United States -- Economic conditions -- 1918-1945 -- California -- San Francisco
United States -- Social conditions -- 1933-1945 -- California -- San Francisco
Date:
1936-1937
Scope and Contents:
Twenty volumes of the publication, CALIFORNIA ART RESEARCH, containing monographs on artists whose principal residence was San Francisco.
REEL NDA/Cal 1: Artists include Robert Aitken, Arthur Atkins, Albert Bierstadt, Ray Boynton, Anne Bremer, Henry J. Breuer, Giuseppe Cadenasso, Emil Carlsen, M. Earl Cummings, Rinaldo Cuneo, Charles Dickman, Maynard Dixon, Charles Grant, Armin Hansen, H. W. Hansen, Thomas Hill, Christian Jorgensen, Amedee Joullin, William Keith, Constance Macky, Xavier Martinez, Arthur Mathews, Francis McComas, Arthur C. Nahl, Charles C. Nahl, Hugo W. A. Nahl, Perham W. Nahl, Virgil T. Nahl, Ernest Peixotto, Charles R. Peters, Gottardo Piazzoni, Horatio Nelson Poole, Arthur Putnam, Joseph Raphael, Mary C. Richardson, Julian Rix, Charles D. Robinson, Toby Rosenthal, Will Sparks,Jules Tavernier, Douglas Tilden, Domenico Tojetti, Frank Van Sloun, Thaddeus Welch, Virgil Williams, Evelyn A. Withrow, and Theodore Wores.
REEL NDA/Cal 2: Artists include Rowena M. Abdy, Gertrude Albright, Hermann O. Albright, Maxine Albro, Victor Arnautoff, Matthew R. Barne s, Frank Bergman, Jane Berlandina, Ray Bethers, Beniamino Bufano, Margaret Bruton, Chee Chin, Ruth Cravath, Helen Forbes, Euphemia C. Fortune, William Gaw, Edith Hamlin, William Hesthal, Clark Hobart, Charles Howard, John G. Howard, John L. Howard, Robert Boardman Howard, Adaline Kent, Dong Kingman, Lucien Labaudt, Spencer Mackey, Jo Mora, Jose Moya del Pino, Chiura Obata, Otis Oldfield, Julius Pommer, George B. Post, Dorothy W. Puccinelli, Raimondo Puccinelli, Lee F. Randolph, Andree Rexroth, Matteo Sandona, Geneve R. Sargeant, Sergey J. Scherbakoff,Jacques Schnier, Yoshida Sekido, Joseph M. Sheridan,Ralph Stackpole, and Bernard Zakheim.
Biographical / Historical:
Publication of the Works Progress Administration; San Francisco, Calif. Sponsored by Dr. Walter Heil of the M.H. de Young Museum. Was originally a joint project of the WPA-Statistical projects division and the WPA-Federal Art Project in order to disseminate information about artists and art in the San Francisco region.
Publication, Distribution, Etc. (Imprint):
San Francisco, WPA Project 2874, 1936-1937.
Provenance:
Provenance unknown.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Artists -- California -- San Francisco Search this
Topic:
New Deal, 1933-1939 -- California -- San Francisco Search this
Federal aid to the arts -- California -- San Francisco Search this
Federal aid to the public welfare -- California -- San Francisco Search this
Art and state -- California -- San Francisco Search this
Interview of Louis B. Siegriest, conducted 1975 April 5, by Paul Karlstrom and Nathan Oliveira, for the Archives of American Art, at Mr. Siegriest's home, in Oakland, California. Siegriest and Oliveira speak of his early career; the Society of Six; and the Bay Area figurative school. He recalls Perham Nahl, Bernard "Red" von Eichman, Bob Howard, Frank Van Sloun, Ruth Armer, Constance Macky, Lee Randolph, John Winkler, Maurice del Mue, Maynard Dixon, Willard Cox, Louis Hughes, Seldon Gile, August Gay, Xavier Martinez, Gottardo Piazzoni, Ralph Stackpole, Theodore Wores, Bill Gaw, William Henry Clapp, Terry St. John, Galka Scheyer, Maurice Logan, C.S. Price, Mark Tobey, Morris Graves, Richard Diebenkorn, David Park, Elmer Bischoff, Frank Lobdell, Clifford Still, Diego Rivera, Otis Oldfield, Edna Stoddart, Johan Hagemeyer, and many others.
Biographical / Historical:
Louis Siegriest (1899-1989) was a painter from Oakland, California. Full name is Louis Bassi Siegriest.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 3 digital wav files. Duration is 3 hr., 13 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript is available on the Archives of American Art's website.
