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Oral history interview with Preston Singletary, 2011 March 23-24

Interviewee:
Singletary, Preston, 1963-  Search this
Singletary, Preston, 1963-  Search this
Interviewer:
Savig, Mary, 1982-  Search this
Subject:
Chihuly, Dale  Search this
Cribbs, Keke  Search this
Dailey, Dan  Search this
David, Joe  Search this
Feddersen, Joe  Search this
Garcia, Tammy  Search this
Gardiner, Lewis  Search this
Hauberg, John H. (John Henry)  Search this
Jojola, Tony  Search this
Jungen, Brian  Search this
Libenský, Stanislav  Search this
Luna, James  Search this
Marioni, Dante  Search this
Marioni, Paul  Search this
Martinuzzi, Napoleone  Search this
Moore, Benjamin P.  Search this
Royal, Richard  Search this
Svenson, David  Search this
Tagliapietra, Lino  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
National Museum of the American Indian (U.S.).. George Gustav Heye Center  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
Type:
Interviews
Sound recordings
Topic:
Glass art -- Technique  Search this
Glass artists -- Washington (State) -- Interviews  Search this
Glass blowing and working  Search this
Modernism (Art)  Search this
Primitivism in art  Search this
Tlingit art  Search this
Tlingit Indians  Search this
Tlingit sculpture  Search this
Theme:
Native American  Search this
Record number:
(DSI-AAA_CollID)15931
(DSI-AAA_SIRISBib)299007
AAA_collcode_single11
Theme:
Native American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_299007
Online Media:

Oral history interview with Marvin Lipofsky, 2003 July 30-August 5

Interviewee:
Lipofsky, Marvin B. (Marvin Bentley), 1938-2016  Search this
Lipofsky, Marvin B. (Marvin Bentley), 1938-2016  Search this
Interviewer:
Karlstrom, Paul J  Search this
Subject:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Glass art -- California  Search this
Glass artists -- California -- Interviews  Search this
Glass blowing and working -- Technique  Search this
Glass blowing and working -- Study and teaching  Search this
Decorative arts  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)12658
(DSI-AAA_SIRISBib)245773
AAA_collcode_lipofs03
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_245773
Online Media:

Oral history interview with Paul Marioni, 2006 September 18-19

Interviewee:
Marioni, Paul, 1941-  Search this
Marioni, Paul, 1941-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Ben Tré, Howard  Search this
Blaine, Sandy  Search this
Bolles, John S.  Search this
Bosworth, Thomas L. (Thomas Lawrence)  Search this
Brychtová, Jaroslava  Search this
Chihuly, Dale  Search this
Dreisbach, Fritz  Search this
Libenský, Stanislav  Search this
Lipofsky, Marvin  Search this
Marioni, Dante  Search this
Marquis, Richard  Search this
McCann, Cecile  Search this
Milhoan, Randy  Search this
Nelson, Gunvor  Search this
Nelson, Robert A.  Search this
North, Judy  Search this
Signoretto, Pino  Search this
Sindler, Allan P.  Search this
Sindler, Leonore  Search this
Troutner, Ann Margaret  Search this
Vallien, Bertil  Search this
A.C. Fischer Glashütte  Search this
California College of Arts and Crafts  Search this
College of Marin  Search this
Glass Art Society  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Handicrafts  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
San Francisco State University  Search this
Spectrum Glass Co.  Search this
University of Cincinnati  Search this
University of Dayton  Search this
Type:
Interviews
Sound recordings
Place:
Europe -- description and travel
Japan -- Description and Travel
Mexico -- description and travel
South America -- description and travel
Thailand -- description and travel
Topic:
Art -- Political aspects  Search this
Cast glass  Search this
Decorative arts  Search this
Glass art  Search this
Glass art -- Study and teaching  Search this
Glass art -- Technique  Search this
Glass artists -- Washington (State) -- Seattle -- Interviews  Search this
Parenting  Search this
Politics in art  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)13577
(DSI-AAA_SIRISBib)265439
AAA_collcode_marion06
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_265439
Online Media:

Oral history interview with Preston Singletary

Interviewee:
Singletary, Preston, 1963-  Search this
Interviewer:
Savig, Mary, 1982-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
National Museum of the American Indian (U.S.).. George Gustav Heye Center  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
Chihuly, Dale, 1941-  Search this
Cribbs, Keke  Search this
Dailey, Dan, 1947-  Search this
David, Joe, 1946-  Search this
Feddersen, Joe, 1958-  Search this
Garcia, Tammy  Search this
Gardiner, Lewis, 1972-  Search this
Hauberg, John H. (John Henry), 1916-  Search this
Jojola, Tony  Search this
Jungen, Brian  Search this
Libenský, Stanislav, 1921-2002  Search this
Luna, James  Search this
Marioni, Dante, 1964-  Search this
Marioni, Paul  Search this
Martinuzzi, Napoleone, 1892-1977  Search this
Moore, Benjamin P.  Search this
Royal, Richard  Search this
Svenson, David, 1953-  Search this
Tagliapietra, Lino  Search this
Extent:
8 Items (Sound recording: 8 sound files (3 hr., 48 min.), digital, wav)
55 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2011 March 23-24
Scope and Contents:
An interview of Preston Singletary conducted 2011 March 23-24, by Mary Savig, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Singletary's studio, in Seattle, Washington.
Singletary speaks of his family background, especially his Tlingit heritage and his grandmother; his early interest in music; his job at the Glass Eye Studio in Seattle; his formative years as a glass blower in Seattle and at Pilchuck Glass School; his early styles and processes in the modern Venetian tradition; his interest in Tlingit motifs; early mentors including David Svenson, Joe David, and Tony Jojola; collaboration in the studio with other glass artists and other native artists who work with various media; his interest in the modernist primitivist art movement; the character of significant exhibitions and commissions; his collaborative project with David Svenson and native Alaskans on the Pilchuck Founders' Totem; how he met his wife in Sweden; descriptions of his processes and techniques, including lighting techniques; his retrospective at the Museum of Glass in Tacoma and the Smithsonian's Gustave Heye Center in New York; current and future directions of his work; the character of his studio, including the contributions of his assistants; collaborations with other native artists including Tammy Garcia, Joe Feddersen, and Maori jade carver Lewis Gardiner; his interest in Jungian psychology and shamanism; his relationship with critics, collectors, and dealers; and his involvement with native communities. Singletary also recalls Dante Marioni, Paul Marioni, Benjamin Moore, Lino Tagliapietra, Dale Chihuly, Dan Dailey, Stanislav Libensky, Napoleone Martinuzzi, David Svenson, Keke Cribbs, Joe David, Tony Jojola, John Hauberg, Richard Royal, Tammy Garcia, Joe Feddersen, Brian Jungen, and James Luna.
Biographical / Historical:
Preston Singletary (1963- ) is a glass artist in Seattle, Washington.
General:
Originally recorded on 3 memory cards as 8 digital sound files. Duration is 3 hr., 48 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Glass art -- Technique  Search this
Glass artists -- Washington (State) -- Interviews  Search this
Glass blowing and working  Search this
Modernism (Art)  Search this
Primitivism in art  Search this
Tlingit art  Search this
Tlingit Indians  Search this
Tlingit sculpture  Search this
Function:
Artists' studios
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.single11
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-single11
Online Media:

Oral history interview with Paul Marioni

Interviewee:
Marioni, Paul  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
A.C. Fischer Glashütte  Search this
California College of Arts and Crafts -- Faculty  Search this
College of Marin -- Faculty  Search this
Glass Art Society  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Handicrafts -- Faculty  Search this
Pilchuck Glass Center (Stanwood, Wash.) -- Faculty  Search this
San Francisco State University -- Students  Search this
Spectrum Glass Co.  Search this
University of Cincinnati -- Students  Search this
University of Dayton -- Students  Search this
Ben Tré, Howard, 1949-2020  Search this
Blaine, Sandy  Search this
Bolles, John S.  Search this
Bosworth, Thomas L. (Thomas Lawrence), 1930-  Search this
Brychtová, Jaroslava, 1924-  Search this
Chihuly, Dale, 1941-  Search this
Dreisbach, Fritz  Search this
Libenský, Stanislav, 1921-2002  Search this
Lipofsky, Marvin, 1938-2016  Search this
Marioni, Dante, 1964-  Search this
Marquis, Richard, 1945-  Search this
McCann, Cecile  Search this
Milhoan, Randy  Search this
Nelson, Gunvor  Search this
Nelson, Robert A.  Search this
North, Judy, 1937-  Search this
Signoretto, Pino, 1944-  Search this
Sindler, Allan P.  Search this
Sindler, Leonore  Search this
Troutner, Ann Margaret  Search this
Vallien, Bertil, 1938-  Search this
Extent:
11 Items (Sound recording: 11 sound files (8 hrs., 18 min.), digital, wav)
112 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Europe -- description and travel
Japan -- Description and Travel
Mexico -- description and travel
South America -- description and travel
Thailand -- description and travel
Date:
2006 September 18-19
Scope and Contents:
An interview of Paul Marioni conducted 2006 September 18-19, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home and studio, Seattle, Washington. Marioni speaks of his childhood in Ohio; excelling in math as a young student; being labeled a troublemaker in high school; his interest and skill in fixing cars and motorcycles; attending the University of Dayton, the University of Cincinnati, and San Francisco State University; receiving bachelor's degrees in English and philosophy; an interest in filmmaking; the joys and struggles of raising two children by himself; his unorthodox parenting philosophy; learning glass techniques from Judy Raffeal North; teaching experiences at College of Marin, California College of Arts and Crafts, Pilchuck Glass School, and Penland School of Crafts, among others; the importance of fostering idea formation and creativity in educational institutions; his experiences as Artist-in-Residence at A.C. Fischer Glashutte and Spectrum Glass Co.; the development of his process for producing cast glass; the great number of public architectural commissions that resulted from the ability to work with cast glass; the more than 85 commissions he has completed alone and in collaboration with Ann Troutner; the difference between his gallery work and commission work; the pleasure he gets from working in the studio; travels throughout Europe, South America, Japan, Thailand, Mexico; his use of ambient light; strong responses received from his political artwork; his dislike of art critics; the vital role Glass Art Society played in supporting the studio glass art movement; the emphasis of human nature in his art; and plans for the future. Marioni also recalls Robert Nelson, Gunvar Nelson, John Bolles, Cecile McCann, Marvin Lipofsky, Dale Chihuly, Tom Bosworth, Fritz Dreisbach, Richard Marquis, Howard Ben Tré, Bertil Vallien, Jaroslava Brychtová, Stanislav Libenský, Randy Milhoan, Dante Marioni, Pino Signoretto, Sandy Blaine, Allan and Lenore Sindler, and others.
Biographical / Historical:
Paul Marioni (1941- ) is a glass artist from Seattle, Washington. Mija Riedel (1958- ) is a curator and writer, from San Francisco, California.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 11 digital wav files. Duration is 8 hrs., 18 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Art critics  Search this
Topic:
Art -- Political aspects  Search this
Cast glass  Search this
Decorative arts  Search this
Glass art  Search this
Glass art -- Study and teaching  Search this
Glass art -- Technique  Search this
Glass artists -- Washington (State) -- Seattle -- Interviews  Search this
Parenting  Search this
Politics in art  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.marion06
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-marion06
Online Media:

Oral history interview with Marvin Lipofsky

Interviewee:
Lipofsky, Marvin, 1938-2016  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
103 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2003 July 30-August 5
Scope and Contents:
An interview of Marvin Lipofsky conducted 2003 July 30-August 5, by Paul Karlstrom, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Berkeley, California.
Lipofsky speaks of growing up in the retail clothing trade; relating immediately in his early career to artists Peter Voulkos and John Mason; studying industrial design at the University of Illinois and sculpture at the University of Madison, Wisconsin, where Harvey Littleton introduced him to glass blowing; traveling to Europe to learn about glass; his desire to share education experiences with others; setting up education programs at Berkeley and the California College of Arts and Crafts; establishing the Great California Glass Symposium and creating a sense of community of glass art; artists versus artisans and craftsmen; studio glass as an American phenomenon; functional versus non-functional glass art; spirituality in his work; glassblowing associated with the breath of life; the Bay Area art scene; symbolic forms and organic quality of works; influences from working in factories and other countries; his experience working at the Venini Factory in Murano, Italy; his involvement in the California College of Arts and Crafts, Glass Arts Society, and National Council on Education for the Ceramic Arts; abstraction as his main subject of works; inspirations of colorful clothing and color in nature; and the "American Glass Now" exhibition at the Toledo Museum of Art, the first major glass exhibit in the United States. Lipfosky also recalls Dante Marioni, Paul Marioni, Beatrice Wood, Christopher Wilmarth, Ken Holston, Dale Chihuly, and others.
Biographical / Historical:
Marvin Bentley Lipofsky (1938- ) is a glass artist and educator from Berkeley, California. Paul Karlstrom (1941- ) is an art historian from San Marino, California.
General:
Originally recorded on 6 sound discs. Reformatted in 2010 as 11 digital wav files. Duration is 6 hrs., 31 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Glass art -- California  Search this
Glass artists -- California -- Interviews  Search this
Glass blowing and working -- Technique  Search this
Glass blowing and working -- Study and teaching  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.lipofs03
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lipofs03
Online Media:

David Ireland Papers

Artist:
Ireland, David, 1930-2009  Search this
Names:
American Academy in Rome  Search this
Arts Club of Chicago  Search this
California College of Arts and Crafts (San Francisco, Calif.)  Search this
Center for the Arts at Yerba Buena Gardens  Search this
Gallery Paule Anglim  Search this
Helmhaus Zürich  Search this
Mattress Factory  Search this
New Museum of Contemporary Art (New York, N.Y.)  Search this
Perth Institute of Contemporary Arts  Search this
San Francisco Art Institute  Search this
San Francisco Museum of Modern Art  Search this
Skowhegan School of Painting and Sculpture  Search this
Stanford University  Search this
Walker Art Center  Search this
Washington State Arts Commission  Search this
Western Washington University  Search this
Coppola, Eleanor  Search this
Grobart, Jeffrey  Search this
Lee, Margie  Search this
Lienhard, Marie-Louise  Search this
Marion, Paul  Search this
Tingle, Alta  Search this
Extent:
24.8 Linear feet
8.39 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Video recordings
Sketches
Interviews
Prints
Sound recordings
Drawings
Photographs
Date:
circa 1910s-circa 2009
bulk 1960-2005
Summary:
The papers of California conceptual artist and sculptor David Ireland measure 24.8 linear feet and 8.39 GB and date from circa 1910s to circa 2009, with the bulk of the material dating from 1960 to 2005. The papers include biographical material, correspondence, notes and notebooks, installation projects and exhibition files, teaching files, travel files, personal business records, printed and digital material and commercial recordings, photographic materials, artwork, and video and sound recordings.
Scope and Contents:
The papers of California conceptual artist and sculptor David Ireland measure 24.8 linear feet and 8.39 GB and date from circa 1910s to circa 2009, with the bulk of the material dating from 1960 to 2005. The papers include biographical material, correspondence, notes and notebooks, installation projects and exhibition files, teaching files, travel files, personal business records, printed and digital material and commercial sound recordings, photographic materials, artwork, and video and sound recordings.

Biographical material includes awards and certificates, address books and appointment books, artist's statements, resumes, chronologies, student university materials, passports, and sound and video recordings of interviews with Ireland. Correspondence is with friends, peers, universities, galleries, and museums, including Jeffrey Grobart, Eleanor Coppola, Margie Lee, Marie-Louise Lienhard, Paul Marion, and Alta Tingle, among others. Notes and notebooks contain incoming phone messages, notes to self, regarding projects and ideas, as well as various other notes and plans.

Installation projects and exhibition files constitute the bulk of the collection and document David Ireland's extensive projects and exhibitions around the world. Files are found for his Capp Street house project and Pacific Enterprises project in San Francisco; Boott Mills project in Lowell, Massachusetts; IKEA Emeryville Public Art Project in Emeryville, California; and several Washington State Arts Commission and Western Washington University projects. Other exhibition and installation locations found within the files include the American Academy in Rome; Yerba Buena Arts Center in California; Perth Institute of Contemporary Art in Australia; Helmhaus in Zurich, Switzerland; Arts Club of Chicago; SFMOMA; New Museum of Contemporary Art in New York; Walker Art Center in Minneapolis, Minnesota; and the Mattress Factory in Pittsburgh, among many others. The files contain a wide variety of materials, including sound and video recordings in various formats.

Teaching files document David Ireland's many roles as visiting artist, artist-in-residence, instructor, and conference and symposium panelist at the California College of Arts and Crafts, San Francisco Art Institute, Skowhegan School of Painting and Sculpture, and Stanford University Department of Art, among others. Travel files document Ireland's trips abroad, both independent of and as a result of installation and project obligations.

Personal business records are comprised of financial materials and documentation relating to Ireland's two early South African import and safari businesses as well grants and project proposals, various loan agreements, representation through Gallery Paule Anglim, property sales and tax documentation, inventory materials, and various other business materials. Also found within the collection are printed material and four commercial sound recordings. Photographs are of the artist, friends and family, Ireland's Oakland studio, and works of art. There is artwork by Ireland, including sketches, drawings, and prints, and a few pieces of artwork by other artists. In addition to sound and video recordings arranged in other series, there is one video recording and six sound cassettes that are either unidentified or have no additional context within the collection.
Arrangement:
This collection is arranged as 11 series.

Series 1: Biographical Material, circa 1950-circa 2009 (1.5 linear feet; Boxes 1-2)

Series 2: Correspondence, circa 1937-circa 2008 (4 linear feet; Boxes 2-6)

Series 3: Notes and Notebooks, circa 1965-circa 2008 (0.7 linear feet; Boxes 6-7)

Series 4: Installation Projects and Exhibition Files, circa 1960s-circa 2009 (11.6 linear feet; Boxes 7-18, OV26, OV27, 7.84 GB; ER01-ER15)

Series 5: Teaching Files, 1977-1998 (1.2 linear feet; Boxes 18-19)

Series 6: Travel Files, circa 1950s-circa 1994 (0.6 linear feet; Boxes 19-20)

Series 7: Personal Business Records, circa 1965-circa 2008 (1.1 linear feet; Boxes 20-21)

Series 8: Printed Material and Commercial Recordings, 1932-circa 2009 (2.3 linear feet; Boxes 21-23, 0.553 GB; ER16)

Series 9: Photographic Materials, circa 1910s-circa 2005 (1 linear foot; Boxes 23-24)

Series 10: Artwork, circa 1965-circa 2003 (0.2 linear feet; Box 24)

Series 11: Video and Sound Recordings, circa 1965-circa 1990s (0.4 linear feet; Box 25)
Biographical / Historical:
David Ireland (1930-2009) was a conceptual artist and sculptor who worked in San Francisco, California.

Ireland was born in Bellingham, Washington and attended Western Washington University. In 1953, he received a degree in industrial design and printmaking from the California College of Arts and Crafts (now California College of the Arts) in Oakland. He then served two years in the U. S. Army in Missouri, returning to live and work in Bellingham. For several years, Bellingham served as his launch point for extensive travels in Europe and Africa.

In the late 1950s, Ireland founded Hunter Africa, an artifacts import business. He moved the business to San Francisco in 1965 and also began a second business leading safaris in Africa. He married Bellingham native Joanne Westford and had two children, Ian Ireland and Shaughn Niland; they divorced in 1970.

Ireland attended the San Francisco Art Institute and received a graduate degree in 1974. There, he met other Bay Area artists involved in the conceptual movement there, including Tom Marioni, Paul Kos, Howard Fried, and Terry Fox.

Much of Ireland's artwork of the 1980s and 1990s centered on the transformation of his home at 500 Capp Street in San Francisco, where he dramatically physically and conceptually transformed the interior and exterior structure into a mix of architectural sculpture and environmental art piece. He bought a second home in 1979 to transform, and, in the 1980s, completed a renovation of the main building at the Headlands Center for Arts in Sausalito with artist Mark Thompson.

David Ireland's work has been presented in more than forty solo exhibitions at venues that included the Walker Art Center, Minneapolis; Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D. C.; The Museum of Modern Art and the New Museum of Contemporary Art, New York. He created major public projects and private commissions in Los Angeles, San Francisco, Philadelphia, Washington, D. C., and other cities. His work is included in the permanent collections of The Museum of Modern Art and the Whitney Museum of American Art in New York, San Francisco Museum of Modern Art, Los Angeles County Museum of Art, Oakland Museum of California, and University of California, Berkeley Art Museum and Pacific Film Archive, among others.
Provenance:
The David Ireland papers were donated in 2010 by the David Ireland Estate through Jock Reynolds, Special Trustee, The David Ireland Revocable Trust.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- California -- San Francisco  Search this
Conceptual artists -- California -- San Francisco  Search this
Topic:
Artists' studios -- Photographs  Search this
Art -- Study and teaching  Search this
Installations (Art)  Search this
Public art  Search this
Genre/Form:
Video recordings
Sketches
Interviews
Prints
Sound recordings
Drawings
Photographs
Citation:
David Ireland papers, circa 1910s-circa 2009, bulk 1960-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ireldavi
See more items in:
David Ireland Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ireldavi

Marioni, Paul, General

Collection Creator:
Dorothy Weiss Gallery  Search this
Container:
Box 8, Folder 40
Type:
Archival materials
Date:
1987, 1997-1999
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dorothy Weiss Gallery records, circa 1964-2001 (bulk 1984-2000). Archives of American Art, Smithsonian Institution.
See more items in:
Dorothy Weiss Gallery records
Dorothy Weiss Gallery records / Series 1: Artist Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-doroweig-ref301

Marioni, Paul

Collection Creator:
Dorothy Weiss Gallery  Search this
Extent:
(slide box 18)
Container:
Box 17
Type:
Archival materials
Date:
circa 1987-1998
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dorothy Weiss Gallery records, circa 1964-2001 (bulk 1984-2000). Archives of American Art, Smithsonian Institution.
See more items in:
Dorothy Weiss Gallery records
Dorothy Weiss Gallery records / Series 1: Artist Files / Slides
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-doroweig-ref605

"Paintings: John Beerman, Edward Henderson, Ron Janowich, Karla Knight, Stefan Kürten, Joseph Marioni, Paul Mogensen, Carole Seborovski, Alan Uglow, Günter Umberg, and Michael Young" (1987 July 7-July 31)

Collection Creator:
Lorence-Monk Gallery  Search this
Container:
Box 3, Folder 49
Type:
Archival materials
Date:
1987
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lorence-Monk Gallery records, 1961-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Lorence-Monk Gallery records
Lorence-Monk Gallery records / Series 2: Exhibition Scrapbooks
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-loremong-ref125

"Paintings and Works on Paper: Suzan Frecon, Joseph Marioni, Paul Mogensen, Carole Seborovski, and Alan Uglow" (1989 January 7-January 28)

Collection Creator:
Lorence-Monk Gallery  Search this
Container:
Box 3, Folder 64
Type:
Archival materials
Date:
1989
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lorence-Monk Gallery records, 1961-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Lorence-Monk Gallery records
Lorence-Monk Gallery records / Series 2: Exhibition Scrapbooks
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-loremong-ref140

"Paintings: John Beerman, Edward Henderson, Ron Janowich, Karla Knight, Stefan Kürten, Joseph Marioni, Paul Mogensen, Carole Seborovski, Alan Uglow, Günter Umberg, and Michael Young" (1987 July 7-July 31)

Collection Creator:
Lorence-Monk Gallery  Search this
Container:
Box 1, Folder 57
Type:
Archival materials
Date:
1987
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lorence-Monk Gallery records, 1961-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Lorence-Monk Gallery records
Lorence-Monk Gallery records / Series 1: Exhibition Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-loremong-ref36

"Paintings and Works on Paper: Suzan Frecon, Joseph Marioni, Paul Mogensen, Carole Seborovski, and Alan Uglow" (1989 January 7-January 28)

Collection Creator:
Lorence-Monk Gallery  Search this
Container:
Box 2, Folder 10-13
Type:
Archival materials
Date:
undated
1986-1989
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lorence-Monk Gallery records, 1961-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Lorence-Monk Gallery records
Lorence-Monk Gallery records / Series 1: Exhibition Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-loremong-ref51

Metaphysical Dilemma #8

Artist:
Paul Marioni, born Cincinnati, OH 1941  Search this
Medium:
glass
Dimensions:
height: 12 in. (30.5 cm)
Type:
Decorative Arts-Glass
Crafts
Date:
1987
Topic:
Dress\accessory\hat  Search this
Figure\bust  Search this
State of being\phenomenon\surreal  Search this
Credit Line:
Smithsonian American Art Museum, Gift of Carol and Don Wiiken
Object number:
1999.57.3
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Renwick Gallery
On View:
Smithsonian American Art Museum, Luce Foundation Center, 4th Floor, 55B
Smithsonian American Art Museum, Luce Foundation Center
Smithsonian American Art Museum, Luce Foundation Center, 4th Floor
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7b0b56c2f-6469-4c54-bdd6-53aed467fede
EDAN-URL:
edanmdm:saam_1999.57.3

Free Spirits, (sculpture)

Sculptor:
Marioni, Paul 1941-  Search this
Fabricator:
Bullseye Glass  Search this
Medium:
Stained glass
Type:
Sculptures
Owner/Location:
Administered by Washington State Arts Commission Art in Public Places Program 110 9th & Columbia Bldg., Mail Stop GH-11 Olympia Washington 98504 Accession Number: WSAC82.007.00a-c
Located at Woodinville High School Woodinville Washington
Topic:
Undetermined  Search this
Control number:
IAS 65720051
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_293441

Yearbook, (sculpture)

Sculptor:
Marioni, Paul 1941-  Search this
Troutner, Ann  Search this
Weiner, Mark  Search this
Medium:
Cast glass
Type:
Sculptures
Owner/Location:
Administered by Washington State Arts Commission Art in Public Places Program 110 9th & Columbia Bldg., Mail Stop GH-11 Olympia Washington 98504 Accession Number: WSAC85.108.000
Located at Enumclaw Junior High School Enumclaw Washington
Topic:
Allegory--Time--Past  Search this
Object--Written Matter--Book  Search this
Control number:
IAS 65720483
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_295058

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