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Beatrice Fenton letter to Marjorie Martinet

Creator:
Fenton, Beatrice, 1887-1983  Search this
Martinet, Marjorie D., 1886-1981  Search this
Type:
Correspondence
Date:
between 1904 and 1981
Citation:
Beatrice Fenton. Beatrice Fenton letter to Marjorie Martinet, between 1904 and 1981. Beatrice Fenton papers, 1836-1984. Archives of American Art, Smithsonian Institution.
Topic:
Love letters  Search this
Record number:
(DSI-AAA)8792
See more items in:
Beatrice Fenton papers, 1836-1984, bulk 1890-1978
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_8792

My love is like the sea: returning, as the tide

Creator:
Martinet, Marjorie D., 1886-1981  Search this
Subject:
Fenton, Beatrice  Search this
Type:
Writings
Date:
1915 May
Citation:
Marjorie D. Martinet. My love is like the sea: returning, as the tide, 1915 May. Beatrice Fenton papers, 1836-1984. Archives of American Art, Smithsonian Institution.
Topic:
Poems  Search this
Record number:
(DSI-AAA)8793
See more items in:
Beatrice Fenton papers, 1836-1984, bulk 1890-1978
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_8793

Beatrice Fenton papers

Creator:
Fenton, Beatrice, 1887-1983  Search this
Names:
Bishop, Emily Clayton, 1883-1912  Search this
Martinet, Marjorie D., 1886-1981  Search this
Extent:
9.36 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Sketchbooks
Interviews
Sound recordings
Photographs
Date:
1836-1984
bulk 1890-1978
Summary:
The papers of sculptor Beatrice Fenton date from 1836-1984 (bulk 1890-1978) and measure 9.36 linear feet. The collection documents Fenton's career as a sculptor and art instructor, as well as her life-long friendships with artist Emily Clayton and art educator Marjorie Martinet. Found are scattered biographical materials, correspondence primarily with Martinet (approximately 1/2 of the collection), business records, notes and writings, scattered records of arts organizations, transcripts of interviews with Fenton, sketches and sketchbooks, a scrapbook, brochures, clippings, postcards, reproductions of artwork, and photographs of friends and family, travels, and artwork. Writings include several illustrated hand-made books of poetry by Emily Clayton.
Scope and Content Note:
The papers of sculptor Beatrice Fenton date from 1836-1984 (bulk 1890-1978) and measure 9.36 linear feet. The collection documents Fenton's career as a sculptor and art instructor, as well as her life-long friendships with artist Emily Clayton and art educator Marjorie Martinet. Found are scattered biographical materials, correspondence primarily between Fenton and Martinet (approximately 1/2 of the collection), business records, notes and writings, scattered records of arts organizations, transcripts of interviews with Fenton, sketches and sketchbooks, a scrapbook, brochures, clippings, postcards, reproductions of artwork, and photographs of friends and family, travels, and artwork.

The collection includes scattered biographical material for Fenton, Emily Clayton Bishop, and Marjorie Martinet, such as biographical accounts, membership cards, and a diploma. The correspondence is primarily between Fenton and Martinet and documents the development of their close friendship and professional concerns. There are also scattered letters from Fenton's instructor, Alexander S. Calder and Emily Clayton Bishop. Personal business records include those of Fenton and Martinet and include wills, estate papers, insurance and banking records, price lists, receipts, and records from the Oldfields School where Marjorie Martinet taught for 36 years. Found within the Notes and Writings series are address books, hand-made illustrated booklets of poems by Emily Clayton Bishop, lecture manuscripts, and notes and typescripts on various topics, including a file Fenton created to promote Bishop's artwork following Bishop's death.

There is a series of scattered records of arts organizations to which Fenton belonged, including the Charcoal Club, the Three Arts Club, Lizette Wood Reese Memorial Association, and the Maryland Institute Alumni Association. Also found in the papers are interview tapes and transcripts of interviews conducted with Fenton by Mary Hamel-Schwulst and Marlene Obarzaneck, artwork consisting primarily of sketchbooks and loose drawings by Fenton and Bishop, a scrapbook concerning Martinet, additional printed material, and photographs and photograph albums depicting Fenton, Martinet, Bishop, other family, colleagues, studios, artwork, and travel destinations.
Arrangement:
The collection is arranged as 9 series. Glass plate negatives are housed separately and closed to researchers.

Missing Title

Series 1: Biographical Material, 1897-1967 (Boxes 1, 10; 5 folders)

Series 2: Correspondence, 1857-1980 (Boxes 1-5, 10; 4.5 linear feet)

Series 3: Business Records, 1836, 1907-1978 (Box 5; 39 folders)

Series 4: Notes and Writings, 1866-1971 (Boxes 5-6; 58 folders)

Series 5: Organization Records, 1903-1938 (Box 6; 9 folders)

Series 6: Interviews, 1978 (Box 6; 5 folders)

Series 7: Artwork, 1903-1943 (Boxes 7, 10; 21 folders)

Series 8: Scrapbook, 1905-1925 (Boxes 10; 1 folder)

Series 9: Printed Material, 1865-1984 (Boxes 7-8, 10; 1.7 linear feet)

Series 10: Photographs, 1890-1978 (Boxes 9-10, MGP 6; 1.0 linear feet)
Biographical Note:
Beatrice Fenton was born on July 12, 1887 in Philadelphia, Pennsylvania, to ophthalmologist Thomas H. Fenton and Lizzie Remak Fenton, who was the daughter of prominent lawyer Gustavus Remak.

From 1903-1904 Fenton began to study art at the Philadelphia School of Industrial Art under Alexander Stirling Calder. Through her father's aunt, Mary Fenton Holmes, she met Thomas Eakins who advised her to sculpt in clay in order to overcome flatness in drawings. In 1904 Eakins painted a portrait of Fenton as the central figure in The Coral Necklace.

Fenton was attracted to sculpture and continued her studies in this field from 1904-1908 at the Pennsylvania Academy of the Fine Arts in Philadelphia, under Charles Grafly. Here she began life-long friendships with fellow students Marjorie Martinet and Emily Clayton Bishop.

A Cresson European Traveling Scholarship enabled Fenton to visit Belgium, Germany, Austria, Switzerland, Italy, Greece, France, and England during the summer of 1909. She returned to the Pennsylvania Academy and won a second scholarship that financed further travel to Spain, France, Holland, Belgium, and England in 1910 with Marjorie Martinet. On her return from Europe Fenton began working as an artist in Philadelphia.

Both Fenton and Martinet were deeply affected by the sudden death of Emily Clayton Bishop in 1912, and spent several years promoting Bishop's sculpture. Martinet, who changed the spelling of her surname from Martenet to Martinet in June 1918, established her own art school in Baltimore, Maryland, and later taught painting at the Maryland Institute of Art. Fenton and Martinet maintained a close relationship for fifty years, primarily through correspondence.

Fenton's first success came with a portrait bust of her father's friend, painter and etcher Peter Moran, brother of Thomas Moran. The bust was purchased by the painter's friends for the Art Club and in 1915 won Honorable Mention in the Panama-Pacific International Exposition in San Francisco. The success of Fenton's Seaweed Fountain in 1922 generated many commissions, primarily for fountains.

Martinet taught at Oldfields School from 1925 to 1961. From 1942 to 1953, Fenton taught at the Moore College of Art in Philadelphia, and later joined the faculty of St. John's Night School for Adults.

Beatrice Fenton died February 11, 1983 in Germantown, Pennsylvania.
Provenance:
The Beatrice Fenton papers were donated from 1987-1991 by Joan Martin, a sculptor and former Fenton student, who inherited Fenton's studio and its contents.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- Pennsylvania -- Philadelphia  Search this
Topic:
Women artists  Search this
Women sculptors  Search this
Genre/Form:
Sketches
Sketchbooks
Interviews
Sound recordings
Photographs
Citation:
Beatrice Fenton papers, 1836-1984 (bulk 1890-1978). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.fentbeat
See more items in:
Beatrice Fenton papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b4850d88-8ab5-4600-aaa3-ca667521dc63
EDAN-URL:
ead_collection:sova-aaa-fentbeat
Online Media:

Beatrice Fenton letters to Marjorie D. Martinet, circa 1870-1928

Creator:
Fenton, Beatrice, 1887-1983  Search this
Martinet, Marjorie D., 1886-1981  Search this
Citation:
Beatrice Fenton letters to Marjorie D. Martinet, circa 1870-1928. Archives of American Art, Smithsonian Institution.
Theme:
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)22167
AAA_collcode_fentobea
Theme:
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_22167

Beatrice Fenton letters to Marjorie D. Martinet

Creator:
Fenton, Beatrice, 1887-1983  Search this
Martinet, Marjorie D., 1886-1981  Search this
Extent:
0.4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
circa 1870-1928
Scope and Contents:
Letters from Beatrice Fenton to Marjorie D. Martinet measure 0.4 linear feet. The majority of the collection includes handwritten letters from Fenton to Martinet, circa 1911-1920. Also included are negatives of places in Seville and Alhaurbra Spain and unidentified people; catalogs and brochures for art institutes, exhibitions, art supplies; notes on anatomy drawing of a horse; bylaws for the Art Institute of Baltimore; and miscellany. The papers date from circa 1870-1928.
Biographical / Historical:
Beatrice Fenton (1887-1983) was a sculptor in Pennsylvania. She had a friendship and romantic relationship with Maryland artist Marjorie D. Martinet (1886-1991).
Related Materials:
The Archives of American Art also holds the Beatrice Fenton papers, 1836-1984.
Provenance:
Donated in 2022 by Louise Walling, who purchased the collection at auction.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Identifier:
AAA.fentobea
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9344769ba-82ad-496b-90ff-679d6626f554
EDAN-URL:
ead_collection:sova-aaa-fentobea

Catalogue of exhibition : sculpture by Beatrice Fenton : paintings by Marjorie D. Martinet, Anne W. Strawbridge : [exhibition] January 11th to January 23rd inclusive 1929

Title:
Exhibition of paintings & sculpture by Beatrice Fenton, Marjorie D. Martinet, Anne W. Strawbridge
Sculpture by Beatrice Fenton
Paintings by Marjorie D. Martinet, Anne W. Strawbridge
Author:
Art Club of Philadelphia  Search this
Subject:
Fenton, Beatrice 1887-1983  Search this
Martinet, Marjorie D. 1886-1981  Search this
Strawbridge, Anne West 1883-1941  Search this
Physical description:
32 p. : ill. ; 21 cm
Type:
Exhibitions
Date:
1929
Topic:
Art, American  Search this
Call number:
N6512 .C35 1929
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_527206

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