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An Astronaut Couple On Spaceflight, Marriage, and Family

Creator:
National Air and Space Museum  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2017-11-17T21:41:41.000Z
YouTube Category:
Education  Search this
Topic:
Aeronautics;Flight;Space Sciences  Search this
See more by:
airandspace
Data Source:
National Air and Space Museum
YouTube Channel:
airandspace
EDAN-URL:
edanmdm:yt_riem9621FmU

Oral history interview with Frank Romero, 1997 January 17-March 2

Interviewee:
Romero, Frank, 1941-  Search this
Romero, Frank, 1941-  Search this
Interviewer:
Rangel, Jeffrey J.  Search this
Subject:
Almaraz, Carlos  Search this
Mugnaini, Joseph A.  Search this
Rocha, Roberto de la  Search this
Sanchez Luján, Gilbert  Search this
Sheets, Millard  Search this
Voulkos, Peter  Search this
Four (Art group)  Search this
Otis Art Institute  Search this
Type:
Sound recordings
Interviews
Topic:
Painters -- California -- Los Angeles -- Interviews  Search this
Mexican American artists  Search this
Latino and Latin American artists  Search this
Mexican American art  Search this
Street art  Search this
Mural painting and decoration -- 20th century -- California -- Los Angeles  Search this
Chicano art movement  Search this
Chicano artists  Search this
Theme:
Latino and Latin American  Search this
Record number:
(DSI-AAA_CollID)13587
(DSI-AAA_SIRISBib)216102
AAA_collcode_romero97
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216102
Online Media:

Oral history interview with Frank Romero

Interviewee:
Romero, Frank  Search this
Interviewer:
Rangel, Jeffrey J.  Search this
Names:
Los Four (Art group)  Search this
Otis Art Institute -- Students  Search this
Almaraz, Carlos  Search this
Mugnaini, Joseph A.  Search this
Rocha, Roberto de la  Search this
Sanchez Luján, Gilbert  Search this
Sheets, Millard, 1907-1989  Search this
Voulkos, Peter, 1924-2002  Search this
Extent:
99 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1997 January 17-March 2
Scope and Contents:
An interview of Frank Romero conducted 1997 January 17-March 2, by Jeffrey Rangel, for the Archives of American Art, in Romero's studio, in Los Angeles, Calif.
Romero discusses his growing up in East Los Angeles and his large extended family; his earliest art studies in the public schools; attending the Otis Art Institute where he studied with Joe Mugnaini and had contact with Millard Sheets and Peter Voulkos; the "very polyglut culture" of East Los Angeles; the influences of television, western movies, rock-and-roll, and rhythm and blues on his early musical/artistic taste; time spent in New York; returning to Los Angeles in 1969; and his marriage and family.
He describes his move into Carlos Almaraz's house which became the informal meeting place of the artist group Los Four (Almaraz, Romero, Gilbert Sanchez Lujan, and Roberto "Beto" de la Rocha); the Los Four show at the Los Angeles County Museum of Art in 1974; and the stylistic aesthetics of Los Four.
Romero describes the "boys club" nature of Chicano art centers; his contributions to the Chicano art movement; his relationship to the Chicano/Mexican culture and mainstream U.S. culture; murals done by members of Los Four for the Inner City Mural Program; his work for the Metropolitan Transit Authority; the Murals of Aztlan exhibit in 1981 at the Craft and Folk Art Museum; and his shows at the ARCO Center for the Visual Arts. He concludes with his assessment of the Chicano arts movement, the relationship between economic and art cycles, and the role of the more established artists to those of a younger generation.
Biographical / Historical:
Frank Romero (1941- ) is a painter from Los Angeles, Calif.
General:
Originally recorded on 5 sound cassettes. Reformatted in 2010 as 9 digital wav files. Duration is 4 hr., 27 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Muralists -- California -- Los Angeles -- Interviews  Search this
Topic:
Painters -- California -- Los Angeles -- Interviews  Search this
Mexican American artists  Search this
Latino and Latin American artists  Search this
Mexican American art  Search this
Street art  Search this
Mural painting and decoration -- 20th century -- California -- Los Angeles  Search this
Chicano art movement  Search this
Chicano artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.romero97
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-romero97
Online Media:

Hildreth Meière papers

Creator:
Meiere, M. Hildreth, d. 1961  Search this
Names:
Exposition internationale (1937 : Paris, France)  Search this
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
Peter A. Juley & Son  Search this
United States. Navy  Search this
Abbott, Berenice, 1898-1991  Search this
Dunn, Louise Meière  Search this
Extent:
27.3 Linear feet
1.4 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Slides (photographs)
Transcripts
Video recordings
Photographs
Poetry
Diaries
Sketchbooks
Place:
Spain -- History -- Civil War, 1936-1939
Date:
1901-2011
bulk 1911-1960
Summary:
The papers of Hildreth Meière measure 27.3 linear feet and 1.40 GB and date from 1901 to 2011, with the bulk of material dating from 1911 to 1960. The collection documents Meière's life and travels, and her long and prolific career as an architectural muralist through biographical material, correspondence, writings, thirteen diaries, files regarding her war relief work during the Spanish Civil War and World War II, printed and digital materials, extensive photographs and slides, eight sketchbooks, and two videocassettes and 93 reels of motion picture film documenting her travels, her volunteer efforts in Spain following the civil war, artwork, and home movies.
Scope and Contents:
The papers of Hildreth Meière measure 27.3 linear feet and 1.40 GB and date from 1901 to 2011, with the bulk of material dating from 1911 to 1960. The collection documents Meière's life and travels, and her long and prolific career as an architectural muralist through biographical material, correspondence, writings, thirteen diaries, files regarding her war relief work during the Spanish Civil War and World War II, printed and digital materials, extensive photographs and slides, eight sketchbooks, and two videocassettes and 93 reels of motion picture film documenting her travels, her volunteer efforts in Spain following the civil war, artwork, and home movies.

Biographical material includes an autobiographical narrative written by Meière, her many awards and certificates, membership information, passports, her U.S. Navy service records from World War I, documentation of her brief marriage and family genealogy, obituaries, and memorial service documentation. Also found are extensive writings and research conducted by Meière's daughter, Louise Meière Dunn, which include a complete list of Meière's commissions, detailed biographical narratives, and records of Meière's works held elsewhere.

The papers contain Meière's personal and family correspondence, travel correspondence, and business correspondence regarding professional activities. Much of the correspondence with family and friends was written during Meière's extensive travels over the world. Both family and travel correspondence have extensive indexes, summaries, and in some cases, transcripts prepared by Meière's daughter, Louise Meière Dunn. Some of the indexes, summaries and transcripts are digital. Writings include poetry and diaries kept during childhood and school years, travel diaries, essays and talks written about Meière's work, writings Meière prepared for committees of the National Mural Painters Association, and detailed travelogues of her trips to Constantinople and the Balkans in 1933, to Russia in 1936, her "Grand Tour" to Australia, Southeast Asia, India, Africa, and Europe in 1952-1953, and her "Holy Land" tour of the Middle East in 1954.

Civilian War Service Records document Meière's efforts at war relief organization during and after the Spanish Civil War and during World War II. The Spanish Civil War files include extensive photographs provided by the Spanish government as well as three motion picture films documenting refugees and damaged architecture and public artwork shot by Meière during a trip sponsored by Franco's government. World War II activities concern Meière's efforts to organize artists in the United States to design and execute murals and other works of public art at military facilities around the U.S.

Travel records include maps, ephemera, slides, and 83 motion picture films taken on trips abroad between 1933 and 1958. Trips include Eastern and Western Europe, the Mediterranean Region and the Middle East, South America, Mexico and Guatemala, India, Sub-Saharan Africa, Southeast Asia, Australia, New Zealand, Scandinavia, and the UK. The motion picture films are mostly shot in Kodachrome color and many contain intertitles prepared by Meière to identify locations for travel lectures.

Printed materials consist primarily of clippings and publications that reference Meière's work, contain profiles of her, or contain published writings by her. A single published educational film is also found, given to her by an Australian filmmaker friend. Additional photographs, digital photographs and moving images include personal photographs of Meière, with portraits by Peter A. Juley and Sons and Berenice Abbott, photographs of many of her commissioned works, and a few photographs of artwork by others. Home movies show Meière with friends in 1926 and 1940. Among the photographic documentation of artworks by Meière and others are motion picture films of the 1939 New York World's Fair, the D.C. Municipal Building Frieze, and the 1937 Paris Fair; also found are 311 lantern slides and 201 glass copy negatives of her own completed works as well as murals she documented while traveling, notably murals in Norway and Oberammergau, Bavaria, taken in the 1930s.

Eight sketchbooks date to her early years as an art student and artist and include many figure studies, landscapes, and theatrical sketches made at home and abroad.
Arrangement:
This collection is arranged in 8 series. Indexes, summaries, and transcripts prepared by Louise Meière Dunn that relate directly to archival materials in the collection are found throughout the collection with the material they describe. These indices are particularly rich in Series 2, Correspondence.

Series 1: Biographical Material, 1915-2003 (0.6 linear feet; Boxes 1, 14, OV18)

Series 2: Correspondence, 1901-2011 (3 linear feet; Boxes 1-4, RD19, 0.038 GB; ER01-ER03)

Series 3: Writings, 1904-1960 (1.3 linear feet; Boxes 4-5)

Series 4: Civilian War Service Records, 1938-2006 (1.3 linear feet; Boxes 5-6, 15, FC 28-30, 1.33 GB; ER05)

Series 5: Travel Records, 1933-1958 (12.8 linear feet; Boxes 6-10, 15, OV18, FC 31-111)

Series 6: Printed Material, 1913-1998 (2.1 linear feet; Boxes 10-12, 15, FC 112)

Series 7: Photographs and Moving Images, 1915-1966 (5.8 linear feet; Boxes 12-13, 16, 20-27, FC 17, 113-127, 0.029 GB; ER04)

Series 8: Sketchbooks, 1911-1922 (0.4 linear feet; Box 13)
Biographical / Historical:
Hildreth Meière (1892-1961) was born in Flushing, New York, and had a prolific career from 1921-1961 as an architectural muralist working primarily in an Art Deco style. Meière painted murals and designed for various mediums including mosaic, metal, and stained glass. In 1956 the American Institute of Architects awarded Meière their Fine Arts Medal.

Meière was educated at New York's Convent of the Sacred Heart, Manhattanville, the Art Students League in New York, the California School of Fine Arts (now San Francisco Art Institute), and the School of the Art Institute of Chicago, in addition to pursuing studies in Italy. Her major commissions include the Nebraska State Capitol at Lincoln, the National Academy of Sciences, the Resurrection Chapel of the National Cathedral in Washington, D.C. In New York, she designed the Art Deco plaques on the exterior wall of Radio City Music Hall; created mosaic interiors for the Irving Trust Building at 1 Wall Street; and provided ecclesiastical decorations for St. Patrick's Cathedral, St. Bartholomew's Episcopal Church, Temple Emanu-El, and elsewhere. She also created murals for the Chicago 1933 Century of Progress Fair, and the 1939 New York World's Fair.

She was also an active officer in the Art Students League and the National Society of Mural Painters. Some of her most inspired collaborations were with the architect Bertram Goodhue in the 1920s, and only his sudden death in 1924 put an end to them, although some projects were finished with the successor firm.

Meière died in 1961 at the age of 68. Her work is remembered in several major publications, including The Art Deco Murals of Hildreth Meière by Catherine Coleman Brawer and Kathleen Murphy Skolnik, with photographs by Meière's granddaughter, Hildreth Meière Dunn, published in 2014; and the catalog of the 2009 exhibition at St. Bonaventure University, curated by Brawer and photographed by Dunn, entitled Walls Speak: the Narrative Art of Hildreth Meière.
Provenance:
A majority of the collection placed on deposit 2001 by Louise Meière Dunn, daughter of Hildreth Meière. The collection was donated incrementally by Dunn through 2012. Donations occurred 2001-2007, and again in 2010-2012.
Restrictions:
Use of original papers requires and appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Muralists -- New York (State) -- New York  Search this
Mosaicists -- New York (State) -- New York  Search this
Topic:
War relief  Search this
Travel  Search this
World War, 1939-1945  Search this
World War I, 1914-1918  Search this
Women artists  Search this
Motion pictures (visual works)  Search this
Function:
Art commissions
Genre/Form:
Slides (photographs)
Transcripts
Video recordings
Photographs
Poetry
Diaries
Sketchbooks
Citation:
Hildreth Meière papers, 1901-2011, bulk 1911-1960. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.meiemari
See more items in:
Hildreth Meière papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-meiemari
Online Media:

Correspondence

Collection Creator:
Kahn, Albert, 1869-1942  Search this
Extent:
(Box 1-3, 6; 3.3 linear feet)
Type:
Archival materials
Date:
1891-1970
Scope and Contents note:
Correspondence includes letters between Albert Kahn and his wife concerning their courtship, marriage, and family life. Correspondence is also with various Kahn family members and colleagues including Myron Barlow, George D. Mason, Carl Milles, and Arthur A. Stoughton. There is one letter each from Henry Bacon and Alexander Trowbridge. Numerous condolence letters to Kahn's widow are from friends and colleagues including Paul Cret, Edsel Ford, Carl Milles, and Eliel Saarinen.
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Albert Kahn papers, 1875-1970. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kahnalbp, Series 2
See more items in:
Albert Kahn papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-kahnalbp-ref30

Advertising in Ms. Magazine

Collection Creator:
Woman's Building (Los Angeles, Calif.)  Search this
Container:
Box 7, Folder 3
Type:
Archival materials
Date:
1976-1980
Collection Citation:
Woman's Building records, 1970-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Woman's Building records
Woman's Building records / Series 1: Administrative Files / 1.4: Publicity and Outreach
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-womabuil-ref292
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MS 687 Essays concerning "Migrations among the Indians," "Mode of Indian Warfare," and "Early Indian Marriage Customs: Nez Perces"

Creator:
Williams, Lewis D.  Search this
Extent:
56 Pages
Culture:
Niimíipuu (Nez Perce)  Search this
Indians of North America -- Plateau  Search this
Type:
Collection descriptions
Archival materials
Pages
Date:
1896
Local Numbers:
NAA MS 687
Topic:
Marriage and family -- Nez Perce  Search this
Migration -- Nez Perce  Search this
War -- Nez Perce  Search this
Citation:
Manuscript 687, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS687
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms687

MS 3941 Materials assembled by Hewitt for preparation of articles in Bureau of American Ethnology Bulletin 30 and for replies to inquires from the public

Collector:
Hewitt, J. N. B. (John Napoleon Brinton), 1859-1937  Search this
Correspondent:
Bogaskie, F.  Search this
Skinner, Alanson, 1886-1925  Search this
Creator:
MacKinley, W. E. W., Captain  Search this
Names:
Smithsonian Institution. Bureau of American Ethnology -- Bulletin 30  Search this
Society of American Indians  Search this
Brant, Joseph, 1742-1807  Search this
Old Smoke  Search this
Sayenqueraghta  Search this
Scott, Hugh Lenox, 1853-1934  Search this
Williams, Eleazer  Search this
Culture:
Muskogee (Creek)  Search this
Adirondack  Search this
Niitsitapii (Blackfoot/Blackfeet)  Search this
Anishinaabe (Chippewa/Ojibwa)  Search this
Black Mincqua  Search this
Lenape (Delaware)  Search this
Pekwanoket  Search this
Sioux  Search this
Wendat (Huron)  Search this
Mohawk  Search this
Maya  Search this
Algonquin (Algonkin)  Search this
Potawatomi  Search this
Iroquois  Search this
Sauk  Search this
Onondaga  Search this
Tuscarora  Search this
Erie (archaeological)  Search this
Arctic peoples  Search this
Indians of North America -- Subarctic  Search this
Indians of North America -- Northeast  Search this
Susquehannock (archaeological)  Search this
Wyandot  Search this
Indians of North America -- Great Plains  Search this
Kainai Blackfoot (Kainah/Blood)  Search this
Sihasapa Lakota (Blackfoot Sioux)  Search this
Indians of North America -- Southern States  Search this
Type:
Collection descriptions
Archival materials
Calendars
Date:
undated
Scope and Contents:
Contents: Adirondack tribe (St Lawrence River) Old Manuscript Number 3553. Adoption Old Manuscript Number 4007. Refers to Algonquian method of counting -only; see Haas note 2/18/72; Old Manuscript Number 3864. "Alligewi"; Animism Old Manuscript Number 3867 and 2842-c, box 6. Blood Indians, origin of name; Brant, Joseph Old Manuscript Number 3874. Chippewa, origin of name Old Manuscript Number 3646. Chiefs, function and significance of Old Manuscript Number 2842-c, box 6. Delaware tribe, New Jersey area claimed by Old Manuscript Number 3866. Detroit River, tribes near; Ekaentoton Island-- see Ste. Marie Island Environment (Bulletin 30 draft by O. T. Mason) Old Manuscript Number 4007. Erie, origin of name Old Manuscript Number 3646. Erie and Black Mincqua tribes Old Manuscript Number 3586. [Eskimo] Arctic tribes, leaving elderly and sick people to die Old Manuscript Number 3668. Family, Bulletin 30 draft and notes Old Manuscript Number 4011 and 2842-c, box 6. Grand River (Tinaatoua), name of; Hebrew calendar; Hewitt, list of Bulletin 30 articles by Old Manuscript Number 4066. Hoboken, origin of name; Iroquois, "On the Northern and Eastern Territorial Limits of the Iroquoian people, in the 16th Century," and Algonquian tribes, at Chaleur Bay. Iroquois at Gulf of St Lawrence and Bay of Gaspe Old Manuscript Number 3625.
Iroquois, location of Six Nations tribes reservations Old Manuscript Number 3763. Iroquois false face; Iroquois preparation of corn ("as food") Old Manuscript Number 4009. Iroquoian early dress Old Manuscript Number 3660. Iroquoian "Gachoi" tribe, identity of (Correspondence with F. Bogaskie.) Old Manuscript Number 3816. Iroquoian moon names and concept of time; Iroquoian social organization, and place name-name origins; "Man," Iroquoian term for Old Manuscript Number 3781. Iroquoian towns Old Manuscript Number 4006. Kentucky, meaning of the word; Kentucky, origin of name Old Manuscript Number 3840. Lenni Lenape, meaning of the word; Logstown-- see Shenango Old Manuscript Number 3773. Lost Ten Tribes as American Indians Old Manuscript Number 3670. Mayan linguistic family and other Mayan linguistic notes including Quiche and Tepehuanan notes Old Manuscript Number 3473. Mexico: idols, sacrifices, etc. Old Manuscript Number 3807. Mexico: Indian languages. Letter from Captain W.E.W. MacKinley Old Manuscript Number 3778. Missouri, Indian village, location of Old Manuscript Number 3944. Mohawk land near Lake Champlain; Mohawk grammar; Montour family, notes for Bulletin 30 Old Manuscript Number 3812. Muskhogean social organization. Letter from J. J. Harrison. Old Manuscript Number 3891. New England tribes Old Manuscript Number 3513.
Niagara, origin of name; "Old Smoke"-- see Sayenqueraghta Old Manuscript Number 3949. Onondaga tribe, text of memorial inscription to, and correspondence Old Manuscript 4391 and 4271- box 1 (part.) Ontwaganha or Toaganha, origin and meaning of name Old Manuscript Number 3864. Owego, meaning of town's name; Pekwanoket tribe (Cape Cod); Pemaquid, Abnaki word and its origin Old Manuscript Number 89. Piasa bird- pictograph formerly near present Alton, Illinois. Article is similar to that by Cyrus Thomas, Bureau of American Ethnology Bulletin 30. Old Manuscript Number 3981. Potawatomi, notes on the name Old Manuscript Number 4034. Potawatomi Green Corn Dance; Roanoke, origin of name Old Manuscript Number 3998. Sacagawea, spelling of; St Ignace, 3 settlements (Michigan); St Marie Island or Ekaentoton Island; Sauk, Bulletin 30 article and galley proof, notes Old Manuscript Number 3764. Sayenqueraghta or "Old Smoke" (correspondence with Alanson Skinner) Old Manuscript Number 3949. Scalping Old Manuscript Number 4025. Shenango and Logstown Old Manuscript Number 3773. Sioux, origin of name Old Manuscript Number 3624. Society of American Indians, resolutions by thanking General Hugh L. Scott, Fr. Anselm Webber and others Old Manuscript Number 3868. Susquehanna, origin of name Old Manuscript Number 3707. Tacoma, origin of name Old Manuscript Number 3470.
Thunderbird, notes on Old Manuscript Number 3552. Tinaatoa-- see Grand River; Toronto, origin of name; Tuscarora villages Old Manuscript Number 3998. Wampum Old Manuscript Number 3998. War club with inscription; West Virginia panhandle tribes Old Manuscript Number 3945. Williams, Eleazer Old Manuscript Number 3998. Women, status of Old Manuscript Number 3566. Wyandots (Huron) List of tribes of which Wyandots of today are constituted. Old Manuscript Number 3774.
Local Numbers:
NAA MS 3941
Topic:
American Indian  Search this
Inheritance -- Adoption  Search this
Religion -- animism  Search this
Names, tribal -- Blood  Search this
Names, tribal -- Chippewa  Search this
Government and politics -- chiefs  Search this
Land tenure and claims -- Delaware  Search this
Names, tribal -- Erie  Search this
Eskimos  Search this
Death and mortuary customs -- abandoning elderly and sick  Search this
Marriage and family  Search this
Names, place -- Grand River  Search this
Jews  Search this
Iroquois Indians  Search this
Land tenure and claims  Search this
Masks -- False Face  Search this
Clothing and dress  Search this
Food preparation -- Corn  Search this
Time -- concepts  Search this
Social structure  Search this
Names, place  Search this
Towns, villages and other settlements  Search this
Names, place -- Kentucky  Search this
Names, tribal -- Leni Lenape  Search this
Muskogean Indians  Search this
Names, place -- Niagara  Search this
Names, place -- Owego  Search this
Abenaki Indians  Search this
Names, tribal -- Pemaquid  Search this
Pictographs -- Piasa bird  Search this
Potawatomi Indians  Search this
Dance -- Green Corn  Search this
Names, tribal -- Potawatomi  Search this
Names, place -- Roanoke  Search this
Towns, villages and other settlements -- St Ignace  Search this
Religion -- Mexico  Search this
Sacrifices -- Mexico  Search this
War -- Scalping  Search this
Indian interest groups -- Society of American Indians  Search this
Names, tribal -- Susquehanna  Search this
Names, tribal -- Tacoma  Search this
Folklore -- Thunderbird  Search this
Names, place -- Toronto  Search this
Tuscarora Indians  Search this
Trade, gifts and other exchanges -- Wampum  Search this
Weapons -- war club  Search this
Marriage and family -- women, status of  Search this
Names, place -- Hoboken  Search this
Language and languages -- Documentation  Search this
Algonquin  Search this
Honniasant  Search this
Lenape  Search this
Sauk & Fox  Search this
Sioux  Search this
Chippewa  Search this
Susquehannock  Search this
Mexico  Search this
Genre/Form:
Calendars
Citation:
Manuscript 3941, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS3941
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms3941

MS 2081 Ethnology; legends; linguistics

Collector:
Michelson, Truman, 1879-1938  Search this
Extent:
189 Pages
Culture:
Anishinaabe (Chippewa/Ojibwa)  Search this
Fox Indians  Search this
Cree  Search this
Potawatomi  Search this
Ho-Chunk (Winnebago)  Search this
Indians of North America -- Northeast  Search this
Indians of North America -- Great Plains  Search this
Indians of North America -- Subarctic  Search this
Type:
Collection descriptions
Archival materials
Pages
Date:
undated
Scope and Contents:
Contents include Sun Dance; Tcikusapatag-conjuring; physical anthropology of the above tribes; marriage (Cree); story of Cree culture hero-W.-; list of tribes known to Cree; Cree linguistics, vocabularies and tables of moods. For physical anthropology description see main card under FOX. Chippewa: 1 page note physical anthropology, measurements of one "Salteaux woman." In book III. page 36.
Local Numbers:
NAA MS 2081
Topic:
Dance -- Sun Dance  Search this
Rituals, formulas and ceremonies -- conjuring  Search this
Chippewa  Search this
Anthropology, physical -- anthropometry  Search this
Fox Indians  Search this
Physical anthropology  Search this
Winnebago Indians  Search this
Cree Indians  Search this
Potawatomi Indians  Search this
Marriage and family  Search this
Folklore -- culture hero  Search this
Names, tribal  Search this
Linguistics  Search this
Vocabularies  Search this
Language and languages -- Documentation  Search this
Meskwaki; Sauk & Fox  Search this
Citation:
Manuscript 2081, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS2081
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms2081

MS 39-a Book of drawings by unidentified Cheyenne artist at Fort Marion, Florida

Extent:
1 Item (disbound volume of 21 drawings (23 leaves, graphite and colored pencil, 21 x 27 cm.)
Culture:
Tsitsistas/Suhtai (Cheyenne)  Search this
Indians of North America -- Great Plains  Search this
Type:
Collection descriptions
Archival materials
Ledger drawings
Date:
1875 August
Scope and Contents:
Artist's sketchbook, now disbound, containing scenes of daily life, dances, hunting and a picture of birds. Individual leaves numbered 1 through 23. Cover of the drawing book inscribed in pencil "Drawn by Making Medicine, Cheyenne Prisoner, St. Augustine, Fla. Aug. 1875." Inscriptions on individual leaves by same hand, probably Lt. Richard Pratt.
Biographical / Historical:
Fort Marion, also known as Castillo de San Marco, is a stone fortress in St. Augustine, Florida. Between 1875 and 1878, seventy-two prisoners from the southern plains were incarcerated in the fort under supervision of Lt. Richard Pratt. The prisoners consisted of 27 Kiowas, 33 Cheyennes, 9 Comanches, 2 Arapahos, and a single Caddo. With the exception of one Cheyenne woman, all the prisoners were men. They had been accused of participating in the recent Red River War, earlier hostilities, or both. With the exception of the wife and daughter of one of the Comanche men, the prisoners families were not allowed to accompany them to Fort Marion. For further information on Fort Marion see Karen Daniels Petersen, Plains Indian Art from Fort Marion, University of Oklahoma Press, 1971 and Richard Pratt, Battlefield and Classroom, ed. by R. M. Utley, Yale University Press, 1964.
Local Numbers:
NAA MS 39A

OPPS NEG 55,025 - 55,046
Local Note:
The original identification of the artist as Making Medicine based on the inscription is in error, based on comparison to other known examples of the artist's work, including Ms. 39B. Re-identified as anonymous Cheyenne artist by Candace Greene, 2002.
Place:
United States Florida Fort Marion.
Album Information:
MS 39A 000
Topic:
Federal-Indian relations  Search this
Dance -- Medicine Dance  Search this
Dance -- Sun Dance  Search this
Amusements -- Wrestling  Search this
Habitations -- Medicine Lodge  Search this
Marriage and family -- courting  Search this
Hunting -- Buffalo  Search this
Hunting -- antelope  Search this
Hunting -- elk  Search this
Hunting -- bear  Search this
Hunting -- Turkey  Search this
War -- warriors  Search this
Zoology -- wild horses  Search this
Zoology -- Buffalo  Search this
Genre/Form:
Ledger drawings
Citation:
Manuscript 39A, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS39A
See more items in:
MS 39-a Book of drawings by unidentified Cheyenne artist at Fort Marion, Florida
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms39a
Online Media:

MS 39-c Kiowa drawings by Koba, Etahdleuh, and others

Artist:
Doanmoe, Etahdleuh, 1856-1888  Search this
Kobay, (Comanche chief)  Search this
Names:
Fort Marion artists  Search this
Kobay, (Comanche chief)  Search this
Onkoiday  Search this
Sepinta  Search this
White Horse  Search this
Zonekeuk ?  Search this
Zotom  Search this
Extent:
33 Drawings (graphite, colored pencil, crayon, ink, and watercolor, 12 x 18 cm.-20 x 55 cm.)
Culture:
Kiowa  Search this
Indians of North America -- Great Plains  Search this
Type:
Collection descriptions
Archival materials
Drawings
Pictographs
Ledger drawings
Date:
1875-1878
Scope and Contents:
The manuscript contains 28 drawings depicting warfare, courting, hunting, dances, a horse race, and an intertribal meeting. The drawings also include 5 pages with pictographs representing various words and the names of the prisoners. Included in the manuscript are rosters of the Ft. Marion prisoners listing the prisoners' names and tribal affiliations. Several drawings are inscribed with the name of Koba, some with the name Etahdleuh. Most were probably drawn by Koba.
Biographical / Historical:
Koba (Wild Horse) was born in 1848. During the Red River War he was a member of the Kiowa band that surrendered on February 18, 1875. Following his surrender, he was confined at Fort Sill, Indian Territory. He was accused of stealing horses and mules in Texas and participating in the August 22, 1874 skirmish at the Wichita Agency, one of the opening engagements of the Red River War. He was among the Kiowa prisoners who were incarcerated in Fort Marion in St. Augustine, Florida following the end of the conflict. He arrived at Fort Marion on May 21, 1875. After his release from Ft. Marion, Koba attended the Hampton Institute in Virginia. He arrived at Hampton on April 14, 1878. In June of 1879, he left Hampton to work on a farm in Lee, Massachusetts. He then enrolled in the Carlisle Institute in Pennsylvania, where he studied to be a tinsmith. He arrived at Carlisle on October 7, 1879. On September 10, 1880, Koba left Carlisle on what was intended to be a brief trip to Indian Territory. Although his health was failing, he was deemed fit to travel. He died of consumption on September 24, 1880, only three days after arriving at his destination.
Etahdleuh (1856-1888) was also known as Etahdleeuh, Etadeleuh, Etahdleuh Doanmoe, Boy, and Boy Hunting. He was imprisoned at Fort Marion in St. Augustine, Florida from 1875-1878. After his release from Fort Marion, he attended the Hampton Normal and Agricultural Institute in Virginia, arriving in April, 1878. In 1879, he travelled to the Indian Territory to recruit pupils to attend the Carlisle Institute in Pennsylvania, where he would study and work on and off from 1879 to 1887. He made two extended trips back to the reservation during this period and from February to May 1880, he worked at the Smithsonian Institution in Washington, DC. He was trained as a Presbyterian missionary and returned to the reservation in January 1888 to serve in this capacity.
For further biographical information on Koba or Etahdleuh see Karen Daniels Petersen, Plains Indian Art from Fort Marion, University of Oklahoma Press, 1971.
Fort Marion, also known as Castillo de San Marco, is a stone fortress in St. Augustine, Florida. Between 1875 and 1878, seventy-two prisoners from the southern plains were incarcerated in the fort. Captain Richard Pratt supervised the prisoners during their incarceration at Fort Marion. The prisoners consisted of 27 Kiowas, 33 Cheyennes, 9 Comanches, 2 Arapahos, and a single Caddo. With the exception of one Cheyenne woman, all the prisoners were men. They had been accused of participating in the recent Red River War, earlier hostilities, or both. With the exception of the wife and daughter of one of the Comanche men, the prisoners families were not allowed to accompany them to Fort Marion. For further information on Fort Marion see Karen Daniels Petersen, Plains Indian Art from Fort Marion, University of Oklahoma Press, 1971 and Richard Pratt, Battlefield and Classroom, ed. by R. M. Utley, Yale University Press, 1964.
Local Numbers:
NAA MS 39C
Album Information:
MS 39C 000
Provenance:
Reynolds, Mary B.
Topic:
Federal-Indian relations -- Kiowa  Search this
Marriage and family -- Courtship -- Kiowa  Search this
War -- Apache  Search this
War -- Navaho  Search this
War -- Comanche  Search this
Genre/Form:
Pictographs -- Kiowa
Ledger drawings
Citation:
Manuscript 39C, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS39C
See more items in:
MS 39-c Kiowa drawings by Koba, Etahdleuh, and others
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms39c
Online Media:

MS 3653 Letters addressed to the Commissioner of Indian Affairs, from Indian Agents

Creator:
Commissioner of Indian Affairs  Search this
United States. Bureau of Indian Affairs  Search this
Extent:
98 Pages
Culture:
Apache  Search this
Salish (Flathead)  Search this
Diné (Navajo)  Search this
Kalispel (Pend d'Oreilles)  Search this
Shoshone  Search this
Oto  Search this
Mescalero Apache  Search this
Indians of North America -- Great Basin  Search this
Indians of North America -- Great Plains  Search this
Indians of North America -- Plateau  Search this
Northwest Coast  Search this
Kootenai (Kutenai)  Search this
Indians of North America -- Southwest, New  Search this
Type:
Collection descriptions
Archival materials
Pages
Date:
1890
Scope and Contents:
Replies to correspondence (circular letter) sent to various Indian Agencies relative to marriage customs among the various Indian tribes. The tribes represented are: Flathead, Kalispel, Kootenai, Mescalero Apache, Navaho, Oto, Pend d Oreille, and Shoshoni.
Local Numbers:
NAA MS 3653
Topic:
Marriage and family -- Flathead  Search this
Marriage and family -- Kalispel  Search this
Marriage and family -- Kootenai  Search this
Marriage and family -- Mescalero Apache  Search this
Marriage and family -- Navaho  Search this
Marriage and family -- Oto  Search this
Marriage and family -- Pend d Oreille  Search this
Marriage and family -- Shoshoni  Search this
Navaho  Search this
Shoshone  Search this
Otoe  Search this
Kutenai  Search this
Citation:
Manuscript 3653, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS3653
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms3653

MS 2932 Notes on sign language and miscellaneous ethnographic notes on Plains Indians

Creator:
Scott, Hugh Lenox, 1853-1934  Search this
Dunbar, John Brown, 1841-1914  Search this
He Dog  Search this
Red Feather  Search this
Whirling  Search this
Addressee:
Wissler, Clark, 1870-1947  Search this
Names:
United States. Bureau of Indian Affairs  Search this
Bruguiere, Johnnie, 1849-1898  Search this
Petalesharo, 1797-1836  Search this
Extent:
4 Boxes
2,736 Items (2,736 pages)
Culture:
Sioux  Search this
Niitsitapii (Blackfoot/Blackfeet)  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Anishinaabe (Chippewa/Ojibwa)  Search this
Paiute  Search this
Salish (Flathead)  Search this
A'aninin (Gros Ventre)  Search this
Hopi Pueblo  Search this
Kiowa  Search this
Diné (Navajo)  Search this
Wichita  Search this
Osage  Search this
Apache  Search this
Numakiki (Mandan)  Search this
Sahnish (Arikara)  Search this
Minitari (Hidatsa)  Search this
Cree  Search this
Apsáalooke (Crow/Absaroke)  Search this
Niuam (Comanche)  Search this
Niimíipuu (Nez Perce)  Search this
Shoshone  Search this
Inunaina (Arapaho)  Search this
Bannock  Search this
Ute  Search this
Chaticks Si Chaticks (Pawnee)  Search this
Lenape (Delaware)  Search this
Slave  Search this
Denésoliné (Chipewyan)  Search this
Caddo  Search this
Assiniboine (Stoney)  Search this
Sarsi Indians  Search this
Plains Apache (Kiowa Apache)  Search this
Pikuni Blackfeet (Piegan)  Search this
Ponca  Search this
White River Ute (Yampa)  Search this
Indians of North America -- Subarctic  Search this
Indians of North America -- Great Basin  Search this
Indians of North America -- Northeast  Search this
Indians of North America -- Great Plains  Search this
Indians of North America -- Plateau  Search this
Northwest Coast  Search this
Kootenai (Kutenai)  Search this
Indians of North America -- Southwest, New  Search this
Indians of North America -- Southern States  Search this
Type:
Collection descriptions
Archival materials
Date:
1934
Scope and Contents:
Much of this material is relevant to the Dakotas. Includes: miscellaneous notes on Dakota history, bands, and sign for "Dakota," Autograph Document. Approximately 100 pages. (Box 2); account of the Battle of Little Big Horn by He Dog, Red Feather, and Whirling, Autograph Document. 7 pages. (Box 3); "The Custer Battle with the Sioux, Autograph Document. 10 pages. (Box 3); notes on sign language in general, its history and distribution, Autograph and Typescript Document, 1 box (Box 4).
Local Numbers:
NAA MS 2932
Local Note:
manuscript document
Topic:
Dakota Indians  Search this
Sign language  Search this
Marriage and family -- Berdache  Search this
Weapons -- bow  Search this
Dance -- calumet  Search this
American Indian  Search this
Rituals, formulas and ceremonies  Search this
Zoology -- Buffalo  Search this
Dance -- grass  Search this
War -- Battle of Little Bighorn  Search this
Medicine  Search this
Names, place  Search this
Dance -- Ghost dance  Search this
Religion -- soul, concept of  Search this
Language and languages -- Documentation  Search this
Navaho  Search this
Shoshone  Search this
Ute  Search this
White River (Parusanuch and Yampa)  Search this
Lenape  Search this
Assiniboin  Search this
Sioux  Search this
Plains Apache  Search this
Blackfoot  Search this
Sarcee  Search this
Chippewa  Search this
Kootenai  Search this
Kutenai  Search this
Blackfeet  Search this
Citation:
Manuscript 2932, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS2932
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms2932
Online Media:

Reimar Horten No.6 - Side 2 of 2

Collection Creator:
Myhra, David  Search this
Container:
Box 15, Disk 19b
Type:
Archival materials
Audio
Scope and Contents:
Reimar continues on military duties as distraction; [1:28] Reimar wanted to be independent on design and construction of H I, "responsibility.....is mine," the H I project, experimental testing, not a public demonstrator, once some bugs worked out, Reimar took H I to Rhön for public demonstration and possibly state support, Bruno Loertzer, chief/asst. chief of Nazi aviation, took notice but no state support; [10:00] Reimar on marriage and family vs. all-wing research; [12:15] Reimar on Antz and Wentland(sp?) witnessing Walter's flight in 1935 H II (Antz was engineer charged with promoting experimental aircraft for RLM), Antz "a man without ideas," RLM stayed with biplane designs for too long [23:29]. Reimar on biplane structure, RLM affinity for, Hitler's lack of expertise in aeronautics; [27:01] if Walter Wever had lived...; [36:39] public reaction to Reimar's flight of H I at Wasserkuppe; [43:57] Why Reimar considered himself a bad pilot; Wasserkuppe regulars told him to bring tools to repair the glider whenever Reimar came to airfield to fly; [50:35] H II, no airbrake and no wheel landing gear other than skid, not suited to Wasserkuppe's short landing area, pilots like Reimar, with low time and modest skills, easily crashed; [52:40] Reimar damaged H II undercarriage 2-3 times in 1937 landing at Wasserkuppe - Reimar's crashes undermined his own effort to 'sell' the all-wing as easy to fly; [54:20] Reimar on H I as dangerous aircraft to fly; [55:17] Reimar: a baby could fly the H II and III, they flew themselves. [55:34] H Ib that Reimar designed and built in Argentina was flown without an accident for " 28 years without crash" by hundreds of pilots, different airfoil than H I but the same otherwise, Grunau Baby performance; [58:04] Reimar believed that there was tremendous interest, more than in any other design, among Wasserkuppe contestants, Horten all-wing won design prize over the Darmstadt D-30.
Collection Restrictions:
No restrictions on access.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Walter and Reimar Horten Interviews [Myhra], Acc. 1999-0065, National Air and Space Museum, Smithsonian Institution.
See more items in:
Walter and Reimar Horten Interviews [Myhra]
Walter and Reimar Horten Interviews [Myhra] / Series 3: User CD-Rs
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-1999-0065-ref212

Reimar Horten No.7 - Side 1 of 2

Collection Creator:
Myhra, David  Search this
Container:
Box 15, Disk 20a
Type:
Archival materials
Audio
Scope and Contents:
Reimar continues on military duties as distraction; [1:28] Reimar wanted to be independent on design and construction of H I, "responsibility.....is mine," the H I project, experimental testing, not a public demonstrator, once some bugs worked out, Reimar took H I to Rhön for public demonstration and possibly state support, Bruno Loertzer, chief/asst. chief of Nazi aviation, took notice but no state support; [10:00] Reimar on marriage and family vs. all-wing research; [12:15] Reimar on Antz and Wentland(sp?) witnessing Walter's flight in 1935 H II (Antz was engineer charged with promoting experimental aircraft for RLM), Antz "a man without ideas," RLM stayed with biplane designs for too long [23:29]. Reimar on biplane structure, RLM affinity for, Hitler's lack of expertise in aeronautics; [27:01] if Walter Wever had lived...; [36:39] public reaction to Reimar's flight of H I at Wasserkuppe; [43:57] Why Reimar considered himself a bad pilot; Wasserkuppe regulars told him to bring tools to repair the glider whenever Reimar came to airfield to fly; [50:35] H II, no airbrake and no wheel landing gear other than skid, not suited to Wasserkuppe's short landing area, pilots like Reimar, with low time and modest skills, easily crashed; [52:40] Reimar damaged H II undercarriage 2-3 times in 1937 landing at Wasserkuppe - Reimar's crashes undermined his own effort to 'sell' the all-wing as easy to fly; [54:20] Reimar on H I as dangerous aircraft to fly; [55:17] Reimar: a baby could fly the H II and III, they flew themselves. [55:34] H Ib that Reimar designed and built in Argentina was flown without an accident for " 28 years without crash" by hundreds of pilots, different airfoil than H I but the same otherwise, Grunau Baby performance; [58:04] Reimar believed that there was tremendous interest, more than in any other design, among Wasserkuppe contestants, Horten all-wing won design prize over the Darmstadt D-30.
Collection Restrictions:
No restrictions on access.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Walter and Reimar Horten Interviews [Myhra], Acc. 1999-0065, National Air and Space Museum, Smithsonian Institution.
See more items in:
Walter and Reimar Horten Interviews [Myhra]
Walter and Reimar Horten Interviews [Myhra] / Series 3: User CD-Rs
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-1999-0065-ref214

Bonnie Bender

Collection Creator:
Douglas, Deborah G.  Search this
Container:
Box 1, Folder 1
Type:
Archival materials
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Collection Citation:
United States Women in Aviation 1940-1985 Research Materials, NASM.1995.0062, National Air and Space Museum, Smithsonian Institution.
See more items in:
United States Women in Aviation 1940-1985 Research Materials
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-1995-0062-ref507
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Funeral program of Hugh Hollins

Created by:
Jack's Memory Chapel, American, founded 1948  Search this
Subject of:
Hugh Hollins, American, 1913 - 2000  Search this
Owned by:
Eddie Faye Gates  Search this
Medium:
digital
Dimensions:
H x W: 5214pixels × 6720pixels
Type:
digital images
programs
digital media - born analog
Place collected:
Tulsa, Tulsa County, Oklahoma, United States, North and Central America
Date:
2000
Topic:
African American  Search this
American South  Search this
American West  Search this
Communities  Search this
Families  Search this
Funeral customs and rites  Search this
Religion  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Eddie Faye Gates, Tulsa OK, author, historian, community activist
Object number:
2014.117.63
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Collection title:
Eddie Faye Gates Collection, Tulsa, Oklahoma
Classification:
Memorabilia and Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5ff46bfb4-530f-4f99-9160-23e3e2d3b374
EDAN-URL:
edanmdm:nmaahc_2014.117.63
Online Media:

Funeral program of Elbor E. (Mac) McCondichie, Sr.

Printed by:
Unidentified  Search this
Subject of:
Elbor E. McCondichie Sr., American, 1933 - 2000  Search this
First Baptist Church of North Tulsa, American, founded 1899  Search this
Owned by:
Eddie Faye Gates  Search this
Medium:
digital
Dimensions:
H x W: 5214pixels × 4064pixels
Type:
digital images
programs
digital media - born analog
Place collected:
Tulsa, Tulsa County, Oklahoma, United States, North and Central America
Date:
2000
Topic:
African American  Search this
American South  Search this
American West  Search this
Communities  Search this
Families  Search this
Funeral customs and rites  Search this
Religion  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Eddie Faye Gates, Tulsa OK, author, historian, community activist
Object number:
2014.117.64
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Collection title:
Eddie Faye Gates Collection, Tulsa, Oklahoma
Classification:
Memorabilia and Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd59a4e36cd-f49b-4f04-ba19-2fa9b7e02b2a
EDAN-URL:
edanmdm:nmaahc_2014.117.64
Online Media:

Horden que el ynga tubo en la Gouernacion del Piru

Submitter:
Clark, C. U  Search this
Physical description:
ca. 24 pages
Culture:
Inca goverment  Search this
Inca marriage  Search this
Inca inhertance  Search this
Type:
Archival materials
Topic:
Government and politics--Inca  Search this
Marriage and family--Inca  Search this
Inheritance--Inca  Search this
Local number:
NAA MS 3237-23
See more items in:
Numbered manuscripts 1850s-1980s (some earlier)
Data Source:
National Anthropological Archives
EDAN-URL:
edanmdm:siris_arc_83075

Correspondence

Collection Creator:
Pearmain, William Robert, 1888-1912  Search this
Extent:
(Box 1; 0.25 linear feet)
Type:
Archival materials
Date:
1899-1955
Scope and Contents note:
Correspondence includes many letters from Pearmain to his mother and other family members written while he was attending the Milton Academy and Harvard, ca. 1900-1906, and while studying art and traveling in Paris and Italy, 1907-1908. There are letters from Pearmain to his wife Nancy, and from both of them to their parents, written from New York City, Dublin, New Hampshire, the Adirondacks, and Pittsburgh. The majority of William's letters discuss his education, time spent in Europe between 1907-1908, his marriage and family, dissatisfaction with his career, and his factory work in Pittsburgh, Pennsylvania.

There are a few letters to Robert, including one from Margaret Sanger thanking him for the use of the Dublin house and asking him to write about the "Pittsburgh situation for the Call"; letters to Nancy, mainly of condolence, from John Graham Brooks, Rockwell Kent, William Sanger, and Alexander Beckman. There is a letter from George de Forest Brush to Robert's mother, circa 1906 or 1907, discussing her unhappiness about Robert leaving Harvard and staying with the Brush family in Italy; a copy of a letter from Samuel Clemens to George de Forest Brush is also found.

Other family correspondence is between Nancy, Polly, Sarah Upton, Sumner, Alice, Margaret, and Jack Pearmain.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
William Robert Pearmain and Pearmain family papers, 1888-1955. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.pearwill, Series 2
See more items in:
William Robert Pearmain and Pearmain family papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-pearwill-ref22

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