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Adolf Dehn papers

Creator:
Dehn, Adolf, 1895-1968  Search this
Names:
American Artists Group  Search this
Associated American Artists  Search this
Atelier Desjobert  Search this
Kennedy Galleries  Search this
University of Missouri Press  Search this
Bohrod, Aaron  Search this
Castellón, Federico, 1914-1971  Search this
Christ-Janer, Albert, 1910-1973  Search this
Dehn, Mura  Search this
Dehn, Virginia E. (Virginia Engleman), 1922-2005  Search this
Eastman, Max, 1883-1969  Search this
Freeman, Joseph  Search this
Gag, Wanda, 1893-1946  Search this
Goetsch, Gustav F. (Gustav Frederick), 1877-1969  Search this
Grosz, George, 1893-1959  Search this
Hayter, Stanley William, 1901-1988  Search this
Kuh, Frederick, 1895-1978  Search this
Lake, Eileen Hall  Search this
Marsh, Reginald, 1898-1954  Search this
Mitchell, Olivia Dehn  Search this
Olds, Elizabeth, 1896-1991  Search this
Rattner, Abraham  Search this
Robinson, Boardman, 1876-1952  Search this
Shane, Fred, 1906-  Search this
Smith, William Arthur, 1918-1989  Search this
Spruance, Benton, 1904-1967  Search this
Thayer, Scofield, b. 1889  Search this
Zigrosser, Carl, 1891-  Search this
Photographer:
Kertész, André  Search this
Extent:
6.6 Linear feet
Type:
Collection descriptions
Archival materials
Manuscripts
Sketches
Etchings
Scrapbooks
Photographs
Poems
Date:
1912-1987
Summary:
The papers of printmaker and painter Adolf Dehn measure 6.6 linear feet and date from 1912-1987. The collection contains extensive correspondence, as well as writings, exhibition announcements, catalogs, clippings, invoices, receipts, legal documents, scrapbooks, artwork, and photographs. There is also scattered correspondence of Virginia Dehn, mostly concerning her husband Adolf Dehn.
Scope and Content Note:
The papers of printmaker and painter Adolf Dehn measure 6.6 linear feet and date from 1912-1987. The collection contains extensive correspondence, as well as writings, exhibition announcements, catalogs, clippings, invoices, receipts, legal documents, scrapbooks, artwork, and photographs. There is also scattered correspondence of Virginia Dehn, mostly concerning her husband Adolf Dehn.

Found within the biographical materials are several address books, official travel documents, exhibition price lists, and a biographical sketch.

Correspondence, both personal and business, makes up the bulk of this collection. Dehn maintained long friendships with many fellow artists and his correspondence includes letters from Aaron Bohrod, Federico Castellon, Albert Christ-Janer, Wanda Gág, Gustav Goetsch, George Grosz, Reginald Marsh, Elizabeth Olds, Abraham Rattner, Boardman Robinson, Frederick Shane, William Smith, and Benton Spruance. Additional notable correspondents include print dealer and curator Carl Zigrosser; journalists Max Eastman, Joseph Freeman, Frederick Kuh; editor Scofield Thayer, and his former wife, the Russian dancer Mura Dehn (neé Tsiperovitch). Business correspondence includes letters from art schools, associations, museums, and galleries affiliated with Dehn, including the Weyhe Gallery; Associated American Artists, a gallery that promoted American art to the middle classes; and the Kennedy Gallery, which represented the Dehn estate upon the artist's death. There is also correspondence from companies and organizations that commissioned commercial work from Dehn, such as greeting card publisher, American Artists Group . Finally the correspondence of Virginia Dehn includes letters to and from the University of Missouri Press related to the publication of Adolf Dehn Drawings and condolence cards and letters from friends and associates after the Adolf Dehn's death in May 1968.

Writings include manuscripts for Adolf Dehn's manual on painting technique, Watercolor, Gouache, and Casein Painting (Studio Publications, 1955), as well as his entries on technique and watercolor painting for Encyclopedia Britannica. Writings by others includes the catalog Adolf Dehn Drawings, prepared by his wife Virginia Dehn, and published in 1971 by the University of Missouri Press. There is also a journal with handwritten poems attributed to Eileen Hall Lake.

Printed materials consists of exhibition announcements and catalogs from galleries featuring Dehn's work including the Weyhe Gallery and Associated American Artists; art school brochures and newsletters from programs which Dehn attended or taught; and newspaper and magazine clippings including examples of his editorial cartoons, which appeared in The Liberator, The New Yorker, and Vanity Fair, among other publications as well as clippings of news items related to the artist. This series also includes examples of Dehn's commercial work, such as book covers, calendars, and Christmas cards. Additional similar printed materials can be found in the scrapbooks. Artwork consists of only a few sketches attributed to Dehn, others to Eileen Lake Hall, and an etching by S.W. Hayter.

Dehn is well documented through numerous photographs, both alone and with others, including a portrait by the renowned photographer André Kertész. Additional vintage photographs include Dehn with family members, friends, and a series of photographs taken with his wife, Virginia Dehn at Atelier Desjobert, where he had been making lithographs since the 1920s.
Arrangement:
The collection is arranged into 8 series:

Missing Title

Series 1: Biographical Material, circa 1920-1968 (Box 1; 10 folders)

Series 2: Correspondence, 1919-1982 (Boxes 1-4; 3.75 linear feet)

Series 3: Writings, circa 1920-1971 (Boxes 4-5; 0.25 linear feet)

Series 4: Financial Records, 1936-1965 (Box 5; 0.5 linear feet)

Series 5: Printed Materials, circa 1915-1987 (Boxes 5-6; 1.2 linear feet)

Series 6: Scrapbooks, 1912-1968(Boxes 6-7; 0.5 linear feet)

Series 7: Artwork, circa 1920-1945 (Box 6; 3 folders)

Series 8: Photographs, circa 1912-1961 (Boxes 6 and 8; 7 folders)
Biographical Note:
Adolf Dehn (1895-1968) was well-known for his drawings, lithographs and watercolors which satirically chronicled the social and political milieu of his times, as well as poetic landscapes, many of which depicted the rolling hills and farmlands of his native Midwest. Although he worked mostly in New York, Dehn also spent substantial time traveling and working in Europe, the Middle East, South America, and the American mid-west.

Dehn was born on a farm in Waterville, Minnesota on November 22, 1895, he began his formal art education in 1914 at the Minneapolis School of Art (currently known as the Minneapolis College of Art and Design). As a student, his drawings were featured in the school's humor journal, The Minne-Ha-Ha and by 1917 he had published his first drawing in one of his favorite political journals, The Masses. Later that year he and fellow Minneapolis School of Art student Wanda Gág were among a select group of art students nationwide who won scholarships to the Art Students League of New York. After only eight months in New York, however, Dehn was drafted into the Army to serve in the final months of World War I, but he proclaimed himself as a conscientious objector and was sent to Camp Wadsworth in South Carolina for several months.

Dehn returned to New York, where his friend and mentor Boardman Robinson introduced him to lithography through the master printer George Miller and brought him to the Weyhe Gallery to meet Carl Zigrosser, an avid supporter of American printmakers. However, he soon left New York for Europe in September 1921 where he spent most of the following eight years. There he traveled with his sketchbooks to the cafes and opera houses of Berlin, Paris, and Vienna, as well as on hiking trips in the Alps. He became friends with the poet E.E. Cummings, Scofield Thayer, editor of The Dial, who published many of his drawings, and met the German artist, George Grosz, whose work he so admired. In addition to The Dial, his satirical drawings of jazz-age entertainments and European cafe life also appeared in , The Liberator, Jugend, Vanity Fair, and Simplicissimus. Finally during his stint in Europe, Dehn met and married the Russian dancer Mura Tsiperovitch. They were married in Vienna in 1926, but divorced sometime in the early 1930s.

Unfortunately Dehn's return to the United States coincided with the Great Depression of 1929 and sales of his work were slim. However in the 1930s, The New Yorker and Vogue began to publish his work. He continued to work in lithography and returned to Paris to work at the Atelier Desjobert, the print studio with whom he worked most closely throughout his life. In the late 1930s, Dehn began working in watercolors, mostly rural landscapes, and had a one man show of works in his new medium at Weyhe Gallery in 1938. In 1939 Dehn traveled through the Southwest and Mexico on his first Guggenheim Fellowship (he was awarded his second in 1951).

By the 1940s Dehn was an active member of both the American Artists Group and Associated American Artists; both organizations sought to popularize contemporary American Art, primarily through reproductions of fine art prints and commercial use of artists' designs on greeting card, calendars, and even wall paper. Appreciation for his lithographs and watercolors grew, and along with it his recognition. He also taught art classes a few summers; in the late 1930s at Stephens College, Columbia, Missouri where his friend Albert Janner-Christ was head of the art department and in the early 1940s at the Colorado Springs Fine Arts Center, where friend and mentor Boardman Robinson was the director. In 1955 he published Watercolor, Gouache, and Casein Painting, a manual on technique. Throughout the rest of his life he continued to travel, not only returning to Europe, but also visiting Afganistan, Cuba, Haiti, and a trip to Venuzuala on assignment from Standard Oil to document the oil industry there. On many of his later trips, he was accompanied by his wife, fellow artist, Virginia Engleman Dehn, whom he had married in November 1947.

Near the end of his long career, Dehn was elected in 1961 to the National Academy of Design as a full academician. He was later elected to the National Academy of Arts and Letters. After his death in 1968, his wife Virginia worked with the University of Missouri Press on the catalog Adolf Dehn Drawings (Columbia: University of Missouri, 1971).
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming. Reel 287 contains printed materials, including exhibition announcements, catalogs, magazines, and newspaper and magazine clippings. After filming, these materials were transferred to the Smithsonian American Art Museum/National Portrait Gallery Library. Reels 2938-2939 include 750 letters from Adolf Dehn to various family members. This material was returned to the lender and is not described in the collection container inventory.
Provenance:
The Adolf Dehn papers were donated in several installments from 1966 to 1985 by Adolf Dehn and his wife Virginia. Dehn's sisters, Viola Dehn Tiala and Olivia Dehn Mitchell, separately donated additional materials in 1971 and 1972. Olivia Dehn Mitchell also loaned the Archives letters from Adolf in 1983 for microfilming. Finally in 1989, Lillian Morrison, a friend and editor, donated a published book of Mura Dehn's poetry and a four page draft of a letter signed by Adolf Dehn.
Restrictions:
Use of originals requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Painting -- Technique  Search this
Painters -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Graphic arts -- New York (State) -- New York  Search this
Genre/Form:
Manuscripts
Sketches
Etchings
Scrapbooks
Photographs
Poems
Citation:
Adolf Dehn papers, 1912-1981. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dehnadop
See more items in:
Adolf Dehn papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92c8a7afd-8bd9-4c4c-935d-90de370a645e
EDAN-URL:
ead_collection:sova-aaa-dehnadop

Felicia Meyer Marsh and Meyer Family papers

Creator:
Marsh, Felicia Meyer, 1912-1978  Search this
Meyer, Herbert W. (Herbert William)  Search this
Meyer, Anne  Search this
Names:
Bacon, Peggy, 1895-1987  Search this
Evergood, Philip, 1901-1973  Search this
Goodrich, Lloyd, 1897-1987  Search this
Hopper, Edward, 1882-1967  Search this
Marsh, Reginald, 1898-1954  Search this
Extent:
4.9 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Diaries
Scrapbooks
Sketchbooks
Date:
circa 1880-1977
Summary:
The papers of painter Felicia Meyer Marsh and the Meyer family measure 4.9 linear feet and date from circa 1880 to 1977. The collection is comprised of biographical materials including family business records, writings by Marsh, and other family documents; and Marsh's correspondence with her husband Reginald Marsh, her parents Herbert and Anne Meyer, and with numerous artists such as Peggy Bacon, Alexander Brook, Olin Dows, Philip Evergood, Lloyd Goodrich, Edward Hopper, George Tooker, and Andrew Wyeth after her husband's death in July 1954. Also found are 24 diaries belonging to Marsh and her parents; printed materials documenting the art careers of Marsh and Herbert Meyer; artwork including 20 sketchbooks; and photographic materials containing 19th and 20th-Century photographs of Felicia and Reginald Marsh, the Meyer family, and friends.
Scope and Contents:
The papers of painter Felicia Meyer Marsh and the Meyer family measure 4.9 linear feet and date from circa 1880 to 1977. The collection is comprised of biographical materials including family business records, writings by Marsh, and other family documents; and Marsh's correspondence with her husband Reginald Marsh, her parents Herbert and Anne Meyer, and with numerous artists such as Peggy Bacon, Alexander Brook, Olin Dows, Philip Evergood, Lloyd Goodrich, Edward Hopper, George Tooker, and Andrew Wyeth after her husband's death in July 1954. Also found are 24 diaries belonging to Marsh and her parents; printed materials documenting the art careers of Marsh and Herbert Meyer; artwork including 20 sketchbooks; and photographic materials containing 19th and 20th-Century photographs of Felicia and Reginald Marsh, the Meyer family, and friends.
Arrangement:
The collection is arranged as six series.

Series 1: Biographical Material, 1907-1976 (Box 1; 0.2 linear feet)

Series 2: Correspondence, 1903-1977 (Box 1; 0.8 linear feet)

Series 3: Diaries, 1914-1953 (Box 1-3; 1.4 linear feet)

Series 4: Printed Material, 1931-1977 (Box 3, OV 13; 0.2 linear feet)

Series 5: Artwork, 1892-1977 (Box 3-6, OVs 7-13; 1.5 linear feet)

Series 6: Photographic Material, circa 1880-1976 (Box 4-5, OV 14; 0.8 linear feet)
Biographical / Historical:
Felicia Meyer Marsh (1912 or 1913-1978) was a painter in Dorset, Vermont and was married to artist Reginald Marsh from 1934 until his death on July 3, 1954.

Marsh was born in New York City to artists Herbert and Anne Norton Meyer. She studied at The Finch School, the Art Students League, and in Paris, France. Marsh was known for her landscapes of Vermont where she spent time during her youth and much of her time as an adult when she was not in New York City. In addition to landscapes, Marsh also painted portraits, figures, cityscapes, interiors, and nature scenes.

In her early career, Marsh showed her work in group exhibitions during the 1930s and 1940s. She held several solo exhibitions from the 1940s until 1974 at the Wakefield Gallery, Macbeth Gallery, Frank K.M. Rehn Gallery, and others.

Marsh died in 1978 in New York City.
Provenance:
The Felicia Meyer Marsh and Meyer family papers were donated in 1979 by the Felicia Meyer Marsh estate via executor Elizabeth Barlett Sturges, friend of Marsh. Other material was transferred from the Reginald Marsh papers in 2005.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Vermont  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Genre/Form:
Drawings
Diaries
Scrapbooks
Sketchbooks
Citation:
Felicia Meyer Marsh and Meyer family papers, circa 1880-1997. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.marsfeli
See more items in:
Felicia Meyer Marsh and Meyer Family papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97d37d9f4-5389-4244-b7cf-b01cfa3fcbc3
EDAN-URL:
ead_collection:sova-aaa-marsfeli

Reginald Marsh papers

Creator:
Marsh, Reginald, 1898-1954  Search this
Names:
Benton, William, 1900-1973  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Marsh, Felicia Meyer, 1912-1978  Search this
Marsh, Fred Dana, 1872-1961  Search this
Powys, Llewelyn, 1884-1939  Search this
Schmidt, Katherine, 1898-1978  Search this
Woodhouse, Betty Burroughs, 1899-1988  Search this
Extent:
9.3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Diaries
Sketchbooks
Date:
1897-1955
Summary:
The papers of Reginald Marsh (1898-1954) measure approximately 9.3 linear feet and date from circa 1897 to 1955. The collection documents the life and work of the artist, who was best known for his paintings and illustrations depicting scenes of vaudeville, night clubs, burlesque, and New York City. Marsh was a lifelong free-lance illustrator for the New Yorker, Esquire and many other national magazines. Papers include correspondence, diaries, notebooks, sketches, scrapbooks, business and financial papers, and photographs, as well as some biographical and printed material.
Scope and Content Note:
The papers of Reginald Marsh (1898-1954) measure approximately 9.3 linear feet and date from circa 1897 to 1955. The collection documents the life and work of the artist, who was best known for his paintings and illustrations depicting scenes of vaudeville, night clubs, burlesque, and New York City. Marsh was a lifelong free-lance illustrator for the New Yorker, Esquire and many other national magazines. Papers include correspondence, diaries, notebooks, sketches, scrapbooks, business and financial papers, and photographs, as well as some biographical and printed material.

Marsh's correspondence is typically with family, friends, artists, colleagues, dealers, government officials, publishers, greeting card companies, admirers and former students. Correspondence concerns both personal and professional matters, documenting his relationships with family and friends and his work on various projects ranging from book illustrations to the murals he executed as part of the Treasury Department Art Program. Diaries include those Marsh kept as an adolescent, those in which he recorded his technique and work on art, and those in which he recorded his daily engagements. Notebooks include ones on art, in which he recorded notes on particular works and on painting techniques, mediums and other processes; ones used as address books and to record notes on travel and art work; and ones on finances, in which he kept track of earnings from his stocks and art, as well as some student notebooks. Diaries and notebooks both document various practical aspects involved in the creation of Marsh's art work.

Sketches include ones on loose sheets and scraps of paper and in sketchbooks, documenting some of the sources and recurrent themes of Marsh's art work, as well as shedding light on Marsh's process of creation. Scrapbooks consist primarily of clippings (illustrations, reviews, reproductions of art work) compiled by Marsh, documenting the publication, exhibition, and reception of his art work. Business and financial papers consist of paperwork (contracts, agreements, statements, receipts, permissions) relating to business matters, practical concerns, and financial aspects involved in handling his various art projects and in exhibiting and selling his art work. Photographs include ones of Marsh's family and friends, the artist at work (sketching around Coney Island and on the streets of New York), and his art work (some of which was compiled into volumes by Marsh and some of which was compiled by Norman Sasowsky).

Also found are limited amounts of biographical material, including juvenilia, official documents, awards and certificates, writings, an appraisal of Marsh's estate, and catalogs of Marsh's art work, and printed material, including exhibition catalogs, clippings, and publications.
Arrangement:
The Reginald Marsh papers are arranged as 9 series:

Missing Title

Series 1: Biographical Material, 1910s-1955 (boxes 1, 11; 0.8 linear feet)

Series 2: Correspondence, 1920-1954 (boxes 1-2, OV 12; 1.2 linear feet)

Series 3: Diaries, 1912-1954 (box 3; 1 linear foot)

Series 4: Notebooks, 1919-1954 (box 4; 0.8 linear feet)

Series 5: Sketches, 1901-1954, undated (boxes 4-5, OV 12-21; 1.4 linear feet)

Series 6: Scrapbooks, 1901-1954, undated (boxes 6, 9-11; 1.5 linear feet)

Series 7: Business and Financial Papers, 1923-1954 (box 6; 0.3 linear feet)

Series 8: Photographs, circa 1897-1908, 1920-1952 (boxes 6-8, 10; 1.3 linear feet)

Series 9: Printed Material, 1931-1955 (boxes 8, 10; 0.2 linear feet)
Biographical Note:
Reginald Marsh was born in Paris on March 14, 1898. His father, Fred Dana Marsh, was a well-known muralist, and his mother, Alice Randall Marsh, was also an artist who painted miniature watercolors. Marsh returned with his family to the United States in 1900 and grew up in Nutley, New Jersey.

After graduating from Yale University in 1920, Marsh moved to New York, where he worked as an illustrator for the New York Evening Post and Herald, Vanity Fair and Harper's Bazaar. Beginning in 1922, he worked as staff artist at the New York Daily News doing a cartoon review of vaudeville and burlesque. During the 1920s, he designed theater curtains for the Greenwich Village Follies and other theater productions, and became one of the original cartoonists at The New Yorker after it was founded in 1925, actively working for the magazine until 1931 and regularly contributing drawings from time to time after that.

In 1923, Marsh married Betty Burroughs, who was the daughter of the curator of painting at the Metropolitan Museum of Art and herself a sculptor. They divorced in 1933, and he married his second wife, Felicia Meyer, a landscape painter, in 1934.

In the early 1920s, Marsh began to study painting and attended classes taught by John Sloan and Kenneth Hayes Miller, among others, at the Art Students League in New York. He made several trips to Europe, once in 1925-1926 and again in 1928, to study the old masters in the museums. In 1929, he began to paint in egg tempera. He also worked in watercolor, painting several large compositions in 1939-1940. In the 1940s, he studied the "Maroger medium" with Jacques Maroger and began to use this emulsion technique in his paintings. In addition to painting, he also worked in lithography, etching, and engraving.

Marsh had his first one-man show of oils and watercolors at the Whitney Studio Club in 1924 and another show of lithographs there in 1928. He had one-man shows of his watercolors at the Valentine Dudensing Galleries in 1927, the Weyhe Gallery in 1928, and the Marie Sterner Galleries in 1929. In 1930, he had his first show of paintings at the Rehn Galleries, where he regularly exhibited for the next two decades.

In 1935 and 1937 respectively, Marsh was commissioned by the Treasury Department Art Program to paint two murals in the Post Office Department Building in Washington, D.C. and a series of murals in the rotunda of the Customs House in New York. Beginning in 1935, Marsh taught drawing and painting at the Art Students League. In the summer of 1946, he was guest instructor at Mills College, Oakland, California, for six weeks. In 1949, he was appointed head of the Department of Paintings at Moore Institute of Art, Science, and Industry, Philadelphia and taught advanced painting there in 1953-1954.

Beginning in the mid-1930s, some of Marsh's art work began to be reproduced on greeting cards issued by the American Artists Group and Living American Art, Inc. He also did illustrations for editions of Theodore Dreiser's Sister Carrie (1938), John Dos Passos's USA (1945) and Adventures of a Young Man (1946), and Mark Twain's The Prince and the Pauper (1946), among others. He continued to do freelance illustrations for magazines, including Esquire, Fortune, and Life. Notably, he served as an artist correspondent for Life during the Second World War, and traveled to Brazil in 1943 to draw the army installations there.

Marsh was the recipient of various awards throughout his career, including the M. V. Kohnstamm Prize from the Art Institute of Chicago in 1931, the First W. A. Clark Prize and Corcoran Gold Medal from the Corcoran Gallery of Art, Washington, D.C., in 1945, and the Gold Medal for Graphic Arts of the National Institute of Arts and Letters in 1954.

Marsh died of a heart attack in Dorset, Vermont on July 3, 1954.

This biographical note draws heavily from information originally printed in the catalogue of the Reginald Marsh Retrospective Exhibition organized by the Whitney Museum in 1955.
Related Material:
The Archives holds several collections of different provenance that relate to Reginald Marsh, including Felicia Meyer Marsh and Meyer Family Papers (available on reels 2082, 2087-2090, and 4474-4475), Fred Dana Marsh illustrated letters (available on reel 3134), Norman Sasowsky Research Material on Reginald Marsh (partially available on reels 1195 and 1463-1464), and Reginald Marsh Printed Material, consisting of two yearbooks from Lawrenceville School donated by Alvin Macauley who was a classmate of Marsh (not available on microfilm). In addition, a portion of the materials loaned and microfilmed in 1963 on reel NRM 19, including several small paintings, are housed in the Pierpont Morgan Library.
Separated Material:
The Archives of American Art also holds material lent for microfilming. Some of the material loaned for microfilming in 1963, including the bulk of Marsh's sketchbooks and some anatomy sketches, was subsequently donated to the Metropolitan Museum of Art, New York Public Library, and Whitney Museum of American Art. Other loaned material, including several small paintings, was from the Pierpont Morgan Library. Most of the files of clippings that were donated to AAA with Marsh's papers were transferred to the Smithsonian American Art Museum and National Portrait Gallery Library in 1979. Even though this material is not technically part of the collection housed in AAA, copies are available on microfilm reels NRM3-NRM17 (sketchbooks and sketches), NRM 19 (material from the Pierpont Morgan Library), NRM 20 (small paintings), and 2233-2234 (clippings). A portion of the material donated to AAA with the Reginald Marsh papers has been separated to create a new collection of Felicia Meyer Marsh and Marsh Family papers. Loaned and transferred material is not described in this finding aid.
Provenance:
A large portion of the Reginald Marsh papers, including diaries, notebooks, sketchbooks, and photograph albums, was lent for microfilming in 1963 by Marsh's wife, Felicia Meyer Marsh. Some, but not all, of this material was subsequently donated to AAA in 1979, after the death of Mrs. Marsh, along with some additional material, including notebooks, scrapbooks, biographical and printed material. Another portion of the collection, comprised mainly of correspondence and a catalog of Marsh's art work, was donated in 1964. Three items of Marsh juvenilia were donated in 1984 by Alice Heffernan. Sketches that Mrs. Marsh bequeathed to the Whitney Museum were donated to AAA by the museum in 1987, along with 5 sketchbooks previously lent. Later gift portions were microfilmed.
Restrictions:
The bulk of the collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Etchers -- New York (State) -- New York  Search this
Muralists -- New York (State) -- New York  Search this
Illustrators -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Art -- Philosophy  Search this
Painting, American  Search this
Painting -- Technique  Search this
Genre/Form:
Photographs
Diaries
Sketchbooks
Citation:
Reginald Marsh papers, 1897-1955. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.marsregi
See more items in:
Reginald Marsh papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f4ec57d6-67e0-4a6f-8ae1-999d01bf8f5f
EDAN-URL:
ead_collection:sova-aaa-marsregi
Online Media:

Scrapbook [#6], Photographs and Clippings

Collection Creator:
Marsh, Reginald, 1898-1954  Search this
Container:
Box 6, Folder 9
Type:
Archival materials
Date:
circa 1927-1930
Scope and Contents note:
Included are photographs of some early works, including a portrait of Marsh by Katherine Schmidt, several self-portraits, paintings of locomotives, and some theater designs. Clippings include illustrations and cartoons for The New Yorker.
Collection Restrictions:
The bulk of the collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Reginald Marsh papers, 1897-1955. Archives of American Art, Smithsonian Institution.
See more items in:
Reginald Marsh papers
Reginald Marsh papers / Series 6: Scrapbooks
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97982f286-f584-4c10-a4e9-6aeab9f56408
EDAN-URL:
ead_component:sova-aaa-marsregi-ref220

Photographs

Collection Creator:
Marsh, Reginald, 1898-1954  Search this
Extent:
(boxes 6-8, 10; 1.3 linear feet)
Type:
Archival materials
Date:
circa 1897-1908, 1920-1952
Scope and Contents note:
Series consists of photographs of Marsh's family, the artist at work, and his art work, as well as some unidentified (presumably personal) photographs and some photographs of art work by others.
Arrangement note:
The Photographs series is organized 3 subseries:

8.1: Family and Personal, circa 1897-1908, circa 1920, undated

8.2: Artist, undated

8.3: Art Work, 1920s-1952
Collection Restrictions:
The bulk of the collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Reginald Marsh papers, 1897-1955. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.marsregi, Series 8
See more items in:
Reginald Marsh papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97a66254b-05cf-4617-9906-9fe07310118c
EDAN-URL:
ead_component:sova-aaa-marsregi-ref258

Family and Personal

Collection Creator:
Marsh, Reginald, 1898-1954  Search this
Type:
Archival materials
Date:
circa 1897-1908, circa 1920, undated
Scope and Contents note:
Subseries consists of photographs of Marsh's family, some of which are loose and some of which are on pages from a photograph album. Though the individuals in the photographs are typically not identified by name, it is possible to identify Marsh's parents, siblings and Marsh himself as a child amongst some of the photographs. Also included are a picture postcard of Marsh as a young man with some friends; photographs of friends, Augustus Kelly and Llewelyn Powys; and various unidentified photographs presumably collected by Marsh. Photographs are arranged in rough chronological order.
Collection Restrictions:
The bulk of the collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Reginald Marsh papers, 1897-1955. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.marsregi, Subseries 8.1
See more items in:
Reginald Marsh papers
Reginald Marsh papers / Series 8: Photographs
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw916e4b411-b477-42e8-81a9-ba7e193a9157
EDAN-URL:
ead_component:sova-aaa-marsregi-ref259

Marsh Family Photographs

Collection Creator:
Marsh, Reginald, 1898-1954  Search this
Container:
Box 6, Folder 32
Type:
Archival materials
Date:
circa 1897-1908, undated
Collection Restrictions:
The bulk of the collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Reginald Marsh papers, 1897-1955. Archives of American Art, Smithsonian Institution.
See more items in:
Reginald Marsh papers
Reginald Marsh papers / Series 8: Photographs / 8.1: Family and Personal
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bdd42054-98f7-47d8-bf07-177a51f940bd
EDAN-URL:
ead_component:sova-aaa-marsregi-ref260

Loose Photographs from Family Photo Album

Collection Creator:
Marsh, Reginald, 1898-1954  Search this
Container:
Box 6, Folder 33
Type:
Archival materials
Date:
circa 1897-1905, undated
Collection Restrictions:
The bulk of the collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Reginald Marsh papers, 1897-1955. Archives of American Art, Smithsonian Institution.
See more items in:
Reginald Marsh papers
Reginald Marsh papers / Series 8: Photographs / 8.1: Family and Personal
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw986b8b91f-a37b-49ad-b861-e7eea31c487a
EDAN-URL:
ead_component:sova-aaa-marsregi-ref261

Pages from Family Photo Album

Collection Creator:
Marsh, Reginald, 1898-1954  Search this
Extent:
(See Box 10)
Container:
Box 6, Folder 35
Type:
Archival materials
Date:
undated
Collection Restrictions:
The bulk of the collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Reginald Marsh papers, 1897-1955. Archives of American Art, Smithsonian Institution.
See more items in:
Reginald Marsh papers
Reginald Marsh papers / Series 8: Photographs / 8.1: Family and Personal
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9713d01d4-d234-45e6-9be9-86c42e410fd7
EDAN-URL:
ead_component:sova-aaa-marsregi-ref262

Picture Postcard of Marsh and Friends

Collection Creator:
Marsh, Reginald, 1898-1954  Search this
Container:
Box 6, Folder 36
Type:
Archival materials
Date:
circa 1920
Collection Restrictions:
The bulk of the collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Reginald Marsh papers, 1897-1955. Archives of American Art, Smithsonian Institution.
See more items in:
Reginald Marsh papers
Reginald Marsh papers / Series 8: Photographs / 8.1: Family and Personal
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw994c7e823-a819-4fca-9391-2a9ead7722a0
EDAN-URL:
ead_component:sova-aaa-marsregi-ref263

Photographs of Friends

Collection Creator:
Marsh, Reginald, 1898-1954  Search this
Container:
Box 6, Folder 37
Type:
Archival materials
Date:
1937, 1944
Collection Restrictions:
The bulk of the collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Reginald Marsh papers, 1897-1955. Archives of American Art, Smithsonian Institution.
See more items in:
Reginald Marsh papers
Reginald Marsh papers / Series 8: Photographs / 8.1: Family and Personal
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93c2a8e85-9030-447c-922c-ff8e5dffaa4e
EDAN-URL:
ead_component:sova-aaa-marsregi-ref264

Photographs of Marsh's Father

Collection Creator:
Marsh, Reginald, 1898-1954  Search this
Container:
Box 6, Folder 38
Type:
Archival materials
Date:
1952
Collection Restrictions:
The bulk of the collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Reginald Marsh papers, 1897-1955. Archives of American Art, Smithsonian Institution.
See more items in:
Reginald Marsh papers
Reginald Marsh papers / Series 8: Photographs / 8.1: Family and Personal
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fc97956a-cda0-4306-ba6c-d4369f7f9496
EDAN-URL:
ead_component:sova-aaa-marsregi-ref265

Unidentified

Collection Creator:
Marsh, Reginald, 1898-1954  Search this
Container:
Box 6, Folder 39
Type:
Archival materials
Date:
undated
Collection Restrictions:
The bulk of the collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Reginald Marsh papers, 1897-1955. Archives of American Art, Smithsonian Institution.
See more items in:
Reginald Marsh papers
Reginald Marsh papers / Series 8: Photographs / 8.1: Family and Personal
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ae5dd0a9-5f75-40e5-8705-aac5f7678e81
EDAN-URL:
ead_component:sova-aaa-marsregi-ref266

Oversize, Pages from Family Photo Album

Collection Creator:
Marsh, Reginald, 1898-1954  Search this
Extent:
(See Box 6, F34)
Container:
Box 10
Type:
Archival materials
Date:
undated
Collection Restrictions:
The bulk of the collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Reginald Marsh papers, 1897-1955. Archives of American Art, Smithsonian Institution.
See more items in:
Reginald Marsh papers
Reginald Marsh papers / Series 8: Photographs / 8.1: Family and Personal
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91cd7c7a0-4459-4c0f-88de-faa4c164dde2
EDAN-URL:
ead_component:sova-aaa-marsregi-ref267

Artist

Collection Creator:
Marsh, Reginald, 1898-1954  Search this
Type:
Archival materials
Date:
undated
Scope and Contents note:
Subseries consists of photographs of Marsh at work as an artist. Photographs taken by Gene Pyle show Marsh observing and sketching the crowds and scenes in and around what is most likely Coney Island. Other photographs (photographer unknown) show Marsh sketching people on the streets of New York and painting in his studio.
Collection Restrictions:
The bulk of the collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Reginald Marsh papers, 1897-1955. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.marsregi, Subseries 8.2
See more items in:
Reginald Marsh papers
Reginald Marsh papers / Series 8: Photographs
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw937b6cddb-b4e5-4993-be31-fe68c1ddbaca
EDAN-URL:
ead_component:sova-aaa-marsregi-ref269

Photographs of Marsh Sketching (taken by Gene Pyle)

Collection Creator:
Marsh, Reginald, 1898-1954  Search this
Extent:
(See Box 10)
Container:
Box 6, Folder 40
Type:
Archival materials
Date:
undated
Collection Restrictions:
The bulk of the collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Reginald Marsh papers, 1897-1955. Archives of American Art, Smithsonian Institution.
See more items in:
Reginald Marsh papers
Reginald Marsh papers / Series 8: Photographs / 8.2: Artist
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90b4d7453-d299-410c-9f48-43b73744b458
EDAN-URL:
ead_component:sova-aaa-marsregi-ref270

Contact Sheets of Photographs of Marsh Sketching (taken by Gene Pyle)

Collection Creator:
Marsh, Reginald, 1898-1954  Search this
Container:
Box 6, Folder 41
Type:
Archival materials
Date:
undated
Collection Restrictions:
The bulk of the collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Reginald Marsh papers, 1897-1955. Archives of American Art, Smithsonian Institution.
See more items in:
Reginald Marsh papers
Reginald Marsh papers / Series 8: Photographs / 8.2: Artist
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c7a3e85a-c5b5-47b5-9ac4-60c237704426
EDAN-URL:
ead_component:sova-aaa-marsregi-ref271

Miscellaneous Photographs of Marsh Sketching and Painting

Collection Creator:
Marsh, Reginald, 1898-1954  Search this
Container:
Box 6, Folder 42
Type:
Archival materials
Date:
undated
Collection Restrictions:
The bulk of the collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Reginald Marsh papers, 1897-1955. Archives of American Art, Smithsonian Institution.
See more items in:
Reginald Marsh papers
Reginald Marsh papers / Series 8: Photographs / 8.2: Artist
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92feb7a7b-785f-451d-8c5b-d049844bc522
EDAN-URL:
ead_component:sova-aaa-marsregi-ref272

Oversize, Photographs of Marsh Sketching (taken by Gene Pyle)

Collection Creator:
Marsh, Reginald, 1898-1954  Search this
Extent:
(See Box 6, F39)
Container:
Box 10
Type:
Archival materials
Date:
undated
Collection Restrictions:
The bulk of the collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Reginald Marsh papers, 1897-1955. Archives of American Art, Smithsonian Institution.
See more items in:
Reginald Marsh papers
Reginald Marsh papers / Series 8: Photographs / 8.2: Artist
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b31d0c71-1e87-4787-9266-0632526fade3
EDAN-URL:
ead_component:sova-aaa-marsregi-ref273

Art Work

Collection Creator:
Marsh, Reginald, 1898-1954  Search this
Type:
Archival materials
Date:
1920s-1952
Scope and Contents note:
Subseries consists of photographs of Marsh's art work, both loose and in disbound photograph albums. Volume 3 of the albums solely contains photographs of the murals he did for the New York Customs House and the Post Office Department, Washington, D.C. Album pages, which were removed from their 3-ring binders at some previous time, are often annotated with information about a particular art work, including title, date, and notes on the owner or disposition of a work. Loose photographs, also presumably compiled by Marsh, are organized according to particular project or exhibition. Many, if not all, of the miscellaneous photographs were compiled and/or reproduced by Norman Sasowsky for use in his catalog of Marsh's art work. Many of these are duplicates of those found in the albums.
Collection Restrictions:
The bulk of the collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Reginald Marsh papers, 1897-1955. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.marsregi, Subseries 8.3
See more items in:
Reginald Marsh papers
Reginald Marsh papers / Series 8: Photographs
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw975df7681-87fa-4514-bfae-f69742a78db9
EDAN-URL:
ead_component:sova-aaa-marsregi-ref275

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