White mother to a dark race : settler colonialism, maternalism, and the removal of indigenous children in the American West and Australia, 1880-1940 / Margaret D. Jacobs
National Museum of American History (U.S.). Division of Community Life Search this
Names:
New York World's Fair (1939-1940 : New York, N.Y.) Search this
Extent:
0.3 Cubic feet (1 box)
Type:
Collection descriptions
Archival materials
Maps
Articles
Postcards
Brochures
Schedules
Place:
Queens (New York, N.Y.)
Date:
1939-1940, undated
Summary:
Collection of material relating to the 1939-1940 New York World's Fair, held in Flushing Meadows in Queens, New York.
Scope and Contents:
Newspaper articles, fair schedules and maps, exhibit brochures,and pictures of the Fair grounds.
Newspaper articles, fair schedules and maps, exhibit brochures,and pictures of the Fair grounds.
Arrangement:
Collection is arranged into one series by subject or type of document.
Biographical / Historical:
The theme of this fair was "The World of Tomorrow," symbolized by the Trylon & Perisphere sculptures. It commemorated the 150th anniversary of the innauguration of George Washington as President in New York City.
The Fair was held on 1216 acres in Flushing Meadows, Queens, N.Y., divided into 7 geographic and thematic zones: Amusement, Communications & Business Systems, Community Interests, Food, Government, Medicine & Public Health, Production & Distribution, Science & Education, and Transportation.
In expanding on the theme, the Fair tried to show that what was being built then would be the World of Tomorrow. 62 foreign nations built exhibit halls. World War II began Sept. 1, 1939, as the Nazis overran countries represented at the Fair, such as France, Denmark, and Belgium.
World War II started September 1, 1939 putting a damper on the 1940 season as the Nazis overran countries which were represented at the Fair such as France, Denmark & Belgium.
Provenance:
Immediate source of aquisition unknown.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
A collection of greeting cards, pictorial maps, and travel diaries by artist Ernest Dudley Chase. Chase created greeting cards for Clara Holland during their courtship and later marriage. The cards were hand painted by Chase in water color with cut- paper details. Many of the cards include romantic letters or poems composed by Chase.
Scope and Contents:
A collection of greeting cards given by artist Ernest Dudley Chase to Clara Holland in the years during their courtship and marriage, pictorial maps drwan by Chase, and nine travel diaries. The cards were hand-painted by Chase in water color with cut-paper details. Many of the cards include romantic letters or poems composed by Chase.
Series 1, Greeting Cards, circa 1937-1966, consists of hand crafted, personally designed cards that Chase created for his wife Clara Holland. The cards generally include a very affectionate sentiment or on occasion a poem. The cards were done in water color and embellished with cut-paper details and calligraphy. Also included are Monday Morning Letters that Chase wrote to his wife Clara whom he called his "Lovely Little Lady" or "L.L.L."
Series 2, Maps (pictorial), 1935-1947 and undated, consists of maps designed and signed by Chase featuring meticulous illustrations of famous landmarks, flora, fauna and other features.
Series 3, Travel Diaries, 1924-1937, consists of nine volumes of bound, typescript travel diaries maintained by Chase from his travels, to Alaska, the Mediterranean, Carribean, Germany, Holland, Central Europe, Sicily, France, England, Scotland, and Ireland. The diaries are arranged chronologically.
Arrangement:
The collection is divided into three series.
Series 1, Greeting Cards, circa 1937-1966
Series 2, Maps (pictorial), 1935-1947 and undated
Series 3, Travel Diaries, 1924-1938
Biographical / Historical:
Ernest Dudley Chase was born in Lowell, Massachusetts in 1878 but is most associated with the town of Winchester, Massachusetts where he was a well known artist. Chase created a unique body of work, an array of views of various Winchester homes and buildings and whimsically illustrated maps. After attending the Lowell Textile School and the Vesper George Art School in Boston, Chase joined the Butterfield Printing Company in 1900. In 1906, he joined the printing firm of W.T. Sheehan in Boston. He began his own greeting card company in 1908, Des Arts Publishers which eventually became Ernest Dudley Chase Publishers. In 1921, Chase Publishers was purchased by Rust Craft. Chase worked at Rust Craft until 1958 in the position of vice president of creative design. His other duties at Rust Craft included advertising manager and editing the company's newsletter The Rustler and the greeting card industry periodicalThe Greeting Card.
Chase married three times. His first marriage was to Idelle Clark and his second marriage was to Wilhelmina Graham. In 1937, Chase married for a third time to Clara Holland. On all holidays and special occasions, he gave his wife, Clara elaborately crafted, personally designed cards in which he generally included a very affectionate sentiment or on occasion a poem. One of Chase's hobbies was creating enormous greeting cards, gathering thousands of signatures on them and sending them to United States presidents or other famous persons around the world. Chase also enjoyed traveling and documenting his travel experiences in diaries.
According to the book Winchester Artists by Ellen E. Knight, Chase produced more greeting cards than anyone in the United States. He authored the first definitive history of the greeting card business,The Romance of Greeting Cards, which was published in 1926. Chase retired from Rust Craft in 1958 and died in 1966.
Related Materials:
Materials in the Archives Center
Norcross Greeting Card Collection (AC0058)
Olive Leavister 19th Century Handmade Valentine Collection (AC0396)
Warshaw Collection of Business Americana, Greeting Cards (AC0060)
Provenance:
The greeting cards were donated to the Archives Center in 2005 by Ernest Dudley Chase's stepson, Fred, and Frances Holland. Fred Holland donated pictorial maps in July, 2010 and travel diaries in September, 2010.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Papers documenting Moore's work as an ivory trader employed by Arnold, Cheney and Co. Includes copies of his diary entries while working as an ivory trader, financial documents, price lists, his writings on the subject of ivory, articles, a map, and photographs.
Scope and Contents:
This collection consists primarily of copies of records still in the possesssion of Moore's family. Foremost among these are copies of his diary entries for the time he was employed overseas by Arnold, Cheney & Co. These provide a daily, often humorous, description of the lifestyle of an American businessman trading in the outposts of the British Empire. Further documentation of this lifestyle is provided by Moore's personal account book, expense account statements, and receipts, as well as the materials on Club life in these spots. These include rule books for the Union Club at Aden, the Mombasa Club, the Mombasa Sport Club, and the Mnazi Moja and English clubs at Zanzibar, along with statements of Moore's accounts at each.
The collection contains a great deal of information on the ivory trade, primarily in Moore's correspondence, both business and private, and in documents relating to his contract and service abroad. Although most of these are xerographic copies, a number of originals are included; since these are fragile, it is recommended that the researcher use the copies. There are several items directly related to ivory, including three ivory pricelists from 1922, a small pamphlet about ivory published in 1921, and Moore's handwritten description of the characteristics and classification of ivory. Also contained in the collection are a number of articles written by Moore about ivory and the ivory trade, along with his book, Ivory: The Scourge of Africa, in both typescript and published form. An additional folder contains a photographic copy of the map of "Ivory Country" used to illustrate the book.
The collection also contains copies of many of Moore's photographs. Most of them were taken during his days in Aden, Mombasa, and Zanzibar. These document all aspects of the ivory trade, from the elephant in the wild to the loading of tusks onto ships bound for New York. They depict ivory poachers, transport of tusks, weighing and measuring tusks, storage facilities in the traders' compound or "ivory house," trade goods used to purchase the ivory, and local scenes. Of especial interest are a number of photographs which show the visit of ex President Theodore Roosevelt to Mombasa in 1909. There are also three photoprints showing activities in Pratt, Read & Company's factory at Deep River, Ct. The remaining photographs are family snapshots, mainly of Moore's children. NOTE: Permission to publish these photographs must be obtained directly from the donor, who retains the copyright on them. The collection also includes a history of Pratt, Read & Company which Moore wrote in 1930.
Biographical information in the collection includes a chapter from a biography of Moore which was written by his daughter as a school assignment, autobiographical recollections of Moore's days as an ivory buyer, and a copy of his obituary.
Of additional interest are copies of documents relating to Moore's uncle, Dwight Moore. These deal with his service as U.S. Consul at Aden and Zanzibar in the 1880s 1890s, and correspondence between Moore and his uncle during Moore's service overseas.
Biographical / Historical:
Ernst R. Domansky was born in Boston, Massachusetts on January 1, 1884. He was an ivory trader employed by Arnold, Cheney & Co., ivory importers of New York city, serving as that firm's agent in Aden, Mombasa, and Zanzibar from 1907 to 1911. He negotiated for the purchase of tons of elephant tusks from the Arab traders who brought them from the interior of Africa, and made several trips into the interior himself. He also served briefly as U.S. Consul at Zanzibar in 1911.
Shortly after his return to the United States sometime between 1911 and 1913 Domansky changed his name to Ernst D. Moore. There were evidently several reasons for this: Moore had been his mother's maiden name and, while his own parents were dead by this time, his uncle, Dwight Moore, had always looked after his interests. Dwight Moore had, in fact, obtained Ernst's position with Arnold, Cheney & Co. for him. In addition,
both of his brothers had already switched from Domansky to Moore.
In 1913, Moore married Miss Elsie Warner of Chester, Connecticut, where he took up residence. He was then employed by the piano manufacturing firm of Pratt, Read & Co., of Deep River, Connecticut. Pratt, Read was the chief customer for the ivory which Moore had purchased in Africa; the company used it in making piano keyboards. Moore served as Secretary, and later as Vice President, of Pratt, Read's subsidiary, the Pratt Read Player Action Company, located in Deep River. Following that, he was head of the Moore & Fisher Manufacturing Company, also of Deep River. He retained his interest in ivory and, after retiring, wrote a book describing his days in Africa and the ivory trade his Ivory: Scourge of Africa was published in 1931. He died on June 5,1932.
Related Materials:
The Archives Center also contains Collection #320, the Pratt Read Corporation Records. It includes a few photographs of E. D. Moore, as well as information on the ivory trade and the American ivory industry. The records of Arnold, Cheney & Company for the period 1873 1902 are to be found at the Essex Institute, Salem, Massachusetts; they are in Collection #103, the Ropes Emmerton & Company Records. Additional records relating to both Arnold, Cheney & Company and Pratt, Read & Company can be found in the Cheney/Downing Collection at the Connecticut River Foundation at Steamboat Dock, Essex, Connecticut.
Provenance:
Collection donated by Edith Sibley, January 30, 1989.
Restrictions:
Collection is open for research.
Rights:
Permission to publish these photographs must be obtained directly from the donor, who retains copyright. See repository for details.
4.56 Cubic feet (consisting of 10 boxes, 1 folder, 1 oversize folder, 1 map case folder.)
Type:
Collection descriptions
Archival materials
Ephemera
Printed ephemera
Sales letters
Business cards
Trade catalogs
Trade literature
Sales catalogs
Sales records
Manufacturers' catalogs
Publications
Receipts
Commercial catalogs
Surveying instruments
Trade cards
Catalogs
Manuals
Invoices
Business ephemera
Advertisements
Mail order catalogs
Advertising cards
Advertising
Advertising mail
Business records
Print advertising
Business letters
Correspondence
Letterheads
Periodicals
Advertising fliers
Catalogues
Printed material
Date:
circa 1800-1965
bulk 1830-1930
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Instruments forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
The Instrument category covers devices and tools used in arts and sciences, including but not limited to architecture, biology, medicine, geography, physics, chemistry and related laboratory investigation, navigation, in industry with machinery, astronomy, and a variety of optics including reading glasses. An emphasis on engineering and survey work is evident in the volume of Drawing and Surveying catalogues present.
Materials include a small sampling of business records, particular invoices and receipts, with also some advertisement, correspondence, financials, import/export documents. The bulk of material is comprised of product catalogues, many with detailed descriptions, specifications, and illustrations, plus pricing information. A number of catalogues are in German. A small portion of the catalogues are not instruments per se, but are accompaniments used with instruments. For example, specimen slides for microscopes. A few company publications are present as well. Several guides on the use of or history of some apparatus are present, as are a few stand-alone illustrations, though most catalogues are heavily illustrated.
No extensive runs or complete records exist for any single company, brand, and no particular depth is present for any singular subtopic though some publications may provide general and historical overviews of a person, company, or facet of industry. Separate folders were used for a few companies which have a small bulk of material. Companies of note: Bausch & Lomb, Sperry Corporation and Wheelco Instrument Company.
With the industries and trades represented in this category, there is overlap with Hardware, Tools, and Mensuration.
Arrangement:
Instruments is arranged in two subseries. Researchers are advised to look both under the company name and under the category of catalogue of products it produces.
Business Records and Marketing Material
Genre
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.
Series 1: Business Ephemera
Series 2: Other Collection Divisions
Series 3: Isadore Warshaw Personal Papers
Series 4: Photographic Reference Material
Provenance:
Instruments is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Warshaw Collection of Business Americana Subject Categories: Instruments, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Main Image: Men at work in shipyards on several ship hulls
Local numbers:
Princeton Poster# 10596
General:
Issued by: Committee on Public Information, Division of Pictorial Publicity
Related Materials:
Duplicates: 10010, 10436, 10596, 2903
Condition differs: Yes
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
World War, 1914-1918 -- Posters -- United States Search this
Genre/Form:
Posters -- World War, 1914-1918 -- United States
Collection Citation:
Princeton University Posters Collection, Archives Center, National Museum of American History.
Sponsor:
Digitization of the Princeton University Poster Collection was a collaboration of Google Arts and Culture and the Smithsonian Institution's Digitization Program Office. Catalog records were transcribed by digital volunteers through the Smithsonian Institution Transcription Center.
Main Image: Men at work in shipyards on several ship hulls
Local numbers:
Princeton Poster# 10010
General:
Issued by: Committee on Public Information, Division of Pictorial Publicity
Issued for: United States Shipping Board Emergency Fleet Corporation, Publications Section
Artist(s): Jonas Lie
Locale:
Philadelphia
Printing Info:
Printer: W.F. Powers Co. Litho., New York
Related Materials:
Duplicates: 10010, 10436, 10596, 2903
Condition differs: Yes
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Princeton University Posters Collection, Archives Center, National Museum of American History.
Sponsor:
Digitization of the Princeton University Poster Collection was a collaboration of Google Arts and Culture and the Smithsonian Institution's Digitization Program Office. Catalog records were transcribed by digital volunteers through the Smithsonian Institution Transcription Center.
Main Image: Several ship hulls in the process of being constructed in a shipyard
Local numbers:
Princeton Poster# 10436
General:
Issued by: Committee on Public Information, Division of Pictorial Publicity
Issued for: United States Shipping Board Emergency Fleet Corporation, Publications Section
Artist(s): Jonas Lie
Locale:
Philadelphia
Printing Info:
Printer: W.F. Powers Co. Litho., New York
Related Materials:
Duplicates: 10010, 10436, 10596, 2903
Condition differs: Yes
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Princeton University Posters Collection, Archives Center, National Museum of American History.
Sponsor:
Digitization of the Princeton University Poster Collection was a collaboration of Google Arts and Culture and the Smithsonian Institution's Digitization Program Office. Catalog records were transcribed by digital volunteers through the Smithsonian Institution Transcription Center.
Issued by: Committee on Public Information, Division of Pictorial Publicity
Issued for: Emergency Fleet Corporations, United States Shipping Board
Artist(s): Jonas Lie
Locale:
Philadelphia
Printing Info:
Printer: W.F. Powers Co. Litho., New York
Related Materials:
Duplicates: 10010, 10436, 10596, 2903
Condition differs: Yes
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Princeton University Posters Collection, Archives Center, National Museum of American History.
Sponsor:
Digitization of the Princeton University Poster Collection was a collaboration of Google Arts and Culture and the Smithsonian Institution's Digitization Program Office. Catalog records were transcribed by digital volunteers through the Smithsonian Institution Transcription Center.
1 Item (Ink on paper., 8-1/2" x 3-3/4" (folded size).)
Container:
Box 1, Folder 9
Type:
Archival materials
Maps
Timetables
Scope and Contents:
Folding railroad timetable with map and tourist information, including text, color images, etc., ca. 1885.
Local Numbers:
AC0060-0001234.tif (AC Scan No.)
Exhibitions Note:
Displayed in Archives Center exhibition, "Americans Experience Mexico," Sept. 1-Nov. 30, 2010; Craig Orr, curator.
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Warshaw Collection of Business Americana Geographical Categories: Mexico, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
