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Lowe Art Museum

Collection Creator:
Hanson, Duane  Search this
Container:
Box 6, Folder 28
Type:
Archival materials
Date:
1985-1988
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Duane Hanson papers, 1935-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Duane Hanson papers
Duane Hanson papers / Series 3: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw950a83a25-3968-4a45-b23e-3f91b67fe98f
EDAN-URL:
ead_component:sova-aaa-hansduan-ref139

Lowe Art Museum

Collection Creator:
Bengston, Billy Al  Search this
Container:
Box 7, Folder 22
Type:
Archival materials
Date:
1980
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Billy Al Bengston papers, circa 1940s-1989 (bulk 1960-1988). Archives of American Art, Smithsonian Institution.
See more items in:
Billy Al Bengston papers
Billy Al Bengston papers / Series 3: Gallery and Museum Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c6695862-1ffd-4dc5-a92c-ce9d9b5d37cf
EDAN-URL:
ead_component:sova-aaa-bengbill-ref238

Lowe Art Museum

Collection Creator:
James Graham & Sons  Search this
Container:
Box 9, Folder 5
Type:
Archival materials
Date:
1971-1975
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
James Graham & Sons records, 1815, 1821, circa 1896-2011, bulk 1950s-1980s. Archives of American Art, Smithsonian Institution.
See more items in:
James Graham & Sons records
James Graham & Sons records / Series 1: Alphabetical Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e6ea37f8-d5a0-4c8a-8526-beb9117d403a
EDAN-URL:
ead_component:sova-aaa-jamegras-ref300

Exhibition Loan Agreements, Lowe Art Museum

Collection Creator:
Singer, Paul, 1904-  Search this
Container:
Box 14, Folder 14
Type:
Archival materials
Date:
1978
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Collection Citation:
The Paul Singer Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C.
See more items in:
Paul Singer Papers
Paul Singer Papers / Series 4: Exhibition and Symposium Files / 4.1: Exhibition Files
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3f08e9d96-7bad-42ae-942b-303d2eba7acf
EDAN-URL:
ead_component:sova-fsa-a1991-01-ref165

Gross, Chaim, Exhibitions, Lowe Art Museum

Collection Creator:
Forum Gallery (New York, N.Y.)  Search this
Container:
Box 4, Folder 4
Type:
Archival materials
Date:
1976-1977
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Forum Gallery records, 1946-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Forum Gallery records
Forum Gallery records / Series 2: Artist Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw917202164-0ea2-4f74-aed5-7f164d77f2c4
EDAN-URL:
ead_component:sova-aaa-forugall-ref72

The Lowe Art Museum, The University of Miami

Collection Creator:
Holman, Thomas S., 1953-2015  Search this
Container:
Box 1, Folder 91
Type:
Archival materials
Date:
1982
Collection Restrictions:
Use of original material requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Thomas S. Holman research materials on Reginald Marsh, 1970-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Thomas S. Holman research materials on Reginald Marsh
Thomas S. Holman research materials on Reginald Marsh / Series 1: Research Files / Marsh, Reginald - Exhibition Research
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cd11c6fc-5b71-4e69-aaba-fcd274ed3c58
EDAN-URL:
ead_component:sova-aaa-holmthom-ref116

It's Only Rock and Roll: Rock and Roll Currents in Contemporary Art (1995), Lowe Art Museum

Collection Creator:
Rubin, David S., 1949-  Search this
Container:
Box 22, Folder 25
Type:
Archival materials
Date:
1997-1998
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
David S. Rubin papers, 1960-2017. Archives of American Art, Smithsonian Institution.
See more items in:
David S. Rubin papers
David S. Rubin papers / Series 6: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d32e8fef-61e5-4df2-9501-72b91f2d9b2b
EDAN-URL:
ead_component:sova-aaa-rubidavi-ref873

"Cuba Avant-Garde: Contemporary Cuban Art from the Faber Collection" Lecture/Conference, Lowe Art Museum, University of Miami (Mar. 6, 2010)

Collection Creator:
Acosta, Gustavo, 1958-  Search this
Extent:
Includes born-digital resources, see ER01
Container:
Box 1, Folder 11
Type:
Archival materials
Date:
circa 2010
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Gustavo Acosta Papers, circa 1958-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Gustavo Acosta papers
Gustavo Acosta papers / Series 3: Professional Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93d85de8c-d7fb-4eef-b48e-3ea95a36c86f
EDAN-URL:
ead_component:sova-aaa-acosgust-ref17

"Cuba Avant-Garde: Contemporary Cuban Art from the Faber Collection" Lecture/Conference, Lowe Art Museum, University of Miami (Mar. 6, 2010), Powerpoint

Collection Creator:
Acosta, Gustavo, 1958-  Search this
Extent:
0.057 Gigabytes (One computer file)
Container:
Folder ER01
Type:
Archival materials
Gigabytes
Date:
2010
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Gustavo Acosta Papers, circa 1958-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Gustavo Acosta papers
Gustavo Acosta papers / Series 3: Professional Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90d2fbb3d-533d-4d16-ad00-5e11a5180c63
EDAN-URL:
ead_component:sova-aaa-acosgust-ref28

Exhibition and Symposium Files

Collection Creator:
Singer, Paul, 1904-  Search this
Extent:
0.7 Linear feet (Boxes 13-15)
Type:
Archival materials
Date:
1957-1990
Scope and Contents:
Files document the various places part or all of Singer's collection was publicly exhibited. Most exhibitions were held at Asia House Gallery and the China Institute of America, though files also include exhibitions held at the Dayton Art Institute, High Museum of Art, Indianapolis Museum of Art, Lowe Art Museum, and Stanford University. Symposium files document the Arthur M. Sackler Gallery symposium held in Singer's honor in 1990: "New Perspectives on Chu Culture during the Eastern Zhou Period."
Arrangement:
This series is arranged as 2 subseries.

4.1 Exhibition Files, 1952-1992

4.2 Symposium Files, "New Perspectives on Chu Culture during the Eastern Zhou Period," circa 1990
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Collection Citation:
The Paul Singer Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C.
Identifier:
FSA.A1991.01, Series 4
See more items in:
Paul Singer Papers
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc360be9ee6-497c-4cd1-b7f5-c3626e1ab9d0
EDAN-URL:
ead_component:sova-fsa-a1991-01-ref10

Ira Licht papers, 1960-1991

Creator:
Licht, Ira, 1938-  Search this
Subject:
Lowe Art Museum  Search this
National Endowment for the Arts  Search this
Museum of Contemporary Art (Chicago, Ill.)  Search this
Citation:
Ira Licht papers, 1960-1991. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA_CollID)21696
(DSI-AAA_SIRISBib)398494
AAA_collcode_lichtira
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_398494

Gustavo Acosta papers, circa 1958-2017

Creator:
Acosta, Gustavo, 1958-  Search this
Type:
Drawings
Sketchbooks
Citation:
Gustavo Acosta papers, circa 1958-2017. Archives of American Art, Smithsonian Institution.
Topic:
Cuban American artists  Search this
Interviews  Search this
Latino and Latin American artists  Search this
Theme:
Latino and Latin American  Search this
Sketches & Sketchbooks  Search this
Record number:
(DSI-AAA_CollID)17585
(DSI-AAA_SIRISBib)395676
AAA_collcode_acosgust
Theme:
Latino and Latin American
Sketches & Sketchbooks
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_395676

Egungun masquerade, Ede, Nigeria

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Yoruba (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Nigeria
Date:
1970
Scope and Contents:
"Throughout the Oyo Yoruba area annual or biennal festivals for the ancestors, called Odun Egungun, are held in every community. They consist of a series of rituals performed over several weeks within the compounds of the lineages that compose a town, as well as public rites at the ighale (the forest of the egungun), in the marketplace, and at the front of the palace. It is during Odun Egungun and on the occasion of commemorative funeral rites for the deceased that the living dead appear and are honored through the mediation of masquerades, or egungun, meaning 'powers concealed"." [Drewal H. J., Pemberton J., Rowland Abiodun, 1989: Yoruba. Nine Centuries of African Art and Thought, Harry N. Abrams Inc.]. This photograph was taken when Eliot Elisofon traveled to Africa from March 17, 1970 to July 17, 1970.
Local Numbers:
E 2 YRB 34 EE 70
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
A22
Frame value is 26.
Slide No. E 2 YRB 34 EE 70
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Masquerades  Search this
Dance  Search this
Masks  Search this
Clothing and dress -- Africa  Search this
Beadwork  Search this
Animals in art  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 4003
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Nigeria
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo78dcd1670-bba4-47cf-96c2-a52483a50690
EDAN-URL:
ead_component:sova-eepa-1973-001-ref20445

Latin American Art in Miami Collections (1994), Lowe Art Museum, University of Miami, Coral Gables, FL.

Collection Creator:
Blanc, Giulio V.  Search this
Container:
Box 8, Folder 94-98
Type:
Archival materials
Date:
1991-1995, undated
Scope and Contents note:
(letters to Blanc concerning exhibition, artists' biographical material, press releases and public program announcements, newspaper clippings, color photographs of artwork from the collection of Dr. and Mrs. Francisco Venegas, Miami, FL.)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Giulio V. Blanc papers, 1920-1995. Smithsonian Institution. Archives of American Art.
See more items in:
Giulio V. Blanc papers
Giulio V. Blanc papers / Series 4: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw930064032-e789-4e58-a281-317221faec55
EDAN-URL:
ead_component:sova-aaa-blangiul-ref1109

Artist Files

Collection Creator:
Blanc, Giulio V.  Search this
Extent:
6 Linear feet (Boxes 1-8)
0.001 Gigabytes (ER01)
Type:
Archival materials
Gigabytes
Date:
1920-1995, undated
Scope and Contents note:
This extensive series contains artist files Giulio Blanc collected and arranged alphabetically by name of artist. The files contain scattered correspondence, newspaper clippings, original writings, exhibition announcements and catalogs, and miscellaneous materials, one in born-digital form.

Several of the artist files are further broken down into areas such as Biographical Material, Letters, Writings, Notes, Printed Material, Audio material, and Photographs. Examples of Biographical material include curricula vita and resumes, fellowship applications, copies of birth certificates, written statements by artists concerning their work, and brief reference information written by Blanc about the artists and their artwork.

Letters are from art institutions, artists, curators, art historians and friends and are addressed primarily to Giulio Blanc, although a number of letters are addressed to other individuals. Found are original letters, photocopies, or facsimiles and occasionally include attachments such as exhibition announcements, newspaper clippings or photographs. Greeting cards and postcards are also found here.

Writings consists of unpublished material such as draft copies of essays and articles, papers written for courses, as well as poems, journal entries, and other original writings. Printed material includes exhibition announcements and catalogs, public program brochures, invitations to exhibition openings, and published articles and newspaper clippings. These are recorded by name of item.

In addition, the artists files also house interviews conducted by Blanc and recorded on audio cassette tape. Those interviewed are artist Enrique Riverón, curator José Gomez Sícre, Cuban ethnographer Lydia Cabrera speaking on the work of Wifredo Lam (Wifredo Lam files), Eva Frajaville on Agustin Fernández (Agustin Fernández files), and Elena Peláez de Medero discussing the work of her sister, Amelia Peláez (Amelia Peláez files).

Of special interest in this series are a number of documents in the files of artists Wifredo Lam, Amelia Peláez and Enrique Riverón. These include rare exhibition announcements and invitations, exhibition catalogs, clippings from European newspapers and various other original documents that date from the 1920s-1990s. An itemized list of these documents is found in the

See Appendix for list of printed material from Series 3 for Wifredo Lam, Amelia Peláez, and Enrique Riverón
Appendix: Printed Material from Series 3 for Wifredo Lam, Amelia Peláez, and Enrique Riverón:
Wifredo Lam: Exhibition and Auction Announcements and Invitations, 1955-1996

1955: -- Wifredo Lam, -- Pabellón de Ciencias Sociales, Havana

1969: -- Wifredo Lam on Paper, -- Cisneros Gallery, New York

1982: -- Homenaje a Wifredo Lam, -- Museo Español de Arte Comtemporáneo, Madrid

1984: Important Latin American Paintings, Drawings, and Sculpture, Sotheby's, New York

1987: -- Wifredo Lam, -- Galerie Albert Loeb, Paris

1987: -- Wifredo Lam: Peintures, -- Galerie Maeght Lelong, Paris

1992: -- Rumbas &f Love Songs: The Musical Canvas of Wifredo Lam, -- Symphony Space, New York

1992: -- Wifredo Lam, -- Museo Nacional Centro de Arte Reina Sofía, Madrid

1993: -- Wifredo Lam: The Annonciation di Aimé Cesaire, -- Fedric Snitzer Gallery, Coral Gables

1994: -- Wifredo Lam: Oeuvre Gravé et Lithographié, -- Musee du Dessin et de L'Estampe Originale de Gravelines, Paris

1996: -- Wifredo Lam: Catalogue Raissone, -- Gary Nader Gallery, Coral Gables

Wilfredo Lam: Exhibition brochures and catalogs, 1950-1993

1950: -- Exposicíon Lam: Obras Recientes, -- Havana

1955: -- Exposicíon Lam, -- Museo de Bellas Artes, Caracas

1959: -- Lam, -- Galleria Pagani, Milan

1969: -- Wifredo Lam: Exposicion de Pinturas, -- Casa de Cultura, Cuenca

1971: -- Wilfredo Lam, -- Gimpel Gallery, New York

1977: -- Wilfredo Lam, -- Galeria Meindl, Bogota

1978: -- Lam, -- Gissi Galleria d'Arte, Torino

1980: -- Wifredo Lam, -- Galleri D'Arte La Borgognona, Rome

1981: -- Max Ernst-Wifredo Lam: Paintings, Watercolors and Graphics, -- Guild Gallery, New York

1992: -- Afro-Caribbean Culture: The World of Wifredo Lam, -- The Americas Society, The Studio Museum in Harlem and the Symphony Space, New York

1993: -- Wifredo Lam: -- Museo Nacional Palacio de Bellas Artes, Havana

Undated: Winter Calendar, The Studio Museum in Harlem, New York

Amelia Peláez: Exhibition Announcements, Invitations and Brochures, 1988, undated

1977: -- Amelia Peláez, -- Metropolitan Museum and Art Centers, Miami

1988: -- Amelia Peláez 1896-1968: A Retrospective, -- Museum of Modern Art of Latin America, Washington DC

1988: -- Amelia Peláez 1896-1968: A Retrospective/Una RetrosPerspe, -- Cubann Museum of Arts and Culture, Miami

1988: Fall calendar, Museum of Modern Art, Organization of American States, Washington DC

Undated: Information on artist, Organization of American States, Washington, DC

Amelia Peláez: Exhibition Catalogs, 1930s-1980s, 1991

1933: -- Exposition: Amelia Pelaez del Casal, -- Galérie Zak, Paris

1935: -- Exposición: Amelia Pelaez del Casal, -- Lyceum, Havana

1937: -- Dance International 1900-1937: Exhibit of Arts Relating to the Dance, -- Rockefeller Center, New York

1941: -- Peláez, -- Norte Gallery, New York

1943: -- Amelia Peláez: Retrospective 1929-1943, -- Institución Hispano-Cubana de Cultura, Havana

1968: -- Amelia Peláez: Exposición Retrospectiva, -- Museo Nacional Palacio de Bellas Artes, Havana (2 copies)

1977: -- Amelia Peláez, -- Metropolitan Museum and Art Centers, Miami

1977: -- Cuba Peintres D'aujourd'hui, -- Musée d'Art Moderne de la Ville de Paris, Paris [Incomplete]

1979: -- La Gran Pintora Cubana Amelia Peláez, -- Museo de Arte Moderno, Mexico City

1980: -- Amelia Peláez: Oleos Tempera y Tinta, -- Museo de Arte Moderno, Bogota

1986: -- Amelia Peláez: Exposición Antologica, Pinturas 1929-1967, -- Museo Nacional de Bellas Artes, Havana

1991: -- Amelia Peláez: Exposición Retrospectiva, 1924-1967, -- Museo Nacional de Bellas Artes, Caracas

Enrique Riverón: Exhibition Announcements and Catalogs, 1957-1994, undated

1926: -- Enrique Riverón, -- Association Paris Amerique Latine, Paris

1957: -- Riverón, -- Sudamericana Gallery, New York

1958: -- Retrospective Exhibition: Riverón, -- Wichita Art Museum, Wichita

1960: -- Enrique Riverón, -- Arger Gallery, Coral Gables

1961: -- Riverón, -- Gallery of Modern Arts, Sante Fe

1965: -- Riverón, -- Bacardi Art Gallery, Miami

1965: -- Riverón, -- Museum of Modern Art, Miami

1969: -- Enter the Sun: New Paintings by Riverón, -- Pageant Gallery, Miami

1973: -- Gala: Grupo de Artistas Latinoamericanos, -- Bacardi Art Gallery, Miami

1974: -- Riverón Retrospective Exhibition, -- Bacardi Art Gallery, Miami

1977: -- Bermudez, Davila, Fernández, Riverón, Velazquez, -- Forma Gallery, Coral Gables

1980: -- Riverón: 1925-1950 Paris/La Habana /New York, -- Lowe Art Museum, Coral Gables

1980: -- Riverón: 1950-1980 Wichita/Coconut Grove, -- De Armas Gallery, Virginia Gardens

1983: -- Riverón, -- Gallery at Grove Isle, Coconut Grove

1987: -- Enrique Riverón: Recent Works, -- Bacardi Art Gallery, Miami

1994: -- Alfonzo, Espada, Iraola, Marin, Riverón, -- Barbara Greene's, Miami
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Giulio V. Blanc papers, 1920-1995. Smithsonian Institution. Archives of American Art.
Identifier:
AAA.blangiul, Series 3
See more items in:
Giulio V. Blanc papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw900700301-5393-4ee1-90cb-793647f04ec6
EDAN-URL:
ead_component:sova-aaa-blangiul-ref24

Images of authority: from Benin to Gabon. [Exhibition] October 18-November 25, 1973

Author:
Lowe Art Museum  Search this
Physical description:
55 p. illus. (part. col.) 26 cm
Type:
Exhibitions
Place:
Africa, West
Date:
1973
1973]
Topic:
Art, West African  Search this
Art, Black  Search this
Kings and rulers--Religious aspects  Search this
Call number:
N7398 .L913
N7398.L913
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_46887

Lowe Art Museum

Collection Creator:
Perls Galleries  Search this
Container:
Box 24, Folder 51
Type:
Archival materials
Date:
1983
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Perls Galleries records, 1937-1997. Archives of American Art, Smithsonian Institution.
See more items in:
Perls Galleries records
Perls Galleries records / Series 1: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d4254492-24ff-4bd7-8d1e-363cc9a6e1ed
EDAN-URL:
ead_component:sova-aaa-perlgall-ref1227

Lowe Art Museum

Collection Creator:
Rattner, Abraham  Search this
Container:
Box 9, Folder 3
Type:
Archival materials
Date:
1974
Collection Restrictions:
The collection is open for research. Use of unmicrofilmed portion requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Abraham Rattner and Esther Gentle papers, 1891-1986. Archives of American Art, Smithsonian Institution.
See more items in:
Abraham Rattner and Esther Gentle papers
Abraham Rattner and Esther Gentle papers / Series 7: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bc4fcf21-59c4-43c1-b600-fa73df7afce2
EDAN-URL:
ead_component:sova-aaa-rattabra-ref314

Lowe Art Museum, University of Miami

Collection Creator:
Kraushaar Galleries  Search this
Container:
Box 62, Folder 14
Type:
Archival materials
Date:
1971
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. A fragile original scrapbook is restricted. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote or reproduce requires written permission from Katherine Kaplan Degn, Kraushaar Galleries. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Kraushaar Galleries records, 1877-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Kraushaar Galleries records
Kraushaar Galleries records / Series 6: Additions to the Kraushaar Galleries Records / 6.1: Correspondence / Chronological Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9dd5940a7-db28-43a1-9b25-dca9cae063d2
EDAN-URL:
ead_component:sova-aaa-kraugall-ref4175

Oral history interview with William Douglas Carlson

Interviewee:
Carlson, William, 1950-  Search this
Creator:
Riedel, Mija, 1958-  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Alfred University -- Students  Search this
Art Students League (New York, N.Y.) -- Students  Search this
Cleveland Institute of Art -- Students  Search this
Lowe Art Museum  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
University of Illinois at Urbana-Champaign -- Faculty  Search this
University of Miami -- Faculty  Search this
Billeci, Andre  Search this
Carpenter, James, 1949-  Search this
Chihuly, Dale, 1941-  Search this
Dailey, Dan, 1947-  Search this
Daley, William, 1925-2002  Search this
Fereighi, Christine  Search this
Heizer, Michael, 1944-  Search this
Heller, Doug, 1946-  Search this
Hilton, Eric  Search this
Marquis, Richard, 1945-  Search this
Marx, Bonnie  Search this
Matta-Clark, Gordon, 1943-1978  Search this
Serra, Richard, 1938-  Search this
Smith, Terry, 1960 June 15-  Search this
Stella, Frank  Search this
Young, Brent  Search this
Extent:
7 Items (Sound recording: 7 sound files (4 hr., 6 min.), digital, wav)
89 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2009 June 24-25
Scope and Contents:
An interview of William Douglas Carlson conducted 2009 June 24-25, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Carlson's home, in Miami, Florida.
Carlson discusses his move to the University of Miami in 2003 after 27 years at the University of Illinois in Urbana-Champaign; his recent site-specific installation Procellous Wall at the Lowe Art Museum in Coral Gables, Florida; the change in his work since his move to Miami, finishing a series of pieces that began in 2000 dealing with language, and his sense of being in a transitional period with his work; growing up in a small town in Ohio, and his early use of adhesives, the field his father worked in, as the spur for his later work in laminating glass; classes at the Art Students League in New York City and Woodstock, New York; attending the Cleveland Institute of Art; spending the summer of 1971 in Stanwood, Washington, helping set up the Pilchuck Glass School, then returning to set up a glass program at the Cleveland Institute of Art with Christine Federighi; the lure of glass, and the danger that its beauty can overshadow artistic substance, which led in part to his decision to mix it with other materials; the influence of minimalism and of Russian constructivism, architecture and modern design; graduate studies at Alfred University, Alfred, New York; accepting a teaching job at the University of Illinois in 1976; work with lamination and expanding scale in his work; use of Vitrolite; large-scale installation work, beginning in the early 1980s, including Optional Refractions and Allele; reflection on the deliberate, design-focused nature of his work; his language series beginning in 2000; the series Pragnanz; philosophy of teaching; the value of intensive learning environments such as craft schools compared with the cross pollination of ideas available at a larger university; the imperative for craft to integrate new materials, technology, and ideas while retaining the importance of the hand; the role of galleries and collectors, and involvement in larger art and craft venues, including the May Show and SOFA; his stint as a judge in a barbecued rib cook-off; the effect of seminal exhibitions such as like "Objects: USA," [1969] and "Poetry of the Physical" (1986) in setting a standard of professionalism for and providing visibility to makers; impact of his international travel; a turn away from pure design and towards a more poetic ambiance in the language series; the use of projected light and his use of cast prismatic shadows in his installation The Nature of Things in Jacksonville, Florida; the issue of scale in his work; artists whose work he admires, including Frank Stella, Richard Serra, Michael Heizer, Tony Smith, Gordon Matta-Clark, William Daley; studio glass as an international movement; involvement with various craft organizations, and wrestling with the definition of a craft artist; preparations to move to Massachusetts and spend some contemplative time thinking about and working on new directions. He recalls Brent Young, Dale Chihuly, Jamie Carpenter, Christine Federighi, Richard Marquis, Eric Hilton, Andre Billeci, Dan Dailey, Doug Heller and Bonnie Marx.
Biographical / Historical:
William Douglas Carlson (1950- ) is a glass artist and educator in Miami, Florida. Carlson was educated at Alfred University.
General:
Originally recorded on 2 sound discs. Reformatted in 2010 as 7 digital wav files. Duration is 4 hr., 6 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Constructivism (Art)  Search this
Glass artists -- Florida -- Interviews  Search this
Minimal art  Search this
Glass art  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.carlso09
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw963a88957-6508-4454-b9bd-78ea07a54bf0
EDAN-URL:
ead_collection:sova-aaa-carlso09
Online Media:

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