Photographs, scrapbooks, and other materials documenting the career of Joe Adams, a Los Angeles radio announcer and movie and television actor, who later became Ray Charles's manager.
Scope and Contents:
The collection is comprised of photographs, correspondence, certificates, magazines and scrapbooks of newspaper clippings dating from 1947-1980. The materials document Adams's career in radio and film, as well as touching upon his military experience with the Tuskegee Airmen. Various documents and newspaper features depict Adams's relationship with a multitude of local and national celebrities; of particular note is the long list of musicians represented, such as Ella Fitzgerald and Frank Sinatra. Public figures, including several former mayors of Los Angeles and members of law enforcement, also appear.
The collection also includes magazines featuring articles on Adams and other celebrities and public figures. Adams appears in many advertisements for a variety of products that sponsored his radio shows. There are photographs, programs and advertisements for the movies, shows and plays in which Joe Adams appeared, including Disc Jockey and Carmen Jones. There is correspondence from public relations employees during the Ray Charles tour and from other radio personalities and journalists. There are also several certificates given in appreciation for Adams's community service. Newspaper articles and photographs feature "Joe Adams Day," declared by the mayor of Los Angeles, and document Adams's overseas USO tour to entertain the men and women of the Armed Forces, which was also broadcasted on Armed Forces Radio.
Series 1, Photographs, circa 1947-1980; undated, documents Joe Adams's personal and professional life. The photographs are arranged by subject, including Adams's work in radio and film, his public appearances, celebrities, Joe Adams Day, his work with the military and his later years. There is some overlap among the subject categories. The majority of the photographs cannot be dated. Featured programs, places, organizations and celebrities include the 7th United States Infantry Division, Emma Adams, Jim Ameche, Armed Forces Radio, Milton Berle, Eugene Biscailuz, Ruth Bowen, Fletcher Bowron, Tom Bradley, Tommy Butler, California Artichoke Foundation, Ray Charles, Nat King Cole, Paul Compton, Billy Daniels, Disc Jockey, the movie, Egyptian Shriners, Duke Ellington, Ella Fitzgerald, Suzette Gomez, Amos Green, Lionel Hampton, Eddie Harbin, Shirley Haven, Hollywood Foreign Correspondents Association, Lena Horne, Jamaica, the Broadway play, Joe Adams Day, Danny Kaye, KDAY radio, Korea, KOWL Radio, Joe Lewis, Julie London, Nellie Lutcher, Will Martin, Clarence Metcalf, Husky Miller, MGM Studios, Roy Milton, David "Fathead" Newman, One Night Stand radio program, Pantages Nightclub, Pigalle Nightclub, Pub of Pittsburg, Pa., Lillian Randolph, Willis Reed, "Sugar Ray" Robinson, Kenny Rogers, Timmie Rogers, Ruth Bowen Agency, Wylie "Captain Death" Seldon Jr., Lionel "Chico" Sesma, George "Geo" Shearing, Frank Sinatra, "Star of Stars" Charity Show, Barry Sullivan, The Trenier Twins, The Tuskegee Airmen, USO, Viscount Airlines, Ches Washington, Dinah Washington, and Ben Webster.
Series 2, Scrapbooks, circa 1947-1954; undated, consists of newspaper articles, photographs, advertisements, and playbills. The scrapbooks document Adams's start in radio, his permanent appointment to KOWL, his service in the military and the inner-city community, his unique perspective and his philanthropy. They contain newspaper advertisements for Adams's radio shows on KOWL and the Armed Forces Radio Broadcasts. The scrapbooks include advertisements for his television shows as well as events and benefits where Adams was the featured emcee. Ink drawings of Adams used to advertise various products also appear in the newspaper articles. There are news stories on Joe Adams Day, a bus accident involving Lionel Hampton, the release of Ray Charles's song "Georgia" (1979), and advertisements for the movies Carmen Jones and The Manchurian Candidate. Numerous photographs document Adams's broadcasts and musical performances domestically and abroad as well as his interactions with many celebrities in the musical world. Aside from some newspaper clippings that include the date of publication, the contents of the scrapbooks are not dated. Featured programs, places, organizations and figures include Emma Adams, Ira Adams, Don Allen, Armed Forces Radio, Pearl Bailey, George A. Baron, Count Basie, Harry Belafonte, Irvin Berman, Eugene Biscailuz, Manny Borun, Fletcher Bowron, Charley Browning, Carmen Jones, the movie, Ray Charles, Club de Lisa, Arthur Croghan, Clay Cunningham, Dorothy Dandridge, Sammy Davis Jr., Warren Dorn, Billy Eckstine, Egyptian Shriners, Bob Ellis, Kay Francis, Robert D. Funk, Georgia (by Ray Charles), Lee Gillette, Golden Grooves radio show, Curley Hamner, Lionel Hampton, Hunter Hancock, Addie Hansen, Leon Helflin, Billie Holiday, H. Claude Hudson, Jamaica, the Broadway play, Al Jarvis, Herb Jeffries, Joe Adams Day, Leon King, KOWL Radio, June Kristy, Chuck Landis, Mauri Lyn, The Manchurian Candidate, MGM Studios, Husky Miller, Lucky Millinder, Tim Moor, Otto Preminger, Paul Price, Lillian Randolph, Leonard J. Roach, Caesar Romero, Nina Russell, Lionel "Chico" Sesma, Jerry Simons, Mike Thompson, Sonny Tufts, Sarah Vaughan, T-Bone Walker, Dinah Washington, Leon H. Washington Jr. and Artie Wayne.
Series 3, Other Materials, 1948-1980; undated, includes magazines, correspondence, certificates and newspaper articles. The magazine cover stories are dedicated to fashion or to public figures such as John F. Kennedy, but they each contain a feature on Joe Adams and his involvement in the broadcast industry and the jazz music scene. There are fashion photographic spreads using musical stars that Adams knew well such as Nat King Cole. Two certificates thank Adams for community service to the Hollywood Canteen and the Hollywood Junior Chamber of Commerce (the "Out of this World series" celebrity baseball game). The correspondence is from other members of the broadcasting industry and pertains to matters in and outside of the business realm. The series also contains publicity concerning Ray Charles's tour through South Africa and the story of how Adams came to be his manager. Aside from magazines and newspaper clippings where the date of publication is featured, the majority of these materials are not dated. Featured programs, places, organizations and figures include Ami Artzi, Eddie Chamblee, Ray Charles, The Ray Charles Band, Nat King Cole, Madi Comfort, The Cotton Club, Arthur Croghan, Hilary Falkow, Roberta Flack, Joe Greene, Hollywood Canteen, Hollywood Junior Chamber of Commerce, Lena Horne, Charlotte Moton Hubbard, Karen Hutchinson, Jamaica, the Broadway play, Lyndon B. Johnson, James Earl Jones, Danny Kaye, John F. Kennedy, Lew Lauria, Robert Lewis, Sonny Liston, Paul R. McClure, Ricardo Montalban, Willa Moultrie, Lee Harvey Oswald, Breau Palmer, and Jack Ruby.
Arrangement:
The collection is divided into three series.
Series 1, Photographs, circa 1947-1980
Series 2, Scrapbooks, circa 1947-1954; undated
Series 3, Other Materials, 1948-1980; undated
Biographical / Historical:
Joe Adams was born on April 11, 1924. A native of Los Angeles, California, he wanted to work in radio at a very young age. Despite the racial discrimination that existed in the radio and television industry, Adams pressed on, practicing public speaking in vacant lots. He also gained confidence serving domestically as a pilot with the 332nd Tuskegee Airmen Fighter Group during World War II.
After his time in the service, Adams was able to get occasional radio work at Hollywood stations such as KFWB, KPAS, KFOX, and KGFJ. In 1946, Adams got the chance to host a fifteen minute radio show at KOWL. He also married his wife, Emma Millhouse, that year.
Within two years, Joe Adams was hosting the number one-rated live radio show in Los Angeles, and the show had expanded from fifteen minutes to five hours. Adams was also able to sign on fifty-six sponsors for his show, a number previously unheard of. This was the beginning of a career that would last for more than twenty years.
During the 1940s and 1950s, Adams garnered success both on the radio, the small screen, and the big screen. He had two television shows, Adams Alley and Joe Adams Presents, made famous for the many music and film stars that Adams featured. Some of the celebrities Adams hosted included Jerry Lewis, Duke Ellington, The Trenier Twins, Ella Fitzgerald, Billie Holiday and Count Basie. Ellington played two themes for Adams's shows, "Take the 'A' Train" and "Smada" ("Adams" backwards). Both songs were written by jazz great, Billy Strayhorn. In 1954, Adams fronted a band that was part of the first USO tour to entertain troops stationed in Korea. Among the band members was actress-turned-singer, Shirley Haven.
Adams opened a nightclub, Pigalle, which was wildly popular in Los Angeles. In addition to being one of the first radio personalities to do a simulcast radio and live show by appearing live at the Paramount Theater in downtown Los Angeles, Adams was the first African American to be featured in an on-air, West Ccoast network radio show.
Adams appeared in nearly thirty movies, including the hit Carmen Jones (1954), where he played Husky Miller, and the original version of The Manchurian Candidate (1962). In 1958, Adams became the first African American to receive the Foreign Correspondents Award for Outstanding New Actors from the Hollywood Foreign Correspondents Association. The Foreign Correspondents Award would later be called The Golden Globe. In 1957, Adams retired from radio and television to star in the Broadway play, Jamaica, with Lena Horne and Ricardo Montalban.
Adams made many famous friends during his career in broadcasting and film; one of the best known was Ray Charles. After inviting Adams on tour in 1959, Charles asked Adams to become his manager. Adams agreed (although to date, Adams humorously claims, he was never formally hired), and he managed Charles until the musician's death in 2004. Adams helped position Charles for fame through such venues as a long line of Pepsi commercials and the creation of both a Ray Charles studio and a company. Adams even arranged for Charles to tour in South Africa, and he served as both the producer of the Ray Charles Show and the wardrobe designer for Charles and his backup singers, the Raelettes.
Adams also acquired expertise outside the broadcasting and music business. He became a licensed commercial pilot and an authority in law. His philanthropy and his tireless work for African Americans and inner-city communities have been recognized by many organizations, from the Egyptian Shriners to the Urban League. Even his home town of Los Angeles has recognized Adams's efforts, making March 14th the official "Joe Adams Day."
Sources
The National Visionary Leadership Project. "Joe Adams." http://www.visionaryproject.
org/adamsjoe (accessed June 20, 2008).
Ray Charles Official Website. "Joe Adams." http://www.raycharles.com/the_legacy_
joe_adams.html (accessed June 28, 2008).
Separated Materials:
The Division of Culture and the Arts (now Division of Cultural and Community Life) holds artifacts related to this collection, including three jackets and one blue tuxedo worn by Joe Adams during his onstage career with Ray Charles and two scripts from the movie The Manchurian Candidate (1962) and the Broadway musical, Jamaica. See accession number 2005.3098.
Provenance:
Collection donated by Joe Adams.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
United States of America -- Vermont -- Bennington County -- Manchester
Turkey Hill Farm (Manchester, Vermont)
Scope and Contents:
55 digital images (2019) and 1 file folder with a photocopy of cover art of this farm for a 1925 Country Life magazine.
General:
In the 1930's the owners of a farmhouse originally built in 1849 installed gardens around the house including a sunken rose garden, perennial borders, a cutting garden, and a formal terrace with a spring-fed fountain. These gardens were maintained by three generations of the Childs family and by the current owner when the 15-acre property was purchased in 1998. In 2005 a five-acre pasture was developed as a sculpture garden with contemporary works of art and complementary plantings. A dry stream bed (arroyo) that cuts through the property was turned into another garden, planted with iris, Japanese primrose, cranesbill and hosta. Between 2012 and 2015 a woodlands garden with a rustic pergola and hexagonal gazebo and a Japanese garden with a pagoda, French Art Deco gate and arched bridge were designed and installed. Some of the original perennial borders were updated with flowers in bolder colors but antique apple trees, another pergola with benches underneath for appreciating the views, a cider press, and outbuildings including a stone spring house have been preserved. A corn crib was converted into a guest cottage; a larger guest house near the main house has linear hedges and flower beds as well as a reflecting pool on the axis that leads to a sculpture.
The stone walls and hedges are meticulous, lawns are mowed in the crisscrossing pattern, and narrow brick paths have been set into wider mowed grass walkways. Clipped hedges with stone walls or artefacts highlight long views of these grounds toward distant mountains. There are two fenced vegetable gardens and a greenhouse. A large pond has a pond house nearby as well as a small sand beach. The garden has been included in tours sponsored by the Nature Conservancy and used by non-profit organizations for fund raising events. The owner is interested in preserving the property as a public space.
Persons associated with the garden include: F. Nelson and Florence Doubleday (former owners, -1931); Lowrie and Hortense Childs (former owners, 1931-1944); Charles S. and Helen Childs (former owners, 1944-1976); Charles (Pete) and Jane Childs (former owners, 1976-1998); Sylvia and Stanley Stroup (owners, 1998-2017); Stanley Stroup (owners, 2017-); Hortense Childs (house gardens designer, 1930's); North Hill Garden Design (sculpture garden and woodland garden designers, 2008 and 2007-2012); Ray Smith (Japanese garden designer, 2013); Sugar Rock Landscape (hardscape construction, 2008-2014); Janette Morrison and Ernie Dibble (gardeners, 1998- ); David Tamych (sculptor); Rita Dee (sculptor); Richard Erdman (sculptor); Phil Thorne (sculptor); Roger Di Taranto (sculptor); Thomas Ostenberg (sculptor); Mark Chatterley (sculptor); Hans Van de Bovencamp (sculptor); Peter Woytuk (sculptor); George Sherwood (sculptor); Curt Brill (sculptor); Royden Mills (sculptor).
Provenance:
The Bennington Garden Club facilitated the 2019 submission.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
The materials in this collection span the years from the late 1920s to the 1970s and document Metzig's work in Germany and the United States. Little background and biographical information is available.
Project files : More than 500 examples of the designer's work, including letterheads, logos, trademarks, brochures, book jackets, magazine covers and layouts, certificates, awards, and product labels.
Printed Materials : Includes articles written by Metzig and a copy of his publication, "Art Lettering and Design," which was done for the International Correspondence Schools of Pennsylvania in 1957. This collection does not include any business records or correspondence.
Other Visual Materials : Photographs, slides, and transparencies of many of Metzig's designs.
Arrangement:
This collection is arranged into three record groups: 1) printed materials; 2) project files; and 3) other visual materials. Project files are arranged in alphabetical order by name of client. Extensive files for projects done for distilleries and publishing companies are alphabetized separately.
Biographical / Historical:
Graphic designer and artist. Born Hanover, Germany, 1893. Metzig apprenticed with a lithographer prior to establishing his own studio in the 1920s. He designed trademarks, logos, letterheads, brochures, and posters for clients. He is best known for his work for Pelikan Ink Company.
He also designed book covers, magazine covers, and page layouts. In the 1930s, Metzig became known as a leading calligrapher and advertising artist in Germany. He immigrated to the United States in 1939 and settled in New York where he taught calligraphy and did freelance graphic design until his death in 1989.
Provenance:
The collection was donated by Mr. Metzig's daughter, Mrs. Matthew Murgio, and a former student and friend of Metzig's, Lili Wronker, 1990.
Restrictions:
Permission of staff required to photograph materials.
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
National Museum of American History (U.S.). Division of Science, Medicine, and Society Search this
Extent:
7.5 Cubic feet (21 boxes, 3 oversized folders)
Type:
Collection descriptions
Archival materials
Pamphlets
Leaflets
Correspondence
Advertisements
Place:
Lithuania
Date:
1975-2019, undated
bulk 1987-1993
Summary:
This collection consists of pamphlets, books, and a wide variety of printed matter and ephemera relating to HIV/AIDS. The collection was principally assembled by National Museum of American History, Smithsonian Institution curators Ramunas Kondratas and Katherine Ott.
Scope and Contents:
The Division of Science, Medicine, and Society HIV/AIDS Reference Collection contains a large amount of printed material representing how HIV/AIDS was depicted in popular culture, in the medical sciences, by activist groups, and by government agencies principally during the late 1980s and early 1990s. Most of the collection consists of pamphlets, brochures, reports, and other educational material designed to raise awareness about HIV/AIDS in the general public.
This collection includes correspondence and conference proceedings related to the history of HIV/AIDS. The materials were collected by NMAH curator Ramunas "Ray" Kondratas, working together with the AIDS history group that was part of the American Association for the History of Medicine. A number of bibliographies and resource guides to literature related to HIV/AIDS are included in the collection. Geographically, the material is primarily from the Washington, D.C. metropolitan area, with New York City, San Francisco, Los Angeles, the general United States, as well as Lithuania and London, also represented in the collection.
An addendum was added to the collection in 2023. These materials were gathered during research for the National Museum of American History exhibition that opened in May 2011.
The Smithsonian Institution press release from May 2011 described the three-pronged exhibit (now closed): 'HIV and AIDS Thirty Years Ago' will look at the public health, scientific and political responses in the early phase (1981-87) of the global pandemic. This showcase will be located in the museum's "Science in American Life" exhibition, which focuses on the connections among science, culture and society in American history. The display will feature photographs, magazine covers and other graphics plus equipment that Dr. Jay Levy used to isolate the virus in his lab at the University of California, San Francisco, a copy of the Surgeon General's 1986 report presenting the government's position, samples of the drugs AZT and Retrovir and public health information pamphlets from AIDS service organizations. The website will be available at americanhistory.si.edu/hivaids.
In 'Archiving the History of an Epidemic: HIV and AIDS, 1985-2009,' the museum's Archives Center will show how individuals and society were affected by the epidemic through a selection of archival materials from its collections, including posters for the 1993 movie Philadelphia with Tom Hanks and Denzel Washington and the 1989 film Longtime Companion; brochures, photographs and other popular culture materials; and quotes from oral histories of people affected by the epidemic.
The museum will also display a panel from the AIDS Memorial Quilt of the Names Project Foundation, honoring Roger Lyon, who died of complications from AIDS in 1984 shortly after testifying before Congress to appeal for funding to combat the growing epidemic. The quilt will be on view in the first-floor Artifacts Wall." SI Press Release, May 2011.
Arrangement:
The collection is organized into six series.
Series 1, Educational Material and Advertisements, 1984-2004
Subseries 1, American Red Cross, 1986-1993, undated
Subseries 2, Gay Men's Health Crisis, Incorporated, 1985-1994, undated
Subseries 3, New York State Health Department, 1984-1991, undated
Subseries 4, Government of the District of Columbia, 1990-1996, undated
Subseries 5, United States Department of Health and Human Services, 1984-1995, undated
Subseries 7, Various Organizations, 1984-2004, undated
Subseries 8, Posters, Newspapers, and Ephemera, 1986-1994, undated
Series 2, Reports, Commissions and Bibliographies, 1981-1999
Subseries 1, Presidential Commission on the Human Immunodeficiency Virus (HIV) Epidemic, 1987-1989
Subseries 2, Centers for Disease Control (CDC), 1981-1999
Subseries 3, National Library of Medicine (NLM), 1986-1993
Subseries 4, Other Organizations, 1987-1988
Series 3, Ramunas Kondratas, Correspondence and Collected Materials, 1979-1994, undated
Series 4, AIDS/HIV Related Press Clippings and Periodicals, 1982-2006
Series 5, Audiovisual Material, 1988
Series 6, 2023 Addendum, 1975-2019, undated
Subseries 6.1, Research Files, 1975-2019, undated
Subseries 6.2, Periodicals, 1983-2012, undated
Subseries 6.3, Photographs and Audio-Visual, 1985-2010, undated
Biographical / Historical:
The HIV/AIDS crisis that began in the 1980s is a defining period of the later half of the 20th century. Once thought to be a disease affecting homosexual men only, the epidemic spread to the broader population of the United States and the world at large. The response to the epidemic came from many public and private organizations, some internationally known like the Red Cross and some at the local level such as the Whitman-Walker Clinic in Washington, D.C. Many organizations produced a variety of pamphlets, studies, and reports dealing with all aspects of the disease.
This collection consists of material collected by the Smithsonian's National Museum of American History, Division of Science, Medicine, and Society. The bulk of the collection was assembled by curator Ramunas "Ray" Kondratas during the late 1980s and early 1990s.
Provenance:
Received from Ramunas Kondratas, curator, Division of Science, Medicine, and Society. 2023 Addenda received from Katherine Ott, curator, Division of Science, Medicine, and Society.
Restrictions:
The collection is open for research use. Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Please ask staff to remove any staples before copying.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: reproduction fees may apply.
New Deal and the Arts Oral History Project Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Tyrus Wong, 1965 January 30. Archives of American Art, Smithsonian Institution.
New Deal and the Arts Oral History Project Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Douglass Crockwell, 1965 February 21. Archives of American Art, Smithsonian Institution.
