Skip to main content Smithsonian Institution

Search Results

Collections Search Center
38 documents - page 1 of 2

Colin de Land collection

Creator:
De Land, Colin, 1955-2003  Search this
Names:
American Fine Arts, Co.  Search this
Armory Show (1913: New York, N.Y.)  Search this
Art Cologne  Search this
Art Forum Berlin  Search this
Biennale di Venezia  Search this
Documenta  Search this
International Art Fair  Search this
Balk, Dennis  Search this
Beckwith, Patterson  Search this
Davey, Moyra  Search this
Dion, Mark, 1961-  Search this
Fend, Peter  Search this
Fraser, Andrea  Search this
Greene, Carol  Search this
Heilmann, Mary, 1940-  Search this
Marks, Matthew  Search this
McDonald, Daniel  Search this
Morris, Paul  Search this
Pierson, Jack, 1960-  Search this
Wadlin, Craig  Search this
Waters, John, 1946-  Search this
Extent:
15.15 Linear feet
0.901 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Scrapbooks
Motion pictures (visual works)
Video recordings
Date:
1968-2008, bulk 1980-2003
bulk 1980-2003
Summary:
The Colin de Land collection measures 15.15 linear feet and 0.901 GB and dates from 1968 to 2008, with the bulk of the collection dating from the early 1980s through 2003. The majority of the collection consists of photographic material, primarily snapshots, documenting daily life in and around de Land's gallery American Fine Arts, Co., as well as de Land's pesonal life and affairs. There are candid photographs of exhibition openings, day-to-day gallery operations, art fairs, vacations, social gatherings, and New York City street scenes. Also included are some personal objects belonging to de Land and his wife Pat Hearn, as well as two scrapbooks containing items once decorating the walls of de Land's office at American Fine Arts. The collection includes video recordings documenting trips to Cape Cod, Hearn's illness, and occasional art world events.
Scope and Contents:
The Colin de Land collection measures 15.15 linear feet and 0.901 GB and dates from 1968 to 2008, with the bulk of the collection dating from the early 1980s through 2003. The majority of the collection consists of photographic material, primarily snapshots, documenting daily life in and around de Land's gallery American Fine Arts, Co., as well as de Land's pesonal life and affairs. There are candid photographs of exhibition openings, day-to-day gallery operations, art fairs, vacations, social gatherings, and New York City street scenes. Also included are some personal objects belonging to de Land and his wife Pat Hearn, as well as two scrapbooks containing items once decorating the walls of de Land's office at American Fine Arts. The collection includes video recordings documenting trips to Cape Cod, Hearn's illness, and occasional art world events.

The bulk of the collection consists of snapshots, along with their negatives and the envelopes provided by commercial photographic printers. The envelopes are sometimes annotated. The photographs, not typically identified by photographer, were taken by de Land, Hearn, and gallery employees, artists, and visitors. Most of the snapshots provide a candid record of life within de Land's circle, and not formal documentation of gallery exhibitions.

The figures in this collection often occupied blurred boundaries between artist, gallery employee, critic, and friend. Many of the photographs include AFA staff, including Daniel McDonald, Patterson Beckwith, and Craig Wadlin. Also of note are photos showing AFA artists, including John Waters, Mark Dion, Andrea Fraser, Moyra Davey, Dennis Balk, Peter Fend, and Jack Pierson.

In addition to life within the gallery, de Land's cameras also documented a larger art world of the era, candidly showing openings at other galleries, art fairs such as Art Basel, Art Cologne, and the Berlin Artforum, as well as festivals including the Venice Biennale and Documenta, many of which included AFA artists. There is some documentation of the Gramercy International Contemporary Art Fair and The Armory Show. The photographs frequently include de Land and Hearn's friends and fellow art dealers Paul Morris, Matthew Marks, and Carol Greene. Some images include artists that showed at Pat Hearn Art Gallery, such as Mary Heilmann. Collectors, celebrity visitors to the gallery, and critics also occasionally appear in the photographs. There is one 1968 photograph of de Land's mother and a small number of 1970s images of both de Land and Hearn.

In addition to the snapshots, there are a variety of other photographic formats, including digital, in the collection. The contents of the slides are of similar nature to the snapshots. The contact sheet binders offer some formal exhibition installation documentation, but are not exhaustive.

The collection also includes film and video footage. Thirty-five reels of Super-8 motion picture film primarily documents frequent vacations to Cape Cod, as well as the final stages of Hearn's illness and subsequent death. The 31 DV-mini cassettes include similar content, and some footage of opening receptions and other art world events.

Most of the official gallery records are missing, most likely lost in the frequent floods in the gallery basement. Two scrapbooks include material that was often photographed on the walls surrounding de Land's desk at AFA. Additional artifacts include one small painting by artist Charles Clough, inscribed to Hearn, a baseball hat frequently worn by de Land and appearing in many of the snapshots, and one page of an autographed calendar.
Arrangement:
This collection is arranged in 4 series:

Series 1: Photographic Material, 1968-2003, bulk 1980-2003 (14 linear feet; Box 1-14, 0.901 GB; ER01)

Series 2: Scrapbooks, circa 1980s-2003 (0.2 linear feet; Box 19)

Series 3: Video and Film Recordings, circa 1980-2003 (1.1 linear feet; Box 15, 16, 18)

Series 4: Artifacts, 1988-2008 (0.3 linear feet; Box 14, 17, 19)
Biographical / Historical:
Colin de Land (1955-2003) was a gallery owner whose New York City spaces challenged traditional modes of exhibition and art dealing.

Raised in Union City, New Jersey, de Land came to the art world from an academic background, having studied philosophy and linguistics at New York University. In 1984, de Land opened Vox Populi, a largely unrenovated space in the East Village, at 511 East 6th Street. The gallery showed experimental work by emerging artists, including the enigmatic John Dogg, thought to be a collaboration between de Land and artist Richard Prince.

In 1986, De Land opened his longest standing gallery, American Fine Arts, Co. (AFA), in the same space previously occupied by Vox Populi. The gallery moved to SoHo in 1988, first to 40 Wooster Street then to 22 Wooster Street in 1993. During the late 1990s, as most SoHo galleries moved to Chelsea, AFA remained a mainstay of the downtown arts scene. De Land's wife, Pat Hearn, whom he married in 1999 after over a decade together, was also a well known art dealer. Her gallery, Pat Hearn Art Gallery, also moved from the East Village to SoHo, later becoming one of the first to set down roots in Chelsea.

Known for his eccentric fashion and unorthodox business style, de Land cultivated a culture of experimentation within the AFA community. He typically hired young art students or recent graduates, often nurturing their own artistic careers. Along with a group of Cooper Union graduates, many of whom worked at the gallery, he founded the artist collective Art Club 2000. De Land often showed artists working in hybrid media, for example film and photography or music and installation. He was especially interested in ecological and environmental art, as well as work that took as its subject exhibition practice and the act of creating art. He often staged large thematic group shows. Artists who showed at the gallery included Mark Dion, John Waters, Andrea Fraser, Moyra Davey, Dennis Balk, Peter Fend, Tom Burr, James Welling, Mariko Mori, Dan Graham, Jessica Stockholder, Alex Bag, Christian Philipp Muller, and Jack Pierson.

In 1994, de Land and Hearn, along with gallerists Matthew Marks and Paul Morris, established the Gramercy International Contemporary Art Fair. Fashioned after the tradition of inexpensive hotel art fairs, four galleries were invited to exhibit artwork in rooms of the Gramercy Park Hotel, to be sold in a cash and carry model. The fair became an annual event, branching out to other cities, including Miami and Los Angeles, and growing significantly in size in New York. It later became known as The Armory Show.

De Land often carried a point-and-shoot camera and kept several on hand in the gallery. He documented opening receptions, art world social gatherings, concerts, and day-to-day happenings and invited visitors to the gallery and employees to do the same.

After Hearn's death from liver cancer in 2000, de Land became involved with Kembra Pfahler, the performance artist and leader of the rock band The Voluptuous Horror of Karen Black. De Land took over Hearn's Chelsea gallery, operating it as a second location of AFA. Following his own struggle with cancer, de Land passed away in 2003. AFA remained open, closing at the end of 2004 with a tribute group exhibition to de Land.
Related Materials:
The archival gallery records of Colin de Land's art gallery American Fine Arts, Co. as well as the gallery records of the Pat Hearn Gallery are available at the Center for Curatorial Studies at Bard College in New York. The gallery records there also include a fair amount of de Land's personal papers. Bard also acquired de Land's and Hearn's personal library.
Provenance:
The Colin de Land papers were donated to the Archives of American Art in 2008 by Dennis Balk, an artist represented by American Fine Arts, Co. and a close friend of de Land.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings and born-digital records in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Genre/Form:
Photographs
Scrapbooks
Motion pictures (visual works)
Video recordings
Citation:
Colin de Land papers, 1968-2008, bulk 1980-2003. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.delacoli
See more items in:
Colin de Land collection
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-delacoli
Online Media:

Marks, Matthew S.

Collection Creator:
Friedman, B. H. (Bernard Harper), 1926-2011  Search this
Container:
Box 9, Folder 53
Type:
Archival materials
Date:
1980-2004
Collection Restrictions:
The collection is ACCESS RESTRICTED; written permission is required. Use of original materials requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Bernard Harper Friedman papers are owned by the Archives of American Art, Smithsonian Institution. They may be used for research, study, and scholarship. Access requires written permission.
Collection Citation:
Bernard Harper Friedman papers, 1926-2011, bulk 1943-2010. Archives of American Art, Smithsonian Institution.
See more items in:
Bernard Harper Friedman papers
Bernard Harper Friedman papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-friebern-ref405

Oral history interview with Tony Ganz

Interviewee:
Ganz, Tony  Search this
Interviewer:
Drohojowska-Philp, Hunter  Search this
Names:
Art Collectors: A Project in Partnership with the Center for the History of Collecting in America at The Frick Collection  Search this
D. Lisner Jewelry  Search this
Harvard University -- Students  Search this
Bonin, Ted  Search this
Bontecou, Lee, 1931-  Search this
Deitsch, Jeffrey  Search this
Fries, Charles W., 1928-  Search this
Ganz, Paul  Search this
Ganz, Sally  Search this
Ganz, Sol  Search this
Ganz, Victor  Search this
Hesse, Eva, 1936-1970  Search this
Lowry, Glenn D.  Search this
Marks, Matthew  Search this
Matta-Clark, Gordon, 1943-1978  Search this
Mutrux, Gail  Search this
Oldenburg, Claes, 1929-  Search this
Picasso, Pablo, 1881-1973  Search this
Smithson, Robert  Search this
Stella, Frank  Search this
Thek, Paul  Search this
Weinberg, Adam D.  Search this
Whiteread, Amber  Search this
Zwirner, David  Search this
d'Offay, Anthony  Search this
Extent:
4 Items (Sound recording: 4 sound files (2 hr., 4 min.), digital, wav)
41 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2014 December 6
Scope and Contents:
An interview with Tony Ganz conducted 2014 December 6, by Hunter Drohojowska-Philp, for the Archives of American Art and the Center for the History of Collecting in America at the Frick Art Reference Library of The Frick Collection, at Ganz's home in Brentwood, California.
Ganz speaks of his parents, siblings, and early childhood; growing up in New York city; his family's collection and interest in art; collecting Picasso; going to museums and galleries as a kid; understanding Picasso; Putney School; his interest in photography and film; attending Harvard; making films; meeting his wife; beginning collecting; collecting drawings; building his collection; equity; Eva Hesse; Amber Whiteread; Gordon Matta-Clark; Moving to Beachwood Canyon; Robert Smithson; Paul Thek; Ted Bonin; Claes Oldenberg; Frank Stella; plan for his collection; following one's intuition; ones that got away; and friends in the art world. Ganz also recalls Victor and Sally Ganz, Paul Ganz, Sol Ganz, D. Lisner Jewelry, Chuck Fries, Gail Mutrux, Matthew Marks, Anthony D'Offay, Jeffrey Deitsch, Lee Bontecou, David Zwirner, Adam Weinberg, and Glenn Lowry.
Biographical / Historical:
Tony Ganz (1947-) is a film producer in Brentwood, California. Hunter Drohojowska-Philp is an art critic and writer from Beverly Hills, California.
General:
Originally recorded on 2 SD memory cards as 4 digital wav files. Duration is 2 hr., 4 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This transcript is open for research. Access to the entire recording is restricted. Contact Reference Services for more information.
Occupation:
Filmmakers  Search this
Topic:
Motion picture producers and directors  Search this
Art -- Collectors and collecting  Search this
Photography  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.ganz14
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ganz14

Labor Contracts of Freedmen

Type:
Archival materials
Date:
July–Aug. 1865
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.FB.M826, File 8.3.3
See more items in:
Records of the Assistant Commissioner for the State of Mississippi, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1869
Records of the Assistant Commissioner for the State of Mississippi, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1869 / Series 8: Indentures, Marriages, and Labor Contracts / 8.3: Labor Contracts of Freedmen
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-fb-m826-ref117
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Labor Contracts of Freedmen digital asset number 1
Online Media:

S – W

Type:
Archival materials
Date:
Jan. 1868–May 1869
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.FB.M826, File 4.5.4
See more items in:
Records of the Assistant Commissioner for the State of Mississippi, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1869
Records of the Assistant Commissioner for the State of Mississippi, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1869 / Series 4: Letters Received / 4.5: Entered in Volume 5
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-fb-m826-ref56
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View S – W digital asset number 1
Online Media:

Marks, Matthew

Collection Creator:
Kazanjian, Dodie, 1952-  Search this
Container:
Box 8, Folder 9-10
Type:
Archival materials
Date:
1991-1995
Collection Restrictions:
This collection is access restricted; written permission is required. Contact Reference Services for more information.

Access, with permission, to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing, with permission, born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dodie Kazanjian papers, 1949-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Dodie Kazanjian papers
Dodie Kazanjian papers / Series 1: Writing Project Files and Interviews
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-kazadodi2-ref138

Festival Recordings: NASA Galaxy Stage: NASA and Nation: Media (Michael Cabbage, Warren Leary, Frank Morring, Eun Kim, Mark Matthews); Sun-Earth Connections (Alan Feinberg, Jeffrey Hayes, Steele Hill, James Thieman, Therese Kucera); Rocket Scientists (...

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 sound recording (compact audio cassette)
Type:
Archival materials
Sound recordings
Date:
2008 June 25
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 2008 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.2008, Item FP-2008-CT-0042
See more items in:
Smithsonian Folklife Festival records: 2008 Smithsonian Folklife Festival
Smithsonian Folklife Festival records: 2008 Smithsonian Folklife Festival / Series 3: NASA: Fifty Years and Beyond / 3.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-2008-ref596

Labor Contracts

Type:
Archival materials
Date:
Aug. 1865–Mar. 1867
Scope and Contents:
Unbound labor contracts, August 1865–March 1867, are arranged numerically, with unnumbered contracts at the end of the series. Contracts between freedmen and employers were witnessed by the local superintendent. Most are printed forms, and they usually indicate the period of service, the rate of wages, and the type of work to be performed.
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commerical use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.FB.M1902, Item 3.1.3.5
See more items in:
Records of the Field Offices for the District of Columbia, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1870
Records of the Field Offices for the District of Columbia, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1870 / Series 3: Subordinate Field Offices / 3.1: Local Superintendent for Washington and Georgetown / 3.1.3: Records Relating to Employment of Freedmen
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-fb-m1902-ref103
2 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Labor Contracts digital asset number 1
  • View Labor Contracts digital asset number 2
Online Media:

Oral history interview with Tony Ganz, 2014 December 6

Interviewee:
Ganz, Tony, 1947-  Search this
Interviewer:
Drohojowska-Philp, Hunter  Search this
Subject:
Bonin, Ted  Search this
Bontecou, Lee  Search this
d'Offay, Anthony  Search this
Deitsch, Jeffrey  Search this
Fries, Charles W.  Search this
Ganz, Paul  Search this
Ganz, Sally  Search this
Ganz, Sol  Search this
Ganz, Victor  Search this
Hesse, Eva  Search this
Lowry, Glenn D.  Search this
Marks, Matthew  Search this
Matta-Clark, Gordon  Search this
Mutrux, Gail  Search this
Oldenburg, Claes  Search this
Picasso, Pablo  Search this
Smithson, Robert  Search this
Stella, Frank  Search this
Thek, Paul  Search this
Weinberg, Adam D.  Search this
Whiteread, Amber  Search this
Zwirner, David  Search this
D. Lisner Jewelry  Search this
Harvard University  Search this
Art Collectors: A Project in Partnership with the Center for the History of Collecting in America at The Frick Collection  Search this
Type:
Interviews
Sound recordings
Topic:
Motion picture producers and directors  Search this
Art -- Collectors and collecting  Search this
Photography  Search this
Record number:
(DSI-AAA_CollID)16213
(DSI-AAA_SIRISBib)368428
AAA_collcode_ganz14
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_368428
Online Media:

Colin de Land collection, 1968-2008, bulk 1980-2003

Creator:
de Land, Colin, 1955-2003  Search this
Subject:
Waters, John  Search this
Fraser, Andrea  Search this
Dion, Mark  Search this
Marks, Matthew  Search this
Morris, Paul  Search this
Balk, Dennis  Search this
Davey, Moyra  Search this
Pierson, Jack  Search this
Fend, Peter  Search this
Heilmann, Mary  Search this
Greene, Carol  Search this
Wadlin, Craig  Search this
Beckwith, Patterson  Search this
McDonald, Daniel  Search this
Art Forum Berlin  Search this
International Art Fair  Search this
American Fine Arts, Co.  Search this
Biennale di Venezia  Search this
Documenta  Search this
Art Cologne  Search this
Armory Show  Search this
Type:
Photographs
Scrapbooks
Motion pictures (visual works)
Video recordings
Record number:
(DSI-AAA_CollID)13702
(DSI-AAA_SIRISBib)279482
AAA_collcode_delacoli
Theme:
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_279482
Online Media:

Giraffa camelopardalis reticulata (Reticulated Giraffe)

Artist:
Mark Matthews, born Youngstown, OH 1954  Search this
Medium:
hot glass and Graal technique
Dimensions:
4 5/8 in. (11.9 cm) diam.
Type:
Decorative Arts-Glass
Crafts
Date:
1998
Topic:
Animal\giraffe  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the artist and family in honor of Francis M. Greenwell
Copyright:
© 1999, Mark Matthews
Object number:
1999.21.1
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Renwick Gallery
On View:
Smithsonian American Art Museum, Luce Foundation Center, 4th Floor, 56A
Smithsonian American Art Museum, Luce Foundation Center
Smithsonian American Art Museum, Luce Foundation Center, 4th Floor
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7fe0e858a-9d57-44fb-9353-727b624f5f6e
EDAN-URL:
edanmdm:saam_1999.21.1

Neofelis nebulosa (Clouded Leopard)

Artist:
Mark Matthews, born Youngstown, OH 1954  Search this
Medium:
hot glass and Graal technique
Dimensions:
1 3/4 in. (4.5 cm) diam.
Type:
Decorative Arts-Glass
Crafts
Date:
1998
Topic:
Animal\leopard  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the artist and family in honor of Francis M. Greenwell
Copyright:
© 1999, Mark Matthews
Object number:
1999.21.10
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Renwick Gallery
On View:
Smithsonian American Art Museum, Luce Foundation Center, 4th Floor, 56A
Smithsonian American Art Museum, Luce Foundation Center
Smithsonian American Art Museum, Luce Foundation Center, 4th Floor
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7b9237361-dbeb-4b19-84a2-03c295c3974d
EDAN-URL:
edanmdm:saam_1999.21.10

Leopardus pardalis (Ocelot)

Artist:
Mark Matthews, born Youngstown, OH 1954  Search this
Medium:
hot glass and Graal technique
Dimensions:
1 1/2 in. (3.8 cm) diam.
Type:
Decorative Arts-Glass
Crafts
Date:
1998
Topic:
Animal\wildcat  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the artist and family in honor of Francis M. Greenwell
Copyright:
© 1999, Mark Matthews
Object number:
1999.21.11
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Renwick Gallery
On View:
Smithsonian American Art Museum, Luce Foundation Center, 4th Floor, 56A
Smithsonian American Art Museum, Luce Foundation Center
Smithsonian American Art Museum, Luce Foundation Center, 4th Floor
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk72f59e2ae-c8c5-4bc6-b950-498b82ee8781
EDAN-URL:
edanmdm:saam_1999.21.11

Equus grevyi (Grevy's Zebra)

Artist:
Mark Matthews, born Youngstown, OH 1954  Search this
Medium:
hot glass and Graal technique
Dimensions:
3 3/4 in. (9.5 cm) diam.
Type:
Decorative Arts-Glass
Crafts
Date:
1998
Topic:
Animal\zebra  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the artist and family in honor of Francis M. Greenwell
Copyright:
© 1999, Mark Matthews
Object number:
1999.21.2
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Renwick Gallery
On View:
Smithsonian American Art Museum, Luce Foundation Center, 4th Floor, 56A
Smithsonian American Art Museum, Luce Foundation Center
Smithsonian American Art Museum, Luce Foundation Center, 4th Floor
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk78d99ed8f-600c-40ea-90cc-c8183f79f5fa
EDAN-URL:
edanmdm:saam_1999.21.2

Equus burchellii (Burchell's Zebra)

Artist:
Mark Matthews, born Youngstown, OH 1954  Search this
Medium:
hot glass and Graal technique
Dimensions:
3 1/2 in. (9.0 cm) diam.
Type:
Decorative Arts-Glass
Crafts
Date:
1998
Topic:
Animal\zebra  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the artist and family in honor of Francis M. Greenwell
Copyright:
© 1999, Mark Matthews
Object number:
1999.21.3
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Renwick Gallery
On View:
Smithsonian American Art Museum, Luce Foundation Center, 4th Floor, 56A
Smithsonian American Art Museum, Luce Foundation Center
Smithsonian American Art Museum, Luce Foundation Center, 4th Floor
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7582a50f4-6b93-409d-9fb1-b051a0f7849e
EDAN-URL:
edanmdm:saam_1999.21.3

Panthera tigris altaica (Siberian Tiger)

Artist:
Mark Matthews, born Youngstown, OH 1954  Search this
Medium:
hot glass and Graal technique
Dimensions:
3 1/4 in. (8.2 cm) diam.
Type:
Decorative Arts-Glass
Crafts
Date:
1998
Topic:
Animal\tiger  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the artist and family in honor of Francis M. Greenwell
Copyright:
© 1999, Mark Matthews
Object number:
1999.21.4
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Renwick Gallery
On View:
Smithsonian American Art Museum, Luce Foundation Center, 4th Floor, 56A
Smithsonian American Art Museum, Luce Foundation Center
Smithsonian American Art Museum, Luce Foundation Center, 4th Floor
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7778bc733-1dbd-4810-a816-b13a7413bff0
EDAN-URL:
edanmdm:saam_1999.21.4

Panthera tigris tigris (White Tiger)

Artist:
Mark Matthews, born Youngstown, OH 1954  Search this
Medium:
hot glass and Graal technique
Dimensions:
3 in. (7.5 cm) diam.
Type:
Decorative Arts-Glass
Crafts
Date:
1998
Topic:
Animal\tiger  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the artist and family in honor of Francis M. Greenwell
Copyright:
© 1999, Mark Matthews
Object number:
1999.21.5
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Renwick Gallery
On View:
Smithsonian American Art Museum, Luce Foundation Center, 4th Floor, 56A
Smithsonian American Art Museum, Luce Foundation Center
Smithsonian American Art Museum, Luce Foundation Center, 4th Floor
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7f7f387c2-86e2-4115-9df6-46467e1b1a5f
EDAN-URL:
edanmdm:saam_1999.21.5

Panthera tigris amoyensis (Chinese Tiger)

Artist:
Mark Matthews, born Youngstown, OH 1954  Search this
Medium:
hot glass and Graal technique
Dimensions:
2 5/8 in. (6.8 cm) diam.
Type:
Decorative Arts-Glass
Crafts
Date:
1998
Topic:
Animal\tiger  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the artist and family in honor of Francis M. Greenwell
Copyright:
© 1999, Mark Matthews
Object number:
1999.21.6
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Renwick Gallery
On View:
Smithsonian American Art Museum, Luce Foundation Center, 4th Floor, 56A
Smithsonian American Art Museum, Luce Foundation Center
Smithsonian American Art Museum, Luce Foundation Center, 4th Floor
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk74534e246-17f0-4663-84fc-17a0bf980c01
EDAN-URL:
edanmdm:saam_1999.21.6

Panthera onca (Jaguar)

Artist:
Mark Matthews, born Youngstown, OH 1954  Search this
Medium:
hot glass and Graal technique
Dimensions:
2 3/8 in. (6.1 cm) diam
Type:
Decorative Arts-Glass
Crafts
Date:
1998
Topic:
Animal\jaguar  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the artist and family in honor of Francis M. Greenwell
Copyright:
© 1999, Mark Matthews
Object number:
1999.21.7
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Renwick Gallery
On View:
Smithsonian American Art Museum, Luce Foundation Center, 4th Floor, 56A
Smithsonian American Art Museum, Luce Foundation Center
Smithsonian American Art Museum, Luce Foundation Center, 4th Floor
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7a89c3bda-67e0-49da-854a-295d5831617b
EDAN-URL:
edanmdm:saam_1999.21.7

Panthera pardus (Leopard)

Artist:
Mark Matthews, born Youngstown, OH 1954  Search this
Medium:
hot glass and Graal technique
Dimensions:
2 3/8 in. (5.9 cm) diam.
Type:
Decorative Arts-Glass
Crafts
Date:
1998
Topic:
Animal\leopard  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the artist and family in honor of Francis M. Greenwell
Copyright:
© 1999, Mark Matthews
Object number:
1999.21.8
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Renwick Gallery
On View:
Smithsonian American Art Museum, Luce Foundation Center, 4th Floor, 56A
Smithsonian American Art Museum, Luce Foundation Center
Smithsonian American Art Museum, Luce Foundation Center, 4th Floor
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7bb61549a-ef28-4799-b46e-4e61908e333d
EDAN-URL:
edanmdm:saam_1999.21.8

Modify Your Search







or


Narrow By