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Interview with Conrad Marca-Relli

Creator:
Marca-Relli, Conrad, 1913-2000  Search this
Kashdin, Gladys Shafran, 1921-  Search this
Type:
Sound Recording
Date:
circa 1965
Topic:
Abstract expressionism  Search this
Record number:
(DSI-AAA)10971
See more items in:
Gladys Kashdin papers, [ca.1948-1974]
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_10971

Bernard Harper Friedman papers

Creator:
Friedman, B. H. (Bernard Harper), 1926-2011  Search this
Names:
Provincetown Fine Arts Work Center  Search this
Whitney Museum of American Art  Search this
Asher, Elise, 1914-  Search this
Baur, John I. H. (John Ireland Howe), 1909-1987  Search this
Bertoia, Harry  Search this
Biddle, Flora Miller  Search this
Bluhm, Norman, 1921-1999  Search this
Brooks, James, 1906-1992  Search this
Bultman, Fritz, 1919-1985  Search this
Castelli, Leo  Search this
Copley, William Nelson, 1919-1996  Search this
Dine, Jim, 1935-  Search this
Frankenthaler, Helen, 1928-2011  Search this
Gill, Brendan, 1914-1997  Search this
Goodnough, Robert, 1917-  Search this
Gray, Cleve  Search this
Gray, Francine du Plessix  Search this
Hall, Joellen  Search this
Huebler, Douglas  Search this
Kanovitz, Howard  Search this
Knowlton, Grace, 1932-  Search this
Krasner, Lee, 1908-1984  Search this
Kunitz, Stanley, 1905-2006  Search this
Marca-Relli, Conrad, 1913-2000  Search this
Matter, Mercedes  Search this
McDarrah, Fred W., 1926-2007  Search this
McEwen, Rory, 1932-  Search this
Motherwell, Robert  Search this
Newman, Arnold, 1918-2006  Search this
Newman, Barnett, 1905-1970  Search this
Norman, Dorothy, 1905-1997  Search this
Ossorio, Alfonso, 1916-1990  Search this
Pollock, Jackson, 1912-1956  Search this
Richenburg, Robert  Search this
Rosset, Barney  Search this
Roth, Philip  Search this
Rothschild, Judith  Search this
Salvesen, Magda  Search this
Sandler, Irving, 1925-  Search this
Scarpitta, Salvatore, 1919-2007  Search this
Schueler, Jon, 1916-  Search this
Simon, Sidney, 1917-1997  Search this
Slivka, David, 1913-  Search this
Still, Clyfford, 1904-1980  Search this
Stout, Myron, 1908-1987  Search this
Interviewee:
Cage, John, 1912-1992  Search this
Correspondent:
Leary, Timothy Francis, 1920-  Search this
Extent:
30.6 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Transcripts
Sound recordings
Photographs
Scrapbooks
Date:
1926-2011
bulk 1943-2010
Summary:
The papers of writer, art critic and collector Bernard Harper Friedman, 1926-2011, bulk 1943-2010, measure 30.6 linear feet. Extensive professional and personal correspondence, 41 diaries, a large number of his published and unpublished writings, and subject files document Friedman's career as a writer, relationships with cultural institutions and art world figures, and his personal life. Also included are biographical materials, interviews, printed material, 5 scrapbooks and photographs.
Scope and Contents:
The papers of writer, art critic and collector Bernard Harper Friedman, 1926-2011, bulk 1943-2010, measure 30.6 linear feet. Extensive professional and personal correspondence, 41 diaries, a large number of his published and unpublished writings, and subject files document Friedman's career as a writer, relationships with cultural institutions and art world figures, and his personal life. Also included are biographical materials, interviews, 5 scrapbooks, and photographs.

Biographical materials include educational records, documentation of Friedman's World War II service in the U.S. Navy, and birth, marriage, and death certificates.

Correspondence is with friends, family, artists, art world figures and institutions, writers, publishers, and literary agents. Among the correspondents are: John I. H. Baur, Harry Bertoia, Flora Biddle, Norman Bluhm, James Brooks, Fritz Bultman, Leo Castelli, William N. Copley, Jim Dine, Helen Frankenthaler, Brendan Gill, Robert Goodnough, Cleve and Francine Gray, Howard Kanovitz, Grace Knowlton, Stanley Kunitz, Conrad Marca-Relli, Mercedes Matter, Fred W. McDarrah, Rory McEwen, Robert Motherwell, Arnold Newman, Barnett Newman, Dorothy Norman, Alfonso Ossorio, Provincetown Fine Arts Work Center, Robert Richenburg, Barney Rosset, Philip Roth, Judith Rothschild, Irving Sandler, Salvatore Scarpitta, Jon Schueler, Sidney Simon, David Slivka, Clyfford Still, Myron Stout, Calvin Tompkins, and David Windham.

There are transcripts of interviews with B. H. Friedman, his daughter and wife conducted by the Yale University School of Medicine's "Adult Development Study," and 2 recordings of interviews with Friedman for radio broadcast.

Writings by Friedman include manuscripts of novels, short stories, plays, articles, monographs, and art criticism, some published versions of his work, and a variety of notes. Also found are recordings of lectures by B. H. Friedman and panel discussions in which he participated. Other authors represented are John Cage, W. B. Henry, and Jon Schueler. Friedman's diaries, 1948-1993 (41 volumes) record activities, thoughts, and events.

Subject files compiled by Friedman reflect professional and personal interests, activities, and projects. Many concern publicity for published writings or efforts to find publishers. Especially well documented is his interest in Jackson Pollock, Timothy Leary, and Alfonso Ossorio, and his affiliation with the Whitney Museum of American Art.

The majority of printed material is about or mentions Friedman. Five scrapbooks consist mainly of printed material.

Most photographs are of B. H. and Abby Friedman, their family, and friends. Among the individuals pictured are: Elise Asher, Cary and Norman Bluhm, Sandy Friedman, Joellen Hall, Doug Huebler, Howard Kanowitz, Stanley Kunitz, Lee Krasner, Sheridan Lloyd, Barnett and Annalee Newman, Alfonso Ossorio, Magda Salvesen, Salvatore Scarpitta, John Schueler, and Myron Stout. A photograph album records scenes from a 1979 performance of Whispers, a stage adaptation by Alan Wynroth from Friedman's novel of the same title.
Arrangement:
This collection is arranged as 9 series:

Series 1: Biographical Materials, 1926-2011 (Box 1; 0.2 linear feet)

Series 2: Correspondence, 1946-2011 (Boxes 1-15; 14.7 linear feet)

Series 3: Interviews, 1969-2001 (Box 15; 0.2 linear feet)

Series 4: Writings, 1940s-2010 (Boxes 16-23; 8 linear feet)

Series 5: Diaries, 1948-1993 (Boxes 24-25; 1.75 linear feet)

Series 6: Subject Files, 1940-2010 (Boxes 25-30; 4.45 linear feet)

Series 7: Printed Material, 1954-2010 (Box 30-31; 0.2 linear feet)

Series 8: Scrapbooks, 1960-2006 (Boxes 30-32; 0.8 lilnear feet)

Series 9: Photographs, circa 1950s-2008 (Box 30; 0.4 linear feet)
Biographical / Historical:
Bernard Harper Friedman (1926-2011), a writer best known as the author of the first biography of Jackson Pollock, was also an art critic and art collector involved in the cultural life of New York City.

Bernard Harper Friedman, known professionally as B. H. Friedman, was called Bob by family and friends. After interrupting his studies at Cornell University to serve in the U.S. Navy during World War II, he graduated in 1948 with a degree in English. Friedman and his new bride, fellow student Abby G. Noselson (1926-2003), returned home to New York City and he began a real estate career in his uncles' firm, Uris Buildings Corporation. While a businessman, Friedman spent much of his spare time writing. He produced fiction, plays, and criticism; Friedman's articles on art, literature and music appeared in a wide variety of periodicals. During this period, Friedman also pursued his interests in jazz, collecting abstract art, and psychedelic drug experiences with Timothy Leary.

His first published novel, Circles, about the Abstract Expressionist milieu, appeared in 1962. A year later, B. H. Friedman became a full-time writer. For nearly 20 years, he divided his time between New York City and Provincetown, Massachusetts, where he was affiliated with the Fine Arts Work Center as a director and consultant. During this period, he published several novels and two biographies: Jackson Pollock: Energy Made Visible and Gertrude Vanderbilt Whitney, written with Flora Biddle. More novels and short story collections were published, and staged readings of seven plays were presented between 1987 and 2007. Tripping, a memoir of using psychedlics with Timothy Leary, appeared in 2006.

A founding member of Fiction Collective, a nonprofit publishing group run by and for writers, Friedman was also a member of several national writers' organizations. He served as a trustee of the Whitney Musuem of American Art, 1961-1968, and then as honorary trustee. B. H. Friedman died from complications of pneumonia on January 4, 2011 in New York City.
Related Materials:
Also available is an oral history interview with Bernard Harper Friedman, 1972 November 10, conducted by Paul Cummings for the Archives of American Art.
Provenance:
The Bernard Harper Friedman papers were donated to the Archives of American Art in 2012 by his daughter, Daisy Friedman.
Restrictions:
The collection is ACCESS RESTRICTED; written permission is required. Use of original materials requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- New York (State) -- New York  Search this
Topic:
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Interviews  Search this
Authors -- New York (State) -- New York  Search this
Genre/Form:
Diaries
Transcripts
Sound recordings
Photographs
Scrapbooks
Citation:
Bernard Harper Friedman papers, 1926-2011, bulk 1943-2010. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.friebern
See more items in:
Bernard Harper Friedman papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-friebern

Oral history interview with Peter Agostini

Interviewee:
Agostini, Peter  Search this
Interviewer:
Roberts, Colette, 1910-  Search this
Names:
Columbia University -- Faculty  Search this
United States. Works Progress Administration  Search this
Bontecou, Lee, 1931-  Search this
Chamberlain, John, 1927-2011  Search this
Chryssa, 1933-2013  Search this
Cornell, Joseph  Search this
Cézanne, Paul, 1839-1906  Search this
De Chirico, Giorgio, 1888-  Search this
De Kooning, Willem, 1904-1997  Search this
Demuth, Charles, 1883-1935  Search this
Di Suvero, Mark, 1933-  Search this
Dove, Arthur Garfield, 1880-1946  Search this
Dubuffet, Jean, 1901-1985  Search this
Duchamp, Marcel, 1887-1968  Search this
Ferber, Herbert, 1906-1991  Search this
Flannagan, John Bernard, 1895?-1942  Search this
Giacometti, Alberto, 1901-1966  Search this
Greenberg, Clement, 1909-1994  Search this
Hague, Raoul, 1905-1993  Search this
Hare, David, 1917-1992  Search this
Hartley, Marsden, 1877-1943  Search this
Hopper, Edward, 1882-1967  Search this
Judd, Donald, 1928-1994  Search this
Kaprow, Allan  Search this
Kienholz, Edward, 1927-  Search this
Kline, Franz, 1910-1962  Search this
Kohn, Gabriel, 1910-1975  Search this
Kolbe, Georg, 1877-1947  Search this
La Tour, Onya, 1896-1976  Search this
Lachaise, Gaston, 1882-1935  Search this
Lassaw, Ibram, 1913-2003  Search this
Lippold, Richard, 1915-2002  Search this
Lipton, Seymour, 1903-1986  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Maillol, Aristide, 1861-1944  Search this
Manship, Paul, 1885-1966  Search this
Marca-Relli, Conrad, 1913-2000  Search this
Marin, John, 1870-1953  Search this
Marisol, 1930-2016  Search this
Matisse, Henri, 1869-1954  Search this
Melville, Herman, 1819-1891  Search this
Mondrian, Piet, 1872-1944  Search this
Morris, Robert, 1931-2018  Search this
Nakian, Reuben, 1897-1986  Search this
Noguchi, Isamu, 1904-1988  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Oldenburg, Claes, 1929-  Search this
Poe, Edgar Allan, 1809-1849  Search this
Pollock, Jackson, 1912-1956  Search this
Pompon, François, 1855-1933  Search this
Reinhardt, Ad, 1913-1967  Search this
Rivera, Diego, 1886-1957  Search this
Roszak, Theodore, 1907-1981  Search this
Rothko, Mark, 1903-1970  Search this
Samaras, Lucas, 1936-  Search this
Scarpitta, Salvatore, 1919-2007  Search this
Segal, George, 1924-2000  Search this
Sheeler, Charles, 1883-1965  Search this
Smith, David, 1906-1965  Search this
Smith, Tony, 1912-1980  Search this
Spaventa, George, 1918-  Search this
Stankiewicz, Richard, 1922-1983  Search this
Sugarman, George, 1912-1999  Search this
Tobey, Mark  Search this
Whitman, Walt, 1819-1892  Search this
Zorach, William, 1887-1966  Search this
Extent:
99 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1968
Scope and Contents:
An interview of Peter Agostini conducted in 1968, by Colette Roberts, for the Archives of American Art at 151 Avenue B, New York, New York.
Mr. Agostini speaks of his childhood spent living throughout the five boroughs of New York; his interactions with clients of his father's acting employment agency; his early education in Catholic school and the creative freedom allotted by the nuns; his first feelings of isolation as an artist at the age of seven; the development of a sense of communication as the result of the loss of his mother at the age of three and time spent at a school for orphans; his early realization and vision of artistic destiny; his religious interests which lead to mysticism in his earlier work; his time spent working freely in the DaVinci Studio with Spaventa; the discovery by Hess of his works in Gallerie Grimaud; his attainment of the Longview Grant; his working experience throughout the Depression as part of the WPA casting plaster mannequins while working indirectly with Pollack as well as Marca Relli; his subsequent move to designing department store windows (use of Mondrian-like forms and lines); his feelings of his position as an observer; the importance of communication through art (communication without words); his rejection of the Abstract Expressionist group and choice of independence; the influence of the sculpture of Kolbe and Bache in the thirties; Clement Greenberg's distaste for his work; his feelings about the relative failure to sell his work due its unusual edginess and mystery; his role in the introduction of the work of contemporary European artists (Chausserian, Gauthier, Modrian) to the American group; his description of his own work as "traditionless"; his feelings of self-importance as one of the most original sculptors in the art world; his influence on the younger generation, particularly Marisol; the enslavement to originality that the younger generation faces; his attitudes towards American Art forms and their lack of rebellious spirit; the virtues of the American writers, such as Poe, Whitman, and Melville as American "knapsack" writers; his personal technique which places an emphasis on the "skin" or volume of something; his attempt to create quiet art, or art that merely indicates features; his frustration with teaching and the problems of regurgitated knowledge; the role of Meyer Shapiro in his teaching career at Columbia; the formation of the Club and its similarity to the Cubist's café scene; his opinions on the relationship of sex and sensuality in American art; his personal struggles, including the loss of his second wife and two of his brothers, in addition to the estrangement of his only daughter by his first wife; his feelings on the role of psycho analysis and personal history in a work of art; his present works which feature the "swell." For the majority of the second half of the interview Ms. Roberts asks Mr. Agostini to express his opinions on the work of: Kline; DeKooning; Duchamp; Oldenburg; La Tour; DeChirico; Maillol; Pompon; Rothko; Chardin; Cezanne; Giacometti; Reinhardt; Chryssa; Tony Smith; Segal; Lachaise; Zorach; Manship; Flannagan; Kelly; Lassaw; David Smith; Hare; Lipton; Ferber; Lippold; Roszak; Nakian; Noguchi; Hague; Kohn; di Suvero; Chamberlain; Kaprow; Sugarman; Stankiewicz; Bontecou; Scarpitta; Cornell; Keinholz; Rivera; Judd; Robert Morris; O'Keeffe; Samaras; Mark Tobey; Marin; Pollock; Hartley; Dove; Macdonald-Wright; Demuth; Sheeler; Hopper; Mirot; Matisse; DuBuffet.
Biographical / Historical:
Peter Agostini (1913-1993) was a sculptor from New York, New York.
General:
Originally recorded on 3 sound tape reels. Reformatted in 2010 as 28 digital wav files. Duration is 10 hrs., 37 min.
Transferred from 4 3" reels.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Abstract expressionism  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.agosti68
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-agosti68

Oral history interview with Esteban Vicente

Creator:
Vicente, Esteban, 1903-2001  Search this
Interviewer:
Sandler, Irving, 1925-  Search this
Names:
Avery, Milton, 1885-1965  Search this
Dalí, Salvador, 1904-  Search this
De Kooning, Elaine  Search this
De Kooning, Willem, 1904-1997  Search this
Frankenthaler, Helen, 1928-2011  Search this
Kline, Franz, 1910-1962  Search this
Marca-Relli, Conrad, 1913-2000  Search this
Mitchell, Joan, 1926-1992  Search this
Pach, Walter, 1883-1958  Search this
Pollock, Jackson, 1912-1956  Search this
Resnick, Milton, 1917-2004  Search this
Rothko, Mark, 1903-1970  Search this
Extent:
86 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Place:
Spain -- History -- Civil War, 1936-1939
Date:
1968 August 26
Scope and Contents:
Interview of Esteban Vicente conducted 1968 August 26, by Irving Sandler, for the Archives of American Art. Vicente speaks of the gallery activity of the 1940s and 1950s; The Club and the exhibition on 9th Street arranged by many of those artists; remembering Mark Rothko as a casual acquaintance and the society of artists living in the Hamptons; coming to the United States, acting as vice-consul in Philadelphia for the Loyalist camp during the Spanish Civil War; and his own work and his feelings about the work of his contemporaries. He recalls Bill de Kooning, Franz Kline, John Ferrin, Marca-Relli, Milton Resnick, Joan Mitchell, Helen Frankenthaler, Walter Pach, Elaine de Kooning, Milton Avery, Jackson Pollock, Salvador Dali, and many others.
Biographical / Historical:
Esteban Vicente (1903-2001) was a painter in New York, New York. and Bridgehampton, New York.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Art, American  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Interviews
Identifier:
AAA.vicent68
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-vicent68

Oral history interview with Eugene V. Thaw

Interviewee:
Thaw, Eugene Victor  Search this
Interviewer:
McElhinney, James Lancel, 1952-  Search this
Names:
Art Students League (New York, N.Y.) -- Students  Search this
Cleveland Museum of Art  Search this
Columbia University -- Students  Search this
E.V. Thaw & Co.  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Pollock-Krasner Foundation  Search this
St. John's College (Annapolis, Md.) -- Students  Search this
Castelli, Leo  Search this
Franka, Gunther  Search this
Held, Julius Samuel, 1905-  Search this
Ketterer, Norbert  Search this
Krasner, Lee, 1908-1984  Search this
Landau, Jack, 1925-1967  Search this
Marca-Relli, Conrad, 1913-2000  Search this
Matisse, Pierre, 1900-1989  Search this
Meiss, Millard  Search this
Mitchell, Joan, 1926-1992  Search this
Offner, Richard, 1889-1965  Search this
Rivera, Diego, 1886-1957  Search this
Rousseau, Theodore, 1912-  Search this
Shapiro, Meyer  Search this
Simon, Norton, 1907-1993  Search this
Vavala, Evelyn Sandberg  Search this
Extent:
33 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2007 October 1-2
Scope and Contents:
An interview of Eugene V. Thaw conducted 2007 October 1-2, by James McElhinney, for the Archives of American Art's Art Dealers Association of America Project, at Thaw's residence, in New York, N.Y.
Thaw speaks of his childhood in New York City; Mexican art in his home including watercolors by Diego Rivera; beginning classes at the Art Student's League of New York at age 14; attending St. John's College in Annapolis, Maryland; attending Columbia University for graduate courses in art history and studying with Meyer Shapiro and Millard Meiss; an early interest in Old Master, Renaissance, and German Expressionist art; studying in Florence, Italy for four months after World War II; opening The New Bookstore and Gallery with friend Jack Landau above the Algonquin Hotel upon his return to New York City; giving Joan Mitchell and Conrad Marca-Relli their first shows; ending his partnership with Landau, closing the bookstore, and moving the gallery to Madison Avenue; becoming involved in the international art market; the practice of buying and selling works of art in shares with other dealers; showing American and European artists; renaming the gallery E.V. Thaw & Company; operating essentially as a one-man gallery with very limited staff; his relationship with museums such as the Metropolitan Museum of Art and the Cleveland Museum of Art; his personal collections, including extensive ancient Eurasian artifacts and American Indian art; establishing the Pollock-Krasner Foundation; the philanthropic vision of his own foundation, the Eugene V. and Clare E. Thaw Charitable Trust; his retirement from dealing; the "hand of the artist" in historical context and its lack of significance in contemporary art; and advice for young and emerging art dealers. Thaw also recalls Richard Offner, Evelyn Sandberg-Vavala, Norbert Ketterer, Günther Franka, Pierre Matisse, Leo Castelli, Julius Held, Theodore Rousseau, Lee Krasner, Norton Simon, and others.
Biographical / Historical:
Eugene Thaw (1927- ) is an art dealer from New York, N.Y. James McElhinney (1952- ) is a painter and educator from New York, N.Y.
General:
Originally recorded on 2 sound discs. Reformatted in 2010 as 4 digital wav files. Duration is 2 hr., 26 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript is available on the Archives of American Art's website.
Topic:
Art dealers -- New York (State) -- New York -- Interviews  Search this
Function:
Art galleries, Commercial -- New York (State) -- New York
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.thaw07
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-thaw07

Anne Bowen Parsons collection of interviews on art

Interviewer:
Parsons, Anne Bowen  Search this
Names:
Artists' Union (New York, N.Y.)  Search this
Club (New York, N.Y.)  Search this
Federal Art Project  Search this
Baker, Mildred, 1905-  Search this
Barnet, Will, 1911-2012  Search this
Benson, Emanuel, 1904-1971  Search this
Brooks, James, 1906-1992  Search this
Burlin, Paul, 1886-1969  Search this
Cavallon, Giorgio, 1904-1989  Search this
De Kooning, Willem, 1904-1997  Search this
Ernst, Jimmy, 1920-1984  Search this
Geist, Sidney  Search this
Gottlieb, Adolph, 1903-1974  Search this
Greene, Balcomb, 1904-1990  Search this
Gwathmey, Robert, 1903-1988  Search this
Hacker, Seymour  Search this
Holty, Carl, 1900-1973  Search this
Holtzman, Harry  Search this
Kadish, Reuben, 1913-1992  Search this
Krasner, Lee, 1908-1984  Search this
Lasker, Joe  Search this
Lassaw, Ibram, 1913-2003  Search this
Levine, Jack, 1915-2010  Search this
Marca-Relli, Conrad, 1913-2000  Search this
McNeil, George, 1908-1995  Search this
Miller, Dorothy Canning, 1904-2003  Search this
Morris, George L. K., 1905-1975  Search this
Nakian, Reuben, 1897-1986  Search this
Pavia, Philip, 1915-2005  Search this
Schanker, Louis, 1903-1981  Search this
Shahn, Ben, 1898-1969  Search this
Stamos, Theodoros, 1922-1997  Search this
Thaw, Eugene Victor  Search this
Tworkov, Jack  Search this
Vicente, Esteban, 1903-2001  Search this
Extent:
30 Items (transcripts)
Type:
Collection descriptions
Archival materials
Interviews
Date:
1967-1968
Scope and Contents:
The interviews are of artists, educators, art administrators, and dealers. Topics covered include the Federal Art Project, the Artists' Union, the Club, the influence of French emigre artists, and political activism among artists. The transcripts range from 1 to 4 pages in length.
Interviewees include: Mildred Baker, Will Barnet, Emanuel Benson, James Brooks, Paul Burlin, Giorgio Cavallon, Willem de Kooning, Jimmy Ernst, Sidney Geist, Adolph Gottlieb, Balcomb Greene, Robert Gwathmey, Seymour Hacker, Carl Holty, Harry Holtzman, Reuben Kadish, Lee Krasner, Joe Lasker, Ibram Lassaw, Jack Levine, Conrad Marca-Relli, George McNeil, Dorothy Canning Miller, George L.K. Morris, Reuben Nakian, Phillip Pavia, Louis Schanker, Ben Shahn, Theodoros Stamos, Eugene Victor Thaw, Jack Tworkov, and Esteban Vincente.
Provenance:
Donated in 1985 by Anne Bowen Parsons' son, Randall T. Parsons.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Artists -- Interviews  Search this
Art dealers -- Interviews  Search this
Art teachers -- Interviews  Search this
Painters -- Interviews  Search this
Topic:
Art, American  Search this
Art and state  Search this
Museum curators -- Interviews  Search this
Museum directors -- Interviews  Search this
Printmakers -- Interviews  Search this
Publishers -- Interviews  Search this
Sculptors -- Interviews  Search this
Genre/Form:
Interviews
Identifier:
AAA.parsanne
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-parsanne

Oral history interview with Mary Fuller McChesney

Interviewee:
McChesney, Mary Fuller  Search this
Interviewer:
Landauer, Susan  Search this
Creator:
Women in the Arts in Southern California Oral History Project  Search this
Names:
Women in the Arts in Southern California Oral History Project  Search this
Corbett, Edward, 1919-  Search this
De Kooning, Willem, 1904-1997  Search this
Diebenkorn, Richard, 1922-1993  Search this
Kees, Weldon, 1914-1955  Search this
MacAgy, Douglas, 1913-  Search this
Mandelman, Beatrice  Search this
Marca-Relli, Conrad, 1913-2000  Search this
Martin, Agnes, 1912-2004  Search this
McChesney, Robert, 1913-2008  Search this
Park, David, 1911-1960  Search this
Reinhardt, Ad, 1913-1967  Search this
Ribak, Louis, 1902-1979  Search this
Smith, Hassel, 1915-2007  Search this
Spohn, Clay Edgar, 1898-1977  Search this
Still, Clyfford, 1904-1980  Search this
Vicente, Esteban, 1903-2001  Search this
Extent:
145 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1994 Sept. 28
Scope and Contents:
An interview of Mary Fuller McChesney conducted 1994 Sept. 28, by Susan Landauer, for the Archives of American Art, Women in the Arts in Southern California Oral History Project, at the artist's home, on Sonoma Mountain, Calif.
Fuller McChesney discusses her childhood and growing up during the Depression; her student days at the University of California, Berkeley; the political response on the campus to WWII and the Japanese interment; her experience working as a welder in the shipyards which she considers her introduction to sculpture; her introduction to the art community in San Francisco through the cooperative Artists' Guild Gallery; her association with the Abstract Expressionists at the California School of Fine Arts in the 1940s; her foray into writing fiction and her success as a mystery writer; her work on the Archives of American Art's oral history project documenting the WPA art project in California; her first significant publication on the San Francisco School of Abstract Expressionism, Period of Exploration, and the interviews she conducted in the mid-late 1960s for the project.
She describes her attitudes and philosphies about art; living at Point Richmond with her husband Robert McChesney, Edward Corbett, Hassel Smith, and poet Weldon Kees during the late 1940s; her impressions of the Cedar Bar and New York artists during the mid-late 1960s; her own artistic evolution and career as a sculptor; the intellectual and artistic sources of her work; her subjects and techniques; her public commissions; her audience and market; and her experiences and perspectives as a woman artist and feminist. She recalls Edward Corbett, Willem De Kooning, Richard Diebenkorn, Weldon Kees, Douglas MacAgy, Bea Mandelman, Conrad Marca-Relli, Agnes Martin, Robert McChesney, David Park, Ad Reinhardt, Louis Ribak, Hassel Smith, Clay Spohn, Clyfford Still, and Esteban Vicente.
Biographical / Historical:
Mary Fuller McChesney (1922- ) is a sculptor and art historian of San Francisco and Petaluma, Calif.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 4 digital wav files. Duration is 2 hrs., 58 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for this interview was provided by the Margery and Harry Kahn Philanthropic Fund of the Jewish Communal Fund of New York.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Art historians -- California -- Interviews  Search this
Topic:
Women artists -- Interviews  Search this
Sculptors -- California -- Interviews  Search this
Abstract expressionism  Search this
Art, Modern -- 20th century -- California -- San Francisco  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.mcches94
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mcches94

Conrad Marca-Relli letter

Creator:
Marca-Relli, Conrad, 1913-2000  Search this
Names:
Kinsman, Robert D. (Robert Donald), 1929-  Search this
Extent:
1 Item (item (on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1963 Aug 22
Scope and Contents:
Letter to Robert D. Kinsman, curator at the Detroit Institute of Arts, regarding the conservation of Marca-Relli's collage THE DWELLER.
Biographical / Historical:
Collagist, New York, N.Y. Born in Boston, Mass. Taught at Yale University, University of California at Berkeley and the New College in Sarasota, Fla. Developed collage to a high art form. Died Aug. 28, 2000, at age 87.
Provenance:
Provenance unknown.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Collagists  Search this
Painters  Search this
Identifier:
AAA.marcconr
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-marcconr

Oral history interview with Conrad Marca-Relli

Creator:
Marca-Relli, Conrad, 1913-2000  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Extent:
57 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1965 June 10
Scope and Contents:
An interview of Conrad Marca-Relli conducted 1965 June 10, by Dorothy Seckler, for the Archives of American Art.
Biographical / Historical:
Conrad Marca-Relli (1913-2000) was a painter and collage artist; New York, N.Y. He was born in Boston, Mass. He taught at Yale University, University of California at Berkeley, and the New College in Sarasota, Fla. He was one of the artists that developed collage to a high art form. He died Aug. 28, 2000, at age 87.
General:
Originally recorded on 2 sound tapes. Reformatted in 2010 as 3 digital wav files. Duration is 1 hr., 36 min.
Sound quality is poor.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Art, American  Search this
Painters -- New York (State) -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.marcar65
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-marcar65

Kootz Gallery records

Creator:
Kootz Gallery  Search this
Names:
Baziotes, William, 1912-1963 -- Photographs  Search this
Braque, Georges, 1882-1963  Search this
Hare, David, 1917-1992  Search this
Hofmann, Hans, 1880-1966 -- Photographs  Search this
Kootz, Samuel M., 1898-1982  Search this
Marca-Relli, Conrad, 1913-2000 -- Photographs  Search this
Mathieu, Georges, 1921 -- Photographs  Search this
Picasso, Pablo, 1881-1973 -- Photographs  Search this
Pierre Soulages, 1919- -- Photographs  Search this
Ronald, William, 1926 -- Photographs  Search this
Sugai, Kumi, 1919 -- Photographs  Search this
Extent:
7.1 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Photographs
Signatures (names)
Notes
Date:
1923-1966
Summary:
The records of modernist New York City Kootz Gallery measure 7.1 linear feet and date from 1923-1966. They consist of scattered correspondence and exhibition files; photograph files of artists, including ones for Picasso, William Baziotes, and Hans Hofmann, among many others; 23 scrapbooks; photographs and slides of the gallery and exhibitions; and scattered personal papers of Samuel M. Kootz.
Scope and Contents note:
The records of modernist New York City Kootz Gallery measure 7.1 linear feet and date from 1923-1966. They consist of scattered correspondence and exhibition files; photograph files of artists, including ones for Picasso, William Baziotes, and Hans Hofmann, among many others; 23 scrapbooks, photographs and slides of the gallery and exhibitions; and scattered personal papers of Samuel M. Kootz.

There are two folders of scattered routine incoming letters. Three folders of exhibition files contain limited documentation of the 1952 Kootz Gallery exhibition "To South America," and printed material related to the 1951 exhibition "Art for a Synagogue" held at the Synagogue of Congregation B'nai Israel in Millburn, New Jersey.

Artists' Photograph Files contain mostly photographs of 52 artists, their artwork, and their exhibitions. In addition to photographs, there is one folder of artists' autographs. Pablo Picasso and Hans Hofmann's close friendship with Kootz is reflected in this series, as numerous informal personal photos are found in their respective files. A few folders also contain documents, such as transcript notes for a lecture and other writings by Hans Hofmann and a brief review of the work of Georges Braque and David Hare.

Printed Material consists of exhibition announcements and catalogs, advertisements, and newspaper and magazine clippings on the gallery and artists associated with the gallery. There are catalogs for Kootz Gallery exhibitions, including "The Intrasubjectives" show of 1949.

Twenty-three scrapbooks date from 1931 through 1966 and include exhibition announcements, catalogs, photographs, clippings, and miscellaneous printed material. Scrapbook 1, 1947-1948, focuses on Pablo Picasso. Scrapbooks 2-21 document approximately one year of Kootz Gallery events and press coverage from 1945 to 1966, and Scrapbooks 22-23, 1950-1958, focus on architectural models and exhibitions.

Photographic material includes photographs, transparencies, and slides of Kootz Gallery New York and Kootz Gallery Provincetown; interior design photographs showcasing Kootz Gallery artwork hanging in office and residential spaces; group and unidentified exhibitions; group and unidentified artists/artwork; and informal photographs of Samuel Kootz and of his wife, Jane.

Samuel Kootz Personal Papers consist of a cocktail party invitation and a copy of the 1923 Phi Epsilon Pi Quarterly, Vol. 6, No. 1.
Arrangement note:
The collection is arranged as 7 series:

Series 1: Correspondence, 1950-1962 (Box 1; 2 folders)

Series 2: Exhibition Files, circa 1944-1966 (Box 1; 3 folders)

Series 3: Artists Photographs Files, 1936-1966 (Boxes 1-2, 5; 1.5 linear feet)

Series 4: Printed Material, circa 1944-1966 (Boxes 2, 5; 0.5 linear feet)

Series 5: Scrapbooks, 1931-1966 (Box 3, BV 6-23; 4 linear feet)

Series 6: Photographic Material, circa 1944-1966 (Boxes 4-5; 11 folders)

Series 7: Samuel Kootz Personal Papers, circa 1923-1957 (Box 4; 2 folders)
Biographical/Historical note:
Samuel M. Kootz officially opened the Kootz Gallery in 1945 in New York City. In 1953, he opened a satellite gallery in Provincetown, Massachusetts that closed one year later.

Samuel M. Kootz (1898-1982) received his law degree from the University of Virginia in 1921 and practiced law briefly before moving to New York City to accept a job as an advertising account executive. While still in law school, he began visiting New York art galleries and was particularly drawn to works by modern artists that were showing at the Stieglitz Gallery and the Charles Daniel Gallery. In 1930, he independently published his first book, Modern American Painters and began to regularly contribute articles on painting and photography to various periodicals, including The Times. In 1942, he curated an abstract expressionist showcase for Macy's and published New Frontiers in American Painting one year later. Kootz's second book was one of the first to examine the emerging abstract expressionist movement and marked the beginning of his full transition into the art world.

In 1944, Kootz resigned from his advertising job to represent Robert Motherwell and William Baziotes as a professional art dealer. He officially opened the Kootz Gallery opened in 1945 and showcased the work of both American and European abstract expressionists, including Hans Hofmann and Adolph Gottlieb. In 1946, during the Kootz Gallery's preparation for Pablo Picasso's first one man exhibition in America, Picasso became quite friendly with Kootz and his wife Jane. Upon the artist's suggestion, Kootz agreed to close his gallery and represent Picasso and his other artists as a private dealer. Although this was a successful venture, Kootz missed the structure of an office and decided to reopen his gallery on Madison Avenue in 1949. The gallery's first show at the new location was "The Intrasubjectives," a term Kootz had coined for abstract expressionists. The exhibition included four artists from his stable, William Baziotes, Robert Motherwell, Adolph Gottlieb, and Hans Hofmann, along with Jackson Pollock, Arshile Gorky, Willem de Kooning, Mark Rothko, Ad Reinhardt, Morris Graves, Mark Tobey, and Bradley Walker Tomlin.

In 1953, Kootz opened a satellite gallery in Provincetown, Massachusetts that was managed and operated by gallerist Nathan Halper. In 1954, they mutually agreed to dissolve their partnership and Kootz focused his energies on his New York gallery, which grew to include Herbert Ferber, David Hare, Philippe Hosiasson, Ibram Lassaw, Conrad Marca-Relli, Georges Mathieu, Raymond Parker, William Ronald, Gerard Schneider, Emil Schumacher, and Pierre Soulages.

A number of factors, including competition from new galleries, commoditization of art by investment collectors, and the public's interest in emerging pop art, influenced Kootz's decision to close his gallery in 1966.
Related Archival Materials note:
Also found among the holdings of the Archives of American Art are oral history interviews with Samuel M. Kootz by John Morse on March 2, 1960 and by Dorothy Seckler on April 13, 1964. Records of Kootz Gallery are also interspersed among the records of Nathan Halper's galleries.
Separated Materials note:
Records loaned for microfilming in 1965 included eight articles from the publication Modern Artists in America (1951) which were not included in the later donation and are now available on microfilm reel NY65-1.
Provenance:
Samuel M. Kootz donated the gallery records in two increments in 1971. Nearly all of the same records had been loaned in 1965 for microfilming.
Restrictions:
Use of original papers requires an appointment. All scrapbooks are CLOSED due to their fragile condition; #1-#5 have been digitized and are available on the Archives of American Art's website, and #6-#23 are only available for use on microfilm reels 1318-1320 and 1322-1323.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art dealers -- New York (State) -- New York  Search this
Artists -- United States -- Exhibitions  Search this
Function:
Art galleries, Commercial -- New York (State) -- New York
Genre/Form:
Scrapbooks
Photographs
Signatures (names)
Notes
Citation:
Kootz Gallery records, 1923-1966. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kootgall
See more items in:
Kootz Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kootgall
Online Media:

Gladys Kashdin papers

Creator:
Kashdin, Gladys Shafran, 1921-  Search this
Names:
Arnason, H. Harvard  Search this
Brooks, James, 1906-1992  Search this
De Kooning, Willem, 1904-1997  Search this
Gottlieb, Adolph, 1903-1974  Search this
Guston, Philip, 1913-1980  Search this
Marca-Relli, Conrad, 1913-2000  Search this
Motherwell, Robert  Search this
Rothko, Mark, 1903-1970  Search this
Seitz, William Chapin  Search this
Extent:
0.8 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Date:
[ca.1948-1974]
Scope and Contents:
Research material, including; 12 slides of Adolph Gottlieb and his work; research files containing notes and printed material on James Brooks, Robert Motherwell, Philip Guston, Mark Rothko, Adolph Gottlieb, Conrad Marca-Relli, H. Harvard Arnason, Willem de Kooning, and abstract-expressionism; tape-recorded interviews with James Brooks, Robert Motherwell, Philip Guston, Adolph Gottlieb, and Conrad Marca-Relli; a microfilmed dissertation, "Abstract-Expressionist Painting in America: An Interpretation Based on the Work and Thought of Six Key Figures," by William Chapin Seitz.
Biographical / Historical:
Art historian, painter and educator; Temple Terrace, Fla. Author of: "Abstract expressionism+ an analysis of the movement based primarily upon interviews with seven participating artists" and "A comparison of nineteenth and twentieth century attitudes toward material."
Provenance:
Gift of Gladys Kashdin, November 9, 1981 and February 25, 1982.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Art historians  Search this
Educators  Search this
Painters  Search this
Printmakers  Search this
Topic:
Painting, Abstract -- United States  Search this
Women artists  Search this
Genre/Form:
Interviews
Identifier:
AAA.kashglad
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kashglad

Abstract expressionist art movement in America video documentation project

Creator:
Herskovic, Thomas  Search this
Names:
9th Street Show (1951 : New York, N.Y.)  Search this
Brooks, James, 1906-1992  Search this
Carone, Nicholas, 1917-2010  Search this
Fine, Perle, 1908-1988  Search this
Kotin, Albert, 1907-1980  Search this
Lassaw, Ibram, 1913-2003  Search this
Marca-Relli, Conrad, 1913-2000  Search this
Stefanelli, Joseph, 1921-  Search this
Extent:
7 Items (video cassettes (VHS) (ca. 3 hrs.), sd., col., 1/2 in.)
Type:
Collection descriptions
Archival materials
Video recordings
Date:
1991-1992
c1991-1992
Scope and Contents:
Documentaries about American abstract expressionists, produced and directed by Thomas Herskovic, and edited by Marika Herskovic; one is an interview of Ibram Lassaw conducted by Fred Licht. Each of the artists participated in the 1951 exhibition in New York, "The 9th Street Show" (May 21- June 10, 1951 at 60 E. 9th St.), organized and juried by the artists themselves. Each video includes a biographical summary of the artist, and is from 15 to 25 minutes in length. The artists include: James Brooks, Nicolas Carone, Perle Fine, Albert Kotin, Ibram Lassaw, Conrad Marca-Relli, and Joe Stefanelli. With the exception of Stefanelli, the artists participated in the following five "Artists Annuals" exhibitions.
Biographical / Historical:
Thomas Herskovic is a medical doctor and Marika Herskovic is a molecular biologist. Both have an interest in the abstract expressionist movement and are friends with the artists chosen for interviews.
Provenance:
The Herskovics produced the videotapes to document the recollections of the artists involved in abstract expressionism. The selection of the artists was based on participation in the "Artists Annuals" between 1951 (9th Street Show) and 1957. They are friends with many of the artists. Additional interviews have been and will be conducted; it is expected these will also be donated.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Topic:
Art, Abstract -- New York (State) -- New York -- History -- Sources  Search this
Abstract expressionism  Search this
Genre/Form:
Video recordings
Identifier:
AAA.hersthom
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hersthom

Oral history interview with Conrad Marca-Relli, 1965 June 10

Interviewee:
Marca-Relli, Conrad, 1913-2000  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Painters -- New York (State) -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11942
(DSI-AAA_SIRISBib)214122
AAA_collcode_marcar65
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214122

Conrad Marca-Relli letter, 1963 Aug 22

Creator:
Marca-Relli, Conrad, 1913-2000  Search this
Subject:
Kinsman, Robert D. (Robert Donald)  Search this
Record number:
(DSI-AAA_CollID)7993
(DSI-AAA_SIRISBib)210162
AAA_collcode_marcconr
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210162

(No Title Given) [art work] / (photographed by Peter A. Juley & Son)

Artist:
Marca-Relli, Conrad 1913-2000  Search this
Type:
Photograph
Image number:
JUL J0046497
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_46498

(No Title Given) [art work] / (photographed by Peter A. Juley & Son)

Artist:
Marca-Relli, Conrad 1913-2000  Search this
Type:
Photograph
Image number:
JUL J0046498
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_46499

(No Title Given) [art work] / (photographed by Peter A. Juley & Son)

Artist:
Marca-Relli, Conrad 1913-2000  Search this
Type:
Photograph
Image number:
JUL J0046499
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_46500

(No Title Given) [art work] / (photographed by Peter A. Juley & Son)

Artist:
Marca-Relli, Conrad 1913-2000  Search this
Type:
Photograph
Image number:
JUL J0046500
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_46501

(No Title Given) [art work] / (photographed by Peter A. Juley & Son)

Artist:
Marca-Relli, Conrad 1913-2000  Search this
Type:
Photograph
Image number:
JUL J0046501
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_46502

(No Title Given) [art work] / (photographed by Peter A. Juley & Son)

Artist:
Marca-Relli, Conrad 1913-2000  Search this
Type:
Photograph
Image number:
JUL J0046502
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_46503

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