Musee Cantonal des Beaux-Arts (Lausanne, Switzerland)
Museu de Arte Moderna (Sao Paulo, Brazil)
Museu de Arte Moderna (Rio de Janeiro, Brazil)
Museum of Art of Ogunquit
Museum of Early American Folk Art
Museum of Fine Arts (St. Petersburg, FL)
The Museum of Irish Art
The Museum of Modern Art, Kamakura (Japan)
Museum of Modern Art of Miami
Museum of New Mexico
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Betty Parsons Gallery records and personal papers, 1916-1991. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art and The Walton Family Foundation.
This series contains published articles by Roberts and other authors, newspaper and magazine clippings, newsletters of organizations with which Roberts was involved, pamphlets, publicity materials, exhibition announcements, catalogs, posters, and press releases. Articles by Colette Roberts are in French and English, clipped and copied from a variety of publications. Roberts' France-Amérique articles are mostly reviews of current exhibitions in New York in French. Articles by others are generally longer writings on art and literature published in journals and magazines by authors including Henry Miller, Philippe Stern, Richard Wright, Dore Ashton, and Dick Higgins, among others. Clippings include reviews of Grand Central Moderns exhibitions, and other happenings in the art world, particularly in New York City and the contemporary art scene of the 1950s and 1960s. Also found are clippings about artists of interest to Roberts such as Jennett Lam, Mark Tobey, George Mattieu, and Louise Nevelson.
Newsletters are from the MacDowell Colony, the Peridot Gallery, the Art Students League, and places where Roberts taught. Press releases are mostly for exhibitions of contemporary artists in New York City, at both museums and galleries. Tamarind Lithograph Workshop publications include paper samples, drystamps, and biographies of printmakers. Art-related pamphlets include brochures, publicity, and mailings from cultural organizations in the arts. Non-art-related pamphlets relate to travel, financial, manuals, and other miscellany.
For printed materials related to the Grand Central Moderns Gallery, see Series 4: Grand Central Moderns Gallery Records.
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Colette Roberts papers and interviews with artists, circa 1930-1971. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by The Brown Foundation, Inc.
Little Red School House ( -- see -- : Charity Exhibitions)
Littlefield, William H.
Living Theatre
Lloyd, Mrs. H. Gates
Loesser, Mrs. Arthur
l'Oeuvre Gravée
Long Beach Island Art Foundation
Lord, John
Love, Ruth Winfield
Lucas, John and Sikie
Lye, Ann
Lynch, Kenneth and Sons
MacDowell Colony
Macomber, Connie and Pete
Madison, Geraldine
Collection Restrictions:
The collection is open for research. Use requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Howard Wise Gallery records, 1943-1969. Archives of American Art, Smithsonian Institution.
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Frank K. M. Rehn Galleries records, 1858-1969 (bulk 1919-1968). Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the digitization of the microfilm of this collection was provided by the Terra Foundation for American Art
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Catherine Viviano Gallery records, 1930-1990, bulk 1949-1978. Archives of American Art, Smithsonian Institution.
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Terry Dintenfass, Inc. records, 1947-1987, bulk 1961-1983. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Smithsonian Institution Collections Care and Preservation Fund.
