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Waddell Gallery records

Creator:
Waddell Gallery  Search this
Names:
Art Dealers Association of America  Search this
Finch College. Museum of Art  Search this
Whitney Museum of American Art  Search this
Abrams, Harry N.  Search this
Barnet, Will, 1911-2012  Search this
Baschet, Bernard  Search this
Baschet, Francois, 1920-2014  Search this
Bergmann-Michel, Ella, 1896-1972  Search this
Canaday, John, 1907-1985  Search this
Clague, John, 1928-  Search this
Costa, Toni, 1935-  Search this
Dallègret, François, 1937-  Search this
Franck, Frederick, 1909-  Search this
Genauer, Emily, 1910-2002  Search this
Giobbi, Edward  Search this
Harloff, Guy, 1933-  Search this
Healey, John, b. 1894  Search this
Hein, Piet, 1905-  Search this
Hoeydonck, Paul van, 1925-  Search this
Jacquet, Alain, 1939-  Search this
Kanovitz, Howard  Search this
Kawashima, Takeshi, 1930-  Search this
Liikala, Bob  Search this
Lucien, Frank  Search this
Machlin, Sheldon M., 1918-1975  Search this
Mallory, Ronald  Search this
Michel, Robert, 1897-1983  Search this
Miller, Dorothy Canning, 1904-2003  Search this
Mueller, George Ludwig, 1929-  Search this
Neuberger, Roy R.  Search this
Nicola, 1934-  Search this
Perry, Charles O., 1929-  Search this
Reiback, Earl  Search this
Scarfe, Gerald  Search this
Schoffer, Nicolas, 1912-  Search this
Simons, Vera  Search this
Ungerer, Tomi, 1931-  Search this
Vansier, Boris  Search this
Waddell, Richard H., d. 1974  Search this
Wise, Howard  Search this
Extent:
6.5 Linear feet
Type:
Collection descriptions
Archival materials
Gallery records
Date:
1961-1978
Summary:
The records of the Waddell Gallery, a contemporary art gallery that was located in New York City, date from 1961 to 1978 and measure 6.5 linear feet. The records include administrative files, correspondence, artists' files, and sales and stock records.
Scope and Contents:
The records of the Waddell Gallery, a contemporary art gallery that was located in New York City, date from 1961 to 1978 and measure 6.5 linear feet. The records include administrative files, correspondence, artists' files, and sales and stock records.

Administrative files consist of employment applications, event guest lists, leases and agreements, printed materials, publicity, schedules, typography samples, and scattered photographs of Richard Waddell with curator Dorothy Miller, artists Francois Baschet and Will Barnet, and art dealer Howard Wise.

Correspondence is with art collectors, art critics, art writers, organizations, colleges and museums, publications, and others. Correspondents include Harry Abrams, Art Dealers Association, John Canaday, Finch College Museum of Art, Frank Lucien, Emily Genauer, Roy Neuberger, Howard Wise, Whitney Museum, among many others.

Artists' files also include correspondence, in addition to printed materials, shipping and loan information, photographs, exhibition material, and resumes. Files are found for Will Barnet, Bernard Baschet, John Clague, Toni Costa, Francois Dallegret, Frederick Franck, Edward Giobbi, Guy Harloff, John Healey, Piet Hein, Alain Jacquet, Howard Kanovitz, Aleksandra Kasuba, Takeshi Kawashima, Bob Liikala, Sheldon Machlin, Ronald Mallory, Robert Michel and Ella Bergmann, George Mueller, Nicola, Charles Perry, Earl Reiback, Gerald Scarfe, Nicolas Schöffer, Vera Simons, Paul Van Hoeydonck, Boris Vansier, and Tomi Ungerer, among others.

Sales and stock records include appraisal documentation, inventories, price lists, shipping information and index cards and bound volumes of sales records, including a sales record of Andrew Wyeth's Uprooted Tree.
Arrangement:
The collection is arranged as 4 series.

Series 1: Administrative Files, 1966-1973 (0.2 linear feet; Box 1)

Series 2: Correspondence, 1963-1973 (1.0 linear feet; Boxes 1-2)

Series 3: Artists' Files, 1961-1978 (3.2 linear feet; Boxes 2-5, OV 8)

Series 4: Sales and Stock Records, 1964-1973 (2.1 linear feet; Boxes 5-7)
Biographical / Historical:
The Waddell Gallery was established in 1963 by Richard Hughes Waddell in New York City, New York. The gallery represented contemporary American and European artists, notably Will Barnet. The gallery operated on 15 East 57th Street and later on 50 West 57th Street until 1973, one year before Waddell's untimely death in 1974. The gallery focused on representing contemporary American and European artists such as Will Barnet, Francois Dallegret, Edward Giobbi, Sheldon Machlin, and Paul Van Hoeydonck. Additionally, Waddell held benefits to support civil rights and served as a trustee of the Tuskegee Institute.
Provenance:
The Waddell Gallery records were donated in 1977 by the Estate of Richard Waddell, through Richard's father, Chauncey L. Waddell and brother, Theodore Waddell and in 1986 by Louise Tolliver Deutschman, former director of the gallery.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Rights:
The Waddell Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art galleries, Commercial -- New York (State) -- New York  Search this
Art critics  Search this
Art, Modern -- 20th century  Search this
Genre/Form:
Gallery records
Citation:
Waddell Gallery records, 1961-1978. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.waddgall
See more items in:
Waddell Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-waddgall
Online Media:

Jason Seley papers

Creator:
Seley, Jason, 1919-  Search this
Names:
Guggenheim Fellowship  Search this
Machlin, Sheldon M., 1918-1975  Search this
Extent:
3 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Sketchbooks
Sound recordings
Date:
1928-2013
bulk, 1929-1983
Scope and Contents:
Autobiographical notes, correspondence (1948-1983), subject files, personal business records, notes (1951-1976), art works, printed material (1948-1984), audio tapes (1967-1983), and photographs document the life, sculpture, and teaching career of Jason Seley.
Biographical material consists of a career outline, notes for an autobiography. Correspondence is with Seley's wife Clara (1948), his brother Stephen (1964-1982), his friend Clive Crocker (1974-1983), and various friends, colleagues, and students (1949-1983) concerns his family and art-related activities. Eighteen subject files contain letters, printed material, and photographs concerning Seley's works and other projects (1949-1983). Subject files include Haitian Art, 1949 and 1979-1983; New Sculpture Group, 1958-1959; Guggenheim Fellowship, 1964; Casper, Wyoming, 1969-1970; Berlin Correspondence, 1969-1974; Mexico, 1973; Nashville, 1973; U.S.I.A. Correspondence, 1973-1975; Spokane Expo '74 PAS ENCORE, 1972-1974; New Jersey Cultural Council TALISMAN, 1974; Palm Beach Competition, 1974; Sheldon Machlin, 1975; COLLEONI II, 1977-1978; Allentown, 1981-1982; FARNESE HERCULES II, 1980-1982; Bumper art by others, 1975-1977.
Personal business records include five ledgers record expenses (1955-1967). Writings consist of miscellaneous notes, a notebook recording activities as art director at the RCA Institute for a Signal Corps project (1951-1952), and lecture notes (1970-1976). Art works consist of 166 drawings and a sketchbook. Printed material includes clippings (1949-1983) and exhibition announcements and catalogs (1948-1984). Other materials consist of 4 reel-to-reel tapes of a lecture at Cornell on "Aspects of Modern Sculpture" (1967), a discussion between Seley and Jennings (1967), a tape catalog of the "Sound Show" (1969-1970), and an audio cassette of a memorial service for Seley (1983). Photographs, including ca. 1000 slides, show Seley, his family, assistants working in the studio, and his works (1928-1981).
A small addition of material (0.2 linear ft.) compiled by Seley's former assistant, Richard Heinrich, contains mostly posthumous material regarding Seley, including obituaries, a memorial service program, and a proposal for a Seley tribute exhibition. Also included are letters to Heinrich from Seley.
Biographical / Historical:
Jason Seley (1919-1983) was a painter and sculptor in New York, N.Y. Seley studied with Ossip Zadkine in New York from 1943-1945 at the Art Students League. From 1947-1949, he sculpted and taught in Haiti at Le Centre d'Art. In 1950, he received a Fulbright Scholarship to France. While abroad, he traveled and saw the famous Andrea del Verrocchio, "Colleoni," which influenced him in 1969-1971 to construct a replica made from automobile bumpers, his preferred medium. He taught at Hofstra, New York University, and was the dean of the art school at Cornell until his death in 1983.
Provenance:
Donated 1984-1985 by Clara K. Seley and in 2013 by by Richard Heinrich, Seley's former assistant.
Restrictions:
Use requires an appointment. Contact Reference Service for more information.
Occupation:
Art directors -- New York (State) -- New York  Search this
Art teachers  Search this
Sculptors  Search this
Topic:
Art, Haitian  Search this
Artists' studios -- Photographs  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Genre/Form:
Drawings
Sketchbooks
Sound recordings
Identifier:
AAA.selejaso
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-selejaso

Sheldon Machlin papers

Creator:
Machlin, Sheldon M., 1918-1975  Search this
Extent:
0.4 Linear feet ((124 items))
Type:
Collection descriptions
Archival materials
Date:
1958-1975
Scope and Contents:
A career resume, one business letter, a photograph album which contains photos of Machlin, mainly in his studio, and photos of his works; a 1962 exhibition catalog, a blueprint for one of his sculptures, 1970, and an obituary notice.
Biographical / Historical:
Sculptor; New York, N.Y.
Provenance:
Papers donated by Machlin's daughter, Nina.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Sculptors  Search this
Function:
Artists' studios
Identifier:
AAA.machshel
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-machshel

John Jones interviews with artists

Creator:
Jones, John  Search this
Names:
Arnheim, Rudolf  Search this
Cohen, George, 1913-1980  Search this
Frankenthaler, Helen, 1928-2011  Search this
Gottlieb, Adolph, 1903-1974  Search this
Indiana, Robert, 1928-  Search this
Lichtenstein, Roy, 1923-1997  Search this
Lindner, Richard, 1901-1978  Search this
Machlin, Sheldon M., 1918-1975  Search this
Motherwell, Robert  Search this
Oldenburg, Claes, 1929-  Search this
Ray, Man, 1890-1976  Search this
Rosenquist, James, 1933-  Search this
Segal, George, 1924-2000  Search this
Stamos, Theodoros, 1922-1997  Search this
Steinberg, Saul  Search this
Youngerman, Jack, 1926-2020  Search this
Extent:
0.4 Linear feet ((284 p.))
Type:
Collection descriptions
Archival materials
Date:
1965 Oct. 5-1965 Nov. 12
Scope and Contents:
Interviews of American artists conducted by John Jones. Jones questions most of the artists about the relationship of their painting to European tradition. Interviewees are: Rudolf Arnheim, George Cohen, Helen Frankenthaler, Adolph Gottlieb, Robert Indiana, Roy Lichtenstein, Richard Lindner, Sheldon Machlin, Robert Motherwell, Claes Oldenburg, Man Ray, James Rosenquist, George Segal, Theodoros Stamos, Saul Steinberg, and Jack Youngerman.
Provenance:
Interviews conducted by John Jones for a research project sponsored by the American Council of Learned Societies. He lent the tapes to the Archives for transcribing.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Rosenquist, Stamos, and Youngerman interviews are ACCESS RESTRICTED; written permission required.
Topic:
Artists -- United States -- Interviews  Search this
Identifier:
AAA.jonejohn
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-jonejohn

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