The collection comprises 2.3 feet of papers concerning George Catlin's creation and promotion of his famed "Indian Gallery" of paintings, drawings, and artifacts of North American Indians. Dating from 1821 through 1904, with one item dated 1946, the papers include letters, notebooks and journals, receipt books and loose receipts, printed materials, and other documentation. The bulk of the collection focuses on Catlin's efforts to promote the sale of his gallery to the United States government through tours, including London and Paris, and petitions to various governments to purchase the Gallery. Among the rare printed catalogs and petitions in the collection are exhibition catalogs for the U.S., London, and Paris tours, the earliest dating from 1837. Letters and other documents include letters dating from the 1830s from Henry Clay, Thomas Sully, and William Henry Seward commending Catlin's work, as well as Catlin family correspondence and papers dating from 1821 through the 1870s.
Scope and Contents note:
The collection comprises 2.3 feet of papers concerning George Catlin's creation and promotion of his famed "Indian Gallery" of paintings, drawings, and artifacts of North American Indians. Dating from 1821 through 1904, with one item dated 1946, the papers include letters, notebooks and journals, receipt books and loose receipts, printed materials, and other documentation. The bulk of the collection focuses on Catlin's efforts to promote the sale of his gallery to the United States government through tours, including London and Paris, and petitions to various governments to purchase the Gallery. Among the rare printed catalogs and petitions in the collection are exhibition catalogs for the U.S., London, and Paris tours, the earliest dating from 1837. Letters and other documents include letters dating from the 1830s from Henry Clay, Thomas Sully, and William Henry Seward commending Catlin's work, as well as Catlin family correspondence and papers dating from 1821 through the 1870s.
Of particular interest in the collection are letters to and from Catlin, including two written by Catlin during his early travels to the west in the 1830s. Other letters include ones from Henry Clay, John Adams Dix, Ralph Randolph Gurley, James Hall, William Henry Seward, Thomas Sully (illustrated), and Baron Friederich von Humbolt, among others. Most wish Catlin well and offer support in his endeavors to sell his collection.
Also found within the collection are several notebooks and notes describing Native American ceremonies, name translations, customs, and other information pertinent to Catlin's catalog, two volume book, and exhibitions of the "Indian Gallery." There are also numerous loose receipts and account and receipt books documenting the 1840s London and Paris venues of the "Indian Gallery" exhibition. The collection also houses printed catalogs for the exhibitions, including a rare 1837 catalog for the first show in New York.
Additional materials include certificates of authenticity testifying to the authenticity of Catlin's paintings from life of Native American sitters, announcements relating to exhibition openings, printed memorials and petitions to Congress, printed letters of support, envelopes and name cards, and handwritten tickets to Catlin lectures. Also found are a handwritten journal of Theodore B. Catlin, photogravures of Catlin, obituaries for Catlin, and printed reviews of the exhibitions.
Arrangement note:
The George Catlin papers are arranged into five series based primarily on document type. Within each series, materials are arranged in chronological order.
Series 4: Catalogs, 1837-1871 (Boxes 3-5; Reel 5825; 1 linear foot)
Series 5: Ephemera and Miscellaneous Printed Material, 1832-1904, 1946 (Boxes 5-6, OV 7; Reel 5825; 14 folders)
Biographical/Historical note:
George Catlin was born in 1796 in Wilkes-Barre, Pennsylvania. Although trained as a lawyer, Catlin quit his law practice and moved to Philadelphia in 1823 to begin a career as a portrait painter. He gained membership in the Pennsylvania Academy of Fine Arts in 1824, but his career in formal portraiture met with little success. In 1830, Catlin embarked upon his lifetime achievement of documenting the lives, customs, and culture of the declining native American population of the Plains. He spent the next six years traveling, drawing, painting, and writing about the Plains Indians. By 1837, he had amassed enough documentation to hold a major exhibition in New York of Catlin's Indian Gallery of Portraits, Landscapes, Manners and Customs, Costumes, etc. The same exhibition, with an added live show, traveled to London in 1842 and Paris in 1845, where it was met with rave reviews.
Catlin spent the remainder of his life gathering support for the sale of the Indian Gallery to the U.S. Congress. Between 1841 and 1842, at his own expense, Catlin wrote and published his two volume set Letters and Notes on the Manners, Customs, and Condition of the North American Indians. He also wrote numerous petitions and "memorials" to Congress, often including statements from national and international reputable supporters, such as Daniel Webster, General Lewis Cass, the Joint Committee on the Library (of Congress), and the American Ambassador to France. The Smithsonian Institution's first Secretary Joseph Henry strongly supported congressional acquisition of Catlin's work and even provided Catlin with a small studio in the Castle building. All of the appeals to the government for the purchase of the collection were, in the end, unsuccessful and Catlin died almost penniless in 1872.
Related Archival Materials note:
The Archives holds several related collections of differing provenances related to George Catlin, including a small collection of manuscripts and drawings microfilmed on reel 1191 related to Catlin's work in marine art and documentation. A microfilmed loan of circa 500 items is also available on reel 3277 of letters between Catlin and Sir Thomas Phillipps, 1840-1860, writings by Catlin and material on Catlin's Indian Gallery, including clippings, catalogs, handbills, invitations, drawings and portrait sketches of native Americans, and printed material; a watercolor sketchbook; a list of paintings; and miscellany. Also found within the Archives is one undated letter microfilmed on reel D8 from Catlin, and a collection of art historian William Truettner's research papers on George Catlin.
Provenance:
The papers of George Catlin were transferred to the Archives of American Art by the Library of the Smithsonian's National Collection of Fine Arts, now the Smithsonian's American Art Museum. Accession records indicate that the papers were once maintained by the Smithsonian's Bureau of Ethnology and were probably part of the orginal 1879 acquisition of Catlin's Indian Gallery by the Smithsonian. Businessman Joseph Harrison rescued the "Indian Gallery" from Catlin's creditors in the 1850s and stored the collection in a Philadelphia warehouse, where it suffered damage from at least two fires before Harrison's widow donated the collection to the Smithsonian.
Restrictions:
A digitized version of the microfilm of this collection is available online via the Archives of American Art website.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Assembled by collectors Dr. Henry D. Rosin and Nancy Rosin to document nineteenth-century and early twentieth-century photography of Japan. Includes albumen prints, portions handcolored, some signed and numbered in the negative. Taken by photographers Felice Beato (b. ca. 1825), Baron Raimon von Stillfried (1938-1911), Kusakabe Kimbei (active 1880s), Ueno Hikoma (1838-1904), Ogawa Kazumasa (1860-1929) and unknown photographers to depict architecture, landscapes, formal studio portraits, and daily activities.
Arrangement:
Organized chronologically by the creators.
Biographical / Historical:
Henry and Nancy Rosin were collectors of Japanese photography of the nineteenth and twentieth centuries.
Henry and Nancy Rosin Collection of Early Photography of Japan. FSA.A1999.35. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Purchase and partial donation.
