National Museum of American History (U.S.). Division of Work and Industry Search this
Container:
Box 1
Type:
Archival materials
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Lighthouse Postcard Collection, Archives Center, National Museum of American History.
13 Linear feet ((partially microfilmed on 1 reel))
Type:
Collection descriptions
Archival materials
Date:
1908-1971
Scope and Contents:
Personal and business correspondence; photographs; etchings; drawings; sketches; writings; biographical material; and clippings.
REEL 686: 24 fashion show drawings; 123 drawings, 1922, many of architectural details and buildings in France; 28 sketches of fortifications and airplanes drawn for Army Air Force Intelligence, WWII; and biographical material. In addition there is material relating to THIS REALM, THIS ENGLAND (Hastings House, 1941), a book of prints, drawings, and photographs of England by American and British artists, edited by Chamberlain, to raise funds for the British War Relief Society. Included is correspondence and manuscripts and dummies.
UNMICROFILMED: Personal and business correspondence; photographs; etchings; 12 lectures on "Expressions of Graphic Art"; notes, drafts, and dummies for 26 publications; some writings by students; and clippings.
Biographical / Historical:
Etcher and photographer; Marblehead, Mass. Died in 1975. Chamberlain is best known for his architectural photography. His early career is reflected in his etchings of European buildings for American publications.
Provenance:
Material on reel 686 lent for microfilming 1974 by Samuel Chamberlain. Unmicrofilmed material donated 1974 by Chamberlain.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
49 Photographic prints (Silver gelatin on paper, 16 x 20)
Type:
Collection descriptions
Archival materials
Photographic prints
Portfolios (groups of works)
Photographs
Place:
Massachusetts
Marblehead (Mass.)
Date:
2000
Summary:
These photographs depict various scenes in Marblehead, Massachusetts, as photographed in the year 1999, including views of the town and its environs, commerce, and activities of people, especially families. The photographs are part of a self-assigned project, through which Stuart Cohen intended to survey the state of the town as it prepared to greet the new millennium.
Scope and Contents:
Photographs depict various aspects of activities in Marblehead, Massachusetts, in the year 2000, including views of the town and its structure, architecture, and environs, as well as activities of people, especially families. There is also emphasis on the commerce of the town. Subjects include high school cheerleaders, children sledding, an amusement park, an arts festival, firemen with a hand pumper, a costume parade, Santa Claus and Christmas rituals, a fitness center, an outdoor wedding, school classrooms, a frame house under construction, sailmaking, a farmers' market, stores, restaurants, a bar, fishing, a library, etc. Prints captioned and signed, with additional information on verso.
Arrangement:
The collection is arranged into one series.
Biographical / Historical:
Stuart Cohen initiated this project to document Marblehead, Massachusetts, at the turn of the new millennium.
Provenance:
Collection donated by Stuart Cohen.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Reproduction restricted due to copyright. Contact photographer for reproduction.
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Thomas DeWitt Milling Collection, NASM.XXXX.0133, National Air and Space Museum, Smithsonian Institution.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Thomas DeWitt Milling Collection, NASM.XXXX.0133, National Air and Space Museum, Smithsonian Institution.
