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Milton Wolf Brown papers

Creator:
Brown, Milton Wolf (Milton Wolf), 1911-1998  Search this
Names:
Archives of American Art  Search this
Armory Show 50th anniversary exhibition (1963 : New York, N.Y.)  Search this
Brooklyn College -- Faculty  Search this
Century Association (New York, N.Y.)  Search this
City University of New York -- Faculty  Search this
Whitney Museum of American Art  Search this
Brown, Blanche  Search this
Lawrence, Jacob, 1917-2000  Search this
Lozowick, Louis, 1892-1973  Search this
Lynes, Russell, 1910-1991  Search this
Meltzoff, Stanley  Search this
Panofsky, Erwin, 1892-1968  Search this
Prendergast, Charles, 1863-1948  Search this
Prendergast, Maurice Brazil, 1858-1924  Search this
Sachs, Paul J. (Paul Joseph), 1878-1965  Search this
Extent:
26 Linear feet
0.225 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Travel diaries
Articles
Interviews
Essays
Drafts (documents)
Transcripts
Photographs
Notebooks
Lectures
Scripts (documents)
Date:
1908-1998
Summary:
The papers of art historian and educator Milton Wolf Brown date from 1908 to 1998 and measure 26.0 linear feet and 0.225 GB. The collection documents Brown's career through scattered biographical material, correspondence with friends, publishers, colleagues, artists, museums, and art organizations, travel journals, files for the Prendergast Catalogue Raisonne Project, exhibition, research, teaching, and organization files, printed and digital material, and scattered photographs. A large portion of this collection consists of writings by Brown including notebooks, draft writings for books and other publications, lectures, and his writings as a student.
Scope and Content Note:
The papers of art historian and educator Milton Wolf Brown date from 1908 to 1998 and measure 25.8 linear feet and 0.225 GB. The collection documents Brown's career through scattered biographical material, correspondence with friends, publishers, colleagues, artists, museums, and art organizations, travel journals, files for the Prendergast Catalogue Raisonne Project, exhibition, research, teaching, and organization files, printed and digital material, and scattered photographs. A large portion of this collection consists of writings by Brown including notebooks, draft writings for books and other publications, lectures, and his writings as a student.

Biographical material includes academic records, travel documents, financial documents, Brown's military records, and a transcript of a 1997 interview. Correspondence is with students, museums, universities, publishers, art organizations, and others. The bulk of these letters document Brown's professional activities, but also found are scattered letters from friends, artists, and colleagues such as Russell Lynes, Stanley Meltzoff, Louis Lozowick, Erwin Panofsky, and Paul Sachs.

This collection also contains 33 detailed travel journals written primarily by Milton Brown's wife, Blanche, documenting their travels in Europe, the United States, and other parts of the world. Within the writings series are notebooks from the period that Brown was a student and while traveling in Europe in 1959 and 1960; book project files, which include draft writings as well as related correspondence, research material, notes, photographs and other material. Files are found for American Art: Painting, Sculpture, Architecture, Decorative Arts, Photography (1979), American Painting, From the Armory Show to the Depression (1955), The Story of the Armory Show (1963, 1988 2nd ed.), and other books. Among the writings are files for lectures written by Brown; essays, articles, and scripts written for various publications; general research notes and student writings; and writings by others sent to Brown for review and feedback.

Brown maintained a set of files documenting his work on the Prendergast Catalogue Raisonne Project, which consist of correspondence, drafts, reports, and research materials, including notes on twenty meetings with Mrs. Prendergast. Exhibition files document Brown's work as curator on several major exhibitions, including a Jacob Lawrence exhibition at the Whitney Museum, and his contributions to others. Also found here are three interviews of Milton Brown and Marcel Duchamp concerning the 50th Anniversary of the Armory Show and anniversary exhibition. Research files include notes, research material, and printed material on various art-related subjects that were maintained by Milton and Blanche Brown for regular use for lectures, teaching, and writing projects. Brown's teaching files contain scattered lecture notes, syllabi, correspondence, faculty records, and other materials from his time at CUNY, Brooklyn College, and other visiting professorships. Organization Files contain correspondence, reports, planning documents, and event materials. These records document his membership or advisory role in various organizations such as the Archives of American Art and Century Association.

This collection also contains printed material, such as exhibition announcements, newsletters, brochures, journals, event programs, and magazine and newspapers clippings compiled by Brown. Scattered photographs include nine photographs of Milton Brown, a few photographs of friends, and photographs of artwork.
Arrangement:
The collection is arranged as 11 series:

Missing Title

Series 1: Biographical Material, circa 1932-1998 (Box 1; 0.3 linear feet)

Series 2: Correspondence, 1908, 1934-1998 (Boxes 1-3; 1.8 linear feet)

Series 3: Travel Journals, 1941-1996 (Boxes 3-4; 1.6 linear feet)

Series 4: Writings, circa 1929-1990s (Boxes 4-13, 25; 8.7 linear feet)

Series 5: Prendergast Catalogue Raisonne Project, circa 1952-1990 (Boxes 13-14, 25; 1.8 linear feet)

Series 6: Exhibition Files, 1962-circa 1997 (Boxes 14-16, 28; 2.0 linear feet, ER01; 0.225 GB)

Series 7: Research Files, circa 1930s-1986 (Boxes 16-19; 3.0 linear feet)

Series 8: Teaching Files, circa 1946-1993 (Boxes 19-21; 2.0 linear feet)

Series 9: Organization Files, 1959-1995 (Boxes 21-22; 1.3 linear feet)

Series 10: Printed Material, 1925-1990s (Boxes 22-24, 26, 27; 3.2 linear feet)

Series 11: Photographs, circa 1956-1990s (Boxes 25, 27; 0.2 linear feet)
Biographical Note:
Milton Wolf Brown (1911-1998) was an art historian and educator in New York City.

Known to his friends as "Mainey," Brown was born in Brooklyn, New York, in 1911. At a young age he intended to be a painter and studied with Louis Lozowick. However, instead of attending art school, he entered New York University to study education and eventually received his master's and doctorate in art history from the Institute of Fine Arts. While there he took courses with Walter Friedlander, Erwin Panofsky, and Mayer Schapiro. He also received fellowships to the Courtauld Institute of Art in 1934 and Brussels in 1937, and studied from 1938-1939 at the Fogg Art Museum at Harvard University. In 1938 he married fellow student Blanche Levine. After serving in World War II, he began teaching in the art department at Brooklyn College in 1946. There he developed a specialization in American art history and his doctoral dissertation, American Painting from the Armory Show to the Depression, was published in 1955. In 1963 he participated in the fiftieth anniversary exhibition of the 1913 Armory Show. The publication of his book Story of the Armory Show coincided with this event.

In 1971 Brown established the graduate program in Art History at the City University of New York, which became preeminent in the areas of modern art and American art history. During the 1980s he remained a resident professor at CUNY, though he retired in 1979, and he held visiting professorships at Hebrew University in Jerusalem and the Center for Advanced Study in the Visual Arts at the National Gallery of Art. From 1983 to 1987 he had a senior fellowship at Williams College for the Prendergast Catalogue Raisonne Project.

Over the course of his career Brown curated exhibitions, including an exhibition on the works of Jacob Lawrence and The Modern Spirit: American Painting and Photography, 1908-1935, and wrote for numerous publications. He also served as an active member of several professional societies. Brown was close friends with art scholars and artists, such as Jack Levine, Moses and Raphael Soyer, Ad Reinhardt, and Paul Strand. In 1991 he returned to painting landscape watercolors, and had the opportunity to exhibit his work before his death in 1998.
Related Material:
Also at the Archives of American Art is an oral history interview with Milton Wolf Brown, conducted in 1976 by Paul Cummings.
Provenance:
The Milton Wolf Brown papers were donated in 2000 and 2001 by Blanche R. Brown, Brown's widow. Three reel-to reel sound recordings were lent for duplication to cassette and transcript in 1986 by Milton Brown. A cassette copy of the Martha Deane interview was donated in 2006 by Milton Brown's estate, via Naomi Rosenblum. Additional material was donated in 2002 and 2004 by Naomi Rosenblum, executor for the estate of Blanche R. Brown, who died in 2002.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art museum curators -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Art historians -- New York (State) -- New York  Search this
Topic:
Art, American History Sources  Search this
Genre/Form:
Travel diaries
Articles
Interviews
Essays
Drafts (documents)
Transcripts
Photographs
Notebooks
Lectures
Scripts (documents)
Citation:
Milton Wolf Brown papers, 1908-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.browmilt
See more items in:
Milton Wolf Brown papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c2f1a099-bc53-4b03-a5fd-61e0feca9db8
EDAN-URL:
ead_collection:sova-aaa-browmilt
Online Media:

E.P. (Edgar Preston) and Constance Richardson papers

Creator:
Richardson, Edgar Preston, 1902-1985  Search this
Richardson, Constance, 1905-  Search this
Names:
Archives of American Art  Search this
Castano Galleries (Boston, Mass.)  Search this
Detroit Institute of Arts  Search this
Henry Francis du Pont Winterthur Museum  Search this
Historical Society of Pennsylvania  Search this
Macbeth Gallery  Search this
National Collection of Fine Arts (U.S.)  Search this
National Portrait Gallery (Smithsonian Institution)  Search this
Pennsylvania Academy of the Fine Arts  Search this
Philadelphia Museum of Art  Search this
White House (Washington, D.C.)  Search this
Peale family  Search this
Allen, Joseph  Search this
Allston, Washington, 1779-1843  Search this
Andrews, Wayne  Search this
Aram, Siegfried F.  Search this
Bishop, Isabel, 1902-1988  Search this
Bostick, William A.  Search this
Bouché, Louis, 1896-1969  Search this
Boyd, Julian P. (Julian Parks), 1903-  Search this
Castano, Giovanni, 1896-1978  Search this
Cohn, Harold  Search this
Copeland, Lammot du Pont  Search this
Culver, Charles B. (Charles Beach), 1908-1967  Search this
Fleischman, Lawrence A. (Lawrence Arthur), 1925-1997  Search this
Flexner, James Thomas, 1908-2003  Search this
Frankenstein, Alfred V. (Alfred Victor), 1906-1981  Search this
Fredericks, Marshall M., 1908-1998  Search this
Freeman, Michael W.  Search this
Garrison, Eve Josephson, 1903-2003  Search this
Groce, George C., 1899-  Search this
Hardy, Jeremiah Pearson, 1800-1889  Search this
Heil, Walter, 1890-1973  Search this
Hopper, Edward, 1882-1967  Search this
Jungwirth, Irene G. (Irene Gayas), 1913-  Search this
Krentzin, Earl, 1929-  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Lee-Smith, Hughie  Search this
Lewis, W. S. (Wilmarth Sheldon), 1895-1979  Search this
Lynes, Russell, 1910-1991  Search this
Marsh, Reginald, 1898-1954  Search this
Mast, Gerald, 1908-1971  Search this
McDermott, John Francis, 1902-  Search this
Middeldorf, Ulrich Alexander, 1901-  Search this
Morse, John D., 1906-  Search this
Moser, Liselotte, 1906-1983  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Oliver, Andrew, 1906-  Search this
Peale, Charles Willson, 1741-1827  Search this
Pleasants, J. Hall (Jacob Hall), 1873-1957  Search this
Ripley, S. Dillon (Sidney Dillon), 1913-2001  Search this
Rockefeller, John D., 1906-  Search this
Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979  Search this
Rutledge, Anna Wells  Search this
Sellers, Charles Coleman, 1903-  Search this
Sheeler, Charles, 1883-1965  Search this
Simper, Fred, 1914-  Search this
Simpson, Corelli C. W.  Search this
Soria, Regina, 1911-  Search this
Spark, Victor D. (Victor David), 1898-1991  Search this
Speck, Walter, 1895-  Search this
Stevens, William B.  Search this
Valentiner, Wilhelm Reinhold, 1880-1958  Search this
Vose, Robert C. (Robert Churchill), 1911-1998  Search this
Watkins, Franklin Chenault, 1894-1972  Search this
Wedda, John  Search this
Woolfenden, William E. (William Edward), 1918-1995  Search this
Wyeth, Andrew, 1917-2009  Search this
Extent:
28.7 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Manuscripts
Interviews
Diaries
Transcripts
Sketches
Lectures
Place:
Detroit (Mich.)
Date:
1814-1996
bulk 1921-1996
Summary:
The papers of art historian E. P. Richardson measure 28.7 linear feet and date from 1814-1996, with the bulk of the materials dating from 1921-1996. Within the papers are scattered biographical materials; acquisition files for Richardson's personal art collection; professional and personal correspondence with colleagues, art historians and critics, artists, museums, galleries, and dealers; numerous writings, including manuscripts and research files for his published books, articles, and lectures; general research notebooks and files compiled by Richardson on a wide variety of art-related topics and artists; professional and committee files; as well as a smaller amount of Constance C. Richardson's papers.
Scope and Contents:
The papers of art historian E. P. Richardson measure 28.7 linear feet and date from 1814-1996, with the bulk of the materials dating from 1921-1996. Within the papers are scattered biographical materials; acquisition files for Richardson's personal art collection; professional and personal correspondence with colleagues, art historians and critics, artists, museums, galleries, and dealers; numerous writings, including manuscripts and research files for his published books, articles, and lectures; general research notebooks and files compiled by Richardson on a wide variety of art-related topics and artists; professional and committee files; as well as a smaller amount of Constance C. Richardson's papers.

Biographical materials include certificates, awards, and honorary degrees, membership information, personal and family photographs, a few sketches, and a transcript of an oral history Interview with E.P. Richardson conducted by the National Endowment for the Humanities in 1982.

There are acquisitions files for the Richardsons' personal art collection that invoices, photographs, correspondence with galleries and collectors, appraisals, price lists, and artwork examination forms.

Correspondence is with colleagues, art dealers, collectors, museums and museum curators, foreign scholars, organizations, galleries, artists, art historians and critics, publishers, editors, librarians, friends, and family. Topics regard purchasing art for various collections, consultations about art and collecting including authentications and attributions, publishing, general art history, lectures, and personal matters, among other topics. There is correspondence with the Archives of American Art, Castano Galleries, Lawrence Fleischman, James Thomas Flexner, Alfred V. Frankenstein, George Croce, Walter Heil, Earl Krentzin, Wilmarth Lewis, Russel Lynes, John Francis McDermott, Philadelphia Museum of Art, J. Hall Pleasants, Anna Rutledge, Charles Sellers, Smithsonian Institution, Regina Soria, Victor Spark, William Stevens, Robert Vose, William Woolfenden, and many others. Scattered correspondence with artists is with Isabel Bishop, Louis Bouche, William Bostick, Eve Garrison, Edward Hopper, Irene Jungwirth, Yasuo Kuniyoshi, Hughie Lee-Smith, Reginald Marsh, Gerald Mast, Georgia O'Keefe, Charles Sheeler, Walt Speck, and John Wedda, among many others. The greatest extent of correspondence is with Andrew Wyeth, Harold Cohn, and Frederick Simper. There is also personal correspondence with family and friends, and between E.P. and Constance Richardson.

E.P. Richardson's prominence as an art historian, writer, and expert on collecting is well documented through his prolific writings. Materials include drafts, notes, typescripts, and outlines for articles, exhibition catalog essays, and lectures. Also found are research files and publishing documentation for Richardson's books, including Washington Allston: A Study of the Romantic Artist in America (1948), Painting in America (1956), Charles Willson Peale and his World (1983), and American Romantic Painting (1944). There are also miscellaneous notes and four diaries. Two of the diaries comment on the social and cultural life of Detroit; the authenticity of paintings; Richardson's reflections on contemporary American painting, thoughts about museums, dealers, artists, and art historians (especially Wilhelm R. Valentiner); and travel.

Notebooks compiled by Richardson on a wide variety art-related topics cover nearly six decades. There are also numerous research files organized Richardson about individual artists and art history. And, the art collector files contain reference materials about art collectors and their collections including Lamont du Pont Copeland, Michael W. Freeman, Nelson Rockefeller, Mr. and Mrs. Joseph Allen, and the Marquis de Somerlous. There are three index card file boxes containing bibliographic data on published books and articles.

Professional and committee files document Richardson's professional and consulting work for the Art Quarterly, Detroit Institute of Arts, National Collection of Fine Arts, the National Portrait Gallery, the Pennsylvania Academy of Fine Arts, the John D. Rockefeller III collection, Winterthur Museum, the White House, and the Historical Society of Pennsylvania.

Constance C. Richardson's papers include business and professional correspondence with various institutions, most extensively with the Macbeth Gallery. In addition, there is a smaller amount of personal correspondence, photographs and slides of her artworks, printed materials, two illustrated notebooks on her work, and miscellaneous notes. Also included is Constance's artist palette.
Biographical / Historical:
Art historian, museum director, and writer E. P. (Edgar Preston) Richardson (1902-1985) served as director of the Detroit Institute of Arts (1945-1962) and Winterthur Museum (1963-1966). He was also a board member of the Pennsylvania Academy of the Fine Arts from 1966-1977 and, in 1954, co-founded the Archives of American Art, Smithsonian Institution.

E. P. Richardson was born in 1902 in Glens Falls, New York and died in Philadelphia in 1985. He graduated from Williams College in Massachusetts in 1925 and studied painting at the Pennsylvania Academy of the Fine Arts for the three years following graduation. In 1930 he became educational secretary at the Detroit Institute of Arts, was quickly named assistant director in 1933, and served as director from 1945 to 1962. He left Detroit to take the position of director of the Winterthur Museum, where he remained until 1966. Richardson married Constance Coleman in 1931. Born in Berlin, Germany in 1905, Constance Coleman Richardson was an award-winning and widely exhibited realist style painter of American landscapes. She gave up painting in the 1960s and died in 2002.

While at the Detroit Institute of Arts, E. P. Richardson co-founded the Archives of American Art with Lawrence Fleischman, and served as the Archives' first director. Richardson was also art advisor to John D. Rockefeller III for over ten years, editor of Art Quarterly from 1938 to 1967, and a member of various boards, including the Historical Society of Pennsylvania, the Smithsonian Arts Commission, and the National Portrait Gallery. He authored numerous books including ones on artists Washington Allston and Charles Willson Peale, and The Way of Western Art: American Romantic Painting (1939), Painting in America: The Story of Four Hundred and Fifty Years (1956), A Short History of Painting in America (1963), and American Art, an Exhibition of the Collection of Mr. and Mrs. John D. Rockefeller, 3d (1976).
Related Materials:
Related collections among the holdings of the Archives of American Art include an interview with E.P. Richardson dated February 6, 1978 conducted by Linda Downs; and several miscellaneous manuscripts that include an E.P. Richardson Letter to Rockwell Kent, June 15 1959; E.P. Richardson letters to Lawrence Arthur Fleischman, May 13, 1962 and August 22 1954; and a Yasuo Kunioshi letter to E.P. Richardson, July 25 1948.

Additional E.P. Richardson papers are found at the Detroit Institute of Arts and in the archives of the Henry Francis du Pont Winterthur Museum.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reel D46) including E.P. Richardson's research material on Jeremiah P. Hardy. These materials are housed at the Smithsonian American Art Museum Library and are not described in the collection container inventory.
Provenance:
Edith Wilkinson first donated a letter to E. P. Richardson from herself in 1957. E.P. Richardson donated papers to the Archives of American Art in 1958 and 1960 and lent materials for microfilming in 1961. Addition material was donated by Constance Richardson in 1985, and by Martha Fleischman in 2003.
Restrictions:
Use of original material requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Authors -- Michigan -- Detroit  Search this
Art historians -- United States  Search this
Topic:
Art -- Collectors and collecting  Search this
Painting, American  Search this
Art, American  Search this
Romanticism  Search this
Art -- History -- Study and teaching  Search this
Genre/Form:
Photographs
Manuscripts
Interviews
Diaries
Transcripts
Sketches
Lectures
Citation:
Edgar P. Richardson papers, 1814-1996, bulk 1921-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.richedga
See more items in:
E.P. (Edgar Preston) and Constance Richardson papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f0a154af-52ef-402b-b06d-60a290eec749
EDAN-URL:
ead_collection:sova-aaa-richedga
Online Media:

Russell Lynes papers, 1930-1986

Creator:
Lynes, Russell, 1910-1991  Search this
Subject:
Miller, Dorothy Canning  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Type:
Sound recordings
Interviews
Citation:
Russell Lynes papers, 1930-1986. Archives of American Art, Smithsonian Institution.
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)6059
(DSI-AAA_SIRISBib)208765
AAA_collcode_lyneruss
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208765
Online Media:

Managing editor Russell Lynes correspondence with artists, 1946-1965

Creator:
Lynes, Russell, 1910-1991  Search this
Harper's Magazine  Search this
Subject:
Berger, Oscar  Search this
Osborn, Robert Chesley  Search this
Perlin, Bernard  Search this
Shahn, Ben  Search this
Bryson, Bernarda  Search this
Warhol, Andy  Search this
Type:
Illustrated letters
Citation:
Managing editor Russell Lynes correspondence with artists, 1946-1965. Archives of American Art, Smithsonian Institution.
Topic:
Magazine illustration  Search this
Illustrators  Search this
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)11067
(DSI-AAA_SIRISBib)210071
AAA_collcode_harpmaga
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210071
Online Media:

Eugene Berman papers

Creator:
Berman, Eugene, 1899-1972  Search this
Names:
Berman, Leonid, 1896-1976  Search this
Lynes, Russell, 1910-1991  Search this
Ray, Man, 1890-1976  Search this
Photographer:
Galdi, Vincenzo  Search this
Gloeden, Wilhelm von, Baron, 1856-1931  Search this
Extent:
6.7 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Postcards
Notes
Place:
Italy -- Description and travel, Photographs
Mexico -- Description and travel, Photographs
Date:
1926-1975
Summary:
The papers of painter and theatrical set designer Eugene Berman date from 1926-1975 and measure 6.7 linear feet. Found within the papers are scattered letters, primarily postcards, from various colleagues including Juliet and Man Ray and Berman's brother Leonid. There are also notes, scattered artwork, printed material, and extensive photographs, many of Mexico.
Scope and Content Note:
The papers of painter and theatrical set designer Eugene Berman date from 1926-1975 and measure 6.7 linear feet. Found within the papers are scattered letters, primarily postcards, from various colleagues including Juliet and Man Ray and Berman's brother Leonid. There are also notes, scattered artwork, printed material, and extensive photographs, many of Mexico.

Notes include a booklet of photocopies of notes in Italian conerning miscellaneous art work, including prices. There are also scattered notes in French concerning miscellaneous topics.

Art work consists of miscellaneous sketches, primarily on the reverse sides of postcards, depicting human figures and architectural details, sometimes annotated in Russian and Italian.

Printed material includes clippings concerning Eugene and Leonid Berman's art work, exhibition announcements and catalogs, reproductions of art work by Berman, picture postcards, a ballet program, and a guide book for Grado, Italy.

Photographs comprise the largest series in this collection. Photographs of Eugene Berman include two by Russell Lynes. Photographs are also of Berman's wife, Ona Munson, unidentified colleagues, exhibition installations, art work executed by Berman between 1937 and 1948, and miscellaneous photographs of Italy including images by Vincenzo Galdi and Wilhelm von Gloeden. There are ten portfolios of photographs of Mexico, primarily taken by Berman, but Portfolios 1, 6, 9, and 10 include images photographed by Hugo Brehme. There are also commercially produced photographs of various scenes and art work primarily in Italy and Mexico, publicity photographs of ballet and opera performers, and two stereographs of novelty subjects.
Arrangement:
The collection is arranged as 5 series:

Missing Title

Series 1: Letters, 1926-1970 (Box 1, 8; 12 folders)

Series 2: Notes, 1944 (Box 1; 2 folders)

Series 3: Art Work, 1947 (Box 1; 2 folders)

Series 4: Printed Material, 1941-1975 (Box 1, 8; 1.5 linear feet)

Series 5: Photographs, 1933-1956 (Box, 2-9; 4.9 linear feet)
Biographical Note:
Eugene Berman (1899-1972) worked in New York City, Los Angeles, California, and Rome, Italy as a Neo-Romantic painter and designer of theatrical sets and costumes for opera and ballet productions.

Eugene Berman was born on November 4, 1899 in St. Petersburg, Russia, the son of Lydia and Gustav Berman, who died when Eugene was seven years old. His stepfather was a wealthy banker who paid for his education in Germany, Switzerland, and France. In 1918, the family fled to Paris to escape the Bolshevik Revolution.

While in Paris, Berman studied at the Academie Ranson from 1920 to 1922, under Pierre Bonnard, Edouard Vuillard, and Félix Valloton. With his brother Leonid, Berman joined a group of painters who became known as Neo-Romantics whose paintings were of melancholy dreamlike scenes with mournful figures, defying the prevalent abstract movements in art. By the late 1920s, Berman was beginning to successfully sell his paintings and after meeting American gallery owner Julian Levy, he was offered an exhibition in New York. Berman continued to exhibit at the Julian Levy Gallery from 1929 to 1947.

In 1935, Eugene and Leonid Berman became war refugees and came to New York City. Eugene Berman designed covers for fashionable publications and by 1937, he was painting murals in private residences and designing sets and costumes for opera and ballet performances including those at the Metropolitan Opera.

Berman moved to California in 1938, settling in Los Angeles, and continued to paint murals and design for the theater. He became an American citizen in 1944. Between 1947 and 1949, he received Guggenheim Fellowships to obtain background images from the Southwest United States and Mexico for use in his art work. Berman married actress Ona Munson in 1949.

Two years after his wife's suicide in 1955, Berman moved to Rome, Italy where he continued to paint and design sets for the theater.

Eugene Berman died on December 14, 1972 in Rome, Italy.
Provenance:
The Eugene Berman papers were donated by the artist's sister-in-law, Sylvia Marlowe Berman, in 1978.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California -- Los Angeles  Search this
Topic:
Painters -- Italy -- Rome  Search this
Painters -- New York (State) -- New York  Search this
Set Designers  Search this
Graphic artists  Search this
Genre/Form:
Sketches
Postcards
Notes
Citation:
Eugene Berman papers, 1926-1975. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bermeuge
See more items in:
Eugene Berman papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw946e567d0-f447-484c-a3c1-689ae12ff3d9
EDAN-URL:
ead_collection:sova-aaa-bermeuge
Online Media:

Interview with Henry Allan Moe

Creator:
Moe, Henry Allen, 1894-1975  Search this
Lynes, Russell, 1910-1991  Search this
Type:
Sound Recording
Date:
1972 February 4
Citation:
Henry Allen Moe and Russell Lynes. Interview with Henry Allan Moe, 1972 February 4. Russell Lynes papers, 1930-1986. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)16019
See more items in:
Russell Lynes papers, 1930-1986
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16019

Interview with Henry-Russell Hitchcock

Creator:
Hitchcock, Henry-Russell, 1903-1987  Search this
Lynes, Russell, 1910-1991  Search this
Subject:
Museum of Modern Art (New York, N.Y.)  Search this
Type:
Sound Recording
Date:
1971 January 6
Citation:
Henry-Russell Hitchcock and Russell Lynes. Interview with Henry-Russell Hitchcock, 1971 January 6. Russell Lynes papers, 1930-1986. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)16020
See more items in:
Russell Lynes papers, 1930-1986
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16020

Interview with William S. Rubin

Creator:
Rubin, William, 1927-2006  Search this
Lynes, Russell, 1910-1991  Search this
Type:
Sound Recording
Date:
1972 May 19
Citation:
William Rubin and Russell Lynes. Interview with William S. Rubin, 1972 May 19. Russell Lynes papers, 1930-1986. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)16021
See more items in:
Russell Lynes papers, 1930-1986
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16021

Interview with John Szarkowski

Creator:
Szarkowski, John  Search this
Lynes, Russell, 1910-1991  Search this
Type:
Sound Recording
Date:
1972 May 23
Citation:
John Szarkowski and Russell Lynes. Interview with John Szarkowski, 1972 May 23. Russell Lynes papers, 1930-1986. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)16022
See more items in:
Russell Lynes papers, 1930-1986
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16022

Interview with Eugene Berman

Creator:
Berman, Eugene, 1899-  Search this
Lynes, Russell, 1910-1991  Search this
Subject:
Berman, Eugene  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Type:
Sound Recording
Date:
1971 October 16
Citation:
Eugene Berman and Russell Lynes. Interview with Eugene Berman, 1971 October 16. Russell Lynes papers, 1930-1986. Archives of American Art, Smithsonian Institution.
Topic:
Surrealism  Search this
Record number:
(DSI-AAA)16023
See more items in:
Russell Lynes papers, 1930-1986
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16023

Interview with Glenway Wescott

Creator:
Wescott, Glenway, 1901-  Search this
Lynes, Russell, 1910-1991  Search this
Type:
Sound Recording
Date:
1971 September 23
Citation:
Glenway Wescott and Russell Lynes. Interview with Glenway Wescott, 1971 September 23. Russell Lynes papers, 1930-1986. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)16024
See more items in:
Russell Lynes papers, 1930-1986
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16024

Interview with John McAndrew

Creator:
McAndrew, John  Search this
Lynes, Russell, 1910-1991  Search this
Type:
Sound Recording
Date:
1971 October
Citation:
John McAndrew and Russell Lynes. Interview with John McAndrew, 1971 October. Russell Lynes papers, 1930-1986. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)16025
See more items in:
Russell Lynes papers, 1930-1986
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16025

Interview with Marina Willard

Creator:
Willard, Marian, 1904-  Search this
Lynes, Russell, 1910-1991  Search this
Type:
Sound Recording
Date:
1971 November 24
Citation:
Marian Willard and Russell Lynes. Interview with Marina Willard, 1971 November 24. Russell Lynes papers, 1930-1986. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)16026
See more items in:
Russell Lynes papers, 1930-1986
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16026

Interview with Liz Shaw

Creator:
Shaw, Elizabeth Roberts, 1921-  Search this
Lynes, Russell, 1910-1991  Search this
Type:
Sound Recording
Date:
1972 April 12
Citation:
Elizabeth Roberts Shaw and Russell Lynes. Interview with Liz Shaw, 1972 April 12. Russell Lynes papers, 1930-1986. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)16027
See more items in:
Russell Lynes papers, 1930-1986
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16027

Interview with Jimmy Ernst

Creator:
Ernst, Jimmy, 1920-  Search this
Lynes, Russell, 1910-1991  Search this
Subject:
Ernst, Jimmy  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Type:
Sound Recording
Date:
1971 November 24
Citation:
Jimmy Ernst and Russell Lynes. Interview with Jimmy Ernst, 1971 November 24. Russell Lynes papers, 1930-1986. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)16028
See more items in:
Russell Lynes papers, 1930-1986
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16028

Interview with Julien Levy

Creator:
Levy, Julien, 1906-1981  Search this
Lynes, Russell, 1910-1991  Search this
Subject:
Levy, Julien  Search this
Julien Levy Gallery  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Type:
Sound Recording
Date:
1972 February 26
Citation:
Julien Levy and Russell Lynes. Interview with Julien Levy, 1972 February 26. Russell Lynes papers, 1930-1986. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)16029
See more items in:
Russell Lynes papers, 1930-1986
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16029

Interview with Dorothy Miller

Creator:
Miller, Dorothy Canning, 1904-2003  Search this
Lynes, Russell, 1910-1991  Search this
Type:
Sound Recording
Date:
1972 May 30
Citation:
Dorothy Canning Miller and Russell Lynes. Interview with Dorothy Miller, 1972 May 30. Russell Lynes papers, 1930-1986. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)16030
See more items in:
Russell Lynes papers, 1930-1986
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16030

Interview with Arthur Drexler

Creator:
Drexler, Arthur, 1925-1987  Search this
Lynes, Russell, 1910-1991  Search this
Subject:
Museum of Modern Art (New York, N.Y.)  Search this
Type:
Sound Recording
Date:
1972 May 25
Citation:
Arthur Drexler and Russell Lynes. Interview with Arthur Drexler, 1972 May 25. Russell Lynes papers, 1930-1986. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)16031
See more items in:
Russell Lynes papers, 1930-1986
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16031

Interview with Mary Sands Thompson

Creator:
Thompson, Mary Sands  Search this
Lynes, Russell, 1910-1991  Search this
Type:
Sound Recording
Date:
197-?
Citation:
Mary Sands Thompson and Russell Lynes. Interview with Mary Sands Thompson, 197-?. Russell Lynes papers, 1930-1986. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)16034
See more items in:
Russell Lynes papers, 1930-1986
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16034

Interview with Louise Crane

Creator:
Crane, Louise, 1913-1997  Search this
Lynes, Russell, 1910-1991  Search this
Subject:
Museum of Modern Art (New York, N.Y.)  Search this
Type:
Sound Recording
Date:
1971 February 9
Citation:
Louise Crane and Russell Lynes. Interview with Louise Crane, 1971 February 9. Russell Lynes papers, 1930-1986. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)16035
See more items in:
Russell Lynes papers, 1930-1986
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16035

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