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Oral history interview with Stanton Macdonald-Wright, 1964 Apr. 13-Sept. 16

Interviewee:
Macdonald-Wright, Stanton, 1890-1973  Search this
Interviewer:
McGlynn, Betty Lochrie Hoag, 1914-2002  Search this
Subject:
Federal Art Project (Calif.)  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Federal aid to the arts  Search this
Painting, American  Search this
Painters -- California -- Los Angeles -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11673
(DSI-AAA_SIRISBib)213786
AAA_collcode_macdon64
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213786
Online Media:

Microfilm of the Morgan Russell papers

Creator:
Russell, Morgan, 1886-1953  Search this
Names:
Alvarez, Mabel, 1891-1985  Search this
Henri, Robert, 1865-1929  Search this
Huston, Walter, 1884-1950  Search this
Kikoïne, Michel, 1892-1968  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Stein, Leo, 1872-1947  Search this
Stravinsky, Igor, 1882-1971  Search this
Whitney, Gertrude Vanderbilt, 1875-1942  Search this
Extent:
6.8 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1891-1977
Summary:
The Morgan Russell papers, 1891-1977, present a good overview of Russell's career as a painter and sculptor, with an emphasis on his development of the color theory movement, Synchromism. The papers include correspondence, biographical material, transcripts of lectures given by Russell, illustrated notebooks and sketches, printed material and photographs.
Scope and Content Note:
The Morgan Russell papers present a good overview of Russell's career as a painter and sculptor, with an emphasis on his development of the color theory movement, Synchromism. The papers include correspondence with many prominent individuals who played a role in Russell's artistic development; biographical material primarily documenting his activities in Europe; transcripts of lectures given by Russell; illustrated notebooks and sketches documenting his interest in, and development of, color theory, music and Synchromism; printed material such as exhibition announcements, catalogs and clippings; and photographs of Russell, his wife, friends and artwork.
Arrangement:
The collection is arranged as 7 series according to record type and reflecting the lender's arrangement. With the exception of Series 1: Correspondence, all series are arranged chronologically.

Series 1: Correspondence, 1909-1964 (Reels 4524-4527)

Series 2: Biographical Material, 1925-1941 (Reel 4527)

Series 3: Business Records, 1911-1946 (Reel 4527)

Series 4: Writings, 1931-1953 (Reel 4527)

Series 5: Unbound Notes and Sketches, 1891-1977 (Reels 4528-4538)

Series 6: Printed Material, 1908-1963 (Reels 4539-4541)

Series 7: Photographs, 1908-1948 (Reel 4542)
Biographical Note:
Painter and sculptor Morgan Russell was born in New York City. He studied at the Art Students League and the New York School of Art with James Earle Fraser, Andrew Dasburg and Robert Henri from 1906 to 1907, before settling in Paris in 1909 where he remained for almost forty years. After meeting Stanton Macdonald-Wright in 1911, he became interested in Synchromism and studied with Canadian color theorist Ernest Tudor-Hart. In 1913 Russell produced the first abstract Synchromies and in 1917 developed a series of Synchromies entitled EIDOS. He visited California in the early 1930s, teaching at the Chouinard School of Art in Los Angeles from 1931-1932, in addition to lecturing at museums in Los Angeles and San Francisco. Russell left France permanently in 1946 and died in Pennsylvania in 1953.
Provenance:
The Morgan Russell papers were lent to the Archives of American Art for microfilming by the Montclair Art Museum in 1991. The material was returned to the lender in 1992.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Topic:
Synchromism (Art)  Search this
Painters -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Citation:
Morgan Russell papers, 1891-1977. Microfilm reels 4524-4542. Originals in the Montclair Art Museum.
Identifier:
AAA.russmorg
See more items in:
Microfilm of the Morgan Russell papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-russmorg

Dianne Gravlee research notes relating to the Federal Art Project in California

Creator:
Gravlee, Dianne  Search this
Names:
Federal Art Project (Calif.)  Search this
Bufano, Beniamino, 1898-1970  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Refregier, Anton, 1905-  Search this
Extent:
0.4 Linear feet ((400 p.))
Type:
Collection descriptions
Archival materials
Date:
[undated]
Scope and Contents:
Research notes consisting mainly of abstracts of articles primarily from the San Francisco CHRONICLE, 1936-1942. Included are material on the Writer's Project, Theater Project, Photography Project, Music Project, the Coit Tower Murals, artists Beniamino Bufano, Stanton Macdonald-Wright and Anton Refregier.
Provenance:
Provenance unknown.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Topic:
Coit Memorial Tower (San Francisco, Calif.)  Search this
Identifier:
AAA.gravdian
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gravdian

Oral history interview with Peter Agostini

Interviewee:
Agostini, Peter  Search this
Interviewer:
Roberts, Colette, 1910-  Search this
Names:
Columbia University -- Faculty  Search this
United States. Works Progress Administration  Search this
Bontecou, Lee, 1931-  Search this
Chamberlain, John, 1927-2011  Search this
Chryssa, 1933-2013  Search this
Cornell, Joseph  Search this
Cézanne, Paul, 1839-1906  Search this
De Chirico, Giorgio, 1888-  Search this
De Kooning, Willem, 1904-1997  Search this
Demuth, Charles, 1883-1935  Search this
Di Suvero, Mark, 1933-  Search this
Dove, Arthur Garfield, 1880-1946  Search this
Dubuffet, Jean, 1901-1985  Search this
Duchamp, Marcel, 1887-1968  Search this
Ferber, Herbert, 1906-1991  Search this
Flannagan, John Bernard, 1895?-1942  Search this
Giacometti, Alberto, 1901-1966  Search this
Greenberg, Clement, 1909-1994  Search this
Hague, Raoul, 1905-1993  Search this
Hare, David, 1917-1992  Search this
Hartley, Marsden, 1877-1943  Search this
Hopper, Edward, 1882-1967  Search this
Judd, Donald, 1928-1994  Search this
Kaprow, Allan  Search this
Kienholz, Edward, 1927-  Search this
Kline, Franz, 1910-1962  Search this
Kohn, Gabriel, 1910-1975  Search this
Kolbe, Georg, 1877-1947  Search this
La Tour, Onya, 1896-1976  Search this
Lachaise, Gaston, 1882-1935  Search this
Lassaw, Ibram, 1913-2003  Search this
Lippold, Richard, 1915-2002  Search this
Lipton, Seymour, 1903-1986  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Maillol, Aristide, 1861-1944  Search this
Manship, Paul, 1885-1966  Search this
Marca-Relli, Conrad, 1913-2000  Search this
Marin, John, 1870-1953  Search this
Marisol, 1930-2016  Search this
Matisse, Henri, 1869-1954  Search this
Melville, Herman, 1819-1891  Search this
Mondrian, Piet, 1872-1944  Search this
Morris, Robert, 1931-2018  Search this
Nakian, Reuben, 1897-1986  Search this
Noguchi, Isamu, 1904-1988  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Oldenburg, Claes, 1929-  Search this
Poe, Edgar Allan, 1809-1849  Search this
Pollock, Jackson, 1912-1956  Search this
Pompon, François, 1855-1933  Search this
Reinhardt, Ad, 1913-1967  Search this
Rivera, Diego, 1886-1957  Search this
Roszak, Theodore, 1907-1981  Search this
Rothko, Mark, 1903-1970  Search this
Samaras, Lucas, 1936-  Search this
Scarpitta, Salvatore, 1919-2007  Search this
Segal, George, 1924-2000  Search this
Sheeler, Charles, 1883-1965  Search this
Smith, David, 1906-1965  Search this
Smith, Tony, 1912-1980  Search this
Spaventa, George, 1918-  Search this
Stankiewicz, Richard, 1922-1983  Search this
Sugarman, George, 1912-1999  Search this
Tobey, Mark  Search this
Whitman, Walt, 1819-1892  Search this
Zorach, William, 1887-1966  Search this
Extent:
99 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1968
Scope and Contents:
An interview of Peter Agostini conducted in 1968, by Colette Roberts, for the Archives of American Art at 151 Avenue B, New York, New York.
Mr. Agostini speaks of his childhood spent living throughout the five boroughs of New York; his interactions with clients of his father's acting employment agency; his early education in Catholic school and the creative freedom allotted by the nuns; his first feelings of isolation as an artist at the age of seven; the development of a sense of communication as the result of the loss of his mother at the age of three and time spent at a school for orphans; his early realization and vision of artistic destiny; his religious interests which lead to mysticism in his earlier work; his time spent working freely in the DaVinci Studio with Spaventa; the discovery by Hess of his works in Gallerie Grimaud; his attainment of the Longview Grant; his working experience throughout the Depression as part of the WPA casting plaster mannequins while working indirectly with Pollack as well as Marca Relli; his subsequent move to designing department store windows (use of Mondrian-like forms and lines); his feelings of his position as an observer; the importance of communication through art (communication without words); his rejection of the Abstract Expressionist group and choice of independence; the influence of the sculpture of Kolbe and Bache in the thirties; Clement Greenberg's distaste for his work; his feelings about the relative failure to sell his work due its unusual edginess and mystery; his role in the introduction of the work of contemporary European artists (Chausserian, Gauthier, Modrian) to the American group; his description of his own work as "traditionless"; his feelings of self-importance as one of the most original sculptors in the art world; his influence on the younger generation, particularly Marisol; the enslavement to originality that the younger generation faces; his attitudes towards American Art forms and their lack of rebellious spirit; the virtues of the American writers, such as Poe, Whitman, and Melville as American "knapsack" writers; his personal technique which places an emphasis on the "skin" or volume of something; his attempt to create quiet art, or art that merely indicates features; his frustration with teaching and the problems of regurgitated knowledge; the role of Meyer Shapiro in his teaching career at Columbia; the formation of the Club and its similarity to the Cubist's café scene; his opinions on the relationship of sex and sensuality in American art; his personal struggles, including the loss of his second wife and two of his brothers, in addition to the estrangement of his only daughter by his first wife; his feelings on the role of psycho analysis and personal history in a work of art; his present works which feature the "swell." For the majority of the second half of the interview Ms. Roberts asks Mr. Agostini to express his opinions on the work of: Kline; DeKooning; Duchamp; Oldenburg; La Tour; DeChirico; Maillol; Pompon; Rothko; Chardin; Cezanne; Giacometti; Reinhardt; Chryssa; Tony Smith; Segal; Lachaise; Zorach; Manship; Flannagan; Kelly; Lassaw; David Smith; Hare; Lipton; Ferber; Lippold; Roszak; Nakian; Noguchi; Hague; Kohn; di Suvero; Chamberlain; Kaprow; Sugarman; Stankiewicz; Bontecou; Scarpitta; Cornell; Keinholz; Rivera; Judd; Robert Morris; O'Keeffe; Samaras; Mark Tobey; Marin; Pollock; Hartley; Dove; Macdonald-Wright; Demuth; Sheeler; Hopper; Mirot; Matisse; DuBuffet.
Biographical / Historical:
Peter Agostini (1913-1993) was a sculptor from New York, New York.
General:
Originally recorded on 3 sound tape reels. Reformatted in 2010 as 28 digital wav files. Duration is 10 hrs., 37 min.
Transferred from 4 3" reels.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Abstract expressionism  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.agosti68
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-agosti68

John McLaughlin papers

Creator:
McLaughlin, John, 1898-  Search this
Names:
André Emmerich Gallery  Search this
Corcoran Gallery of Art  Search this
Pasadena Art Museum  Search this
Tamarind Lithography Workshop  Search this
Anderson, Eugene Newton  Search this
Benjamin, Karl  Search this
Felix Landau Gallery  Search this
Hammersley, Frederick, 1919-2009  Search this
Langsner, Jules, 1911-1967  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
McLaughlin, John, 1898- -- Photographs  Search this
Reinhardt, Ad, 1913-1967  Search this
Salz, Peter  Search this
Extent:
3.4 Linear feet
Type:
Collection descriptions
Archival materials
Paintings
Sketches
Collages
Photographs
Date:
1922-1979
bulk 1936-1976
Summary:
The papers of Southern California art dealer and abstract painter John McLaughlin measure 3.4 linear feet and date from 1922 to 1979. The collection documents John McLaughlin's personal life and career through biographical material, correspondence, writings, Tamarind Lithography fellowship files, scattered personal business records, printed materials, artwork, and photographic material.
Scope and Contents:
The papers of Southern California art dealer and abstract painter John McLaughlin measure 3.4 linear feet and date from 1922 to 1979. The collection documents John McLaughlin's personal life and career through biographical material, correspondence, writings, Tamarind Lithography fellowship files, scattered personal business records, printed materials, artwork, and photographic material.

Biographical material includes McLaughlin's military service records, art awards, and resumes. Correspondence is with friends, artists, museums, and galleries. Notable correspondents include Eugene Anderson, Karl Benjamin, Frederick Hammersley, Jules Langsner, Stanton Macdonald-Wright, Ad Reinhardt, and others. Writings and notes include several artist statements, lectures, notes, and lists and descriptions of paintings, some in the form of hand drawn sketches. Users will find McLaughlin's ideas about his work and aesthetics are referenced in much of the correspondence and writings. Some of the letters also document the evolution of the 1959 "Four Abstract Classicists" exhibition, particularly correspondence with Karl Benjamin, Peter Selz, and Jules Langsner. There are also writings about McLaughlin by others, including Jules Langsner. The Tamarind Lithography fellowship files consists of the letter of appointment, printed material, and profiles for fellow artists at the workshop.

Personal business records include assorted legal and financial papers, such as contracts with galleries, art loan agreements, consignment records, and art shipment expenses. There are business papers about McLaughlin's Japanese print gallery, The Tokaido, Inc. Printed material consists of exhibition catalogs for McLaughlin's shows at the Andre Emmerich Gallery, Felix Landau Gallery, a retrospective at the Corcoran Gallery of Art in 1968, and the seminal 1959 "Four Abstract Classicists" in Los Angeles, among others. Also found are exhibition announcements, news clippings, and press releases. Artwork includes a few paintings and collages. Photographs, negatives, and slides are of McLaughlin, including one portrait by John Waggaman), artwork, and exhibition installations. There is one album of photographs from a 1963 retrospective exhibition at the Pasadena Art Museum.
Arrangement:
This collection is arranged as 8 series.

Series 1: Biographical Material, 1942-circa 1969 (0.1 linear feet; Box 1)

Series 2: Correspondence, 1936-1976 (0.7 linear feet; Box 1)

Series 3: Writings and Notes, circa 1934-1976 (0.7 linear feet; Box 1-2)

Series 4: Tamarind Lithography Fellowship Files, 1958-1970 (0.2 linear feet; Box 2)

Series 5: Personal Business Records, circa 1938-1974 (0.2 linear feet; Box 2)

Series 6: Printed Material, 1932-1979 (1.5 linear feet; Box 2-4)

Series 7: Artwork, circa 1958 (0.2 linear feet; Box 3-5)

Series 8: Photographic Material, 1922-1979 (0.2 linear feet; Box 3)
Biographical / Historical:
John Dwyer McLaughlin (1898-1976) was best known as one of the leading Los Angeles "hard-edge" geometric abstractionist painters and one of the artists featured in the seminal 1959 exhibition "Four Abstract Classicists" curated by Jules Langsner. McLaughlin was also a dealer of Japanese art prints.

McLaughlin was born and educated in Massachusetts. He served in the United States Navy during World War I from 1917-1921 and married Florence Emerson in 1928. McLaughlin began painting around 1932 with no formal training. In 1935, the couple moved to Japan and lived for several years before moving back to Boston, where they opened The Tokaido, Inc., a Japanese art print gallery. From this time up to the beginning of World War II, McLaughlin worked primarily as a print dealer, without huge success. During World War II, he served as a language intelligence officer in the Marines, primarily because of his knowledge of Japanese.

After the war, McLaughlin and his wife settled in Dana Point, California, where he began painting in earnest, gaining some early local successes. His painting, Hope Deferred was awarded first prize for oil painting in the 1948 San Diego Art Guild Annual. He became associated with the Felix Landau Gallery in Los Angeles and was one of four painters included in the historic 1959 "Four Abstract Classicists" exhibition at the Los Angeles County Museum of Art organized by critic Jules Langsner which also featured the work of Frederick Hammersley, Lorser Feitelson, and Karl Benjamin. The phrase "hard-edge painting" was first used in association with this exhibition as a description of a unique California style of geometric abstractionist painting.

Throughout the 1960s and 1970s McLaughlin exhibited widely and became a mentor for many younger Los Angeles area reductive painters. He was widely admired for his integrity and independent position regarding the art market. John McLaughlin died in Dana Point, California in 1976 at the age of 77.
Related Materials:
The Archives of American Art also holds an oral history interview of John D. McLaughlin conducted July 23, 1974, by Paul J. Karlstrom.
Provenance:
The John McLaughlin papers were donated to the Archives of American Art in multiple installments. John McLaughlin donated material in 1973 and his widow Florence McLaughlin donated material in 1976. Additional papers were donated by the artist's nephew John McLaughlin in 1998 and 1999. A painting was donated 2015 by Stephne' Hesen estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The John McLaughlin papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Art dealers -- California  Search this
Painters -- California  Search this
Topic:
Art, Modern -- California -- Los Angeles  Search this
Painting, Abstract -- California -- Exhibitions  Search this
Prints, Japanese  Search this
Genre/Form:
Paintings
Sketches
Collages
Photographs
Citation:
John McLaughlin papers, 1922-1979, bulk 1936-1976. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mclajohn
See more items in:
John McLaughlin papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mclajohn

Stanton Macdonald-Wright letters to Morgan Russell, 1913-1938

Creator:
Macdonald-Wright, Stanton, 1890-1973  Search this
Subject:
Macdonald-Wright, Stanton  Search this
Russell, Morgan  Search this
Topic:
Art, Modern -- 20th century  Search this
Record number:
(DSI-AAA_CollID)10346
(DSI-AAA_SIRISBib)213559
AAA_collcode_macdstan5
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213559

Stanton Macdonald-Wright letters to Alan and Fanny Leslie, 1968-1976

Creator:
Macdonald-Wright, Stanton, 1890-1973  Search this
Subject:
Russell, Morgan  Search this
Macdonald-Wright, Stanton  Search this
Leslie, Alan  Search this
Leslie, Fannie  Search this
Topic:
Art -- Collectors and collecting  Search this
Record number:
(DSI-AAA_CollID)6174
(DSI-AAA_SIRISBib)216408
AAA_collcode_macdstan2
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216408

Oral history interview with Stanton Macdonald-Wright, 1967 May 26

Creator:
Macdonald-Wright, Stanton, 1890-1973  Search this
Marshall, Jeanne M.  Search this
Type:
Interviews
Sound recordings
Topic:
Painting, American  Search this
Art -- Exhibitions  Search this
Painters -- California -- Los Angeles -- Interviews  Search this
Record number:
(DSI-AAA_CollID)6263
(DSI-AAA_SIRISBib)216602
AAA_collcode_macdstan3
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216602

Oral history interview with Tyrus Wong

Interviewee:
Wong, Tyrus  Search this
Interviewer:
McGlynn, Betty Hoag  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
New Deal and the Arts Oral History Project  Search this
Buck, Frank E. (Frank Eugene), 1889 or 90-1959  Search this
Jeakins, Dorothy  Search this
Jones, Joe, 1909-1963  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Murry, Jerre, 1904-1973  Search this
Newell, Gordon  Search this
O'Hara, Eliot, 1890-1969  Search this
Stanley, George M., 1903-  Search this
Winter, Carl, 1906 Jan. 10-  Search this
Extent:
28 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1965 January 30
Scope and Contents:
An interview of Tyrus Wong conducted 1965 January 30, by Betty Hoag, for the Archives of American Art.
Wong discusses making a film for grade schools and UCLA, which was produced by Eliot O'Hara, where he demonstrated Oriental painting techniques and Joe Jones demonstrated American techniques; working as an illustrator for Republic Studio; designing pottery plates for Greenfield Pottery, Gabriel Pottery in Pasadena; illustrations for the Western Art Review magazine; covers for the Los Angeles Times Home Section 1954 & 1955; text and illustrations for Watercolor Portraits, 1949; designing ads for various magazines; and doing watercolors, lithographs, and murals for the WPA, including the Santa Monica Library. Wong recalls Surasawa, Dorothy Jeakins, Nick Berganti, Hideo Dati, Benjy Ocobo, Carl Winter, Stanton Macdonald-Wright, Jerre Murry, Steven LaVerne Dunwell, George Stanley, Gordon Newell, and Frank Buck.
Biographical / Historical:
Tyrus Wong (1910- ) was a painter, designer, illustrator, and printmaker from California.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 48 min.
Only the second half of this interview was successfully recorded.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Federal aid to the arts  Search this
Painting, Modern -- 20th century -- California  Search this
Painting, Asian  Search this
Sculptors -- United States -- Interviews  Search this
Asian American artists -- Interviews  Search this
Painters -- California -- Interviews  Search this
Designers -- California -- Interviews  Search this
Printmakers -- California -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.wong65
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-wong65

Tortue Gallery letters

Creator:
Tortue Gallery (Santa Monica, Calif.)  Search this
Names:
Benton, Thomas Hart, 1889-1975  Search this
Freeman, Mallory, 1938-  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Nellis, David L., 1934-  Search this
Extent:
4 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1971-1974
Scope and Contents:
3 letters to David Nellis, collector, from Stanton Macdonald-Wright, 1971-1972. Macdonald-Wright encloses a sketch of the repainting of "Yoku O Hi" which had been scratched, describes his new home in Hawaii, and explains his feelings about the selling price of his work. Also included is a letter to Mallory Freeman, director of the gallery, from Thomas Hart Benton, 1974, regarding 2 Macdonald-Wright paintings owned by Benton.
Biographical / Historical:
Art gallery; Santa Monica, California.
Provenance:
Donated by Mallory Freeman, director of Tortue Gallery, 1978.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Topic:
Painting, American  Search this
Function:
Art galleries, Commercial -- California -- Santa Monica
Identifier:
AAA.tortgall
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-tortgall

John Weichsel papers concerning the People's Art Guild

Creator:
Weichsel, John, 1870-1946  Search this
Names:
People's Art Guild  Search this
Beal, Gifford, 1879-1956  Search this
Bellows, George, 1882-1925  Search this
Bluemner, Oscar, 1867-1938  Search this
Davis, Stuart, 1892-1964  Search this
Delaunay, Robert, 1885-1941  Search this
Kroll, Leon, 1884-1974  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Pascin, Jules, 1885-1930  Search this
Sloan, John, 1871-1951  Search this
Van Dine, S. S.  Search this
Weichsel, John, 1938?-  Search this
Zorach, Marguerite, 1887-1968  Search this
Zorach, William, 1887-1966  Search this
Extent:
0.6 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Date:
1905-1965, bulk 1905-1929
bulk 1905-1929
Summary:
The John Weichsel papers concerning the People's Art Guild measure 0.6 linear feet and date from 1905-1965 with the bulk of the material dating from 1905-1929. The papers consist almost entirely of the records of the People's Art Guild, founded by Weichsel, and include administrative records, correspondence, writings and notes, business and financial records, printed material, and artwork.
Scope and Contents:
The John Weichsel papers concerning the People's Art Guild measure 0.6 linear feet and date from 1905-1965 with the bulk of the material dating from 1905-1929. The papers consist almost entirely of the records of the People's Art Guild, founded by Weichsel, and include administrative records, correspondence, writings and notes, business and financial records, printed material, and artwork.

People's Art Guild records include the constitution, membership lists, and correspondence with Gifford Beal, George Bellows, Oscar Bluemner, Stuart Davis, Robert Delaunay, Leon Kroll, Standon Macdonald-Wright, Jules Pascin, John Sloan, Willard Wright and Marguerite and William Zorach, among others. Writings about the Peoples Art Guild are by Weichsel and his grandson John Weichsel. There are also lists of artists and works of art. Also found are very scattered business and financial records, printed materials, and artwork in the form of sketches for exhibition announcements.
Arrangement:
The collection is arranged as 6 series.

Series 1: Administrative Records, 1915-1917 (2 folders; Box 1)

Series 2: Correspondence, 1905-1922 (0.3 linear feet; Box 1)

Series 3: Writings and Notes, 1915-circa 1919, 1965 (4 folders; Box 1)

Series 4: Business and Financial Records, 1915-1917 (0.1 linear feet; Box 1-2)

Series 5: Printed Material, 1915-circa 1948 (0.2 linear feet; Box 2)

Series 6: Artwork, 1915-1916 (1 folder; Box 2)
Biographical / Historical:
John Weichsel (1870-1946) was an arts administrator and founded the artists' cooperative People's Art Guild of New York City in 1915.

John Weichsel was born in Poland and ultimately settled in New York City. The People's Art Guild was founded by Weichsel as an artist's cooperative focused on improving and expanding knowledge of art and the art world among the general public, believing this would increase art appreciation and patronage.
Provenance:
The collection was donated in 1960 and 1963 by Dr. H. S. Weichsel and John Weichsel, the son and grandson of Dr. John Weichsel. At an unknown later date, grandson John Weichsel donated his 1965 thesis on the Peoples Art Guild.
Restrictions:
Use of original papers requires an appointment.
Rights:
The John Weichsel papers concerning the People's Art Guild are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Arts administrators -- New York (State) -- New York  Search this
Topic:
Art -- Societies, etc. -- New York (State) -- New York  Search this
Genre/Form:
Sketches
Citation:
John Weichsel papers concerning the People's Art Guild, 1905-1965, bulk 1905-1929. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.weicjohn
See more items in:
John Weichsel papers concerning the People's Art Guild
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-weicjohn

Oral history interview with Paul Sample

Interviewee:
Sample, Paul, 1896-1974  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Treasury Relief Art Project  Search this
Lie, Jonas, 1880-1940  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Siqueiros, David Alfaro  Search this
Extent:
17 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1971 October 10
Scope and Contents:
An interview of Paul Sample conducted 1971 October 10, by Robert F. Brown, for the Archives of American Art. Sample speaks of his studies with Jonas Lie and Stanton Macdonald-Wright; teaching at the University of Southern California and at Dartmouth College; working on frescos with David Alfaro Siqueiros in California; working on murals for the Treasury Department's art project; exhibitions in New York galleries; his series of paintings for the American Tobacco Company. He discusses his subject matter.
Biographical / Historical:
Paul Sample (1896-1974) was a painter from Norwich, Vt.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav files. Duration is 59 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Painters -- Vermont -- Interviews  Search this
Topic:
Art, American  Search this
Mural painting and decoration  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.sample71
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sample71

Henry John Weeks papers

Creator:
Weeks, Henry John  Search this
Names:
Adlmann, Jan Ernst  Search this
Conklin, Dallas M.  Search this
Feitelson, Lorser, 1898-1978  Search this
Gardiner, Henry G.  Search this
Lundeberg, Helen, 1908-1999  Search this
Macdonald-Wright, Jean  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Neubert, George W.  Search this
Russell, Morgan, 1886-1953  Search this
Wong, Jason D.  Search this
Extent:
85 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1965-1973
Scope and Contents:
Correspondence, Weeks' masters thesis about Southern California painters, and miscellany.
Correspondence with Stanton Macdonald-Wright. They write about a Macdonald-Wright autobiography, the sale of his works works and of Morgan Russell paintings owned by Macdonald-Wright, the financial problems of Macdonald-Wright, and personal matters.
Other correspondents include Helen Lundeberg, Henry Gardiner, Lorser Feitelson, Jason Wong, Jan Adlmann, Dallas Conklin, George Neubert, and Jean Macdonald-Wright (Stanton's wife), among others.
Biographical / Historical:
Art administrator, agent and critic; San Francisco, Calif. Weeks was painter Stanton Macdonald-Wright's Northern California agent.
Provenance:
Lent 1974 for microfilming by Henry John Weeks.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Painters -- California  Search this
Arts administrators -- California -- San Francisco  Search this
Art critics -- California -- San Francisco  Search this
Identifier:
AAA.weekhenr
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-weekhenr

Molly Saltman "Art and Artists" interviews

Creator:
Saltman, Molly  Search this
Names:
Art and artists (Radio program)  Search this
Falkenstein, Claire, 1908-1997  Search this
Feitelson, Lorser, 1898-1978  Search this
Hamilton, Richard, 1922-  Search this
Hopper, Dennis, 1936-  Search this
Levine, Jack, 1915-2010  Search this
Lytton, Bart, 1912-1969  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Natzler, Gertrud  Search this
Natzler, Otto  Search this
Nyiri, Joseph, 1937-  Search this
Partch, Harry, 1901-1974  Search this
Price, Vincent, 1911-1993  Search this
Secunda, Arthur  Search this
Wayne, June, 1918-2011  Search this
White, Charles, 1918-1979  Search this
Extent:
2.4 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Lectures
Sound recordings
Date:
1966-1967
Summary:
The Molly Saltman "Art and Artists" interviews measure 2.4 linear feet and contain 62 sound recording interviews and lectures with art collectors, teachers, actors, and artists. The interviews were conducted by Molly Saltman from 1966-1967 as part of the "Art and Artists" radio series broadcast on the KPAL radio station in Palm Springs, California. Additional recordings of KPAL content and nonbroadcast content were discovered upon digitization, including a Los Angeles Art Association anniversary event and a Charles White slide lecture.
Scope and Contents:
The Molly Saltman "Art and Artists" interviews measure 2.4 linear feet and contain 62 sound recording interviews and lectures with art collectors, teachers, actors, and artists. The interviews were conducted by Molly Saltman from 1966-1967 as part of the "Art and Artists" radio series broadcast on the KPAL radio station in Palm Springs, California. Additional recordings of KPAL content and nonbroadcast content were discovered upon digitization, including a Los Angeles Art Association anniversary event and a Charles White slide lecture.
Arrangement:
Due to the small size of this collection the sound recordings are arranged as one series.

Series 1: Interviews and other recordings, circa 1963-1968 (Box 1-3, 2.4 linear feet)
Biographical / Historical:
The Molly Saltman "Art and Artists" radio program was broadcast on KPAL radio station in Palm Springs, California from November 2, 1966 to March 4, 1967 on Mondays and Wednesdays at 10:30AM. Molly Saltman (1915-2010), the producer and interviewer for this broadcast, was a well-known Palm Springs artist during this time. Specializing in abstract watercolors, her work was featured in a number of local art shows as well as exhibited in the Los Angeles County Museum of Art, the Palm Springs Desert Museum, and the Hartfield Gallery in Los Angeles. She was also closely involved with the Desert Mental Health Association and served as Chairwoman of the Jewish Family Service in Palm Springs, California.
Provenance:
The collection was donated by Molly Saltman in 1986.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Rights:
Researchers must obtain copyright clearance from interviewees prior to publication or airing.
Occupation:
Actors  Search this
Art teachers -- Interviews  Search this
Artists -- Interviews  Search this
Topic:
Art, American  Search this
Art--Collectors and collecting--Interviews  Search this
Genre/Form:
Interviews
Lectures
Sound recordings
Citation:
Molly Saltman "Art and Artists" Interviews, 1966-1967. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.saltmoll
See more items in:
Molly Saltman "Art and Artists" interviews
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-saltmoll

Keith Warner papers

Creator:
Warner, Keith, 1895-1959  Search this
Names:
"291" (Gallery)  Search this
American Place (Gallery)  Search this
Whitney Museum of American Art  Search this
Calder, Alexander, 1898-1976  Search this
Dorcely, Roland  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Marin, John, 1870-1953  Search this
Mondrian, Piet, 1872-1944  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Rosenburg, Paul  Search this
Russell, Morgan, 1886-1953  Search this
Stieglitz, Alfred, 1864-1946  Search this
Weber, Max, 1881-1961  Search this
Extent:
0.7 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Illustrated letters
Sketches
Date:
1935-1975
Summary:
The papers of American art collector Keith Warner measure 0.7 linear feet and date from 1935 to 1975. Correspondence, collecting files, and artwork detail Warner's role as a collector of art in the mid-twentieth century. Present in the collection are materials related to Alexander Calder, Roland Dorcely, Stanton MacDonald-Wright, Piet Mondrian, Alfred Stieglitz, and Max Weber.
Scope and Contents:
The papers of American art collector Keith Warner measure 0.7 linear feet and date from 1935 to 1975. Correspondence, collecting files, and artwork detail Warner's role as a collector of art in the mid-twentieth century. Present in the collection are materials related to Alexander Calder, Roland Dorcely, Stanton MacDonald-Wright, Piet Mondrian, Alfred Stieglitz, and Max Weber.

Warner's relationships with artists are documented in extensive letters which make up the bulk of the collection. Subjects range from exhibitions, the art market, artists' methods and works, art criticism, and collecting to personal subjects. Letters from Roland Dorcely and Alexander Calder include illustrated letters and postcards. Letters from Calder discuss a mix of business and personal matters, including a discussion of the design of jewelry commissioned for Warner's wife, Edna. Letters from Dorcely document Warner's cultivation, criticism, and collection of Dorcely's work, as well as the hardships of Haitian artists and Dorcely's views on art. The letters are in French with some English translations.

Correspondence with Alfred Stieglitz documents his common endeavor with Warner in collecting the paintings of John Marin, and Stieglitz's gallery, An American Place. Letters associated with An American Place continue after Stieglitz's death in 1946. Found with Alfred Stieglitz's letters are two letters from Georgia O'Keeffe. Max Weber letters include comments on his painting and sculpting, his retrospective show at the Whitney, the art press, national politics, and also refer to Stieglitz and Marin. An extensive group of correspondence with Stanton MacDonald-Wright is mostly undated; MacDonald-Wright writes freely about Stieglitz, the "291" group of artists, and his partner in Synchromism, Morgan Russell. Also included are letters from Piet Mondrian related to collecting, as well as letters from unidentified correspondents.

Warner's collecting files consist of diverse materials concerning his research, writing, and relationships with artists whose paintings he collected, particularly Roland Dorcely and Stanton MacDonald-Wright. Included are biographical sketches; writings about and by the artists, including manuscripts and published materials; newspaper and magazine clippings; exhibition announcements and catalogs; and photographs of works of art. Writings by Roland Dorcely, on the subject of his artistic process and perspective, include handwritten essays in French as well as typed English translations. Published articles from Script magazine (1945-1946) by Stanton MacDonald-Wright document his career as an art critic. Writings on Alexander Calder and Paul Rosenburg, taken from Warner's journal on Calder, and on the early relationship of Alfred Stieglitz and Georgia O'Keeffe, documented on a visit with Stieglitz on May 3, 1944, are also present.

Artwork consists of work by Alexander Calder and Roland Dorcely. Calder's work includes sketches proposing mobiles with notations as to material, scale, and cost. Dorcely's work includes sketches in graphite and ink of abstract figures and objects.
Arrangement:
The collection is arranged as 3 series.

Series 1: Correspondence, 1940-1963 (0.4 linear feet; Box 1-2)

Series 2: Collecting Files, circa 1940-1975 (12 folders; Box 2, OV 3)

Series 3: Artwork, circa 1945-circa 1965 (2 folders; Box 2)
Biographical / Historical:
Keith Warner (1895-1959) was an American art collector. Warner was born and lived in Gloversville, New York, and maintained a manufacturing business that took him to New York City intermittently. Warner began collecting Chinese porcelains after World War I, and a few years later his interest shifted to American abstract painting. Warner retired from business in 1944. His collection was sold gradually after his death, mostly to private collectors, though some works are in museums in the United States and Japan.
Provenance:
The Keith Warner papers were donated in 1992 by Edna K. Allen, wife of Keith Warner.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Keith Warner papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Collectors and collecting -- New York (State)  Search this
Artists -- United States  Search this
Art -- Haiti  Search this
Art, Abstract -- Collectors and collecting  Search this
Art criticism  Search this
Art, Modern -- 20th century -- Collectors and collecting  Search this
Synchromism (Art)  Search this
Art, American  Search this
Genre/Form:
Photographs
Illustrated letters
Sketches
Citation:
Keith Warner papers, 1935-1975. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.warnkeit
See more items in:
Keith Warner papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-warnkeit
Online Media:

Nina Howell Starr papers

Creator:
Starr, Nina Howell, 1903-2000  Search this
Names:
International Women's Art Festival  Search this
Museum of American Folk Art  Search this
Photographic Historical Society of New York  Search this
Professional Women's Photographers, Inc.  Search this
Sharon Arts Center  Search this
Southern Regional Council  Search this
Brandt, Helene, 1936-  Search this
Cohen, Stephenie  Search this
Coke, Van Deren, 1921-  Search this
Connor, Linda  Search this
Daitz, Evelyne Z.  Search this
DiSpirito, Henry, 1898-1995  Search this
Evans, Minnie, 1892-  Search this
Evans, Walker, 1903-1975  Search this
Ghent, Henri, 1926-  Search this
Kanaga, Consuelo, 1894-  Search this
Kernan, Margo, 1927-  Search this
Kruger, Louise, 1924-  Search this
Lippard, Lucy R.  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Mainardi, Patricia  Search this
Morgan, Barbara Brooks, 1900-1992  Search this
Putnam, Wallace, 1899-1989  Search this
Ringgold, Faith  Search this
Rose, Ruth Starr, 1887-1965  Search this
Savage, Naomi, 1927-2005  Search this
Sherwood, Maggie, 1922-1984  Search this
Siskind, Aaron  Search this
Strand, Paul, 1890-1976  Search this
Szarwarski, John  Search this
Uelsmann, Jerry, 1934-  Search this
Extent:
21.2 Linear feet
21.2 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Photographs
Interviews
Drawings
Sketches
Transcripts
Sound recordings
Prints
Date:
circa 1933-1996
circa 1933-1996
Summary:
The papers of photographer and art historian Nina Howell Starr measure 21.2 linear feet and date from circa 1933 to 1996. The papers contain research files about various art historical topics, museums and galleries, photography, and artists. There are extensive files documenting Starr's relationship as researcher, dealer, and friend of folk painter Minnie Evans. Additionally, the papers include biographical materials, writings, speeches, project files, printed material collected or authored by Starr, and hundreds of artistic and documentary photographs and negatives created by Starr depicting her travels, Minnie Evans' paintings, roadside folk art, and other topics.
Scope and Contents:
The papers of photographer and art historian Nina Howell Starr measure 21.2 linear feet and date from circa 1933 to 1996. The papers contain research files about various art historical topics, museums and galleries, photography, and artists. There are extensive files documenting Starr's relationship as researcher, dealer, and friend of folk painter Minnie Evans. Additionally, the papers include biographical materials, writings, speeches, project files, printed material collected or authored by Starr, and hundreds of artistic and documentary photographs and negatives created by Starr depicting her travels, Minnie Evans' paintings, roadside folk art, and other topics.

Biographical materials are scattered and include grant and publication applications, curriculum vitae, lists of artwork, and miscellany.

Starr's lectures, writings, and project files are arranged into one series. They include Starr's student writings, a notebook about Civil Rights, files documenting her work on a Florida public housing project, the Southern Regional Council, and the League of Women Voters. A few files of general writings and lectures mostly concern folk artist Minnie Evans and the exhibition Women Photograph Men, held at the International Women's Arts Festival in 1976.

Subject files on artists, art history topics, photographers and photography (including Starr's work), and on folk artist and friend Minne Evans comprise the bulk of the collection. The files are a mix of collated materials and primary sources created by Starr and others and many contain correspondence, notes, photographs, and a few sketches and orginal prints. Also included are materials related to professional and organizational groups in which Starr was involved, including the Professional Women's Photographers, Inc., the Photographic Historical Society of New York, and the Museum of American Folk Art; files on several of Starr's exhibitions; and files on artists that contain printed materials, correspondence, and photographs. The file on Ruth Starr Rose contains prints and drawings. There are also photographs taken by Stephanie Cohen. Particularly rich files are found for Stephanie Cohen; Van Deren Coke, Director of the George Eastman Company; Evelyn Daitz, Director of the Witkin Gallery; Henry DiSpirito; Walker Evans; the Fotofolio printing company; curator Henri Ghent; photographer Consuelo Kanaga and husband Wallace Putnam; Margot Starr Kernan; Lucy Lippard; Stanton Mac-Donald Wright; Sharon Arts Center; photographer Paul Strand; curator John Szarwarski; and photographer Jerry Uelsman.

The collection also documents the friendship between painter Minnie Evans and Starr, and Starr's business dealings on Evans' behalf. There is correspondence about and with Evans, several sound recordings of interviews conducted by Starr and others with Evans, many with transcripts, financial documents, publications about Evans including exhibition catalogs, clippings, journal articles and monographs, two posters, a scrapbook, and one sketch by Evans.

Printed material includes published articles, exhibition catalogs and announcements, and clippings about Starr.

Photographic materials are extensive and include photographs and slides taken by Starr of friends, family, artwork by Minnie Evans, events, exhibition openings, world travels, and folk art, especially roadside. Prominent artists and art historians photographed include: photographers Maggie Sherwood, Naomi Savage, Barbara Morgan, Linda Connor, Aaron Siskind, Consuelo Kanaga, Faith Ringgold, and Walker Evans; sculptors Louise Kruger and Helene Brandt; feminist and art historian Pat Mainardi; and curators Henri Ghent and John Szarkowski. Starr's artistic photographic work is also represented, and includes two silver gelatin prints of Minnie Evans, and subject studies on hands, people, and nature, among others.
Arrangement:
The collection is arranged as 6 series.

Series 1: Biographical material, 1954-circa 1990 (8 folders; Box 1)

Series 2: Writings, Speeches and Projects, 1933-1995 (1.1 linear feet; Boxes 1-2)

Series 3: Subject Files, circa 1939-1996 (8.3 linear feet; Boxes 2-10)

Series 4: Minnie Evans, 1962-1996 (3.7 linear feet; Boxes 10-13, 23, OV 24)

Series 5: Printed Material, 1936-1995 (2.7 linear feet; Boxes 13-16, 23)

Series 6: Photographic Material, circa 1939-1993 (5.4 linear feet; Boxes 16-23, OV 24)
Biographical / Historical:
Nina Howell Starr (1903-2000) was a photographer, art dealer, and art historian who worked primarily in New York City. Born in Newark, New Jersey in 1903 as Cornelia Margaret Howell, Starr attended Wellesley College and graduated from Barnard in 1926. Also in 1926, she married Nathan Comfort Starr, an English professor, and, over the years the couple lived in Massachusetts, Maryland, Florida, and New York City.

In 1963, at the age of 60, Starr received the first M.F.A. in photography granted by the University of Florida. Starr exhibited widely in both solo and group exhibitions, including Magic Lantern (Photographer's Gallery, London, 1976), and the Strength of Women (Witken Gallery, 1991), and numerous shows featuring photographs of outsider art. Her "New Yorker" project became an exhibition in 2016. Her work is owned by several prominent museums, including the Metropolitan Museum of Art and the George Eastman House International Museum of Photography.

As art historian, self-proclaimed critic, and civil rights and feminist advocate, Starr lectured widely, wrote articles and letters to editors, and corresponded with many notable art world figures. She became especially interested in outsider and folk art. Starr met outsider artist Minnie Evans in 1962 and became Evans' lifelong friend, advocate, and representative dealer. She wrote about Evans and introduced Evans' works to galleries and other exhibition spaces in New York, including the Whitney Museum, where she guest-curated an exhibition of Evans' work in 1975.

Starr was an active member of professional organizations including the Photographic Historical Society of New York, Professional Women's Photographers, Inc., and the Museum of American Folk Art where she served on the Advisory Committee.

Nina Howell Starr died in 2000 in Connecticut at the age of 97.
Provenance:
The Nina Howell Starr papers were donated by Nina Howell Starr in 1996.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Nina Howell Starr papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Art historians -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
Topic:
Folk art -- United States  Search this
Civil rights  Search this
African American art  Search this
Folk art -- Photographs  Search this
Women photographers  Search this
Photography  Search this
African American artists  Search this
Genre/Form:
Scrapbooks
Photographs
Interviews
Drawings
Sketches
Transcripts
Sound recordings
Prints
Citation:
Nina Howell Starr papers, circa 1933-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.starnina
See more items in:
Nina Howell Starr papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-starnina
Online Media:

Rose Fried Gallery Records

Creator:
Rose Fried Gallery (New York, N.Y.)  Search this
Names:
Pinacotheca Gallery (New York, N.Y.)  Search this
Baertling, Olle, 1911-1981  Search this
Cornell, Joseph  Search this
Cunningham, Ben, 1904-1975  Search this
Delaunay, Sonia  Search this
Etrog, Sorel, 1933-  Search this
Ferren, John, 1905-1970  Search this
Fried, Rose  Search this
Hendler, Raymond, 1923-  Search this
Kandinsky, Wassily, 1866-1944  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Mondrian, Piet, 1872-1944  Search this
Morgan, Russell  Search this
Picabia, Francis, 1879-1953  Search this
Richter, Hans, 1888-1976  Search this
Torres-García, Joaquín, 1874-1949  Search this
Xceron, Jean, 1890-1967  Search this
Extent:
8.1 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sound recordings
Interviews
Date:
1936-1972
bulk 1945-1970
Summary:
The Rose Fried Gallery records measure 8.1 linear feet and date from 1936 to 1972 with the bulk of materials dating from 1945 to 1970. The majority of the collection consists of artists files documenting the gallery's relationship with abstract, modern, and Latin American artists; additional named subject files; and scattered administrative and financial files. Individual artists and subject files contain a wide variety of documentation, such as correspondence, photographs, financial records, and printed materials.
Scope and Contents:
The Rose Fried Gallery records measure 8.1 linear feet and date from 1936 to 1972 with the bulk of materials dating from 1945 to 1970. The majority of the collection consists of artists files documenting the gallery's relationship with abstract, modern, and Latin American artists; additional named subject files; and scattered administrative and financial files. Individual artists and subject files contain a wide variety of documentation, such as correspondence, photographs, financial records, and printed materials.

Scattered administrative records document the founding and history of the Rose Fried Gallery, biographical materials about Rose Fried, as well as scattered administrative correspondence, press releases, and gallery catalogs. There are two sound recordings of interviews with Rose Fried in which she discusses the origins of the Rose Fried Gallery and some of the gallery's shows.

The bulk of the records consist of alphabetical artists' and clients' files documenting the gallery's dealings with individual artists, clients, other galleries, museums, and universities. Contents of individual files vary but may include correspondence, contractual agreements, financial records, printed material, and photographs. A few of the artists represented in the files include Olle Baertling, Joseph Cornell, Ben Cunningham, Sonia Delaunay, Sorel Etrog, John Ferren, Raymond Hendler, Wassily Kandinsky, Stanton MacDonald-Wright, Piet Mondrian, Russell Morgan, Francis Picabia, Hans Richter, Joaquin Torres-Garcia, and Jean Xceron, among many others.
Arrangement:
The collection is arranged as two series.

Series 1: General Administrative Records, 1947-1970 (9 folders; Box 1)

Series 2: Artists' and Clients' Files, 1936-1972 (7.9 linear feet; Boxes 1-8, OV 9)
Historical Note:
Rose Fried established the Rose Fried Gallery in the 1940s in New York City, New York. Fried established the gallery when she took over the Pinacotheca Gallery owned by Dan Harris. The Gallery specialized in abstract and modern art, and represented cubists, futurists, Dadaists, and masters of Latin American art. The Rose Fried Gallery was instrumental in introducing the American public to many abstract painters, including Mondrian and Kandinsky. The Gallery remained operational until Fried's death in 1970.
Provenance:
The Rose Fried Gallery Records were donated by Rose Fried and her brother and executor Paul Fried in multiple accretions between 1968 and 1974.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy also requires advance notice. Contact Reference Services for more information.
Rights:
The Rose Fried Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art galleries, Commercial -- New York (State) -- New York  Search this
Gallery owners  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Hispanic American artists  Search this
Art dealers -- New York (State) -- New York  Search this
Art, Abstract  Search this
Genre/Form:
Photographs
Sound recordings
Interviews
Citation:
Rose Fried Gallery Records, 1936-1972, bulk 1945-1970. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.rosefrig
See more items in:
Rose Fried Gallery Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-rosefrig
Online Media:

Harry Noyes Pratt letters

Creator:
Pratt, Harry Noyes, 1879-1944  Search this
Names:
Macdonald-Wright, Stanton, 1890-1973  Search this
Extent:
3 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1941
Scope and Contents:
Correspondence, July 29, 1941 to August 4, 1941, with Stanton Macdonald-Wright. Macdonald-Wright asks Pratt what he considers the common denominator of various styles of art. Pratt responds and Macdonald-Wright thanks him.
Biographical / Historical:
Gallery director, curator, author, editor, lecturer; California
Provenance:
Donated by the E.B. Crocker Art Gallery through the director, Richard V. West, 1977.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Educators  Search this
Museum directors -- California  Search this
Topic:
Curators -- California  Search this
Identifier:
AAA.pratharr
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-pratharr

Oral history interview with Esther Robles

Interviewee:
Robles, Esther  Search this
Interviewer:
Bowman, Ruth, 1923-  Search this
Names:
Macdonald-Wright, Stanton, 1890-1973  Search this
Extent:
125 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1981 August 24-31
Scope and Contents:
An interview of Esther Robles conducted 1981 August 24-31, by Ruth Bowman, for the Archives of American Art.
Robles speaks of her family background; early art training; opening her own gallery in the 1940s; exhibitions at the gallery and artists who exhibited; the art community in Los Angeles and some of the problems in being a dealer there; her dedication to showing a variety of artists; working on the U.S. Treasury Department's Art Advisory Panel; and the closing of her gallery. She recalls Stanton Macdonald-Wright. Also present is Robles' husband, Robert.
Biographical / Historical:
Ester Robles (1907-2001) was a gallery director from Los Angeles, Calif.
General:
Originally recorded on 7 sound cassettes. Reformatted in 2010 as 13 digital wav files. Duration is 6 hr., 13 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Use requires an appointment.
Topic:
Gallery directors -- California -- Los Angeles -- Interviews  Search this
Function:
Art galleries, Commercial -- California -- Los Angeles
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.robles81
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-robles81

Oral history interview with Roland Reiss

Interviewee:
Reiss, Roland, 1929-  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Names:
Scripps College -- Faculty  Search this
University of California, Los Angeles -- Students  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Stussy, Jan, 1921-  Search this
Extent:
76 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1997 Aug.-1999 June
Scope and Contents:
An interview of Roland Reiss conducted 1997 Aug. 23-1999 June 11, by Paul Karlstrom, for the Archives of American Art, in Reiss' studio, Los Angeles, Calif.
A fairly lengthy discussion of UCLA included an account of studying with Jan Stussy, a Stanton Macdonald-Wright disciple, and with Macdonald-Wright himself, who took a special interest in Reiss. He also singled out as a major influence Clinton Adams who, with Macdonald-Wright, served as a model of the intellectual artist who embodied rigorous thinking and a search for meaning through critique of language. Additional topics were the difference between the San Francisco and Los Angeles art worlds, the impact of abstract expressionism and of his own paper on the subject delivered to the UCLA faculty, which Reiss remembers as the introduction of abstract expressionism at the university. After a discussion of his teaching experience in Colorado and pioneering work with plastics, Reiss recalled his interaction there with leading artists including Joan Brown, Nancy Graves, David Hockney, Clyfford Still (with whom Reiss had daily conversations), and William T. Wiley. The third session focused on his long teaching career at Claremont and an in-depth discussion of various art programs in the country and the philosophies involved. In effect, this concluding part of the interview was a history of art education and the training of artists in California presented by someone whose entire career has been connected to educational institutions.
Biographical / Historical:
Roland Reiss (1929-) is a painter and sculptor from Los Angeles, Calif.
General:
Originally recorded on 7 sound cassettes. Reformatted in 2010 as 11 digital wav files. Duration is 6 hr., 3 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for the transcription of this interview provided by Bente and Gerald E. Buck Collection.
Topic:
Abstract expressionism  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.reiss97
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-reiss97

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