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Hector Acebes photographs of African and South American peoples

Creator:
Acebes, Hector  Search this
Extent:
2 Copy prints
153 Prints (silver gelatin)
Culture:
Shuar  Search this
Ika (Ica/Arhuaco)  Search this
Akawaio (Acawai)  Search this
Yanomamö (Yanomamo)  Search this
Yukpa (Macoa/Macoita/Yupa)  Search this
Bassari (Senegalese and Guinean people)  Search this
Fulbe (African people)  Search this
Mangbetu (African people)  Search this
Kikuyu (African people)  Search this
Maasai (African people)  Search this
Type:
Collection descriptions
Archival materials
Copy prints
Prints
Photographs
Place:
Ngorongoro Crater (Tanzania)
Uaupés River (Colombia and Brazil)
Orinoco River (Venezuela and Colombia)
Mali
Guinea
Togo
Benin
Cameroon
Congo (Democratic Republic)
Rwanda
Africa
Tanzania
Kenya
Date:
1949-1960
Scope and Contents note:
Photographs made on Hector Acebes's expeditions in Africa and South America, mostly during the 1950s. Many of the images document people and markets in Africa (1949 and 1953), including Kikuyu, Masai, Mangbetu, Fulani, and Bassari peoples. There are also photographs made in the French Sudan, Guinea, Togo, Dahomey, Cameroon, the Congo Republic, Ruanda, Kenya, and Tanganyika. These prints were made for an exhibit.

Other sets include images of Jivaro, January, 1950; the Vaupés River and nearby tribes, September, 1950; a journey up the Orinoco to the Guaica, February, 1951; Arhuaco peoples, 1958; and Yuco peoples, 1960. Many photographs depict scenery and dwellings or are portraits (some show body and face paint). There are also images of fishing and hunting (Guaica); musical pipes (Guaica), a bridge, weaving, and bows and arrows (Arhuaco). Some photographs depict expedition members, including Acebes. The collection also includes photographs of the cover of Acebes' Orinoco Adventure, 1954, and coverage of his expeditions in Look, April 8, 1952, and Time (Latin American edition), December 24, 1951.
Biographical/Historical note:
Hector Acebes was born in 1921 in New York City and raised in Madrid and Bogota. While in college at the Massachusetts Insitute of Technology, he operated his own photo studio. After graduating from MIT in 1947 with a degree in mechanical engineering, he moved back to Bogota. Throughout the late 1940s and the 1950s, Acebes undertook expeditions in Africa and South America and started to work as a professional filmmaker and lecturer. Acebes wrote, filmed, directed, and edited each of the forty-three films his production company, Acebes Productions, released.
Local Call Number(s):
NAA Photo Lot 94-28
Location of Other Archival Materials:
Uaica photographs collected by Acebes held in the National Anthropological Archives in MS 4389.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo lot 94-28, Hector Acebes photographs of African and South American peoples, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.94-28
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3c1d672d7-a85f-4cf8-845e-f1d6d758345e
EDAN-URL:
ead_collection:sova-naa-photolot-94-28

Ethel Cutler Freeman papers

Creator:
Freeman, Ethel Cutler, 1886-1972  Search this
Names:
American Museum of Natural History  Search this
United States. Bureau of Indian Affairs  Search this
Extent:
61.03 Linear feet (114 boxes)
Culture:
Seminole  Search this
Maasai (African people)  Search this
Culture  Search this
Type:
Collection descriptions
Archival materials
Place:
Florida
Date:
1934-1972
Summary:
Ethel Cutler Freeman was an amateur Seminole specialist and research associate with the American Museum of Natural History. Her papers also reflect field work among the Arapaho, Shoshoni, Navaho, Pueblo, Hopi, Kickapoo, and people of the Virgin Islands, the Bahama Islands, and Haiti, and the music and chants of Africa, including those of the Maasai, Zulu, and Pygmies. A small amount of material relates to the Hoover Commission on Indian Affairs, of which Freeman was a member. Correspondents include several Seminole Indians and government officials, personal acquaintances, organizations, and associates of the American Museum of Natural History.
Scope and Contents:
These papers reflect the anthropological interests of Ethel Cutler Freeman. The papers in this collection include her notes and diaries, published articles, unfinished manuscripts, and source materials. The bulk of the collection is material relating to the Seminole Indians of Florida.

Mrs. Freeman also made several trips to the Southwest and Mexico to study such tribes as the Arapaho, Shoshone, Navajo, Pueblo, and Hopi. There is substantial information from these studies included in this collection. She also made less extensive studies of various other cultures in the Virgin Islands, the Bahamas, and Haiti. In 1950, she studied tribal music and chants of several African tribes and the material from these studies forms the major portion of Series 7.

The collection also contains several sound recordings made by Freeman and numerous photographs, negatives, and slides. During rehousing, additional materials including index cards and notebooks from field trips were located and incorporated into the collection. A small amount of material relates to the Hoover Commission on Indian Affairs, of which Freeman was a member.

Correspondents include several Seminole Indians and government officials, personal acquaintances, organizations, and associates of the American Museum of Natural History as well as Dean Amadon, Richard Archbold, Conrad M. Arensberg, Dana W. Atchley, Jacques Barzun, Ruth Benedict, Leonard J. Brass, Louis Capron, Frances Densmore, Margery S. Douglas, John W. Griffin, A.J. Hanna, Ronald F. Lee, Margaret Mead, Robert Cushman Murphy, Kenneth W. Porter, Harry L. Shapiro, Howard Sharp, Frank Speck, Charlton W. Tebean, and Clark Wissler.

Although the majority of the collection spans the years 1934 to 1972, there are some items with dates that fall outside of this range. Some published materials are dated as early as 1822 and one note is dated 1975 and was added to the collection after Freeman's death in 1972. The folders containing these items have been dated accordingly, but these outlier dates have not affected the dates of the sub-series or series.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Arrangement:
The collection is arranged into 15 series: (1) Biographical information and miscellaneous personal papers, 1939-1971; (2) Correspondence, 1936-1972; (3) Manuscripts, 1936-1971; (4) Source Material, 1934-1970; (5) Seminole Indians, 1934-1972; (6) North American Indians, 1936-1971; (7) Cultures other than North American Indian, 1943-1970; (8) Meetings, 1956-1968; (9) Printed materials, 1936-1972; (10) Pamphlets, 1935-1970; (11) Population and Material Culture, 1939, 1951-1963; (12) Sound recordings, 1940-1958, 1969-1970; (13) Lists of Photographs, 1939-1970; (14) Photographs, 1936-1971; (15) Index Cards, undated
Biographical Note:
Ethel Cutler Freeman was born in 1886 in Morristown, New Jersey. Freeman was the daughter of a prosperous family, which gave her the opportunity to study abroad in England at Mademoiselle Marie Souvestre's Academy for girls. After studying in England, Freeman returned to the United States and was married to Leon S. Freeman, a New York broker, in 1909.

By 1934, Freeman had become bored with the typical social activities available to her; while discussing the matter with a friend, Marcellus Hartley Dodge, she described herself as having a "brain full of cobwebs." Dodge, a former trustee at Columbia University, suggested that Freeman enroll in some courses at Columbia. Acting on Dodge's advice, Freeman started taking graduate courses in psychology and sociology at Columbia University, but soon became fascinated with anthropology. During her studies at Columbia, Freeman spent time in the western United States studying the Arapaho and Shoshone while her husband recuperated from a horse riding accident; it was at this point that she developed a taste for field work and an interest in Native American cultures. After completing her studies, Freeman decided that she wanted to study the Seminole people of Florida, near whom she and her family owned a winter home in Naples.

Back on the East Coast, Freeman met Dr. Clark Wissler, then Curator of the Indian Division of the American Museum of Natural History. Wissler was supportive of Freeman's aspirations to continue her anthropological studies, but balked at her expressed interest in the Seminole, whom at that time had a reputation for not being open to contact with outsiders. Undaunted, Freeman contacted W. Stanley Hansen, the man in charge of Seminole settlement; after repeated correspondence with Hansen convinced him she was no mere hobbyist, he agreed to help her make connections within the Seminole community.

Freeman made two visits to the Big Cypress Reservation for the American Museum of Natural History with a government representative before taking her 14-year-old daughter, Condict, and 12-year-old son, Leon Jr., for an extended stay with a group of Seminoles at the heart of the Everglades in February of 1940. After that first winter stay with the Seminoles, Freeman spent virtually every winter living within their remote communities and studying their culture. Over time, Dr. Wissler became impressed by Freeman's thorough and insightful reports and analysis of her findings among the Seminoles and got the American Museum of Natural History to back her winter field studies. Eventually Freeman's work gained her a reputation for being an expert on Seminole culture, which often placed her in the role of consultant to government agencies on issues dealing with Seminole and broader Native American concerns.

As a result of her long acquaintance with the Seminoles, Freeman also became interested in how different groups of Native Americans and other cultures adapted to changes brought about by contact with modern society. Freeman made several trips to the Southwestern United States and Mexico to study such tribes as the Arapaho, Shoshone, Navajo, Pueblo, Choctaw, and Hopi; she also made less extensive studies of various other cultures in the Virgin Islands, the Bahamas, and Haiti. In 1950, Freeman went to Africa to study tribal music and chants of several tribes. Much later, in 1968, the American Museum of Natural History sent Freeman to Portugal to study local costumes.

In the 1940s, Freeman took part in publishing studies for the Department of Agriculture about the Seminoles and worked as an advocate for the Navajo, who at that time were in tense relations with the United States government over their living conditions. From 1947 to 1957, Freeman worked as a representative for the American Civil Liberties Union on the National Coordinating Committee for Indian Affairs; she also was a member of the Indian Rights Committee for the American Civil Liberties Union from 1946 to 1966. From 1948 to 1950, Freeman served as a member of the Hoover Commission for Reorganization of Government within the Bureau of Indian Affairs.

Throughout her studies in the field and her activities as an advocate for Native American rights, Freeman published her work frequently and gave many talks at a variety of conferences and special events. In 1964, Freeman traveled to Moscow to deliver her paper, "The Correlation between Directed Culture Change and Self Determination," at the 7th International Congress of Anthropological and Ethnological Sciences; she attended the same conference series the following year in Japan to deliver another paper, entitled "Lawlessness in an Indian Tribe as a Microcosm of a World Trend." Freeman continued visiting and studying the Seminoles in Florida late into her career, making her last visit the year before her death.

Ethel Cutler Freeman died on July 14th, 1972.

Sources Consulted

Letter to Mrs. Margaret Blaker, Archivist at the Smithsonian Institution's Anthropological Archives; Washington, D.C. from Ethel Cutler Freeman. Dated April 24, 1972. Located in vertical files, folders on Ethel Cutler Freeman, in the reading room of the National Anthropological Archives.

"Morristown Anthropologist; Mrs. Leon Freeman Likes Seminole Indians." Newark Sunday News, February 16, 1947.

"New Vernon Woman, Indian Authority." The Morris Observer, October 13, 1955.

"She's 'Hooked' On Seminole Indians: Leading Authority On That World." Daily Record, March 6, 1970.

"The Sentinel Visits--Indian Authority Mrs. Leon Freeman: Who Is Now Working To Rescue A Nation." Sunday Sentinel, February 2, 1947.

Chronology

1886 -- Born in Morristown, New Jersey.

1909 -- Married Leon S. Freeman.

1934 -- Began taking graduate courses at Columbia University in philosophy before changing to anthropology.

1936 -- Field work with the Arapaho and Shoshone.

1938 -- Joined American Anthropological Association. First became associated with American Museum of Natural History.

1939-1943 -- Winter field work with Florida Seminoles.

1940-1948 -- Special Field Assistant, American Museum of Natural History.

1943 -- Joined American Ethnological Society.

1944 -- Field work in Mexico searching for a lost tribe of Seminoles; studied the Mascogas, Papagos, and Kickapoo.

1945 -- Field work in New Mexico, studying the Pueblo and Navajo.

1946 -- Joined the Society of Women Geographers. Field work with the Navajo, Papago, and Hopi.

1946-1948 -- Winter field work with Florida Seminoles.

1947 -- Field work with the Navajo, Papago, and Pueblo.

1947-1957 -- Represented the American Civil Liberties Union on the National Coordinating Committee for Indian Affairs.

1947-1966 -- Member Indian Rights Committee, American Civil Liberties Union.

1948 -- Appointed first female trustee of the American Institute of Anthropology. Became Field Associate, American Museum of Natural History.

1948-1950 -- Member Hoover Commission for Reorganization of Government – Bureau of Indian Affairs.

1949 -- Field work in the Bahamas, studying native culture.

1950 -- Field work in Africa, studying the Zulu, Masai, and pygmy peoples.

1951 -- Winter field work with Florida Seminoles.

1952 -- Field work studying native cultures of the Virgin Islands and Haiti.

1953-1955 -- Winter field work with Florida Seminoles.

1955-1957 -- Acting Chairman, American Civil Liberties Union.

1957 -- Field work studying Mexican Seminoles.

1957-1958 -- Winter field work with Florida Seminoles.

1959 -- Attended annual meeting of American Anthropological Association in Mexico City.

1960-1965 -- Winter field work with Florida Seminoles.

1963 -- Field work in Oklahoma, studying Seminoles.

1964 -- Presented paper, "The Correlation between Directed Culture Change and Self Determination" VII International Congress of Anthropological and Ethnological Sciences, Moscow.

1968 -- Studied costumes of Portugal for American Museum of Natural History.

1965 -- Presented paper, "Lawlessness in an Indian Tribe as a Microcosm of a World Trend" VIII International Congress of Anthropological and Ethnological Sciences, Tokyo and Kyoto, Japan.

1970-1971 -- Winter field work with Florida Seminoles.

1972 -- Field work in Portugal and the Azores. Died, July 14.

Selected Bibliography

1942 -- Freeman, Ethel Cutler. "We Live with the Seminoles," Natural History 49, no. 4 (April 1942): 226-236.

1944 -- Freeman, Ethel Cutler. "The Seminole Woman of the Big Cypress and Her Influence in Modern Life," América Indígena 4, no. 2 (April 1944), 123-128.

1960 -- Freeman, Ethel Cutler. "Culture Stability and Change among the Seminoles of Florida." In Men and Cultures: Selected Papers of the Fifth International Congress of Anthropological and Ethnological Sciences, Philadelphia, September 1-9, 1956, edited by Anthony F.C. Wallace, 249-254. Philadelphia: University of Pennsylvania Press, 1960. Freeman, Ethel Cutler. "Directed Culture-Change and Selfdetermination in Superordinate and Subordinate Societies," Proceedings of the 7th International Congress of Anthropological and Ethnological Sciences 4, Moscow (August 1964), 85-90.

1961 -- Freeman, Ethel Cutler. "The Happy Life in the City of Ghosts: An Analysis of a Mikasuki Myth," The Florida Anthropologist 14, nos. 1-2 (March-June 1961), 23-36.

1964 -- Freeman, Ethel Cutler. "Directed Culture-Change and Selfdetermination in Superordinate and Subordinate Societies," Proceedings of the 7th International Congress of Anthropological and Ethnological Sciences 4, Moscow (August 1964), 85-90.

1965 -- Freeman, Ethel Cutler. "Two Types of Cultural Response to External Pressures Among the Florida Seminoles," Anthropological Quarterly 38, no. 2 (April 1965), 55-61.

1968 -- Freeman, Ethel Cutler. "Lawlessness in an Indian Tribe as a Microcosm of a World Trend," Proceedings of the VIIIth International Congress of Anthropological and Ethnological Sciences, 1968, Tokyo and Kyoto (Tokyo: Science Council of Japan, 1968) 191-193.
Related Materials:
Photo lot 62, W. Stanley Hanson photographs of Seminole Indians in Florida, National Anthropological Archives, Smithsonian Institution.

Objects donated by Ethel Cutler Freeman held in Department of Anthropology collections in accession 319549.

The Ah-Tah-Thi-Ki Museum on the Big Cypress Seminole Indian Reservation also holds an Ethel Cutler Freeman collection.
Separated Materials:
Film materials were transfered to the Human Studies Film Archive under the accession numbers HSFA 1986.11.8 (African footage) and HSFA 1986.11.9 (Seminole footage).
Provenance:
The papers of Ethel Cutler Freeman were left to the National Anthropological Archives by the terms of her will. Her son, Leon Freeman, Jr., donated the collection to NAA in August 1972.
Restrictions:
By Ethel Freeman's instructions, the collection was restricted for ten years dating from the receipt and signing of the release forms on October 12, 1972. Literary property rights to the unpublished materials in the collection were donated to the National Anthropological Archives.

Access to the Ethel Cutler Freeman papers requires an appointment.
Seminole recordings cannot be accessed without the permission of the Seminole Tribe.
Rights:
Contact repository for terms of use.
Topic:
Navajo Indians  Search this
Language and languages  Search this
Ethnology  Search this
Anthropology  Search this
Music  Search this
Citation:
Ethel Cutler Freeman papers, National Anthropological Archives, Smithsonian Institution.
Identifier:
NAA.XXXX.0166
See more items in:
Ethel Cutler Freeman papers
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3a548e5a0-c124-413d-ade0-345b46f30a72
EDAN-URL:
ead_collection:sova-naa-xxxx-0166

Keystone-Underwood Stereographs

Creator:
Keystone View Company  Search this
Underwood & Underwood  Search this
Collector:
National Museum of African Art (U.S.)  Search this
Extent:
240 Stereographs (black and white, 9 x 22 cm.)
Container:
Box 1
Box 2
Culture:
Bangi  Search this
Kongo (African people)  Search this
Zulu (African people)  Search this
Swahili-speaking peoples  Search this
Kikuyu (African people)  Search this
Maasai (African people)  Search this
Type:
Collection descriptions
Archival materials
Stereographs
Place:
Zimbabwe
South Africa
Congo (Democratic Republic)
Africa
Tanzania
Kenya
Date:
1882-1930
Summary:
The photographs document African businesses, cities, industry, landscapes, peoples and resources. The collection documents various locations within Kenya, Tanzania, Congo (Democratic Republic of), Zimbabwe, Uganda and South Africa. Peoples represented include Kikuyu, Maasai, Bangi, Chagga, Ndombe, Poto, Bangala, Zulu, and Kongo peoples. There are many images of agriculture, hunting, making pottery, mining diamonds and gold, church services at a Catholic mission, a gathering of chiefs at a court, a lion-killing ceremony, and war dances. Businesses and industries shown include coffee plantations; the DeBeers Diamond Mine; a diamond mine compound and crushing mill; fishing boats; a hemp plantation; ivory trade; a market; and the stock market.
Scope and Contents:
The photographs document African businesses, cities, industry, landscapes, peoples and resources. Place documented include Moshi Province, Mount Kilimanjaro, Mount Meru, the Serengeti Plain (Kenya), and Zanzibar in German East Africa (now Tanzania); Victoria Falls and the Zambezi River in Rhodesia (now Zimbabwe); Cape Town, Devil's Peak, Johannesburg, Kimberly, Natal Province, and Port Elizabeth in South Africa; the waterfront of Dar es Salaam, Tanzania; and Soko, Boma, Leopoldville (now Kinshasa), and Stanley Falls (now Boyoma Falls). There are also photographs of the Nile during a flood.

People portrayed include a Kikuyu man paying brideprice for a wife; Kikuyu women carrying water vessels and planting beans; Maasai women building houses; Swahili people dancing; Swahili women using a power figure to ward off evil; and Zulu men training for war. Other peoples portrayed include Bangala, Bangi, Chagga, Kongo, Ndombe and Poto.

Activities documented include buying ivory, carrying rubber, clearing the ground for a coffee plantation, fishing, gambling, grinding corn, hunting zebra, making pottery, mining diamonds and gold, peeling bark for bark cloth, picking coffee, preparing food, smoking meat, threshing beans, and tying house poles. There are also images of church services at a Catholic mission, a gathering of chiefs at a court, a lion-killing ceremony, and war dances.

Businesses and industries shown include coffee plantations in Rhodesia; the DeBeers Diamond Mine in South Africa; a diamond mine compound and crushing mill; fishing boats off Cape Town; a hemp plantation in Uganda; ivory trade in Mombasa, Kenya; a market; and the stock market in Johannesburg.
Biographical / Historical:
In 1882 the Underwood and Underwood Company began operations in Kansas. Founded by brothers Bert Elias (1862-1943) and Elmer (1860-1947) Underwood, the company pioneered the technique of selling stereographs door-to-door. By 1884, Underwood and Underwood's operations had expanded to the West Coast, and the company soon opened offices throughout the world. In the 1890s, the firm began selling images to publications such as Illustrated London News and Harper's Weekly. At its peak in the early 19th century, the company produced 25,000 images per day.

In the late 1910s, Underwood and Underwood was purchased by a competing stereograph company, the Keystone View Company.
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Marketplaces  Search this
Cultural landscapes  Search this
Ngala (African people)  Search this
Agriculture  Search this
Industry  Search this
Genre/Form:
Stereographs
Identifier:
EEPA.1986-022
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo76bb797f4-6da9-4e69-9f50-0a1c7bf2ad18
EDAN-URL:
ead_collection:sova-eepa-1986-022

Paul Travis films

Creator:
Travis, Paul Bough, 1891-1975  Search this
Extent:
5 Film reels (2 hours 24 minutes, black-and-white silent; 3810 feet, 16mm)
Culture:
Zulu (African people)  Search this
Mangbetu (African people)  Search this
Kikuyu (African people)  Search this
Maasai (African people)  Search this
Nyoro (African people)  Search this
Ndebele (African people)  Search this
Bira (African people)  Search this
Type:
Collection descriptions
Archival materials
Film reels
Silent films
Place:
Africa, Southern
Africa, North
Africa, East
Europe
Date:
1927-1928
Scope and Contents:
Footage shot by artist Paul Travis during a trip through Africa and Southern Europe during 1927 and 1928.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or Anthropology Archives, but is available in its original form to facilitate research.
Related Materials:
The Archives of American Art holds the Paul B. Travis papers, 1925-1989.
Provenance:
Received from the Archives of American Art in 1989.
Restrictions:
The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Rights:
Contact the repository for terms of use.
Genre/Form:
silent films
Citation:
Paul Travis films, Human Studies Film Archives, Smithsonian Institution
Identifier:
HSFA.1989.17
See more items in:
Paul Travis films
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc9db08a5ef-20ed-4312-9486-95937a25e560
EDAN-URL:
ead_collection:sova-hsfa-1989-17

Robert and Barbara Pringle photographs

Photographer:
Pringle, Robert, 1936-  Search this
Names:
Roy, Christopher D.  Search this
Extent:
2136 Slides (photographs) (color , 35mm.)
829 Negatives (photographic) (color , 35mm.)
Culture:
Maasai (African people)  Search this
Fula (African people)  Search this
Lobi (African people)  Search this
Bobo (African people)  Search this
Dogon (African people)  Search this
Mossi (African people)  Search this
Tuaregs  Search this
Type:
Collection descriptions
Archival materials
Slides (photographs)
Negatives (photographic)
Negatives
Portraits
Color slides
Place:
Africa
Burkina Faso
Kenya
Mali
Date:
circa 1980-1989
Summary:
The collection contains 2136 color 35mm slides and 829 color 35mm negatives taken by Robert Pringle, former Ambassador to Mali, between 1980-1989. The images were taken in Mali, Burkina Faso and Kenya, and depict masquerades, vernacular architecture (including Dogon doors and granaries), mosques, marketplace scenes, pottery, masks (including plank and leaf masks), weaving, art in situ, animals and landscapes. Culture groups represented in the collection include the Tuareg, Lobi, Maasai, Mossi, Dogon, Fula and Bobo (Bwa) peoples. Ambassador Pringle traveled with photographer Christopher Roy and some of Pringle's images depict Roy at work with his own camera.
Arrangement note:
Arranged geographically by country and chronologically therein. Arrangement reflects the original order established by the photographer.
Biographical/Historical note:
Robert Pringle is a retired U.S. Foreign Service Officer and historian specializing in interethnic relations, economic development, and the role of culture. He served as U.S. Ambassador to Mali from 1987 to 1990. His other official postings included Indonesia, the Philippines, Burkina Faso, Papua New Guinea, and South Africa. He has written three books on Southeast Asian history and politics, of which the most recent is A Short History of Bali: Indonesia's Hindu Realm (2004).
General note:
Title provided by EEPA staff.
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Pottery  Search this
Fairs  Search this
Masks  Search this
Masks, African  Search this
Markets  Search this
Art in situ -- Photographs  Search this
Animals  Search this
Masquerades  Search this
Mosques  Search this
Natural landscapes  Search this
Vernacular architecture  Search this
Weaving  Search this
Cultural landscapes  Search this
Genre/Form:
Negatives
Portraits
Color slides
Citation:
Robert and Barbara Pringle photographs, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.2006-006
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo74eb0656d-6ccb-4359-b980-87543747ac55
EDAN-URL:
ead_collection:sova-eepa-2006-006

William F. Wheeler photographs of Africa and Efe people

Creator:
Wheeler, William F. (William Felix), 1943-2008  Search this
Extent:
5,200 Color slides (circa)
Culture:
Maasai (African people)  Search this
Mbuti (African people)  Search this
Tuaregs  Search this
Pygmies  Search this
Efe (African people)  Search this
Type:
Collection descriptions
Archival materials
Color slides
Photographs
Slides (photographs)
Place:
Ituri Forest (Congo)
Algeria
Kenya
Ngorongoro Crater (Tanzania)
Niger
Mali
Date:
1986-1998
Scope and Contents note:
Photographs made by William F. Wheeler during his expeditions to Africa in July 1986, 1987, 1988, 1990, 1993, 1994, 1996, and 1998, mostly documenting the Efe of Akokora in the Ituri forest. Photographs relating to the Efe people of Akokora in the Ituri forest include images of Efe people, camps, musical instruments, dances, archery and poison arrows, hunting, barkcloth making and use, body marking, food, animals and plants of the rainforest, forest treks, villages (including Anduli, Dui, and Akokora). Other photographs include images of ceremonies (including an Olngesherr ceremony in the Loita Hills), Mbuti at Epulu, a Masai village in Kenya, William Wheeler's wedding to Linda Penn in a Masai village (1987), Berber nomads and scenic views in Algeria, markets and Tuaregs during a camel trip through Niger, and aerial views.
Biographical/Historical note:
William F. Wheeler (1943-2008) was born in Blackville, South Carolina, and earned a medical degree from Duke University and a specialty degree in anesthesiology at Massachusetts General in Boston. In 1978, after years of practicing medicine, he began traveling Africa by car, making over twenty-four trips during the next three decades. To gain a more intimate experience, he returned to explore the most remote places on foot. His detailed safari journals, written in the style of 19th century explorers, describe camel journeys in the Sahara, foot safaris with Maasai in Kenya and Tanzania, and hundreds of miles of treks with Efe through the rainforest of the Ituri river basin, a tributary of the Congo River. Wheeler's collection of artifacts and photographs formed the basis of a 2004 exhibit at the San Diego Museum of Man.
Local Call Number(s):
NAA Photo Lot 2005-19, NAA ACC 2010-21
Location of Other Archival Materials:
Photographs previously filed in Photo Lot 2005-19 have been relocated and merged with Photo Lot 2010-21. These photographs were also made by William F. Wheeler in Africa and form part of this collection.
The National Anthropological Archives also holds the William F. Wheeler Efe Pgymy Papers, 1999-2004 (MS 2005-14).
Artifacts collected by Wheeler held in the Department of Anthropology collections in accessions 2036145, 2034089, and 2033754.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Hunting  Search this
Camps  Search this
Rites and ceremonies  Search this
Genre/Form:
Photographs
Slides (photographs)
Citation:
Photo Lot 2005-19, William F. Wheeler photographs of Africa and Efe people, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.2005-19
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3169b6d5d-7267-48cd-acf2-8a22e16e80dd
EDAN-URL:
ead_collection:sova-naa-photolot-2005-19

House-building by Masai women, their husbands looking on. 10472 Interpositive

Topic:
EAST AFRICAN HUNTING TRIP
Publisher:
Underwood & Underwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (5" x 8")
Culture:
Maasai (African people)  Search this
Type:
Archival materials
Photographs
Stereoscopic photographs
Place:
Africa
Local Numbers:
RSN 24095
General:
Currently stored in box 3.2.36 [31].
Copy and Version Identification Note:
115484
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Construction -- Africa  Search this
Houses -- Africa  Search this
Women laborers -- Africa  Search this
Genre/Form:
Photographs -- 1900-1910 -- Interpositives -- Glass
Stereoscopic photographs
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.2: Underwood and Underwood Positives / RSN Numbers 24081-24180
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep80a9c887c-3388-41d2-bbf9-2f8bb8def38f
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref21862

Picturesque Masais watching the popular gambling game of "Bao." 10480 Interpositive

Topic:
EAST AFRICAN HUNTING TRIP
Publisher:
Underwood & Underwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (5" x 8")
Culture:
Maasai (African people)  Search this
Type:
Archival materials
Photographs
Stereoscopic photographs
Place:
Africa
Local Numbers:
RSN 24101
General:
Currently stored in box 3.2.36 [31].
Copy and Version Identification Note:
115408
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Children -- Africa  Search this
Gamblers -- Africa  Search this
Games -- Africa  Search this
hunters -- Africa  Search this
Recreation -- Africa  Search this
Bao (Game)  Search this
Genre/Form:
Photographs -- 1900-1910 -- Interpositives -- Glass
Stereoscopic photographs
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.2: Underwood and Underwood Positives / RSN Numbers 24081-24180
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8b05718a7-4244-4b95-b95e-6764183f9ba6
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref21868

Masai families and flocks near Lake Naivasha, on the plains of East Africa. 10541 interpositive

Topic:
EAST AFRICAN HUNTING TRIP
Publisher:
Underwood & Underwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (5" x 8")
Culture:
Maasai (African people)  Search this
Type:
Archival materials
Landscapes (representations)
Photographs
Stereoscopic photographs
Place:
Africa
Lake Naivasha (East Africa)
Local Numbers:
RSN 24157
General:
Currently stored in box 3.2.36 [31].
Copy and Version Identification Note:
116549
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Children -- Africa  Search this
Family -- Africa  Search this
Sheep -- Africa  Search this
Genre/Form:
Landscapes (representations)
Photographs -- 1900-1910 -- Interpositives -- Glass
Stereoscopic photographs
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.2: Underwood and Underwood Positives / RSN Numbers 24081-24180
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8ec48d173-ff41-4708-8778-ee14f545b498
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref21924

Sunrise exodus of the cattle from a Masai kraal at base of Mt. Kenia. 10542 Interpositive

Topic:
BRITISH EAST AFRICA
Publisher:
Underwood & Underwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (4" x 5")
Culture:
Maasai (African people)  Search this
Type:
Archival materials
Photographs
Place:
British East Africa
Kenya
Mt. Kenia
Local Numbers:
RSN 27639
General:
Currently stored in box 3.2.57 [83]
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Cattle -- 1890-1920 -- Kenya  Search this
Farms  Search this
Kraals  Search this
Genre/Form:
Photographs -- 1900-1910 -- Interpositives -- Glass
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.2: Underwood and Underwood Positives / RSN Numbers 27633-27740
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8da5a7a7e-e901-464e-a2aa-b3774b592607
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref25397

Strange dress of Masai tribe, married women wear wire collars. 11123 Interpositive

Topic:
BRITISH EAST AFRICA
Publisher:
Underwood & Underwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (4" x 5")
Culture:
Maasai (African people)  Search this
Type:
Archival materials
Photographs
Place:
British East Africa
Kenya
Local Numbers:
RSN 27745
General:
Currently stored in box 3.2.57 [83]
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Costumes  Search this
Natives  Search this
Portraits  Search this
Genre/Form:
Photographs -- 1900-1910 -- Interpositives -- Glass
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.2: Underwood and Underwood Positives / RSN Numbers 27741-27844
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep838846aad-25fd-48ff-9924-d73b79e37ca9
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref25503

Lynn McLaren Photographs

Creator:
McLaren, Lynn, 1922-  Search this
Names:
UNICEF  Search this
Extent:
648 Slides (photographs) (color , 35mm.)
10 Photographic prints (black and white , 8 x 10 inches.)
38 Transparencies (color , 120mm.)
Container:
Item EEPA.2007-009
Culture:
Zaramo (African people)  Search this
Swahili (African people)  Search this
Maasai (African people)  Search this
Makonde (African people)  Search this
Type:
Collection descriptions
Archival materials
Slides (photographs)
Photographic prints
Transparencies
Portraits
Color slides
Black-and-white photographs
Place:
Zanzibar
Africa, East
Mikumi National Park (Tanzania)
Africa
Mombasa (Kenya)
Lamu Island (Kenya)
Manyara, Lake (Tanzania)
Dar es Salaam (Tanzania)
India
Kilimanjaro, Mount (Tanzania)
Kenya
Tanzania
Ngorongoro Crater (Tanzania)
Victoria, Lake
Date:
circa 1950-1969
Summary:
The collection consists of 38 color transparencies, 648 color slides and 10 black-and-white photographic prints taken by Lynn McLaren Demarest while on assignment for various news outlets in the 1950s and 1960s. A majority of the slides and transparencies were taken in East Africa and document indigenous peoples, agriculture (cotton in particular), health and nutrition education, UNICEF activities, architecture, natural landscapes, animals, fishers, coffee plantations and the sisal industry. Locations include Mobassa, Lamu Island, Zanzibar, Dar es Saalam, Lake Victoria, Mount Kilimajaro, Ngorongoro Crater, Lake Manyara and Mikumi National Park (Tanzania). The black-and-white photographs depict East African leaders, such as Julius Nyerere, and prominent international visitors to the region, including Robert Kennedy. A small number of slides and transparencies were taken in India.
Arrangement note:
Arrangement reflects the original order established by the photographer.
Biographical/Historical note:
Lynn McLaren (1922-2008) was a professional photojournalist who worked on assignment for National Geographic, Life, Newsweek and Business Week since the 1950s and 1960s. A member of the Society of Women Geographers, McLaren lived and traveled extensively around the world, photographing peoples and places in Kenya, Tanzania (Zanzibar), India, Nepal, Spain, Germany and the United States. McLaren was also the author of five books, including Berlin and the Berliners and The Village: The People (India), all of which are richly illustrated with her photographs. In 2007, she had a major retrospective of her photography, Fifty Years of Photographs from Around the World, at the Marion Art Center in Marion, Massachusetts.
Provenance:
Lynn McLaren, Bruce McLaren Millar, 6105 Cromwell Drive, Bethesda, MD 20816;, Donation, 20070518, EEPA 2007-0009.
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Coffee plantations  Search this
Animals  Search this
Sisal (Plant)  Search this
Sailboats  Search this
Markets  Search this
Health education  Search this
Dhows  Search this
Cotton  Search this
Fishers  Search this
Agriculture  Search this
Architecture  Search this
Genre/Form:
Photographic prints
Portraits
Color slides
Transparencies
Black-and-white photographs
Citation:
Lynn McLaren Photographs, EEPA 2007-009, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.2007-009
See more items in:
Lynn McLaren Photographs
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo72922d8a5-1eeb-438d-9279-b649c3f4aec0
EDAN-URL:
ead_collection:sova-eepa-2007-009
Online Media:

[Maasai herding cattle home], Tanzania

Collection Creator:
McLaren, Lynn, 1922-  Search this
Extent:
1 Slide (color, 35 mm)
Culture:
Maasai (African people)  Search this
Type:
Archival materials
Slides
General:
Original caption reads, "Tanzania; Maasai [careening] home with his cattle herd in Ngorongoro Crater".  
Series Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Series Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
National parks and reserves  Search this
Collection Citation:
Lynn McLaren Photographs, EEPA 2007-009, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.2007-009, Item EEPA 2007-009-0476
See more items in:
Lynn McLaren Photographs
Lynn McLaren Photographs / Slides
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo72b7ecd69-78e0-41e2-849f-a34924dd1bd5
EDAN-URL:
ead_component:sova-eepa-2007-009-ref1036

Maasai village in Ngorongoro Crater Game Park, Tanzania

Collection Creator:
McLaren, Lynn, 1922-  Search this
Extent:
1 Slide (color, 35 mm)
Culture:
Maasai (African people)  Search this
Type:
Archival materials
Slides
General:
Original caption reads, "Tanzania/Typical Maasai village in Ngorongoro Crater northwest game park ".  
Series Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Series Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
National parks and reserves  Search this
Collection Citation:
Lynn McLaren Photographs, EEPA 2007-009, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.2007-009, Item EEPA 2007-009-0515
See more items in:
Lynn McLaren Photographs
Lynn McLaren Photographs / Slides
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo70b3767ac-09b3-4287-a1a7-fe3ed04f3e22
EDAN-URL:
ead_component:sova-eepa-2007-009-ref1075

Maasai tribeswoman and child, Tanzania

Collection Creator:
McLaren, Lynn, 1922-  Search this
Extent:
1 Slide (color, 35 mm)
Culture:
Maasai (African people)  Search this
Type:
Archival materials
Slides
General:
Original caption reads, "Tanzania. Maasai tribeswoman and child". Original number, "286"
Series Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Series Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Clothing and dress  Search this
Collection Citation:
Lynn McLaren Photographs, EEPA 2007-009, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.2007-009, Item EEPA 2007-009-0541
See more items in:
Lynn McLaren Photographs
Lynn McLaren Photographs / Slides
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo734f2bae7-79ab-478a-8c80-3179f4e231c1
EDAN-URL:
ead_component:sova-eepa-2007-009-ref1101

[Maasai tribesman wearing beads and earrings], Tanzania

Collection Creator:
McLaren, Lynn, 1922-  Search this
Extent:
1 Slide (color, 35 mm)
Culture:
Maasai (African people)  Search this
Type:
Archival materials
Slides
General:
Original caption reads, "Tanzania. Maasai tribesman".  
Series Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Series Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Clothing and dress  Search this
Collection Citation:
Lynn McLaren Photographs, EEPA 2007-009, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.2007-009, Item EEPA 2007-009-0548
See more items in:
Lynn McLaren Photographs
Lynn McLaren Photographs / Slides
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo7669e3f72-993b-4116-9735-b4b99372d475
EDAN-URL:
ead_component:sova-eepa-2007-009-ref1108

[Maasai tribesman wearing beads and earrings], Tanzania

Collection Creator:
McLaren, Lynn, 1922-  Search this
Extent:
1 Slide (color, 35 mm)
Culture:
Maasai (African people)  Search this
Type:
Archival materials
Slides
General:
Original caption reads, "Tanzania. Maasai".  
Series Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Series Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Clothing and dress  Search this
Collection Citation:
Lynn McLaren Photographs, EEPA 2007-009, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.2007-009, Item EEPA 2007-009-0549
See more items in:
Lynn McLaren Photographs
Lynn McLaren Photographs / Slides
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo7ec95d304-9eac-4f43-96d4-d180e6f6dab7
EDAN-URL:
ead_component:sova-eepa-2007-009-ref1109

Maasai woman and daughter, Tanzania

Collection Creator:
McLaren, Lynn, 1922-  Search this
Extent:
1 Slide (color, 35 mm)
Culture:
Maasai (African people)  Search this
Type:
Archival materials
Slides
General:
Original caption reads, "Tanzania: East Africa; Tribes: Maasai woman and daughter". Original number, "4C1530"
Series Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Series Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Clothing and dress  Search this
Collection Citation:
Lynn McLaren Photographs, EEPA 2007-009, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.2007-009, Item EEPA 2007-009-0555
See more items in:
Lynn McLaren Photographs
Lynn McLaren Photographs / Slides
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo7f88cf4d8-c1cf-4682-bb7c-529f40405274
EDAN-URL:
ead_component:sova-eepa-2007-009-ref1115

[Maasai tribesman carrying spear in Amboseli Game Park], Tanzania

Collection Creator:
McLaren, Lynn, 1922-  Search this
Extent:
1 Slide (color, 35 mm)
Culture:
Maasai (African people)  Search this
Type:
Archival materials
Slides
Date:
1966-08
General:
Original caption reads, "Tanzania; East Africa; Maasai tribesman in typical dress carrying Maasai spear; Amboseli Game Park [Amboseli National Park]". Original number, "18"
Series Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Series Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Clothing and dress  Search this
Collection Citation:
Lynn McLaren Photographs, EEPA 2007-009, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.2007-009, Item EEPA 2007-009-0556
See more items in:
Lynn McLaren Photographs
Lynn McLaren Photographs / Slides
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo70344381f-159e-4dc2-830c-c19a22631d04
EDAN-URL:
ead_component:sova-eepa-2007-009-ref1116

[Maasai cattle herdsman carrying spear], Tanzania

Collection Creator:
McLaren, Lynn, 1922-  Search this
Extent:
1 Slide (color, 35 mm)
Culture:
Maasai (African people)  Search this
Type:
Archival materials
Slides
Date:
1966-08
General:
Original caption reads, "Tanzania: East Africa; Maasai tribal cattle - herdsman carrying spear". Original number, "15"
Series Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Series Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Clothing and dress  Search this
Collection Citation:
Lynn McLaren Photographs, EEPA 2007-009, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.2007-009, Item EEPA 2007-009-0574
See more items in:
Lynn McLaren Photographs
Lynn McLaren Photographs / Slides
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo7330120f1-0844-485e-a4dc-1aa6abc7c606
EDAN-URL:
ead_component:sova-eepa-2007-009-ref1134

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