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Makler Gallery

Collection Creator:
Associated American Artists  Search this
Container:
Box 23, Folder 23
Type:
Archival materials
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C., facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Associated American Artists records, circa 1934-1983. Archives of American Art, Smithsonian Institution.
See more items in:
Associated American Artists records
Associated American Artists records / Series 2: Dealers, Galleries and Museums
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a3627edd-723c-40ce-8122-1944184f0bf9
EDAN-URL:
ead_component:sova-aaa-assoamea-ref1055

Makler Gallery records

Creator:
Makler Gallery  Search this
Names:
Avery, Milton, 1885-1965  Search this
Calder, Alexander, 1898-1976  Search this
Makler, Hope Welsh, 1924-2013  Search this
Makler, Paul Todd, 1920-  Search this
Nevelson, Louise, 1899-1988  Search this
Extent:
2.1 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1957-1989
Summary:
The records of Philadelphia's Makler Gallery measure 2.1 linear feet and date from 1957 to 1989. The collection comprises business records containing some printed material, correspondence, and financial records; printed material that include issues of Prometheus, a newsletter published by the gallery; photographic materials documenting the gallery's exhibitions and events, as well as works of art by Louise Nevelson, Milton Avery, Camille Bombois, David Smith, and others; and three scrapbooks containing material regarding the gallery's activities and history from 1959 to 1973.
Scope and Contents:
The records of Philadelphia's Makler Gallery measure 2.1 linear feet and date from 1957 to 1989. The collection comprises business records containing some printed material, correspondence, and financial records; printed material that include issues of Prometheus, a newsletter published by the gallery; photographic materials documenting the gallery's exhibitions and events, as well as works of art by Louise Nevelson, Milton Avery, Camille Bombois, David Smith, and others; and three scrapbooks containing material regarding the gallery's activities and history from 1959 to 1973.
Arrangement:
The collection is arranged as four series.

Series 1: Business Records, 1957-1989 (1.0 linear feet; Box 1)

Series 2: Printed Materials, 1960-1988 (0.2 linear feet; Box 2)

Series 3: Photographic Materials, circa 1960-circa 1975 (0.8 linear feet; Box 2)

Series 4: Scrapbooks, 1959-1973 (1.1 linear feet; Box 2, OV 3)
Biographical / Historical:
The Makler Gallery (est. 1960-1985) was an art gallery located in Philadelphia, Pennsylvania that exhibited primarily pre-1960s paintings and contemporary sculptures. The gallery was founded in 1960 by Dr. Paul Todd Makler and his wife Hope. Among the artists represented by the gallery were Milton Avery, Alexander Calder, Mary Frank, Hans Hofmann, George Rickey, and Jyoti Swaroop.
Related Materials:
Also found at the Archives of American Art is an interview of Hope Makler conducted on November 28, 1989 by Marina Pacini for the Archives of American Art Philadelphia Project.
Provenance:
The Makler Gallery records were donated in 1990 by Paul and Hope Mackler.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Function:
Art galleries, Commercial -- Pennsylvania
Genre/Form:
Scrapbooks
Citation:
Makler Gallery records, 1957-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.maklgall
See more items in:
Makler Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ad3bb4df-ded0-49fa-9a41-526942ecce36
EDAN-URL:
ead_collection:sova-aaa-maklgall
Online Media:

Printed Materials

Collection Creator:
Makler Gallery  Search this
Extent:
0.2 Linear feet (Box 2)
Type:
Archival materials
Date:
1960-1988
Scope and Contents:
The series includes a complete run of Prometheus, the newsletter published by the gallery, containing articles on the gallery's exhibitions, trends in collecting, the art market, and reviews of Philadelphia and New York city exhibitions. Also found here are exhibition catalogs, announcements, and other promotional material for exhibitions at Makler Gallery, as well as clippings and booklets.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Makler Gallery records, 1957-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.maklgall, Series 2
See more items in:
Makler Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98b50ba7f-0451-4c36-b24b-abbb4b59f2f0
EDAN-URL:
ead_component:sova-aaa-maklgall-ref12

Exhibition Promotional Material

Collection Creator:
Makler Gallery  Search this
Container:
Box 2, Folder 2
Type:
Archival materials
Date:
1960-1983
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Makler Gallery records, 1957-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Makler Gallery records
Makler Gallery records / Series 2: Printed Materials
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e5c8d6db-9021-45be-8a90-d8a3c6d49a5d
EDAN-URL:
ead_component:sova-aaa-maklgall-ref32

Booklets

Collection Creator:
Makler Gallery  Search this
Container:
Box 1, Folder 26
Type:
Archival materials
Date:
1979-1988
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Makler Gallery records, 1957-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Makler Gallery records
Makler Gallery records / Series 2: Printed Materials
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ac4141d2-e51f-43ac-ace1-485171c365c2
EDAN-URL:
ead_component:sova-aaa-maklgall-ref39

Makler Gallery

Collection Creator:
Zabriskie Gallery  Search this
Container:
Box 91, Folder 11
Type:
Archival materials
Date:
1980-1986
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Zabriskie Gallery Records, 1905-2011. Archives of American Art, Smithsonian Institution.
See more items in:
Zabriskie Gallery records
Zabriskie Gallery records / Series 7: Institution Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e4581971-af41-488c-b06c-8cdad56b9ebb
EDAN-URL:
ead_component:sova-aaa-zabrgall-ref3567

Makler Gallery records, 1957-1989

Creator:
Makler Gallery  Search this
Subject:
Avery, Milton  Search this
Calder, Alexander  Search this
Nevelson, Louise  Search this
Makler, Hope Welsh  Search this
Makler, Paul Todd  Search this
Type:
Scrapbooks
Citation:
Makler Gallery records, 1957-1989. Archives of American Art, Smithsonian Institution.
Theme:
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)9952
(DSI-AAA_SIRISBib)212504
AAA_collcode_maklgall
Theme:
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212504

Oral History interview with Hope Makler, 1989 November 28

Interviewee:
Makler, Hope Welsh, 1924-2013  Search this
Interviewer:
Pacini, Marina  Search this
Subject:
Barnes Foundation  Search this
Makler Gallery  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral History interview with Hope Makler, 1989 November 28. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)13329
(DSI-AAA_SIRISBib)213405
AAA_collcode_makler89
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213405

Oral history interview with Warren Rohrer, 1989 March 9-June 1

Interviewee:
Rohrer, Warren, 1927-1995  Search this
Interviewer:
Pacini, Marina  Search this
Subject:
Pittman, Hobson Lafayette  Search this
Speight, Francis  Search this
Makler Gallery  Search this
Marian Locks Gallery  Search this
Pennsylvania Academy of the Fine Arts  Search this
State College (Pa.)  Search this
Philadelphia College of Art  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Warren Rohrer, 1989 March 9-June 1. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Painters -- Pennsylvania -- Philadelphia -- Interviews  Search this
Educators -- Pennsylvania -- Philadelphia -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12993
(DSI-AAA_SIRISBib)213406
AAA_collcode_rohrer89
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213406

Sidney Simon papers

Creator:
Simon, Sidney, 1917-1997  Search this
Names:
Budd (Firm : New York, N.Y.)  Search this
Century Association (New York, N.Y.)  Search this
Colby College  Search this
Graham Gallery  Search this
Pennsylvania Academy of the Fine Arts  Search this
Skowhegan School of Painting and Sculpture -- Faculty  Search this
United States. Army. Corps of Engineers  Search this
Emmerich, André  Search this
Gonzalez, Xavier, 1898-1993  Search this
Gotfryd, Bernard  Search this
Hélion, Jacqueline  Search this
Jencks, Penelope  Search this
Kelly, Ellsworth, 1923- -- Photographs  Search this
King, William, 1925-2015  Search this
Meredith, Burgess, 1907-1997  Search this
Motherwell, Robert -- Photographs  Search this
Nevelson, Louise, 1899-1988 -- Photographs  Search this
Pousette-Dart, Richard, 1916-1992  Search this
Watson, Forbes, 1880-1960  Search this
Extent:
23.7 Linear feet
2.21 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sound recordings
Transcripts
Sketchbooks
Sketches
Interviews
Illustrated letters
Diaries
Date:
circa 1917-2008
bulk 1940-1997
Summary:
The papers of sculptor, painter, and educator Sidney Simon measure 23.7 linear feet and 2.21 GB and date from circa 1917-2002, with the bulk of the papers dating from 1940-1997. The collection documents Simon's career through biographical material, correspondence, writings and notes, subject files, sketches, sketchbooks, printed and digital material, and photographs.

There is a 15.7 linear foot unprocessed addition to this collection donated in 2022 that includes exhibition files; commission files; project files; ledgers; photograph albums, slides, transparencies and glass plate negatives of works of art and installations and photographs of Simon, family and others; inventories of works of art; files relating to World War II including personal and professional photographs, blank postcards, sketches, printed material, and personnel information; unidentified CDs and a cassette with a letter from mother; journals with sketches and notes; biographical information including certificates and awards; printed material including catalogs and announcements and articles about Simon; appraisals; correspondence including posthumous letters of condolence; sketchbooks and drawings, including oversized student drawings and drawings for commissions and competitions; interviews with Simon on Hi8 tapes, mini DV; a scrapbook; and a zinc metal plate. Materials date from circa 1940-1997 and 2008.
Scope and Contents:
The papers of sculptor, painter, and educator Sidney Simon measure 23.7 linear feet and 2.21 GB and date from circa 1917-2002, with the bulk of the papers dating from 1940-1997. The collection documents Simon's career through biographical material, correspondence, writings and notes, subject files, sketches, sketchbooks, printed and digital material, and photographs.

Biographical material chronicles Simon's academic training and professional activities through curriculum vitae, biographical accounts, and awards. Included are letters and memoranda, many from Forbes Watson pertaining to Simon's service as a combat artist in World War II. Also found is a transcript of an interview with Simon recounting his experiences in the Southwest Pacific. Simon's personal correspondence with colleagues, friends, and family includes scattered letters from Jacqueline Helion, Penelope Jencks, William King, Burgess Meredith, among others. Many letters are illustrated by Sidney Simon and others. General correspondence includes letters from artists, galleries, museums, public and religious institutions primarily relating to Simon's exhibitions and commissioned projects. Among the correspondents are Castle Hill, Truro Center for the Arts, Colby College, André Emmerich, Eric Makler Gallery, Xavier Gonzalez, Graham Gallery, and the Pennsylvania Academy of the Fine Arts. Interspersed among the files are letters of a personal nature. Other correspondence relates to Simon's faculty positions and his activities in professional organizations, e.g., Century Association, National Academy of the Fine Arts, and the Skowhegan School of Painting and Sculpture.

Writings and notes include Simon's 1943 diary entries recording his activities in the Army Corps of Engineers, draft versions of writings and lectures, and notes. Included are digital audio recordings of Simon's lectures at the Skowhegan School of Painting and Sculpture. Subject files provide documentation on Simon's commissioned projects, select exhibitions and competitions, as well as his faculty positions and memberships in several arts organizations. Printed material consists of clippings, invitations, announcements, newsletters, and programs. Exhibition catalogs are of Simon's solo and group shows at galleries, museums, and art organizations from 1959-1966. Photographs are of Simon by Budd Brothers, Richard Pousette-Dart, and Bernard Gotfryd. There are a number of photographs of the artist in his studio and outdoors as well as of Simon's family and friends, including group photographs with Ellsworth Kelly, André Emmerich, Robert Motherwell, and Louise Nevelson. Also found are three personal and family albums and twenty-one photograph albums of Simon's paintings and sculptures.

There is a 15.7 linear foot unprocessed addition to this collection donated in 2022 that includes exhibition files; commission files; project files; ledgers; photograph albums, slides, transparencies and glass plate negatives of works of art and installations and photographs of Simon, family and others; inventories of works of art; files relating to World War II including personal and professional photographs, blank postcards, sketches, printed material, and personnel information; unidentified CDs and a cassette with a letter from mother; journals with sketches and notes; biographical information including certificates and awards; printed material including catalogs and announcements and articles about Simon; appraisals; correspondence including posthumous letters of condolence; sketchbooks and drawings, including oversized student drawings and for commissions and competitions; interviews with Simon on Hi8 tapes, mini DV; a scrapbook; and a zinc metal plate. Materials date from circa 1940-1997 and 2008.
Arrangement:
The collection is arranged as 10 series.

Missing Title

Series 1: Biographical Material, 1940-1998 (Boxes 1, 9; 0.7 linear feet)

Series 2: Correspondence, 1936-2002 (Boxes 1-2; 1.2 linear feet)

Series 3: Writings and Notes, 1943, circa 1960-1997 (Box 2; 0.4 linear feet, ER01-ER03; 2.21 GB)

Series 4: Subject Files, 1940-1941, 1951-1997 (Boxes 2-4, 9; 1.8 linear feet)

Series 5: Sketches, 1937-1942 (Box 4; 1 folder)

Series 6: Sketchbooks, 1939-1995 (Boxes 4-5, 9; 0.5 linear feet)

Series 7: Printed Material, circa 1933, 1942-1998 (Box 5; 0.3 linear feet)

Series 8: Scrapbooks, 1978-1995 (Box 5; 0.1 linear feet)

Series 9: Photographs, circa 1917-1997 (Boxes 5-10; 3.0 linear feet)

Series 10: Unprocessed Addition, circa 1940-1997, 2008 (Boxes 11-27, OV 28-43; 15.7 linear feet)
Biographical / Historical:
Sidney Simon (1917-1997) was a sculptor, painter, and educator who worked primarily in New York City and Truro, Massachusetts. Simon was born in Pittsburgh, Pennsylvania. At the age of 14, he won a place as a special student at the Carnegie Institute of Technology. He received a Bachelor of Fine Arts degree from the University of Pennsylvania in 1934 and from the Pennsylvania Academy of the Fine Arts in 1936. Simon also studied at the Barnes Foundation from 1937-1940. Simon received professional recognition early in his career; he was awarded the Prix de Rome Collaborative Prize in 1939 and the Edwin Austin Abbey Fellowship in mural painting in 1945.

In 1941, Simon enlisted in the U.S. Army and served in the Army Corps of Engineers. Assigned to MacArthur's headquarters as an official war artist for the Southwest Pacific Theater, Simon was chosen to paint the signing of the peace treaty between the U.S. and Japan aboard the U.S.S. Missouri. He was discharged from the army with a Bronze Star and five presidential citations. In 1945, along with Bill Cummings and Henry Varnum Poor, Simon co-founded the Skowhegan School of Painting and Sculpture, where he later served as a director and a member of the Board of Governors. By the mid-1950s, Simon's interest shifted from painting to sculpture, creating works in wood, clay, and other media. Over the years, Simon collaborated with architects on a number of public and private commissions, including the doorway for the Downstate Medical Center, the Jewish Chapel at West Point, a playground sculpture for Prospect Park, and the totemic column for the Temple Beth Abraham. In addition to serving on the faculty at Skowhegan School of Painting and Sculpture, Simon also taught at the Art Students League, Brooklyn Museum, and Parsons School of Design. An active champion of artists' rights, Simon established the New York Artists Equity Association. He participated in solo and group shows at the Graham Gallery, Provincetown Art Association and Museum, and the Sculptors Guild, among other venues.

In 1997, Sidney Simon died at the age of 80 in Truro, Massachusetts. Simon was divorced from Joan Crowell in 1964. He is survived by his wife, Renee Adriance Simon and five children from his first and second marriages.
Related Materials:
The Archives has two oral history interviews with Sidney Simon conducted by Paul Cummings in October 17-November 8, 1973 and the Karl E. Fortress taped interviews with artists, [1963-1985].
Separated Materials:
The Archives of American Art also holds materials lent for microfilming (reel D210) including biographical material, correspondence, sketchbooks, scrapbooks, and photographs of Sidney Simon. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Sidney Simon lent the Archives of American Art material for microfilming in 1965. Rene Simon, Simon's widow, donated the Sidney Simon papers in 2009. Additional material donated in 2022 by the Renee A. Simon Revocable Trust via trustees Barbara Sussman, Alexa Elam and Susanne Howard.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings and born-digital records in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
War artists  Search this
Topic:
Art -- Study and teaching  Search this
World War, 1939-1945 -- Art and the war  Search this
Educators -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Function:
Artists' studios -- New York (State)
Genre/Form:
Sound recordings
Transcripts
Sketchbooks
Sketches
Interviews
Illustrated letters
Diaries
Citation:
Sidney Simon papers, circa 1917-2002, bulk 1940-1997. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.simosidn
See more items in:
Sidney Simon papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw973588e01-af09-4ddf-ae4c-721c446d46c3
EDAN-URL:
ead_collection:sova-aaa-simosidn

Oral History interview with Hope Makler

Interviewee:
Makler, Hope Welsh, 1924-2013  Search this
Interviewer:
Pacini, Marina  Search this
Names:
Barnes Foundation  Search this
Makler Gallery  Search this
Extent:
38 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1989 November 28
Scope and Contents:
An interview of Hope Makler conducted 1989 November 28, by Marina Pacini for the Archives of American Art Philadelphia Project. Makler speaks of her art education at the Barnes Foundation and at the University of Pennsylvania; opening the Makler Gallery in Philadelphia in 1960; working with New York City galleries such as Andre Emmerich and Frank Perls to bring the work of such artists as Milton Avery, Jacques Lipchitz and Alexander Calder to Philadelphia; and the Philadelphia gallery scene.
Biographical / Historical:
Hope Welsh Makler (1924-2013) was an art dealer from Philadelphia, Pennsylvania.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 13 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript: Patrons must use microfilm copy.
Occupation:
Art dealers -- Pennsylvania -- Philadelphia  Search this
Topic:
Art, American  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.makler89
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw924c396a5-3238-48c7-9ecf-5384841ecca9
EDAN-URL:
ead_collection:sova-aaa-makler89
Online Media:

Makler Gallery

Collection Creator:
Langlais, Bernard, 1921-1977  Search this
Container:
Box 3, Folder 21
Type:
Archival materials
Date:
1984
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
Video recording "Noon Exercise: Bernard Langlais" is publication restricted. Authorization to quote or reproduce for purposes of publication requires written permission from WCBB-TV, Lewiston, Maine. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Bernard Langlais papers, circa 1925-2010. Archives of American Art, Smithsonian Institution.
See more items in:
Bernard Langlais papers
Bernard Langlais papers / Series 3: Professional Activity Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f944f47f-c8b3-4876-8afb-8e5a5ff20c44
EDAN-URL:
ead_component:sova-aaa-langbern-ref115

Pepper, Beverly - Biographical Materials

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 61, Folder 36
Type:
Archival materials
Date:
1975, 1992-1993
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery Records and André Emmerich Papers
André Emmerich Gallery Records and André Emmerich Papers / Series 6: Artists Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cec61759-0e88-4287-8858-77efd96179fe
EDAN-URL:
ead_component:sova-aaa-andremmg-ref3054
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Hope Makler Gallery

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 174, Folder 134
Type:
Archival materials
Date:
1988-1989
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery Records and André Emmerich Papers
André Emmerich Gallery Records and André Emmerich Papers / Series 11: Consignment Records / 11.2: Consignments from Other Galleries
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw969e9ae01-a561-49cc-9ac9-6757dbb75219
EDAN-URL:
ead_component:sova-aaa-andremmg-ref5494

Makler Gallery

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 175, Folder 104
Type:
Archival materials
Date:
1986-1987
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery Records and André Emmerich Papers
André Emmerich Gallery Records and André Emmerich Papers / Series 11: Consignment Records / 11.2: Consignments from Other Galleries
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fdd167e7-08ca-456c-ba21-4b3bd2048f78
EDAN-URL:
ead_component:sova-aaa-andremmg-ref5616

Oral history interview with Warren Rohrer

Interviewee:
Rohrer, Warren  Search this
Interviewer:
Pacini, Marina  Search this
Names:
Makler Gallery  Search this
Marian Locks Gallery  Search this
Pennsylvania Academy of the Fine Arts  Search this
Philadelphia College of Art  Search this
State College (Pa.)  Search this
Pittman, Hobson Lafayette, 1899 or 1900-1972  Search this
Speight, Francis, 1896-1989  Search this
Extent:
258 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1989 March 9-June 1
Scope and Contents:
An interview of Warren Rohrer conducted 1989 March 9-June 1, by Marina Pacini, for the Archives of American Art Philadelphia Project. Rohrer speaks of his early life as a Mennonite and his schooling on a farm in Lancaster, Pa.; his art studies at Eastern Mennonite College, James Madison College, Pennsylvania State University with Hobson Pittman, the Pennsylvania Academy of the Fine Arts with Francis Speight, and art history classes at the University of Pennsylvania; the development of his work, his efforts at portraiture, and the importance of landscape to his art for most of his career as a painter; his teaching in the Education Department at the Philadelphia Museum of Art, and the Philadelphia College of Art; his exhibitions at the Robert Carlen Galleries, the Makler Gallery, the Pennsylvania Academy's Morris Gallery, the Marian Locks Gallery in Philadelphia, as well as the Lamagna Gallery and CDS Gallery in New York City; his collectors, and critics' reactions to his work in New York and Philadelphia.
Biographical / Historical:
Warren Rohrer (1927-1995) was a painter and educator from Philadelphia, Pa.
General:
Originally recorded on 7 sound cassettes. Reformatted in 2010 as 13 digital wav files. Duration is 9 hr., 54 min.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript: Patrons must use microfilm copy.
Topic:
Art, American  Search this
Painters -- Pennsylvania -- Philadelphia -- Interviews  Search this
Educators -- Pennsylvania -- Philadelphia -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.rohrer89
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fe001730-aa4c-4acd-877c-943c49893a13
EDAN-URL:
ead_collection:sova-aaa-rohrer89
Online Media:

Lynn Farnol Group - Marks, Hylda Rose

Collection Creator:
Lipchitz, Jacques, 1891-1973  Search this
Container:
Box 3, Folder 10
Type:
Archival materials
Date:
1943-1967
Scope and Contents note:
Lynn Farnol Group Public Relations and Information Programs

Lyon, Emile

Lyons, Leonard

Lyons, Sylvia

Magazine of Art

Magill, James P. and Ruth

Magriel, Paul

Mahlow, Dieter

Maison Nationale de Retraite des Peintres, Sculpteurs et Graveurs

Makler Gallery

Mandel

Mandel, Edna Horne

Manfred, Ernest Fred

Mankato High School (MN)

Marc Vaux, Photographer

Markell, Ellis M.

Marks, Hylda Rose
Collection Restrictions:
Use of original papers requires an appointment. Use of audiovisual materials with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz, circa 1910-2001, bulk 1941-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz / Series 1: Jacques Lipchitz papers / 1.2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw953210f8c-5cf9-4e42-873c-e312e232b8da
EDAN-URL:
ead_component:sova-aaa-lipcjacq2-ref190

Drafts of Lipchitz's Letters (multiple letters per page)

Collection Creator:
Lipchitz, Jacques, 1891-1973  Search this
Container:
Box 5, Folder 18
Type:
Archival materials
Date:
circa 1950s
Scope and Contents note:
Allen, Miss

Ambellan, Harold

Anderson, Mr.

Aronson, Prof.

Birchinsky, Mr.

Byron, Charles A. (Byron Gallery, Inc.)

Darland, Dr. R. W. (University of Minnesota, Duluth)

Edelsberg, Mr.

Fox, Mr.

Hills, Miss

Hursh, Mrs.

[Ingersoll], Sturgis

Jacobson, Mrs.

Karsh, Mrs.

Kling, Vincent

[Kollek], Teddy

Mackler, Paul and Hope (Makler Gallery)

Miró, Joan

Moore, Henry

Murphy, Chancellor

Picasso, Pablo

Redom, Miss

Rudeman, Mr.

Sandberg, Willem

Silverman, Rabbi

Sullivan, Dr.

Verder, André

Betty

David

Directeur et Ami

Fred

Gigi

Leonard

Lou

Philip
Collection Restrictions:
Use of original papers requires an appointment. Use of audiovisual materials with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz, circa 1910-2001, bulk 1941-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz / Series 1: Jacques Lipchitz papers / 1.2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw909d32675-318a-4c34-a0c7-83777ae1d0b2
EDAN-URL:
ead_component:sova-aaa-lipcjacq2-ref356

Business Records

Collection Creator:
Makler Gallery  Search this
Extent:
1 Linear foot (Box 1)
Type:
Archival materials
Date:
1957-1989
Scope and Contents:
Business records contain correspondence, receipts and invoices, and printed material that document the gallery's transactions with artists, clients, and galleries. Also included are price lists and an exhibition record book containing lists of paintings and sale prices. Among the artists represented in the series are Milton Avery, Alexander Calder, Mary Frank, Hans Hofmann, George Rickey, and Jyoti Swaroop.
Arrangement:
Records are arranged alphabetically. For the Exhibition Record Notebook, contents were removed from the original binder, but the original order was maintained.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Makler Gallery records, 1957-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.maklgall, Series 1
See more items in:
Makler Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw992b7bf59-c306-43ad-bb53-77b92970a78a
EDAN-URL:
ead_component:sova-aaa-maklgall-ref11

Photographic Materials

Collection Creator:
Makler Gallery  Search this
Extent:
0.8 Linear feet (Box 2)
Type:
Archival materials
Date:
circa 1960-circa 1975
Scope and Contents:
Included in the photographs of exhibitions and events are the Maklers, Klaus Perls, Jacques Lipchitz, Alexander Calder, and others. Photographs of works of art include works by Louise Nevelson, Kosta Alex, Milton Avery, Camille Bombois, Alexander Calder, George Rickey, David Smith, and Jules Pascin.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Makler Gallery records, 1957-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.maklgall, Series 3
See more items in:
Makler Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c476070a-7188-4ea1-9880-730d5807037d
EDAN-URL:
ead_component:sova-aaa-maklgall-ref13

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