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Pier at Honfleur

Creator:
Martin, Homer Dodge, 1836-1897  Search this
Martin, Homer Dodge, 1836-1897  Search this
Type:
Artworks
Place:
France
Date:
1884 Dec. 5
Record number:
(DSI-AAA)10031
See more items in:
James Stillman letters relating to Homer Dodge Martin, 1882-1898
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_10031
Online Media:

Homer Dodge Martin, St. Paul, Minn. letter to unidentified recipient

Creator:
Martin, Homer Dodge, 1836-1897  Search this
Martin, Homer Dodge, 1836-1897  Search this
Type:
Correspondence
Date:
1895 October 31
Record number:
(DSI-AAA)7217
See more items in:
Charles Henry Hart autograph collection, 1731-1918
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_7217
Online Media:

Homer Dodge Martin, St. Paul, Minn. letter to Thomas B. (Thomas Benedict) Clarke

Creator:
Martin, Homer Dodge, 1836-1897  Search this
Clarke, Thomas B. (Thomas Benedict), 1848-1931  Search this
Martin, Homer Dodge, 1836-1897  Search this
Type:
Correspondence
Date:
1895 Dec. 12
Record number:
(DSI-AAA)10033
See more items in:
Thomas B. Clarke letters from or about Homer Dodge Martin, 1893-1897
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_10033

Thomas B. Clarke letters from or about Homer Dodge Martin, 1893-1897

Creator:
Clarke, Thomas B. (Thomas Benedict), 1848-1931  Search this
Martin, Homer Dodge, 1836-1897  Search this
Clarke, Thomas B. (Thomas Benedict), 1848-1931  Search this
Subject:
Macbeth, William  Search this
Martin, Homer Dodge  Search this
Topic:
Art dealers -- New York (State) -- New York  Search this
Art patrons -- New York (State) -- New York  Search this
Art -- Economic aspects  Search this
Collectors and collecting -- New York (State) -- New York  Search this
Theme:
The Art Market  Search this
Record number:
(DSI-AAA_CollID)7029
(DSI-AAA_SIRISBib)209162
AAA_collcode_clartbhm
Theme:
The Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209162
Online Media:

Homer D. Martin letter to Issac Chapman and related clipping, 1861-1974

Creator:
Martin, Homer Dodge, 1836-1897  Search this
Berry-Hill Galleries  Search this
Martin, Homer Dodge, 1836-1897  Search this
Subject:
Chapman, Isaac  Search this
Theme:
Sketches & Sketchbooks  Search this
Art Movements and Schools  Search this
Record number:
(DSI-AAA_CollID)7857
(DSI-AAA_SIRISBib)210024
AAA_collcode_marthomd
Theme:
Sketches & Sketchbooks
Art Movements and Schools
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210024

Homer Dodge Martin sketchbook, 1865-1866

Creator:
Martin, Homer Dodge, 1836-1897  Search this
Martin, Homer Dodge, 1836-1897  Search this
Subject:
Ciarrocchi, Ray  Search this
Type:
Sketchbooks
Topic:
Painting, Modern -- 19th century -- United States  Search this
Theme:
Sketches & Sketchbooks  Search this
Audio - Visual  Search this
Record number:
(DSI-AAA_CollID)10435
(DSI-AAA_SIRISBib)213836
AAA_collcode_marthome
Theme:
Sketches & Sketchbooks
Audio - Visual
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213836

Saul Zalesch collection of artists' letters and documents

Collector:
Zalesch, Saul E.  Search this
Names:
Brooklyn Art Association  Search this
Society of American Artists  Search this
Baldridge, C. LeRoy  Search this
Bearden, Romare, 1911-1988  Search this
Bellows, George, 1882-1925  Search this
Benton, Thomas Hart, 1889-1975  Search this
Betts, Louis, 1873-1961  Search this
Bishop, Isabel, 1902-1988  Search this
Champney, James Wells, 1843-1903  Search this
Church, Frederic Edwin, 1826-1900  Search this
Church, Frederick S. (Frederick Stuart), 1842-1924  Search this
Doughty, Thomas, 1793-1856  Search this
Duveneck, Frank, 1848-1919  Search this
Duveneck, Josephine W. (Josephine Whitney), 1891-1978  Search this
Fenollosa, Ernest Francisco, 1853-1908  Search this
Foster, Ben, 1852-1926  Search this
Gardner, Isabella Stewart, 1840-1924  Search this
Gropper, William, 1897-1977  Search this
Hassam, Childe, 1859-1935  Search this
Henri, Robert, 1865-1929  Search this
Indiana, Robert, 1928-  Search this
La Farge, John, 1835-1910  Search this
La Farge, John, 1835-1910  Search this
Lage, William Potter  Search this
Lichtenstein, Roy, 1923-1997  Search this
Lippold, Richard, 1915-2002  Search this
Martin, Homer Dodge, 1836-1897  Search this
Merry, C. M.  Search this
Millet, Francis Davis, 1846-1912  Search this
Opper, Frederick Burr, 1857-1937  Search this
Pennell, Joseph, 1857-1926  Search this
Redfield, Edward Willis, 1869-1965  Search this
Rogers, John, 1829-1904  Search this
Sargent, John Singer, 1856-1925  Search this
Stankiewicz, Richard, 1922-1983  Search this
Story, Franklin H.  Search this
Story, William Wetmore, 1819-1895  Search this
Sully, Thomas, 1783-1872  Search this
Teal, William P.  Search this
Vedder, Elihu, 1836-1923  Search this
Weir, Julian Alden, 1852-1919  Search this
Williams, Gluyas, 1888-  Search this
Extent:
58 Items ((portions microfilmed on 1 reel))
Type:
Collection descriptions
Archival materials
Date:
1834-1973
Scope and Contents:
Artists' letters and documents collected by Zalesch and letters written to him in response to inquiries concnering autographs and biographical information.
REEL 3097: Twenty-six letters (1845-1973) written by George Bellows, Thomas Hart Benton, Isabel Bishop, Frederick Stuart Church, Thomas Doughty, Ernest Fenollosa, Ben Foster, Isabella Stewart Gardner, Childe Hassam, Robert Henri, John La Farge, Homer Dodge Martin, Joseph Pennell, Edward Willis Redfield, John Rogers, John Singer Sargent, Richard Stankiewicz, Thomas Sully, and Elihu Vedder. Also included are a Harvard University bond for William Wetmore Story's tuition signed by Franklin H. Story (1834) and a biographical questionnaire completed by John La Farge for The Cyclopedia of American Biography (1925).
UNMICROFILMED: Letters written by Roy Lichtenstein, William Gropper, Gluyas Williams, Ordway Partridge, Frederick Burr Opper, James Wells Champney, C. Gray Parker, Ben Foster, Louis Betts, Cyrus Le Roy Baldridge, Richard Lippold, Romare Bearden, Isabel Bishop, Thomas Hart Benton, Richard Stankiewicz, and others; a brochure for a work of art by Robert Indiana; a certificate from The Brooklyn Art Association for one share of capital stock in the name of William Potter Lage; one page of correspondence documenting a decision made for the Society of American Artists containing a note from Francis D. Millet to J. Alden Weir, followed by a note from Weir to Frederic Church, signed "O.K." by Church.
Vol. XXVI, no. 5, Feb. 1924 periodical, Old Hughes, published by the students of Hughes High school in Cincinnati, Ohio containing a published exchange of letters between principal C. M. Merry and Josephine W. Duveneck, daughter-in-law of painter Frank Duveneck about the Hughes High School purchasing a painting by Duveneck, and a reminiscence of Duveneck by William P. Teal, head of the art department at Hughes High School.
Biographical / Historical:
Saul Zalesch, an art historian, began collecting artists' letters around 1981.
Provenance:
This collection of letters was lent for microfilming by Zalesch in 1984 (reel 3097). Zalesch donated an additional three letters in 1993, twenty-five in 1999, one letter in 2008, and a publication in 2009.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- United States  Search this
Topic:
Art, American  Search this
Identifier:
AAA.zalesaul
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-zalesaul

James Stillman letters relating to Homer Dodge Martin

Creator:
Stillman, James, 1850-1918  Search this
Names:
La Farge, Bancel, 1865-1938  Search this
Martin, Elizabeth  Search this
Martin, Homer Dodge, 1836-1897  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Date:
1882-1898
Summary:
The James Stillman letters relating to Homer Dodge Martin measures 0.2 linear feet and consists of 28 letters and 2 pencil sketches dating from 1882-1898. Primarily from late-19th century painter Homer Dodge Martin and his wife, Elizabeth, to art patron and banker, James Stillman, the letters discuss consignment, exhibition and sale of Martin's artwork, his experiences painting while living in France, his financial struggles, and his physical and mental condition. Two pencil sketches by Martin are accompanied by a note dated 1884. Also found are 2 letters from Martin to Mr. Van Loon discussing payment for paintings and 2 letters to Stillman from Bancel La Farge concerning Stillman's purchase of a La Farge watercolor.
Scope and Content Note:
The James Stillman letters relating to Homer Dodge Martin measures 0.2 linear feet and consists of 28 letters from Martin and his wife Elizabeth to banker and art patron James Stillman documenting Stillman's financial and practical assistance to the Martin's through consignment, exhibition and sale of Martin's artwork. The letters provide insight into Martin's experiences painting while living in Honfleur and Villerville, France, his financial struggles, and his physical and mental condition. They also reveal Elizabeth Martin's efforts as advocate for her husband's work and reputation, and her dismay at his physical and mental decline due in part to lack of financial success.

Also found are 2 1884 pencil sketches by Martin, of a view in Honfleur; 2 letters from Martin to Mr. Van Loon discussing payment for paintings; and 2 letters to Stillman from Bancel La Farge concerning Stillman's purchase of a La Farge watercolor.

The collection contains no letters from Stillman.
Arrangement:
The collection is arranged as 1 series:

Series 1: James Stillman Letters Relating to Homer Dodge Martin, 1882-1898 (Box 1; 4 folders)
Biographical Note:
Banker and art patron James Stillman, was committed to promoting the artwork of landscape artist Homer Dodge Martin and providing financial investment in and practical assistance with the logistics of handling Martin's artwork over a period of at least 16 years.

Homer Dodge Martin (1836-1897) was born in Albany, New York. He studied briefly with James Hart and spent his summers during the 1860s in the Adirondacks, the Catskills and the White Mountains, and painted landscapes from the sketches he made there in the style of the Hudson River school at his studio in New York City's Tenth Street Studio Building.

In 1876 he took his first trip to Europe and from 1882-1886 lived in Normandy, France in Honfleur and Villerville. There he was influenced both by the Barbizon school of painting and the Impressionists and his painting took on darker, more melancholy tones.

By 1897 Martin had returned to New York City and in 1893 Martin moved to St. Paul, Minnesota where, nearly blind, he painted one of his best-known works, Adirondack Scenery (1895) from memory.

Although never successful within his lifetime, within 2 years of his death Adirondack Scenery sold for $5500 and Harp of the Winds (1895) was aquired by the Metropolitan Museum of Art. Martin's paintings can be found in the collections of other important American museums including the Addison Gallery of American Art, the Albany Institute of History and Art, the Cleveland Museum of Art, and the Museum of Fine Arts, Boston. Martin became a member of the National Academy of Design in 1874 and in 1877 was one of the founders of the Society of American Artists.
Related Material:
The Archives of American Art also holds the Thomas B. Clarke letters from or about Homer Dodge Martin, 1893-1897. Additional material relating to Homer Dodge Martin, including correspondence with Thomas B. Clarke and Elizabeth Martin, can be found in the Macbeth Gallery records.
Provenance:
Six letters from Homer Dodge Martin were donated to AAA by Chauncey Stillman, grandson of James Stillman, in 1955 and 1959. Additional letters to Stillman from Martin, Elizabeth Martin, and Bancel La Farge, and from Martin to Mr. Van Loon, were donated by Mrs. P. S. Paine, grandaughter of James Stillman, in 1978.
Restrictions:
Use of the original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art patronage  Search this
Art patrons  Search this
Art -- Economic aspects  Search this
Landscape painters -- New York (State)  Search this
Genre/Form:
Sketches
Citation:
James Stillman letters relating to Homer Dodge Martin, 1882-1898. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.stiljame
See more items in:
James Stillman letters relating to Homer Dodge Martin
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-stiljame
Online Media:

Jacob Simmons Mosher papers relating to Homer Dodge Martin

Creator:
Mosher, Jacob Simmons, 1834-1883  Search this
Names:
Martin, Homer Dodge, 1836-1897  Search this
Mather, Frank Jewett, 1868-1953  Search this
Mosher, J. Montgomery  Search this
Sherman, Frederic Fairchild, 1874-1940  Search this
Extent:
14 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1873-1913
Scope and Contents:
Correspondence of and about Homer Dodge Martin and Martin's paintings, 1873-83 and 1906-13, including letters from Martin to Jacob Simmons Mosher. Later letters include correspondence of Dr. J. Montgomery Mosher with Frank Jewett Mather, Frederick Fairchild Sherman and others about Martin's work. [Microfilm is labeled Homer Dodge Martin papers.]
Biographical / Historical:
Martin was a painter, New York. Member of the Hudson River School landscape painters. Mosher and Martin were good friends.
Other Title:
Homer Dodge Martin (microfilm title)
Provenance:
The lender, Courtenay Brandreth, is Mosher's granddaughter.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Illustrators  Search this
Landscape painters  Search this
Painters  Search this
Identifier:
AAA.moshjaco
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-moshjaco

Thomas B. Clarke letters from or about Homer Dodge Martin

Creator:
Clarke, Thomas B. (Thomas Benedict), 1848-1931  Search this
Names:
Macbeth, William, 1851-1917  Search this
Martin, Homer Dodge, 1836-1897  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1893-1897
Summary:
The Thomas B. Clarke letters from or about Homer Dodge Martin measure 0.2 linear feet and date from 1893-1897. Twenty-two letters from Martin to art collector and patron Thomas B. Clarke, document Martin's work, his financial struggles, and his physical and mental condition in the last 5 years of his life. Additional letters to and from others further illuminate Martin's relationship with Clarke and provide insight into his financial affairs and the increasingly favorable market for the painter's work just prior to and following his death in 1897.
Scope and Content Note:
This collection measures 0.2 linear feet, including 22 letters from Homer Martin to art patron Thomas Clarke, and dates from 1893-1897. Since Martin kept no diaires or sales ledgers himself, the letters are invaluable in understanding his painting, financial struggles, and his physical and mental condition in the last 5 years of his life. Additional letters from Martin's son, Ralph, his wife, Elizabeth, and gallery owner William Macbeth, and a letter from Martin to his friend Montgomery Schuyler, further illuminate Clarke's activities as a dealer and patron of Martin's work, and provide insight into Martin's financial affairs and the increasingly favorable market for the painter's work just prior to and following his death in 1897.
Arrangement:
The collection is arranged as 1 series:

Series 1: Thomas B. Clarke Letters From or About Homer Dodge Martin, 1893-1897 (Box 1; 9 folders)
Biographical Note:
Thomas Benedict Clarke (1848-1931) was a New York prosperous merchant who began collecting American art in the 1870s. Over the course of the next 20 years he actively traded, loaned, and sold artwork through dealers in New York City, outlets in Worcester, Cincinnati and St. Louis, and with artists. He also shared his collection through public and private exhibitions in New York and elsewhere. He earned praise from the critics for being the foremost patron of American painters during the late 1800s and was praised by many painters for his attention to American artists at a time when they considered themselves neglected or ignored.

Hudson River School painter Homer Dodge Martin (1836-1897) was one of the artists for whom Clarke acted as patron. Martin studied briefly with James Hart and spent his summers during the 1860s sketching in the Adirondacks, the Catskills and the White Mountains and then painted landscapes from the sketches he made at his studio in New York City's Tenth Street Studio Building.

In 1876 he took his first trip to Europe and from 1882-1886 lived in Normandy, France. There he was influenced both by the Barbizon school of painting and the Impressionists and his painting took on darker, more melancholy tones.

By 1887 Martin had returned to New York and in 1893 moved to St. Paul, Minnesota. During the 1890s Martin was plagued by ill health and financial struggles. A dead optic nerve in one eye and a cataract in the other, left him close to blindness when he died in February 1897. At the time of his death two of his greatest paintings, Westchester Hills (circa 1887) and Harp of the Winds (1895), remained unsold and another, Adirondack Scenery (1895) had been bought by Clarke for circa $400.

In 1890, Clarke had dissolved his dry-goods partnership, Clarke & King, and announced that he would no longer deal in American pictures except as an agent for George Inness. Clarke opened a showroom known as "Art House" in 1891 on Fifth Avenue in New York City, and began dealing primarily in Oriental porcelains and Greek antiquities. The Martin letters are one source of evidence that Clarke did, however, continue to deal in American art as a private agent through Macbeth Gallery and others. A letter written on Clarke's behalf to Martin dated April 17, 1896, stated that he had contacted Samuel P. Avery on Martin's behalf, and suggested that he consign his paintings to Avery, rather than having Clarke promote them himself.

In January 1899 Clarke announced that he would dispose of his American pictures at auction following a week long exhibition at the American Art Association. In February 1899, 7 of the 10 Homer Martin paintings in Clarke's possession were sold at that auction, including Adirondack Scenery for $5500. Within two years of his death, Martin's Harp of the Winds was acquired by the Metropolitan Museum of Art.

In addition to the Metropolitan Museum, Martin's work can be found in other important American museums including the Addison Gallery of American Art, the Albany Institute of History and Art, the Cleveland Museum of Art, and the Museum of Fine Arts, Boston. He became a member of the National Academy of Design in 1874 and was one of the founders of the Society of American Artists.
Related Material:
The James Stillman letters relating to Homer Dodge Martin have also been digitized and are available online via the Archives of American Art's website. Additional material relating to Homer Dodge Martin, including correspondence with Thomas B. Clarke and Elizabeth Martin, can be found in the Macbeth Gallery records at AAA.
Provenance:
Most of the letters were donated by Charles Feinberg in 1957. Four additional letters were given to the Archives by Irving Burton in 1967.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters  Search this
Topic:
Art dealers -- New York (State) -- New York  Search this
Art patrons -- New York (State) -- New York  Search this
Art -- Economic aspects  Search this
Collectors and collecting -- New York (State) -- New York  Search this
Citation:
Thomas B. Clarke letters from or about Homer Dodge Martin, 1893-1897. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.clartbhm
See more items in:
Thomas B. Clarke letters from or about Homer Dodge Martin
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-clartbhm
Online Media:

Homer Dodge Martin sketchbook

Creator:
Martin, Homer Dodge, 1836-1897  Search this
Names:
Ciarrocchi, Ray, 1933-  Search this
Extent:
1 Volume ((116 p. on 1 partial microfilm reel))
Type:
Collection descriptions
Archival materials
Volumes
Sketchbooks
Date:
1865-1866
Scope and Contents:
Landscape sketches in pencil and crayon, some dated with titles.
Other Title:
Rosenthal Collection of Drawings by American Artists.
Provenance:
Microfilmed in 1990 as part of AAA's Philadelphia Arts Documentation Project. The sketchbook is part of the [Albert] Rosenthal Collection of Drawings by American Artists that contains 846 drawings by 19th and 20th century artists, most of whom were illustrators.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
Painting, Modern -- 19th century -- United States  Search this
Genre/Form:
Sketchbooks
Identifier:
AAA.marthome
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-marthome

Homer D. Martin letter to Issac Chapman and related clipping

Creator:
Martin, Homer Dodge, 1836-1897  Search this
Berry-Hill Galleries  Search this
Names:
Chapman, Isaac  Search this
Extent:
2 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1861-1974
Scope and Contents:
Photostat of letter, February 1, 1861, New York, to Isaac Chapman from Martin concerning Martin's painting "The Waterfall" (also called "Autumn in the Adirondacks"). Also included is a clipping of a Berry-Hill Galleries ad in ANTIQUES magazine, 1974 illustrating the painting.
Biographical / Historical:
Painter, New York. Member of the Hudson River School landscape painters. Chapman bought Martin's painting "The Waterfall" in 1861. It stayed in his family until acquired by Berry-Hill Galleries in 1974.
Provenance:
Donated by Frederick D. Hill of Berry-Hill Galleries, New York (N.Y.).
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Illustrators  Search this
Landscape painters  Search this
Painters  Search this
Identifier:
AAA.marthomd
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-marthomd

Martin, Homer Dodge, 1836-1897

Collection Creator:
Library of Congress  Search this
Extent:
3 Items
Container:
Box 36
Type:
Archival materials
Collection Restrictions:
Researchers may use prints on file in the Photograph Archives, Smithsonian American Art Museum. Advance appointments are required.
Collection Rights:
Copyright restrictions may apply.
Collection Citation:
Library of Congress Copyright Deposit Collection, Photograph Archives, Smithsonian American Art Museum.
See more items in:
Library of Congress Copyright Deposit Collection of photomechanical prints of American art works
Library of Congress Copyright Deposit Collection of photomechanical prints of American art works / Series 1: Photomechanical prints
Archival Repository:
Smithsonian American Art Museum, Research and Scholars Center
EDAN-URL:
ead_component:sova-saam-photo-loc-ref1187

Family Folklore Interviews: Dodge, Parsons

Creator:
Smithsonian Institution. Office of Folklife Programs. Family Folklore Project  Search this
Performer:
Martin, Homer Dodge, 1836-1897  Search this
Dodge, Jane  Search this
Parsons  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording
1 Sound cassette (analog.)
Culture:
Americans  Search this
Type:
Archival materials
Sound recordings
Sound cassettes
Place:
United States
Washington (D.C.)
Date:
1974 July 3
1974
General note:
Other number FP-1976-CT-0053
Local Numbers:
FP-1974-CT-0053
Publication, Distribution, Etc. (Imprint):
United States 1974
General:
310-1/2-74
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 3, 1974.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Oral history  Search this
Children  Search this
Expressions  Search this
Genealogy  Search this
Family  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1974 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1974, Item FP-1974-CT-0053
See more items in:
Smithsonian Folklife Festival records: 1974 Festival of American Folklife
Smithsonian Folklife Festival records: 1974 Festival of American Folklife / Series 4: Family Folklore / 4.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-1974-ref3629

Harp of the Winds, (painting)

Painter:
Martin, Homer Dodge 1836-1897  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
Metropolitan Museum of Art 5th Avenue at 82nd Street New York New York 10028
Topic:
Landscape--River  Search this
Landscape--Tree  Search this
Control number:
IAP 8G060006
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_477208

Mussel Gathers [painting] / (photographed by Peter A. Juley & Son)

Artist:
Martin, Homer Dodge 1836-1897  Search this
Type:
Photograph
Date:
1886
Topic:
Figure group--Female  Search this
Occupation--Domestic--Gathering  Search this
Landscape--Beach  Search this
Image number:
JUL J0099405
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_99406

Mahopac Landscape [painting] / (photographed by Peter A. Juley & Son)

Artist:
Martin, Homer Dodge 1836-1897  Search this
Type:
Photograph
Topic:
Landscape--New York--Mahopac  Search this
Image number:
JUL J0099411
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_99412

Landscape [painting] / (photographed by Peter A. Juley & Son)

Artist:
Martin, Homer Dodge 1836-1897  Search this
Type:
Photograph
Topic:
Landscape  Search this
Image number:
JUL J0099412
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_99413

Ontario Sand Dunes [art work] / (photographed by Peter A. Juley & Son)

Artist:
Martin, Homer Dodge 1836-1897  Search this
Type:
Photograph
Date:
1887
Topic:
Landscape--Beach  Search this
Landscape--Coast  Search this
Image number:
JUL J0099413
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_99414

Landscape Near Mahopac [painting] / (photographed by Peter A. Juley & Son)

Artist:
Martin, Homer Dodge 1836-1897  Search this
Type:
Photograph
Date:
Ca. 1895
Topic:
Landscape--New York--Mahopac  Search this
Image number:
JUL J0099414
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_99415

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