Hi ro jerum -- Walkin' and a-talkin -- My old man -- Missy Mouse -- Par un matin -- French partisan song -- Buffalo boy -- Sam Hall -- Far from my darlin' -- Cuckoo.
Track Information:
101 Hi Ro Jerum / Robert De Cormier, Louise De Cormier.
102 Walkin' And A-Talkin' / Robert De Cormier, Louise De Cormier.
103 My Old Man / Robert De Cormier, Louise De Cormier.
104 Missy Mouse / Robert De Cormier, Louise De Cormier.
105 Par Un Matin / Robert De Cormier, Louise De Cormier.
201 French Partisan Song / Robert De Cormier, Louise De Cormier.
202 Buffalo Boy / Robert De Cormier, Louise De Cormier.
203 Sam Hall / Robert De Cormier, Louise De Cormier.
204 Far From My Darlin' / Robert De Cormier, Louise De Cormier.
205 Cuckoo / Robert De Cormier, Louise De Cormier.
Local Numbers:
FW-ASCH-LP-0391
Stinson.68
Publication, Distribution, Etc. (Imprint):
Stinson 195x
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
The original talking blues --Tooth pickin' time in False Teeth Valley --Jessie jug polka --Lonesome for mother --Sippin' cider --It goes like this --Sweet violets --Mama don't allow no music --Yodelling guitar --Courtin' in the rain --French harp drag (instrumental) --Grandfather's clock --Fiddlin' trombone -- Meet me by the ice house --Susannah was a funny old man.
Track Information:
101 The Original Talking Blues / Robert Lunn. Guitar.
102 Tooth Pickin' Time in False Teeth Valley / Robert Lunn. Guitar.
103 Jessie Jug Polka / Robert Lunn. Guitar.
104 Lonesome for Mother / Robert Lunn, Gene Martin. Guitar.
105 Sippin' Cider / Robert Lunn. Guitar.
106 It Goes Like This / Robert Lunn. Guitar.
201 Sweet Violets / Robert Lunn. Guitar.
202 Mama Don't Allow No Music (Mama Don't Low) / Robert Lunn. Guitar.
203 Yodeling Guitar / Robert Lunn. Guitar.
204 Courtin' in the Rain / Robert Lunn, Bashful Brother Oswald. Guitar.
205 French Harp Drag / Robert Lunn, Jimmy Riddle. Guitar,Harmonica.
206 Grandfather's Clock / Robert Lunn. Guitar.
207 Fiddlin' Trombone / Robert Lunn, Howdy Forrester. Guitar.
208 Meet Me by the Ice House / Robert Lunn. Guitar.
209 Susannah Was a Funny Old Man / Robert Lunn, Jimmy Riddle. Guitar,Harmonica.
Local Numbers:
FP-RINZ-LP-0481
Starday.228
Publication, Distribution, Etc. (Imprint):
Starday Cincinatti, Ohio 1965
General:
Program notes by Don Pierce on container. Performer(s): Robert Lunn, vocals, guitar ; Bashful Brother Oswald, dobro, banjo, jug and vocals ; Jimmy Riddle, harmonica, washboard, vocals ; Howdy Forrester, fiddle ; Gene Martin, guitar ; Junior Huskey, bass. Production notes: Recorded in Nashville, Tenn.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Recorded in: Washington (D.C.), United States, June 18, 1976.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Taylor, James E., 1839-1901 (artist and collector) Search this
Extent:
1 Photographic print (002 in x 003 in mounted on 014 in x 018 in)
Container:
Volume 1, Page 71
Type:
Archival materials
Photographic prints
Photographs
Date:
undated
Scope and Contents:
Based on a handwritten note from Cora Kennicott to Spencer Baird held at Smithsonian Institution Archives, the photo was likely taken in 1862 or 1863 in "Chicago Studio shortly after Kennicott returned from a Smithsonian sponsored collecting expedition through Canada and into Alaska; [he is] dressed in his exploring outfit." Information provided by Sandra Schlachtmeyer (10/17/2006).
Local Numbers:
NAA INV.01603504
NAA MS.MS 4605
OPPS NEG.56542
Local Note:
Black and white Photoprint on Paper Mount in Album
Collection Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Collection Citation:
MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution
Indians of North America -- Southwest, New Search this
Type:
Archival materials
Photographs
Date:
Oct 29 1970
Biographical / Historical:
During his visit to the Smithsonian in October, we learned that he was born August 24, 1914; and that his father was Zuni but his mother was Cherokee. His mailing address is P. O. Box 338, Zuni, New Mexico 87237.
Home: Catawba Reservation, York County, South Carolina (P.O. Roddey). Born 1869. Brother of Ben Perry Harris, of negatives 3814 B and 3815:10 - information from W.C. Sturtevant, 8/57. Died November 1954 - information from Frank A. Siebert, here, 9/64.
Local Numbers:
NAA INV 9993900 ; OPPS NEG 3813 A
Local Note:
Bust in U.S.N.M. made 1906; catalog number 224,860.
Robinson, Franklin A., Jr., 1959- (actor) Search this
Container:
Box 39, Folder 11
Type:
Archival materials
Date:
1950
Collection Restrictions:
Collection is open for research but negatives and audiovisuial materials are stored off-site and special arrangements must be made to work with it. Some papers of living persons are restricted. Access to restricted portions may be arranged by request to the donor. Gloves required for unprotected photographs. Viewing film portions of the collection and listening to LP recording requires special appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
The Archives Center does not own exclusive rights to these materials. Copyright for all materials is retained by the donor, Franklin A. Robinson, Jr.; permission for commercial use and/or publication may be requested from the donor through the Archives Center. Military Records for Franklin A. Robinson (b. 1932) and correspondence from Richard I. Damalouji (1961-2014) are restricted; written permission is needed to research these files. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
The Robinson and Via Family Papers, Archives Center, National Museum of American History
Sponsor:
Preservation of the 8mm films in this collection was made possible, in part, by a grant from the National Film Preservation Fund.
Robinson, Franklin A., Jr., 1959- (actor) Search this
Type:
Archival materials
Date:
1928-1997, undated
Scope and Contents:
The Via family papers deal with the Robert M. Via family. The Via papers are a particularly appropriate complement to the Robinson papers because they deal with a farming operation of a smaller size, approximately thirty acres to 115 acres. In contrast to the Robinson operation that utilized many forms of outside labor, the Via farm was operated by one man, Robert, with family and occasional hired help. An additional contrast is that, in the Via family both spouses worked off the farm full-time, until Robert began full-time farming in the mid-1950s. The Via family did not have the familial history in the region and operated from a much different social perspective than the Robinson family. The Via family moved more frequently, the preponderance of material is 20th century.
The Via family papers are especially strong in regard to farming and social history in the latter half of the 20th century. The papers of Robert M. Via are strong in material concerning his employment in public transportation in Washington, D.C., from 1928 to 1956. The papers of Adina Via Robinson are particularly complete in documenting the life of a woman coming of age in the mid-1950s. Her papers and correspondence with her future husband, Franklin A. Robinson, cover personal matters, as well as life on the farm, the surrounding community, and her senior high school life. Especially rich is the correspondence exchanged during the period of Franklin's service in the United States Army, 1955-1956, at Camp Gordon, Georgia and Camp Handford, Washington State. There are transcription discs of recordings done by Robert D. Via as country-western singer, "Bashful Bob."
Collection Restrictions:
Collection is open for research but negatives and audiovisuial materials are stored off-site and special arrangements must be made to work with it. Some papers of living persons are restricted. Access to restricted portions may be arranged by request to the donor. Gloves required for unprotected photographs. Viewing film portions of the collection and listening to LP recording requires special appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
The Archives Center does not own exclusive rights to these materials. Copyright for all materials is retained by the donor, Franklin A. Robinson, Jr.; permission for commercial use and/or publication may be requested from the donor through the Archives Center. Military Records for Franklin A. Robinson (b. 1932) and correspondence from Richard I. Damalouji (1961-2014) are restricted; written permission is needed to research these files. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
The Robinson and Via Family Papers, Archives Center, National Museum of American History
Sponsor:
Preservation of the 8mm films in this collection was made possible, in part, by a grant from the National Film Preservation Fund.
Outdoor profile portrait of Catawba man Robert "Bob" Lee Harris, seated in a wooden chair, wearing a suit jacket and shirt, with his arms crossed. Posed with trees in the background on the Catawba Reservation in South Carolina. Originally identified as Jim Harris.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); Frank Speck photograph collection, Photo Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Outdoor profile portrait of Catawba man Robert "Bob" Lee Harris, seated in a wooden chair, wearing a suit jacket and shirt, with his arms crossed. Posed with trees in the background on the Catawba Reservation in South Carolina. Originally identified as Jim Harris.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); Frank Speck photograph collection, Photo Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
