An interview of Otto Piene conducted 1988 Aug. 4-1990 Feb. 22, by Robert F. Brown, for the Archives of American Art, Smithsonian Institution, in Cambridge, MA.
Piene speaks of his childhood in Westphalia, Germany; his World War II military service; the decision to become an artist; training in Dusseldorf, 1949-1952; the founding of Group Zero with Heinz Mack in Dusseldorf, 1957-1966; visits to the United States in the 1960s and some of his early work and exhibitions; his work as director of the Center for Advanced Visual Studies at MIT, beginning in 1974; some of his light and Sky Art projects, including Sky Art Conferences; and support for art and technology projects and education in the US and in Europe. Piene also recalls Heinz Mack, Günter Meisner, György Kepes, Howard Wise, Stan VanDerBeek, Charlotte Moorman and others.
Biographical / Historical:
Otto Piene (1928- ) is a painter and art administrator from Cambridge, Mass.
General:
Originally recorded on 7 sound cassettes. Reformatted in 2010 as 13 digital wav files. Duration is 9 hr., 52 min.
First cassette begins with some distortion, lasting approximately one minute. Side B of cassette 2 was recorded in three parts due to tape defect in original, with no loss of content. Cassette 6 only recorded on side A.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Painters -- Massachusetts -- Cambridge -- Interviews Search this
Arts administrators -- Massachusetts -- Cambridge -- Interviews Search this
The Barbara Rose papers date from 1962 to circa 1969 and measure 1.4 linear feet. Papers include letters, writings, printed material, interviews with artists, panel discussions, and lectures relating to Barbara Rose's research as an art historian.
Scope and Contents:
The Barbara Rose papers date from 1962 to circa 1969 and measure 1.4 linear feet. Papers include letters, interviews with artists, panel discussions, lectures, writings, and printed material relating to Barbara Rose's work as an art historian and critic.
Letters consist of responses to queries and questionnaires Rose and Irving Sandler sent to contemporary artists as research for writing projects. Questionnaires were sesnt in preparation for an article in Art in America on artists' sensibility of the 1960s, with responses from Robert Motherwell, Robert Craig Kauffman, Len Lye, Robert Morris, George Segal, David Hare, and others. A separate query asked sculptors for their assessment of contemporary sculptor's needs and the potential for patronage, and responses are found from Carl Andre, Charles Frazier, Robert Murray, Anthony Padovano, Ron Bladen, Roy Lichtenstein, Len Lye, Sol LeWitt, Heinz Mack, Otto Peine, Dan Flavin, and Donald Judd.
Interviews conducted by Rose between 1965 and circa 1969 are found with Richard Bellamy, Leo Castelli, James E. Davis, Henry Geldzahler, Ivan Karp, Lee Krasner, John Lefebre, John Myers, Donald Judd with Frank Stella, and Tom Wesselmann. All interviews include original sound recordings, and the Judd and Stella, Krasner, and Myers interviews include transcripts. Panel discussions and lectures include sound recordings and transcripts of seven events on a variety of contemporary art and architecture subjects held between 1962 and 1968. Sound recordings are present for five of the events on 10 sound tape reels, and transcripts are present for all events. Participants in the panel discussions and lectures include Barbara Rose, Ronald Davis, Dan Flavin, Robert Kauffman, John Harvey McCracken, Friedel Dzubas, Ansel Adams, Arthur Bierman, Kenneth Rexroth, Edward Taylor, Ernst Karl Mundt, John Bowles, Roy Dean De Forest, Seymour Locks, Walter Hopps, Mark Di Suvero, Donald Judd, Robert Morris, Kynaston McShine, Walter Darby Bannard, Donald Judd, Larry Poons, Robert Rauschenberg, Richard Meier, Paul Rudolph, Claes Oldenburg, and Robert Murray.
Writings include photocopied typescripts of "Myth, Symbol, or Me," by Emily Wasserman and "Excerpts from a Work Journal on Flying Sculpture," by Charles Frazier. Printed material consists of two copies of the premiere issue of the 57th Street Review, from Nov. 15, 1966.
Arrangement:
This collection is arranged as 4 series.
Missing Title
Series 1: Letters (0.2 linear feet; Box 1)
Series 2: Interviews (0.6 linear feet; Box 1)
Series 3: Panel Discussions and Lectures (0.5 linear feet; Boxes 1-2)
Series 4: Writings and Printed Material (0.1 linear feet; Box 2)
Biographical / Historical:
Barbara Rose is an American art historian and critic who has published widely in the field of modern American art. Born in 1938 in Washington, DC, Rose studied at the Sorbonne, Smith College, Barnard, and finally, Columbia University under Meyer Shapiro. Rose became immersed in the New York-based circle of modernist artists and curators in the late 1950s and early 1960s, and made her substantial contribution to the discourse on contemporary art with the insider's perspective this afforded her. In 1961, she married the painter Frank Stella and they had two children before their divorce in 1969.
Rose taught at Yale University, Sarah Lawrence, University of California at Irvine and San Diego, and the American University Art in Italy program, and was senior curator at the Museum of Fine Arts, Houston, from 1981-1985. A prolific writer, Rose is the author of American Art Since 1900 (1967), The Golden Age of Dutch Painting (1969), American Painting: The 20th Century (Skira, 1969), and monographs on the artists Magdalena Abankawicz, Helen Frankenthaler, Robert Rauschenberg, Alexander Liberman, Larry Rivers, and others, as well as dozens of exhibition catalog essays. She held editorial positions at Art in America, Vogue, Artforum, Partisan Review, and Journal of Art, and her writing has also appeared in Art International, Studio International, Arts Magazine, and ARTnews, among many others.
Related Materials:
Barbara Rose papers, 1940-1993 (bulk 1960-1985) are located at The Getty Research Institute Special Collections.
Separated Materials:
Additional papers of Barbara Rose are held by The Getty Research Institute.
Provenance:
Donated 1971-1977 by Barbara Rose.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State) -- New York Search this
Art critics -- New York (State) -- New York Search this
Das Buch = The book. : Die Edition = The Edition : Mack/Expedition in Künstliche Gärten / fotografiert von Thomas Höpker. Sculpture safaris, photographic interpretations of artifacts in nature
Mack szene, Mack seen, Mack-a-zine, Mackazin. v. 2 : die Jahre = the years = les annees, 1957-67 - [infinity] / Heinz Mack [essay by Joseph D. Ketner II]
Heinz Mack, oeuvres des anneés 1955-1975 : exposition à Düsseldorf du 7 Novembre 1975-7 Janvier 1976 = Heinz Mack, work of the years 1955-1975 : exhibition in Düsseldorf 7. November 1975-7 January 1976 = Heinz Mack, Arbeiten aus den Jahren 1955-1975 : Ausstellung in Düsseldorf vom 7. November-7. Januar 1976
Kunstmuseum Düsseldorf im Ehrenhof : Heinz Mack, Otto Piene, Günther Uecker : Lichtraum (Hommage à Fontana) 1964 / [Redaktion: Hans Albert Peters und Stephan von Wiese]
