Search Results

Creator:

Underwood & Underwood  Search this

Publisher:

American Stereoscopic Co.  Search this

H. C. White Co.  Search this

Killela, J.J.  Search this

Underwood, Bert, 1862-1943  Search this

Underwood, Elmer, 1859-1947  Search this

Photographer:

Ponting, Herbert George, 1870-1935  Search this

Underwood, Bert, 1862-1943  Search this

Underwood, Elmer, 1859-1947  Search this

White, Clarence W.  Search this

Extent:

160 Cubic feet

Type:

Collection descriptions

Archival materials

Stereographs

Photographs

Stereoscopic photographs

Lantern slides

Date:

1895-1921

Summary:

A collection of approximately 28,000 glass plate negatives showing views of a variety of subjects.

Scope and Contents:

The major part of the collection, series 1-4, contains nearly 28,000 glass plates, including original stereoscopic negatives, interpositives, and both negative and positive non-stereoscopic plates used to produce lantern slides and paper prints. The photographs were taken all over the world. The majority are from the Underwood & Underwood active files, but plates from other publishers are also included. Series 5 is a small collection of paper stereographs. Series 6 contains 4 Underwood & Underwood descriptive sales catalogs and 1 H. C. White & Co. catalog (numbers on the Underwood plates correspond to the numbers on catalog captions). Series 7 is apparatus--four stereoscopes.

The approximately 28,000 glass plates in this collection have not been completely inspected at this point due to handling problems associated with asbestos contamination of the collection. A preliminary survey, however, indicated that the selections of images cover the full range of subject matter encompassed by the "Underwood Travel System." The subject matter is most easily comprehended by consulting one of the Underwood sales catalogs which accompany the collection. The catalog captions are arranged geographically, for the most part, and generally represent an organized "tour" which could be purchased as a boxed set, complete with maps and guide book, although individual images could be purchased separately. The catalogs indicate that the Underwood files were continually updated, for extensive modifications in some of the sets can be seen from edition to edition, and actual inspection of published stereographs shows that alternate views with identical Underwood catalog numbers were substituted from time to time, and that new subjects (with new catalog numbers) were sometimes introduced into the sets and old subjects were retired. There are glass plate negatives as well as positives in this collection. The positive images were probably interpositives used for the production of duplicate negatives. Some of the original stereo negatives were cut apart and the images transposed; they were then bound with an additional glass support (in many cases the tape has deteriorated). Half stereo positives also appear in the collection: these probably were intended for use in lantern slide production. Frequently a drawer of plates contains several incarnations of a single image, including the original negative, a copy negative, an interpositive, and a positive lantern slide. In other cases a drawer may contain only a single mode, e.g., original negatives, while corresponding positives and/or lantern slides appear in separate drawers.

A small quantity of the Underwood & Underwood plates are not from the Travel System, but represent humorous and genre subjects which were cataloged and marketed separately. The work of several other publishers, usually without Underwood catalog numbers, is also represented, including H. C. White, American Stereoscopic Company, and J. J. Killela.

The arrangement of the collection seems to reflect a combination of permanent reference storage as well as active use files. The apparent anomalies or inconsistencies probably indicate the pulling of plates from permanent files into temporary work files, and the collection may consist of a combination of permanent storage and temporary working files. As the drawers do not appear to have been renumbered according to any easily discernible pattern, they have become intermixed and rearranged in storage. The contents of each drawer usually have been found in good order, however, and the plates were nearly always arranged numerically,usually with the low numbers at the rear of the drawer and the highest number at the front. As the plates have been rehoused, the reverse numerical order has been corrected. When all the plates have been rehoused and inventoried, consideration will be given to general collection rearrangement and renumbering of the containers, either strictly in numerical order or topically and/or geographically with a numerical sequence within each group.

The collection is in good condition for the most part, although conservation attention will be required. There is a certain amount of emulsion peeling or frilling at the edges of some plates, but this is a condition to which emulsions on glass frequently are prone. A few plates, bound in a sandwich arrangement between cover glass and acetate facing the emulsion, have suffered severe damage, peeling, and image losses through the apparent ferrotyping and sticking of emulsion to the plastic, probably under conditions of high humidity at some stage. There is surprisingly little glass breakage within the collection.

Most of the stereoscopic negatives and many of the positives are defaced with a double "XI' scratched into the emulsion of either the left or right side, as described above in the historical note. Of particular interest and presumed rarity are cards found interfiled with plates in many of the drawers. These cards, filed by Underwood (i.e., catalog) numbers, bear printing'or production dates and notes, along with the unique, chronological accession numbers which the company assigned to each plate, regardless of the "active" number which it might eventually receive. A check mark on a card usually refers to a plate actually in the collection and with which the card is found physically associated; additional accession numbers without check marks listed on the cards possibly refer to variant views which were discarded or may in fact be in the Keystone Mast Collection (pending further research). For ease of handling and in the interest of conservation, the cards have been separated from the plates within each drawer and are arranged as a group at the rear, but can still be located easily. Frequently when a plate and/or its original envelope does not bear both the "active" and accession numbers, the missing number can be located on one of these cards.

Photographers represented include Herbert G. Ponting and Clarence W. White. A photographer and/or publisher named J. J. Killela is also represented.

Arrangement:

This collection is arranged in seven series. Series 1, 2, and 3 are each divided into negative and positive subseries. Plates are arranged numerically in groups based on geographical and subject content. Controlled at the series level in the finding aid and at the item level in a computer database.

Series 1, H. C. White glass plates

Series 2, American Stereoscpopic Co. glass plates

Series 3, Underwood & Underwood glass plates

Series 4, Broken glass plates

Series 5, Original company catalogs

Series 6, Paper stereographs

Series 7, stereoscopes (viewers)

Biographical / Historical:

Underwood & Underwood was established at Ottawa, Kansas, by the young brothers Elmer and Bert Underwood in 1882. They initially operated as distributors for eastern photographers' stereographs to new markets in the West. Their activities included door to door canvassing with views by Charles Bierstadt, J. F. Jarvis, and Littleton View Co.(1) Underwood & Underwood, Publishers, opened a branch office in Baltimore in 1887.(2)

Soon Underwood & Underwood and other large stereograph publishers began recruiting college students to work as salesmen during summer months (1890). Underwood and Underwood claimed that their organization alone sent out as many as 3,000 college students in one Summer [sic]. With the other ... big companies each employing more than 1,000, it is easy to understand how the countryside of the Nation literally swarmed with stereograph salesmen throughout the summer months! ... The competition between the salesmen themselves was likewise aggressive, with no holds barred. Many successful business and professional men of today relate with considerable pride that they got their start on their careers in this practical and very effective school of salesmanship.(3)

The company moved its main office from Ottawa, Kansas to New York City (1891),(4) and gradually began to publish its own stereographs. Bert Underwood finally took photography lessons from M. Abel in Mentone, France during the same year.(5) B. L. Singley, erstwhile salesman for the Underwood & Underwood and James M. Davis & Co. firms, in 1892 formed the Keystone View Company of Meadville, Pennsylvania, which was to become Underwood & Underwood's chief competitor and imitator.(6)

Underwood & Underwood entered the education market (1895) by producing packaged sets of 100 or more stereographs with descriptive texts.(7) From 1897 the firm employed full time staff photographers as well as free lancers. By 1901 the Underwoods were publishing 25,000 stereographs per day (i.e.,total number of cards). Increasing production levels led them to gain control of the Jarvis, Bierstadt, and William H. Rau photoprinting facilities in 1897 1898.(8)

The Keystone view Company created its own Educational Department in 1898. This division sustained the Keystone View Company past the period of the stereograph's popularity. In this year Underwood & Underwood reprinted Oliver Wendell Holmes's series on the stereograph and stereoscope which originally appeared in The Atlantic Monthly between 1859 and 1863. This eighty page booklet included testimonials from eminent scholars on the value of the stereograph in education. The company had been test marketing what itlater called "The Underwood Travel System." This consisted of a boxed set of stereo views of a country or region, a guide book describing the significance of the places shown, and a map showing their location and the viewpoints from which the stereographs were taken. Captions on the backs of the stereographs were sometimes printed in six languages.(9) As stereographs began to be used in schools as visual aids, the firm promoted its Travel System with endorsements from prominent educators, citing the usage of the system by various schools and universities.(10)

The H. C. White Company, which had manufactured stereoscopes for several decades, entered the stereo publication field in 1899.(11) Much of its production seemed to imitate Underwood & Underwood cards, including typography and the color of mount stock. Underwood & Underwood expanded into news photography by 1910 and gradually decreased its stereographic work. Few new stereo negatives were added to the file after 1912 except for a flurry of activity during the early war years, 1914 1916. The total number of Underwood & Underwood "titles" in stereo were from 30,000 to 40,000 (there might be a substantially larger number of actual negatives, since the files frequently were updated with newer views for old catalog numbers).(12)

Underwood & Underwood sold a portion of its negative file to the educational division of Keystone View Company in 1912,(13) and between 1921 1923 conveyed to this competitor their remaining stereo stock (presumably both cards and negatives) and rights.(14) In addition to its involvement as a news photographic agency, the company eventually opened portrait studios which flourished during the World war II years. A former Smithsonian employee, Vince Connolly, worked for Underwood & Underwood, which competed with Harris & Ewing in general portrait work during that period: he did portraiture and other photography, but says he was unaware of his employer's earlier stereo publishing activities.

Underwood & Underwood donated approximately 6000 negatives to the Section of Photography of the Division of Graphic Arts (1964). These photographs are primarily 4" x 5", captioned glass plate and film negatives. The subjects are news events and theatrical, sports, and political subjects of the early 20th century. In a letter to the Smithsonian of March 25, 1966 (in accession number 270586), Mrs. John M. Stratton described another collection of Underwood & Underwood photographs, stating that her husband had been a partner in Underwood & Underwood Illustrations and owned Underwood & Underwood News Photos. In November of the same year Mr. and Mrs. Stratton donated this collection of glass plates by Underwood & Underwood and other publishers to the Division of Photographic History (then the Section of Photography of the Division of Graphic Arts) . This material consists of both negative and positive stereographic plates, as well as non stereoscopic plates, chiefly copies made from the stereographs, with some catalogs, stereoscopes, and other material. The donor estimated 12,900 plates, but in 1983 the Smithsonian Institution inventory yielded a total of approximately 28,000 plates.

The Keystone View Company's stereoscopic production continued much later than Underwood & Underwood's. It was not until 1939 when declining interest in stereography led the firm to discontinue stereograph production and enter the field of visual optometrics. The stereoscopic negative collection, including material obtained from Underwood & Underwood and other firms, was placed in storage in concrete vaults. The Mast family of Davenport, Iowa, eventually purchased the collection in 1963, and in 1977 donated the collection to the University of California for its California Museum of Photography in Riverside. The University took physical possession of this vast collection in 1979.(15)

Many of the Underwood & Underwood plates donated by the Strattons (which were transferred to the Archives Center in 1983), in effect have been cancelled by having diagonal lines (double "X" marks) scratched into the emulsion of either the left or right image of each stereo pair (never both sides). These cancellation marks do not appear on the Underwood & Underwood plates in the Keystone Mast Collection in Riverside. This leads to several theories: (a) that these cancellations were in fact the reason that the Smithsonian plates were not purchased by Keystone in either 1912 or 1921, since Keystone clearly intended to use the Underwood material for stereograph production and the defaced plates would be of no value to them for this purpose; or (b), as stereo collector John Waldsmith suggests, that the cancellations were part of an agreement between Underwood & Underwood and Keystone: Keystone may have asked Underwood & Underwood to cancel one side of each stereoscopic plate not being sold to Keystone so that Underwood & Underwood would no longer be able to compete with Keystone in the stereo market. The defaced plates, as well as other material which Keystone did not purchase, apparently remained in Underwood custody and eventually were acquired by Mr. and Mrs. Stratton. The cancellation marks in the Smithsonian's collection are the subject of further conjecture. Edward Earle at Riverside feels that, since Underwood & Underwood sought to abandonded stereograph production much earlier than Keystone's departure from the field in order to enter the non stereoscopic lantern slide market, the cancellation may have served to indicate which side of each sterescopic pair should be converted to lantern slide production use; the existence of the 4" x 5" copy negatives and positives from stereographs in this collection seem to corroborate this. The Underwood & Underwood conversion from stereograph to lantern slide materials seems to coincide with the ascendance of lantern slide projection as visual aids in schools. The company apparently modified the type of photographic product which they published at least partially in recognition of this new educational trend.

NOTES

1. edward W. Earle, ed., Points of View: The Stereograph in America A Cultural @ Visual 'g . E!Ltory, Rochester, F.Y., Th Studies Workshop ress, 1979, p. 60; William Culp Darrah, The World of Stereographs, Gettysburg, Pa., 1979, p. 46.

2. Tbid., p. 62.

3. George E. Hamilton, Oliver Wendell Holmes, His Pioneer SLtuereoscope and Later Industry, New York, New )men Society, 1949, p. 17, quoted in Points of 1=e w:, 6 4 . P.

4. Points of View., p. 66.

5. Darrah, p. 47.

6. points of View, p. 66.

7. Ibid., p. 68.

8. Darrah, p. 47.

9. Points of View, p. 70.

10. Howard S. Becker, "Steteographs: Local, National, and International Art Worlds," in Points of View, p. 95. 11. points of View, p. 72.

12. Darrah, p. 48.

13. Darrah, p. 48, quoted in Points of View, P. 82.

14. Darrah, p. 48.

15. Chris J. Kenney, introduction to "Perspective and the Past: The Keystone Mast Collection," CMP Bulletin, Vol. 1, No. 2, 1982.

Related Materials:

California Museum of Photography, University of California--Riverside, Riverside, California 92521.

Underwood & Underwood stereographs in this collection and the Smithsonian Underwood & Underwood Collection originally were components of the same company file.

Provenance:

Collection donated by June Stratton (Mrs. John M.) on December 19, 1966.

Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Traveling sales personnel  Search this

Travel photography -- 1890-1930  Search this

Genre/Form:

Stereographs -- 1890-1930

Photographs -- Interpositives -- Glass -- 1890-1930

Photographs -- Black-and-white negatives -- Glass -- 1890-1930

Photographs -- 1900-1950

Stereoscopic photographs -- Glass -- 1890-1930

Lantern slides

Photographs -- 1890-1900

Citation:

Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0143

See more items in:

Underwood & Underwood Glass Stereograph Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep86e358e26-e305-49a6-bf9b-f2d38d995ae0

EDAN-URL:

ead_collection:sova-nmah-ac-0143

Artist:

Sellstedt  Search this

Type:

Paintings

Exhibition Catalogs

Date:

1876

Topic:

Performing Arts--Music--Fiddle  Search this

Figure  Search this

State of Being--Disabled--Blind  Search this

Control number:

AECI 02530201

Data Source:

Pre-1877 Art Exhibition Catalogue Index

EDAN-URL:

edanmdm:siris_aeci_50058

Artist:

Sellstedt, L. G.  Search this

Type:

Paintings

Exhibition Catalogs

Date:

1876

Topic:

Figure male--Child  Search this

Performing Arts--Music--Fiddle  Search this

State of Being--Disabled--Blind  Search this

Control number:

AECI 00500193

Data Source:

Pre-1877 Art Exhibition Catalogue Index

EDAN-URL:

edanmdm:siris_aeci_7642

Sculptor:

Conrads, Carl H. 1839-1920  Search this

Founder:

Ames Manufacturing Company  Search this

Subject:

Clerc, Laurent  Search this

Medium:

Sculpture: bronze; Base: granite

Type:

Sculptures-Outdoor Sculpture

Sculptures

Owner/Location:

School for the Deaf 139 North Main Street West Hartford Connecticut 06107

Date:

1874. Relocated ca. 1920

Topic:

Portrait male--Bust  Search this

Figure--Fragment--Hand  Search this

State of Being--Disabled--Deaf  Search this

Control number:

IAS 76005527

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_16190

Sculptor:

Hultberg, John 1922-2005  Search this

Medium:

Gessoed wood

Type:

Sculptures

Owner/Location:

Portland Museum of Art Seven Congress Square Portland Maine 04101 Accession Number: 1981.1092

Date:

1981

Topic:

Religion--Angel  Search this

State of Being--Disabled--Physical Disability  Search this

Control number:

IAS 18580031

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_294197

Sculptor:

Unknown  Search this

Architect:

Fulton, J. Charles  Search this

Medium:

Painted metal, possibly hammered copper

Type:

Sculptures-Outdoor Sculpture

Sculptures

Owner/Location:

Administered by Doddridge County Doddridge County Commission 118 East Court Street, Room 102 West Union West Virginia 26456

Located Doddridge County Courthouse Main & Court Streets Front gable facade West Union West Virginia 26456

Date:

1899-1903

Topic:

Allegory--Quality--Justice  Search this

State of Being--Disabled--Blind  Search this

Figure female--Full length  Search this

Object--Tool--Scale  Search this

Control number:

IAS WV000063

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_310909

Painter:

Willard, Archibald M. 1836-1918  Search this

Medium:

Oil on plaster

Type:

Paintings-Mural

Paintings

Owner/Location:

Southern Lorain County Historical Society 201 North Main Street, P. O. Box 76 Wellington Ohio 44090

Topic:

Literature--Character--Nydia  Search this

State of Being--Disabled--Blind  Search this

Literature--Bulwer-Lytton--Last Days of Pompeii  Search this

Control number:

IAP 66760014

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_315976

Sculptor:

French, Daniel Chester 1850-1931  Search this

Founder:

American Art Foundry  Search this

Subject:

Gallaudet, Thomas Hopkins  Search this

Cogswell, Alice  Search this

Medium:

Sculpture: bronze; Base: tan granite

Type:

Sculptures-Outdoor Sculpture

Sculptures

Owner/Location:

American School for the Deaf 139 North Main Street West Hartford Connecticut 06107

Date:

1888. Cast 1924

Topic:

Portrait male--Full length  Search this

Occupation--Education--Teacher  Search this

Portrait female--Full length  Search this

State of Being--Disabled--Deaf  Search this

Occupation--Education--Student  Search this

State of Being--Emotion--Friendship  Search this

Object--Written Matter--Book  Search this

Object--Furniture--Chair  Search this

History--Arts & Sciences--Education  Search this

Control number:

IAS CT000169

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_321917

Sculptor:

Langlais, Bernard 1921-1977  Search this

Painter:

Wyeth, Andrew Newell 1917-2009 (copy after)  Search this

Subject:

Unidentified  Search this

Medium:

Sculpture: wood, painted; Foundation: concrete

Type:

Sculptures-Outdoor Sculpture

Sculptures-Copy

Sculptures

Place:

Maine

Date:

1970

Topic:

Portrait female--Christina  Search this

Portrait female--Full length  Search this

State of Being--Disabled--Physical Disability  Search this

Control number:

IAS ME000226

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_325933

Sculptor:

Unknown  Search this

Subject:

Grier, William Moffatt  Search this

Medium:

Sculpture: white marble; Base: granite

Type:

Sculptures-Outdoor Sculpture

Sculptures

Owner/Location:

Erskine College Development Office Main Street Due West South Carolina 29639

Date:

Ca. 1900

Topic:

Portrait male--Full length  Search this

Occupation--Education--Teacher  Search this

Occupation--Writer--Editor  Search this

State of Being--Disabled--Physical Disability  Search this

Control number:

IAS SC000192

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_326382

Sculptor:

Salerno, Gino 1962-  Search this

Medium:

Sculpture: wood, carved; Base: wood

Type:

Sculptures-Outdoor Sculpture

Sculptures

Owner/Location:

Administered by City of Wichita Department of Parks and Recreation 455 North Main, 11th Floor Wichita Kansas 67202

Located Riverside Park 10th & Bitting Wichita Kansas

Date:

1989

Topic:

Figure male--Full length  Search this

State of Being--Disabled--Physical Disability  Search this

Dress--Accessory--Cane  Search this

Control number:

IAS KS000341

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_328518

Sculptor:

Salerno, Gino 1962-  Search this

Medium:

Wood, carved and painted

Type:

Sculptures-Outdoor Sculpture

Sculptures

Owner/Location:

Administered by City of Wichita Department of Parks and Recreation 455 North Main, 11th Floor Wichita Kansas 67202

Located Riverside Park Wichita Kansas

Date:

Nov. 1991

Topic:

Figure male--Full length  Search this

State of Being--Disabled--Physical Disability  Search this

Object--Other--Wheelchair  Search this

Control number:

IAS KS000344

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_328521

Sculptor:

Ganson, Arthur  Search this

Assistant:

Fitch, Chris  Search this

Medium:

Sculpture: PVC pipe metal, and laminated marine plywood (?); Base: wood, painted

Type:

Sculptures-Outdoor Sculpture

Sculptures

Owner/Location:

Children's Discovery Museum 177 Main Street Acton Massachusetts 01720

Date:

Dedicated May 11, 1993

Topic:

Homage--Appleton, Andy  Search this

Abstract  Search this

State of Being--Disabled--Blind  Search this

Control number:

IAS MA000094

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_330842

Painter:

Unknown  Search this

Medium:

Oil on board

Type:

Paintings

Owner/Location:

Maine Historical Society 485 Congress Street Portland Maine 04101

Date:

Ca. 1830

Topic:

Figure group--Female  Search this

Object--Other--Cornucopia  Search this

State of Being--Disabled--Blind  Search this

Object--Other--Money  Search this

Object--Written Matter--Scroll  Search this

Allegory--Quality--Justice  Search this

Allegory--Quality--Wealth  Search this

Control number:

IAP 18560108

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_345386

Painter:

Scheuerle, Joe 1873-1948  Search this

Subject:

Unidentified  Search this

Medium:

Watercolor and gouache on paper

Culture:

Indian  Search this

Type:

Paintings

Owner/Location:

Cincinnati Art Galleries 635 Main Street Cincinnati Ohio 45202

Date:

1913

Topic:

Portrait female--Bust  Search this

Ethnic--Flathead  Search this

Dress--Accessory--Hat  Search this

State of Being--Disabled--Blind  Search this

Control number:

IAP 8E480086

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_446043

Painter:

Obata, Chiura 1885-1975  Search this

Medium:

Watercolor on silk

Type:

Paintings

Owner/Location:

Topaz Museum 55 West Main Street Delta Utah 84624

Date:

1943

Topic:

Landscape--Utah  Search this

Landscape--Time--Night  Search this

Landscape--Celestial--Moon  Search this

Landscape--Road  Search this

Landscape--Mountain  Search this

Architecture exterior  Search this

Figure group  Search this

Control number:

IAP 8G010057

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_475187

Painter:

Wood, Thomas Waterman 1823-1903  Search this

Medium:

Oil

Type:

Paintings

Owner/Location:

T. W. Wood Art Gallery Main Street Montpelier Vermont 05602

Date:

Ca. 1891-95

Topic:

Figure  Search this

State of Being--Disabled--Blind  Search this

Performing Arts--Music--Harp  Search this

Control number:

IAP 53740109

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_62571

Materials:

Wood- overall

Cloth - covering

Dimensions:

Model: 11.8 × 41.5 × 49cm (4 5/8 × 16 5/16 × 19 5/16 in.)

Type:

MODELS-Aircraft

Country of Origin:

United States of America

Credit Line:

Gift of the estate of Glenn L. Martin.

Inventory Number:

A19590124000

Restrictions & Rights:

CC0

See more items in:

National Air and Space Museum Collection

Location:

National Air and Space Museum in Washington, DC

Exhibition:

Early Flight

Data Source:

National Air and Space Museum

GUID:

http://n2t.net/ark:/65665/nv980a409c5-0486-4f1f-9c65-337c08c31b88

EDAN-URL:

edanmdm:nasm_A19590124000

Model Maker:

Peter Shoemaker  Search this

Materials:

Wood- overall

Cloth - covering

Dimensions:

Model: 20.3 × 44.5 × 54cm (8 in. × 17 1/2 in. × 21 1/4 in.)

Type:

MODELS-Aircraft

Country of Origin:

United States of America

Credit Line:

Model made and donated by Peter Shoemaker, 1960.

Inventory Number:

A19600229000

Restrictions & Rights:

CC0

See more items in:

National Air and Space Museum Collection

Location:

National Air and Space Museum in Washington, DC

Exhibition:

Early Flight

Data Source:

National Air and Space Museum

GUID:

http://n2t.net/ark:/65665/nv96e23a005-ea53-4e15-bfd6-9ea663ab691c

EDAN-URL:

edanmdm:nasm_A19600229000

Manufacturer:

Kyushu Hikoki K. K.  Search this

Dimensions:

Overall: 12ft 9 9/16in., 8035.8lb., 31ft 9 7/8in. x 36ft 5in. (390cm, 3645kg, 970 x 1110cm)

Type:

CRAFT-Aircraft

Country of Origin:

Japan

Date:

1945

Credit Line:

Transferred from the U.S. Air Force

Inventory Number:

A19600333000

Restrictions & Rights:

Usage conditions apply

See more items in:

National Air and Space Museum Collection

Location:

Steven F. Udvar-Hazy Center in Chantilly, VA

Exhibit Station:

World War II Aviation

Data Source:

National Air and Space Museum

GUID:

http://n2t.net/ark:/65665/nv95ca5475a-d0c4-4a9d-b96e-b800f82a4d61

EDAN-URL:

edanmdm:nasm_A19600333000