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Lyall and Taylor Insurance - William Macbeth, Inc.

Collection Creator:
Frank K. M. Rehn Galleries  Search this
Container:
Box 8
Reel 5859, Frame 676-774
Type:
Archival materials
Date:
1919-1959
Scope and Contents note:
Lyall and Taylor Insurance

Lycett, Philip

Lyde, J.

Lyke, Hyatt

Lyle, Henry H. M.

Lyman Allyn Museum

Lynde, J. U.

Lyndon, A. J.

Lyon, Winifred H.

Lyster, Bernice

MacArthur, Mr. and Mrs. Charles

William Macbeth, Inc./Robert G. MacIntyre
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Frank K. M. Rehn Galleries records, 1858-1969 (bulk 1919-1968). Archives of American Art, Smithsonian Institution.
See more items in:
Frank K. M. Rehn Galleries records
Frank K. M. Rehn Galleries records / Series 1: Correspondence, A-Z
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ba4e33b9-e3eb-480a-aa8e-55e62797fe13
EDAN-URL:
ead_component:sova-aaa-franrehg-ref272

L, General

Collection Creator:
Kraushaar Galleries  Search this
Container:
Box 21, Folder 53
Type:
Archival materials
Date:
1939
Scope and Contents note:
(Isabel Nagle Lachaise; Richard Lahey; William F. Laporte; Los Angeles Museum of History, Science and Art; Lyman Allyn Museum)
Collection Restrictions:
Use of originals requires an appointment. A fragile original scrapbook is restricted. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote or reproduce requires written permission from Katherine Kaplan Degn, Kraushaar Galleries. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Kraushaar Galleries records, 1877-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Kraushaar Galleries records
Kraushaar Galleries records / Series 2: Incoming Letters
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98754d680-2275-4250-a867-c5397cffc62b
EDAN-URL:
ead_component:sova-aaa-kraugall-ref1747

L, General

Collection Creator:
Kraushaar Galleries  Search this
Container:
Box 5, Folder 22
Type:
Archival materials
Date:
1934
Scope and Contents note:
(Lyman Allyn Museum)
Collection Restrictions:
Use of originals requires an appointment. A fragile original scrapbook is restricted. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote or reproduce requires written permission from Katherine Kaplan Degn, Kraushaar Galleries. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Kraushaar Galleries records, 1877-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Kraushaar Galleries records
Kraushaar Galleries records / Series 1: Outgoing Letters
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9848a8f05-4f22-44f8-a859-e2c1a3fbeeab
EDAN-URL:
ead_component:sova-aaa-kraugall-ref430

Lyman Allyn Museum

Collection Creator:
Kraushaar Galleries  Search this
Container:
Box 18, Folder 9
Type:
Archival materials
Date:
1934
Scope and Contents note:
(Winslow Ames)
Collection Restrictions:
Use of originals requires an appointment. A fragile original scrapbook is restricted. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote or reproduce requires written permission from Katherine Kaplan Degn, Kraushaar Galleries. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Kraushaar Galleries records, 1877-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Kraushaar Galleries records
Kraushaar Galleries records / Series 2: Incoming Letters
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9967388cf-bbde-4ae4-9e47-be69fb50e674
EDAN-URL:
ead_component:sova-aaa-kraugall-ref1478

Lyman Allyn Museum

Collection Creator:
Kraushaar Galleries  Search this
Container:
Box 19, Folder 29
Type:
Archival materials
Date:
1936
Scope and Contents note:
(Winslow Ames)
Collection Restrictions:
Use of originals requires an appointment. A fragile original scrapbook is restricted. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote or reproduce requires written permission from Katherine Kaplan Degn, Kraushaar Galleries. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Kraushaar Galleries records, 1877-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Kraushaar Galleries records
Kraushaar Galleries records / Series 2: Incoming Letters
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e8df34ba-d24a-45fc-b13a-05539bd67bb0
EDAN-URL:
ead_component:sova-aaa-kraugall-ref1582

Lyman Allyn Museum

Collection Creator:
Kraushaar Galleries  Search this
Container:
Box 6, Folder 11
Type:
Archival materials
Date:
1936
Collection Restrictions:
Use of originals requires an appointment. A fragile original scrapbook is restricted. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote or reproduce requires written permission from Katherine Kaplan Degn, Kraushaar Galleries. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Kraushaar Galleries records, 1877-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Kraushaar Galleries records
Kraushaar Galleries records / Series 1: Outgoing Letters
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw935cd3c75-f52f-4f68-89fe-97ef06cbc48c
EDAN-URL:
ead_component:sova-aaa-kraugall-ref508

Sculpture : retrospective exhibition, 1963-1978, Lyman Allyn Museum ... June 4-June 25, 1978, Rotunda, Pan American Health Organization ... Oct. 16-Oct. 27, 1978 / Elizabeth Koenig

Author:
Koenig, Elizabeth  Search this
Lyman Allyn Museum  Search this
Pan American Health Organization  Search this
Subject:
Koenig, Elizabeth  Search this
Physical description:
15 p. : ill. (some col.) ; 22 cm
Type:
Books
Exhibitions
Date:
1978
C1978
Call number:
NB237.K56 A4 1978X
N40.1.K7649L9
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_115404

Nelson and Henry C. White research material

Creator:
White, Henry Cooke, 1861-1952  Search this
White, Nelson C.  Search this
Names:
Tryon Art Gallery  Search this
Barnard, George Grey, 1863-1938  Search this
Benson, Frank Weston, 1862-1951  Search this
Brush, George de Forest, 1855-1941  Search this
Churchill, Alfred Vance, 1864-1949  Search this
Cortissoz, Royal, 1869-1948  Search this
Currier, Elizabeth  Search this
Currier, J. Frank (Joseph Frank), 1843-1909  Search this
Dewing, M. O. (Maria Oakey), 1855-1927  Search this
Dewing, Thomas Wilmer, 1851-1938  Search this
Fantin-Latour, Henri, 1836-1904  Search this
Freer, Charles Lang, 1856-1919  Search this
Fuertes, Louis Agassiz, 1874-1927  Search this
Kaup, Elizabeth Dewing, b. 1885  Search this
Roosevelt, Franklin D. (Franklin Delano), 1882-1945  Search this
Roosevelt, Theodore, 1858-1919  Search this
Saint-Gaudens, Augustus, 1848-1907  Search this
Sargent, John Singer, 1856-1925  Search this
Taber, E. M.  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
Thayer, Emma B., 1850-1924  Search this
Thayer, Gladys, 1886 or 7-1945  Search this
Thayer, Kate Bloede  Search this
Thayer, Wm. Henry (William Henry), 1822-1897  Search this
Tryon, Dwight William, 1849-1925  Search this
Whistler, James McNeill, 1834-1903  Search this
Williams, George Alfred, 1875-  Search this
Extent:
4.5 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Photographs
Sketches
Date:
circa 1851-1961
Summary:
The research material of Connecticut artists and authors Nelson and Henry C. White, measures 4.5 linear feet and dates from circa 1851-1961. The bulk of the collection consists of Nelson C. White's correspondence, writings, and research, primarily related to J. Frank Currier and Abbott Handerson Thayer, and referencing Thomas Wilmer Dewing. Also found are the correspondence, writings, and research files of Nelson's father, Henry C. White, primarily relating to Dwight W. Tryon. Research files include artist correspondence, writings and notes, printed material, photographs of the artists, and photographs of artwork and exhibition installations.
Scope and Contents:
The research material of Connecticut artists and authors Nelson and Henry C. White, measures 4.5 linear feet and dates from circa 1851-1961. The bulk of the collection consists of Nelson C. White's correspondence, writings, and research, primarily related to J. Frank Currier and Abbott Handerson Thayer, and referencing Thomas Wilmer Dewing. Also found are the correspondence, writings, and research files of Nelson's father, Henry C. White, primarily relating to Dwight W. Tryon. Research files include artist correspondence, writings and notes, printed material, photographs of the artists, and photographs of artwork and exhibition installations.

Nelson C. White's correspondence is with Elizabeth Currier, gallery owners, and other individuals in possession of artwork by Currier, conducted during his research on J. Frank Currier, as well as with Elizabeth Dewing Kaup and others concerning his research on Thomas Wilmer Dewing. Miscellaneous material includes reviews of White's autobiography on Abbott Handerson Thayer, and White's ink sketches for a holiday card.

Nelson C. White's writings and notes consist of annotated drafts of Abbott H. Thayer: Painter and Naturalist, The Life and Art of J. Frank Currier, and articles including "Cremona," and "The Art of Thomas W. Dewing."

White's research files form the bulk of the collection. 9 folders of research material on J. Frank Currier consist primarily of photos of artwork and of an installation at Lyman Allyn Museum, but also include a transcript of Currier's 1870 diary, and 3 photographs (copy prints) of Currier. White's research material on Abbott Handerson Thayer is substantial and includes: biographical material on Thayer, such as family reminiscences by Thayer's daughter, Gladys Thayer, and his father, William Henry Thayer; copies and originals of Thayer's letters to his first wife, Kate Thayer, and his second wife, Emma Beach Thayer, and correspondence with William Henry Thayer; typescript copies and originals of Thayer's correspondence with artists, politicians, naturalists and others including George Grey Barnard, Frank Weston Benson, George de Forest Brush, Royal Cortissoz, Maria Oakey Dewing, Thomas Wilmer Dewing , Charles Lang Freer, Louis Agassiz Fuertes, Franklin D. Roosevelt, Theodore Roosevelt, Augustus Saint-Gaudens, John Singer Sargent, Edward Martin Taber, and George Alfred Williams; annotated drafts of Thayer's writings and notes on art, philosophy, and nature including his theories on concealing coloration and wildlife preservation; printed material including 2 Thayer exhibition catalogs and news clippings of Thayer's letters to editors; and photographs of Thayer, his family and friends, his home and studio, and his artwork.

Henry C. White's papers include a folder of White's correspondence relating to the publication of his book, The Life and Art of Dwight William Tryon and including a letter from Elizabeth Currier; drafts of his biography of Tryon, including revisions by Mrs. Bender, Alfred Vance Churchill, and Mr. Rossiter; research material on Tryon including transcripts of letters from Tryon to George Alfred Williams, from Charles Lang Freer to Tryon, and from James McNeill Whistler to Henri Fantin-Latour; a typescript of autobiographical "notes and recollections" by Tryon; and photographs of Tryon, his home and studio, his artwork, and the Tryon Art Gallery at Smith College.
Arrangement:
The collection is arranged as 4 series.

Missing Title

Series 1: Nelson C. White Correspondence and Miscellaneous Material, 1921-1953 (Box 1; 0.25 linear feet)

Series 2: Nelson C. White's Writings and Notes, circa 1929-circa 1951 (Box 1, OV 6; 0.5 linear feet)

Series 3: Nelson C. White's Research Files, circa 1851-1961 (Boxes 1-4, OV 6; 2.65 linear feet)

Series 4: Henry C. White Papers, circa 1860-1954 (Boxes 4-5; 1.1 linear feet)
Biographical / Historical:
Connecticut painter, art historian, and collector, Nelson C. White (1900-1989) was born in Waterford, Connecticut, to artist Henry C. White. He studied at the National Academy of Design and Yale University and established himself as a landscape painter whilst also pursuing a literary career. He was the author of two biographies: The Life and Art of J. Frank Currier (1936), and Abbott H. Thayer: Painter and Naturalist (1951). White also penned an article on his friend, Thomas Wilmer Dewing ("The Art of Thomas Wilmer Dewing"), which was published in 1929.

White's father, Henry C. White (1861-1952), was an artist known primarily for his landscapes and seascapes of his native Connecticut. Born in Hartford, White began his career in 1875, studying with Dwight W. Tryon. In the 1880s he enrolled in the Art Students League in New York, while continuing to study with Tryon and other artists, including Kenyon Cox and George de Forest Brush. In the 1890s he traveled in Europe and then returned to Hartford where he taught drawing at the Hartford Public School, and co-founded the Connecticut Academy of Fine Arts in 1910. Like his son, White had literary aspirations, and in 1930 published a biography of his life-long friend and teacher entitled The Life and Art of Dwight W. Tryon. Two years after his death in 1952, the Lyman Allyn Museum held a memorial exhibition for White, curated primarily by Nelson C. White.
Related Materials:
The Archives of American Art holds several collections related to the Nelson and Henry C. White research material on Abbott Handerson Thayer and Dwight William Tryon. These include research material on Abbott Handerson Thayer and other artists, 1895-1990, donated by Thomas B. Brumbaugh; the Abbott Handerson Thayer letter and drawings to Caroline Peddle Ball, circa 1890-1893; and the Dwight William Tryon papers, 1872-1930.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reels 1330 and 2807) including autobiographical notes by Tryon, letters to Nelson C. White and Henry C. white, photographs of artwork, and an article. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
The Archives of American Art purchased two linear feet of material from Nelson C. White in 1956. White also lent material and donated papers in 1978 and 1983.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Connecticut  Search this
Art historians -- Connecticut  Search this
Topic:
Art -- Collectors and collecting -- Connecticut  Search this
Art -- Philosophy  Search this
Protective coloration (Biology)  Search this
Artists' studios -- Photographs  Search this
Wildlife conservation  Search this
Women artists  Search this
Genre/Form:
Diaries
Photographs
Sketches
Citation:
Nelson and Henry C. White research material, circa 1851-1961. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.whitnels
See more items in:
Nelson and Henry C. White research material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw903aa9e0c-8609-49fa-aaea-8c72f7fe8e77
EDAN-URL:
ead_collection:sova-aaa-whitnels
Online Media:

Printed Material

Collection Creator:
White, Henry Cooke, 1861-1952  Search this
White, Nelson C.  Search this
Type:
Archival materials
Date:
circa 1875-1922
1961
Scope and Contents:
Printed material includes news clippings and other printed matter about Thayer, some of which is taken from a scrapbook probably belonging to Gladys Thayer. Exhibition catalogs are for a Thayer memorial exhibition at the Corcoran Gallery of Art in 1922, and a 1961 Thayer exhibition at the Lyman Allyn Museum. Printed material by Thayer includes news clippings of many letters he wrote to newspaper editors.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Nelson and Henry C. White research material, circa 1851-1961. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.whitnels, Subseries 3.2.6
See more items in:
Nelson and Henry C. White research material
Nelson and Henry C. White research material / Series 3: Nelson C. White Research Files / 3.2: Abbot Handerson Thayer Research Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw910d6ad83-1346-44ce-a7ff-f610b1cefda6
EDAN-URL:
ead_component:sova-aaa-whitnels-ref186

Correspondence and Miscellaneous Material

Collection Creator:
White, Henry Cooke, 1861-1952  Search this
White, Nelson C.  Search this
Type:
Archival materials
Date:
circa 1920s-1954
Scope and Contents:
Henry C. White's correspondence includes 2 letters from Houghton Mifflin, 1 letter to Elizabeth C. Currier, a letter to Royal Cortissoz regarding Cortissoz's review of The Life and Art of Dwight William Tryon, and 3 letters from Congress on the Vestal Bill. Printed material about White includes reviews of his book and an exhibition catalog for theHenry C. White Memorial Exhibition at the Lyman Allyn Museum in 1954.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Nelson and Henry C. White research material, circa 1851-1961. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.whitnels, Subseries 4.1
See more items in:
Nelson and Henry C. White research material
Nelson and Henry C. White research material / Series 4: Henry C. White Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw988d5571e-2e26-46e8-86ec-a37bc2a24088
EDAN-URL:
ead_component:sova-aaa-whitnels-ref268

Photographs, Exhibition Installation at Lyman Allyn Museum

Collection Creator:
White, Henry Cooke, 1861-1952  Search this
White, Nelson C.  Search this
Container:
Box 1, Folder 53
Type:
Archival materials
Date:
1958
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Nelson and Henry C. White research material, circa 1851-1961. Archives of American Art, Smithsonian Institution.
See more items in:
Nelson and Henry C. White research material
Nelson and Henry C. White research material / Series 3: Nelson C. White Research Files / 3.1: J. Frank Currier Research Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91978cb99-b228-4032-838b-e8a190851204
EDAN-URL:
ead_component:sova-aaa-whitnels-ref56

George Constant papers

Creator:
Constant, George  Search this
Names:
Art Institute of Chicago  Search this
Audubon Artists (New York, N.Y.)  Search this
Brooklyn Museum  Search this
Carnegie Institute  Search this
Dayton Art Institute  Search this
Federation of Modern Painters and Sculptors  Search this
Ferargil Galleries  Search this
Heckscher Museum  Search this
Lyman Allyn Art Museum  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Parrish Art Museum  Search this
Spanish Refugee Aid (Organization)  Search this
United States. Works Progress Administration  Search this
Whitney Museum of American Art  Search this
Avery, Milton, 1885-1965  Search this
Avery, Sally  Search this
Burliuk, David, 1882-1967  Search this
Caparn, Rhys, 1909-1997  Search this
Carnell, Julia Shaw Patterson, 1863-1944  Search this
Davidson, Morris, 1898-1979  Search this
Eaton, Charles Warren, 1857-1937  Search this
Gecan, Vilko, 1894-1973  Search this
Kanaga, Consuelo, 1894-  Search this
Landgren, Marchal E.  Search this
Neuberger, Roy R.  Search this
Pach, Walter, 1883-1958  Search this
Perret, Nell, 1916-  Search this
Preston, Georgette  Search this
Putnam, Wallace, 1899-1989  Search this
Extent:
4.6 Linear feet
Type:
Collection descriptions
Archival materials
Christmas cards
Photographs
Video recordings
Sound recordings
Interviews
Date:
1912-2007
bulk 1932-1978
Summary:
The papers of modernist painter and printmaker George Constant measure 4.6 linear feet and date from 1912-2007, with the bulk of the material dating from 1932-1978. They consist of biographical material, inventories of artwork, audio interviews and recorded statements on art, personal and business related correspondence, holiday cards, printed material, an exhibition related video recording, and photographs of Constant, his family and friends, and his work.
Scope and Contents note:
The papers of modernist painter and printmaker George Constant measure 4.6 linear feet and date from 1912-2007, with the bulk of the material dating from 1932-1978. They consist of biographical material, inventories of artwork, audio interviews and recorded statements on art, personal and business related correspondence, holiday cards, printed material, an exhibition related video recording, and photographs of Constant, his family and friends, and his work. A small portion of the correspondence and printed materials are written in Greek.

Biographical material includes artist statements written and recorded by Constant, two audio interview recordings discussing his philosophies on art and his work, inventories of artwork, personal property deeds and legal correspondence, and other miscellaneous material.

Correspondence is predominantly in the form of business and personal letters, postcards, and holiday cards received from family and friends. These include correspondence from Constant's daughter, Georgette Preston, and extended family members. Other frequent personal correspondents include Milton and Sally Avery, Lewis Balamuth, Margaret Brunning, David Burliuk, Nathaniel Burwash, Rhys Caparn, Julia Shaw Patterson Carnell, Phillip Cavanaugh, Morris Davidson, Charles Eaton, Vilko Gecan, Marchal Landgren, Roy Neuberger, Walter Pach, Nell Perret, Constantine Pougialis, Wallace Putnam and Consuelo Kanaga, Hi Simons, and Helen Slosberg. Business related correspondents include Audubon Artists, Art Institute of Chicago, Brooklyn Museum, Carnegie Institute, Dayton Art Institute, Federation of Modern Painters and Sculptors, Ferargil Galleries, Guild Hall, Heckscher Museum, Lyman Allyn Museum, Metropolitan Museum, Museum of Modern Art, Spanish Refugee Appeal, and the Whitney Museum. Other business correspondence related to Constant's work with the WPA are also included in the series.

Printed material includes books and booklets on American and Greek art, including a limited print edition of George Constant by George Constant, clippings and articles reviewing Constant's work, exhibition announcements and catalogs of Constant's shows, periodicals profiling his artwork, and dance and theater related programs that Constant consulted on.

Photographs include black and white prints of Constant and his family and friends in St. Louis, Missouri, Dayton, Ohio, and in and around his studio in Shinnecock Hills, New York. The collection also includes photo stills from his 1965 exhibition at the Parrish Art Museum and a comprehensive set of black and white prints, a handful of color prints, and several color slide sheets of Constant's artwork from the 1920s to 1978.
Arrangement note:
The collection is arranged into 4 series:

Missing Title

Series 1: Biographical Material, 1923-2007 (Box 1; 17 folders)

Series 2: Correspondence, 1930-1979 (Box 1-2; 1.4 linear feet)

Series 3: Printed Material, 1927-2005 (Box 2-3; 2 linear feet)

Series 4: Photographic Material, 1912-1978 (Box 4-6; 1 linear foot)
Biographical/Historical note:
Greek American George Zachary Constant (1892-1978) worked from his studios in Shinnecock Hills, and New York City, New York as a painter and printmaker. A founder and lifelong member of the Federation of Modern Painters and Sculptors, Constant worked for the Work Projects Administration (WPA) during the Depression and early years of World War II, and exhibited regularly at major galleries and museums from the 1920s to 1970s.

Born in Arahova, Greece, Constant was raised by his two uncles after the death of his parents in 1896. In school and at the monestary one of his uncles led, Constant showed an early interest in classical Greek aesthetics. At the age of eighteen, he immigrated to the United States and continued his art studies at Washington University before transferring to the Art Institute of Chicago. From 1918 to 1922, Constant taught at the Dayton Art Institute and continued to produce and exhibit his work locally. In 1922, he moved to New York, joined the Society of Independent Painters, and became close friends with Society founder and art critic Walter Pach. During the 1920s, his etchings were shown at the Valentine and Downtown Galleries, and at the New Art Circle of J.B. Neumann, where he presented his first one man gallery show in 1929.

From the 1930s to 1940s, Constant produced prints, watercolors, and oil paintings for the WPA, many of which were purchased by museums and public institutions, including the Metropolitan Museum of Art and the Philadelphia Museum. During this same period, Constant exhibited his work at the Boyer Gallery in the late 1930s, and at the Ferargil Gallery from the 1940s to early 1950s. In the decade between 1955 and 1965, Constant also worked on color and set design for seventeen dance productions created by the choreographer Alwin Nikolais. In the last two decades of his career, Constant produced works from his studio in Shinnecock Hills, New York and continued to exhibit at numerous galleries, including Grace Borgenicht Gallery, Guild Hall, Mari Galleries, Tirca Karlis Gallery, and Artium Gallery.
Provenance:
The papers of George Constant were donated by the artist in 1969 and 1978. Additional materials were donated in 2001 and 2007 by his daughter Georgette Preston.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Painters -- New York (State) -- New York  Search this
Art -- Philosophy  Search this
Printmakers -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Genre/Form:
Christmas cards
Photographs
Video recordings
Sound recordings
Interviews
Citation:
George Constant papers, 1912-2007, bulk 1932-1978. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.consgeor
See more items in:
George Constant papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cec7527c-1946-423b-aab7-e7728da8a072
EDAN-URL:
ead_collection:sova-aaa-consgeor

Correspondence

Collection Creator:
Constant, George  Search this
Type:
Archival materials
Date:
1930-1979
Scope and Contents note:
Correspondence is predominantly in the form of business and personal letters, postcards, and holiday cards received from family and friends. The Condolences and Family subseries include correspondence from Constant's daughter, Georgette Preston, and extended family members and friends. The General subseries include both personal and business related correspondence. Frequent personal correspondents include Milton and Sally Avery, Lewis Balamuth, Margaret Brunning, David Burliuk, Nathaniel Burwash, Rhys Caparn, Julia Shaw Patterson Carnell, Phillip Cavanaugh, Morris Davidson, Charles Eaton, Vilko Gecan, Marchal Landgren, Roy Neuberger, Walter Pach, Nell Perret, Constantine Pougialis, Wallace Putnam and Consuelo Kanaga, Hi Simons, and Helen Slosberg. Business related correspondents include Audubon Artists, Art Institute of Chicago, Brooklyn Museum, Carnegie Institute, Dayton Art Institute, Federation of Modern Painters and Sculptors, Ferargil Galleries, Guild Hall, Heckscher Museum, Lyman Allyn Museum, Metropolitan Museum, Museum of Modern Art, Spanish Refugee Appeal, and the Whitney Museum. The Holiday Cards subseries includes numerous handmade, silkscreened, and printed holiday cards to Constant and his family, with frequent senders including Sally and Milton Avery, Phillip and March Cavanaugh, Morris and Anne Davidson, Dett and Carroll French, Nell and George Perret, and Wallace Putnam and Consuelo Kanaga. The WPA subseries includes business correspondence related to Constant's work with the Project.
Arrangement note:
The Correspondence series is arranged into 5 subseries:

Subseries 2.1: Condolences, 1978

Subseries 2.2: Family, 1956-1979

Subseries 2.3: General, 1937-2000

Subseries 2.4: Holiday Cards, 1954-1978

Subseries 2.5: WPA, 1934-1968
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
George Constant papers, 1912-2007, bulk 1932-1978. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.consgeor, Series 2
See more items in:
George Constant papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b3411c2b-8a5c-443e-94f6-f47ff86939af
EDAN-URL:
ead_component:sova-aaa-consgeor-ref33

Lyman Allyn Museum

Collection Creator:
Constant, George  Search this
Container:
Box 1, Folder 75
Type:
Archival materials
Date:
1942
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
George Constant papers, 1912-2007, bulk 1932-1978. Archives of American Art, Smithsonian Institution.
See more items in:
George Constant papers
George Constant papers / Series 2: Correspondence / 2.3: General
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw911c5c7ab-de75-45c3-b72e-b541e890f867
EDAN-URL:
ead_component:sova-aaa-consgeor-ref93

Folder 1 Scrapbook I, 1934. Consists of narrative written by Tolman to Charles Abbot, Secretary of Smithsonian, accompanied by maps, post cards, brochures, and photographs documenting his trip to art galleries, museums and historical societies in north...

Container:
Box 2 of 4
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 7433, Ruel P. Tolman Collection
See more items in:
Ruel P. Tolman Collection
Ruel P. Tolman Collection / Series 2: SCRAPBOOKS, 1934-1936, 1944. / Box 2
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru7433-refidd1e714

Lyman Allyn Museum, 1935-1947, 1961-1963. Concerning loans for exhibition. (2 folders)

Container:
Box 17 of 56
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 267, Cooper-Hewitt Museum, Records
See more items in:
Records
Records / Series 1: GENERAL CORRESPONDENCE, 1881, 1897, 1907-1973. / Box 17
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0267-refidd1e8004

Lyman Allyn Museum (Paul Stiga), Spring 1982

Container:
Box 1 of 5
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 92-079, Cooper-Hewitt Museum. Education Department, Program Records
See more items in:
Program Records
Program Records / Box 1
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa92-079-refidd1e1407

Lyman Allyn Museum

Collection Creator:
Macbeth Gallery  Search this
Container:
Box 53, Folder 81
Type:
Archival materials
Date:
1949-1956
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Macbeth Gallery records, 1838-1968, bulk 1892 to 1953. Archives of American Art, Smithsonian Institution.
See more items in:
Macbeth Gallery records
Macbeth Gallery records / Series 1: Correspondence Files / 1.1: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw947a28c2e-824f-48db-8d46-4c5ec88d61f1
EDAN-URL:
ead_component:sova-aaa-macbgall-ref13537

Ames, Winslow (Lyman Allyn Museum)

Collection Creator:
Macbeth Gallery  Search this
Container:
Box 4, Folder 17
Type:
Archival materials
Date:
1933, 1947
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Macbeth Gallery records, 1838-1968, bulk 1892 to 1953. Archives of American Art, Smithsonian Institution.
See more items in:
Macbeth Gallery records
Macbeth Gallery records / Series 1: Correspondence Files / 1.1: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c5160f9a-9c81-4b57-8e8e-9ddc75a68e38
EDAN-URL:
ead_component:sova-aaa-macbgall-ref6443

Lyman Allyn Museum

Collection Creator:
Macbeth Gallery  Search this
Container:
Box 53, Folder 80
Type:
Archival materials
Date:
1944-1948
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Macbeth Gallery records, 1838-1968, bulk 1892 to 1953. Archives of American Art, Smithsonian Institution.
See more items in:
Macbeth Gallery records
Macbeth Gallery records / Series 1: Correspondence Files / 1.1: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98c83afcb-ee48-4572-9b93-ae495e3100ec
EDAN-URL:
ead_component:sova-aaa-macbgall-ref9144

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