 rhododendron, 65,000 fern and 65,000 pachysandra seedlings were planted. There are six levels of woodland gardens descending from a ridgeline, 2,000 specimen trees, and amphitheaters and berms that have altered the contours of the lawns. Since most of the property is shaded native plants and shade tolerant specimen plants are featured. Garden ornaments include pedigreed statues, antique urns, birdbaths, boot scrapers and gates. Formal garden borders near the house in the room named Jessica's garden for its designer contain more colorful and sun-loving plants, including delphinium, peony, phlox, lilac, hydrangea and butterfly bush. For the owners these lyrical gardens are a retreat they liken to medieval gardens where man imposed rationality and beauty in a small part of the chaotic world.
Persons associated with the garden include Mr. and Mrs. S. Bonsal White (former owners, 1950's); Mr. and Mrs. A.B. Krongard (former owners, 1960's); Mr. and Mrs. John Lalley (former owners, 1970's); Charles M. Ness (architect, 1950); James A. Snead (architect, circa 1995-1998).
Related Materials:
Brightside related holdings consist of 1 folder (22 digital images)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Maryland -- Anne Arundel County -- Harwood
Scope and Contents:
The folder includes worksheets, photocopies of articles and program notes, and additional information about the house and garden.
General:
Located on the West River and Browns Creek near Annapolis, Tulip Hill was the plantation estate of Quaker merchant-planter Samuel Galloway. Named for its grove of tulip poplar trees, Tulip Hill saw construction of its Georgia-style mansion in 1755-62, with significant additions by Galloway's son, John, in 1787-90. The property is listed on the National Register of Historic Places and the grounds include many tulip poplar, fir, and beech trees. The terraced gardens stretch down to the river. The property was most recently sold in 2010.
Persons and firms associated with the property include Samuel Galloway (former owner, ca. 1755-1785); John Galloway (former owner, ca. 1785-1810); Mr. and Mrs. Henry H. Flather (former owners, 1918-1946) ; Mr. and Mrs. Lewis R. Andrews (former owners, 1946-ca. 1990); and Morgan Wayson (former owner, 1992-2004).
Related Materials:
Tulip Hill related holdings consist of 1 folder (4 lantern slides; 2 film transparencies; 9 slides (photographs))
See others in:
Hollerith Family Slide Collection, 1952-1998.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Maryland -- Anne Arundel County -- Annapolis
Date:
1977
General:
Antiques Magazine, Jan. 1977, p. 181.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
Richard Gates Slattery photograph collection relating to Fisher Site in Loudoun County, Virginia
Creator:
Slattery, Richard Gates (collector and photographer) Search this
Photographer:
Wedel, Waldo R. (Waldo Rudolph), 1908-1996 Search this
Extent:
20 Prints (silver gelatin)
4 Negatives (photographic) (acetate)
Type:
Collection descriptions
Archival materials
Prints
Negatives (photographic)
Photographs
Place:
Loudoun County (Va.)
Virginia -- Antiquities
Date:
circa 1938-1940
Scope and Contents note:
Photographs depicting archeological excavations at Fisher Site in Loudoun County, Virginia. They include views of the surrounding area, the dig site, members of the field expedition, and burials, skeletal remains, and artifacts discovered during the dig. Some photographs are by Waldo Rudolph Wedel.
Biographical/Historical note:
Fisher Site is a Late Woodland village located along the Potomac River in Loudoun County. Waldo Rudolph Wedel was Smithsonian Assistant Curator of Archeology and conducted weekend surveys of sites along the Potomac River as an off-season project from 1938-1939. Richard Gates Slattery was an amateur archeologist and a member and officer with the Maryland Archeological Society. Slattery conducted surveys and carried out excavations on both sides of the Potomac during the 1930s-1960s.
Local Call Number(s):
NAA Photo Lot 83-13
Location of Other Archival Materials:
The National Anthropological Archives holds Slattery's report on the Winslow Site (MS 7190) and notes relating to the Shepard Barrack site (MS 7199).
Correspondence from Slattery can be found in the National Anthropological Archives in the Waldo Rudolph Wedel and Mildred Mott Wedel Papers.
The Department of Anthropology holds specimens from the Fisher Site (NMNH accession 217907) as well as artifacts and specimens from other sites, donated by Slattery.
Photo lot 83-13, Richard Gates Slattery photograph collection relating to Fisher Site in Loudoun Counrty, Virginia, National Anthropological Archives, Smithsonian Institution
