The microfilmed Alfred Williams Anthony papers contain letters, autographs, biographical data, and miscellaneous material collected by Anthony about 19th century artists.
Artists represented in the collection include: Edwin A. Abbey, Ernest Albert, Elizabeth A. Allen, Daniel C. Beard, Frank Beard, Samuel G. W. Benjamin, Albert Bierstadt, Nathaniel Blaisdell, Edwin H. Blashfield, Evangeline Blashfield, Charles W. Bolton, Victor D. Brenner, Sydney & Mrs. Burleigh, William M. Chase, Frederic E. Church, Harry Cochrane, William A. Coffin, Timothy Cole, Thomas Cole, Royal Cortissoz, Palmer Cox, Christopher Cranch, Felix O. C. Darley, Frederick Dellenbaugh, Frederick Dielman, Andrew J. Downing, Charles L. Eastlake, George W. Edwards, Daniel C. French, Edmund H. Garrett, Sanford R. Gifford, V. Gribayedoff, Henry W. Herbert, Elbert Hubbard, Daniel Huntington, Laurence Hutton, Ernest L. Ipshen, Norman W. Isham, F. Lynn Jenkins, John La Farge, Edward C. Leavitt, William J. Linton, Benson J. Lossing, Will H. Low, Jervis McEntee, George Merrill, John H. Mills, Thomas Moran, Samuel F.B. Morse,
A. R. Mullen, Thomas Nast, National Arts Club, Wilbur F. Noyes,Frederick B. Opper, Mrs. Archie M. Palmer, Erastus D. Palmer, William F. Paris, Carl R. Parker, Hiram Powers, Howard Pyle, Thomas B. Read, Albert Rosenthal, Augustus Saint-Gaudens, John Sartain, Walter Smedley, George F. C. Smillie, Francis H. Smith, Bayard Taylor, Col. Henry S. Taylor, John Trumbull, Henry T. Tuckerman, Union League Club, N.Y., D. B. Updike, Vasili Vereschagen, Charles Vezin, Douglas Volk, D. Everett Waid, John Q. A. Ward, Clara E. Waters, Robert W. Weir, J. Thomson Willing, Ellsworth Woodward, Mabel Woodward, William Woodward, and F. Hammond Wright.
Biographical / Historical:
Alfred Williams Anthony (1860-1939) was a theologian, author, and educator in Lewiston, Maine. He served in various roles for the General Conference of Freewill Baptists, the Maine chapter of the Religious Education Association, and the Committee on Goodwill between Jews and Christians. Anthony also served on the boards of trustees for Bates College, Hillsdale College, and Brown University.
Related Materials:
The New York Public Library Archives and Manuscripts Division holds the Alfred Williams Anthony collection, 1679-1944. Bates College Edmund S. Muskie Archives and Special Collections Library holds the Alfred Williams Anthony papers, 1872-1996 and the Dressler family collection of Alfred Williams Anthony Papers, 1802-1985.
Provenance:
Microfilmed 1956 by the Archives of American Art with other art-related papers in the Manuscript Division of the New York Public Library. Included in the microfilming project were selected papers of the Art Division and the Prints Division.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Letters and documents of 19th century Americans, outstanding in literature and the arts.
Correspondents include: Washington Allston, Alexander Anderson, John Audubon, Samuel P. Avery, John Warner Barber, Mathew B. Brady, John Casilear, Vincent Colyer, Christopher P. Cranch, Felix O. C. Darley, Daniel P. Huntington, Washington Irving, James J. Jarves, Charles Lanman, Charles Leslie,Benjamin Lossing, Samuel F. B. Morse, Rembrandt Peale, Thomas B. Read, Thomas A. Richards, Thomas B. Thorpe, William D. Washington, and Benjamin West.
Biographical / Historical:
Editor; New York City. Edited, with his brother George, Literary World, 1847, and published a journal with him, 1848-1853. Also, edited CYCLOPAEDIA OF AMERICAN LITERATURE, 1855.
Provenance:
Microfilmed 1956 by the Archives of American Art with other art-related papers in the Manuscript Division of the New York Public Library. Included in the microfilming project were selected papers of the Art Division and the Prints Division.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Letters, 1850-1910, biographical data, and miscellany pertaining to Stauffer's study of early American printmakers.
Writing to Stauffer are: W. Bruce Almon, Vistus Balch, Albert C. Bates, William A. Beardsley, Clarence S. Bement, J. W. Bothwell, Mrs. J. C. Bruen, William J. Campbell, John Bassett Chapin, Charles E. Clark, William W. Conway, Warren C. Crane, John J. Currier, Charles G. Darrach, Theodore L. De Vinne, Campbell Dodgson, Wilberforce Eames, John H. Edmonds, D. Edwin, Fanny J. Flagg, Edwin D. French, Robert Fridenberg, E. M. Gallaudet, Ernest L. Gay, Charles S. Giles, Walter Gilles, Charles W. Girsch, Charles E. Goodspeed, Samuel A. Green, Charles B. Hall, R. T. H. Halsey, Edward B. Hamlin, W. F. Hammersly, H. R. Harper, Charles H. Hart, Sumner Hazelwood, Henry W. Herbert, E. B. Holden, Samuel Hollyer, John W. Jordan, Charles Lanman, Charles Lanborn, R. H. Lawrence, Alexander Lawson, L. Lement, Emanuel Leutze, George E. Littlefield, Orleans Longacre, Benson John Lossing.
Also, Kate L. McNeely, Frank E. Marshall, James T. Mitchell, F. Moras, Jedediah Morse, Charles A. Munn, William Nelson, Dr. Charles L. Nichols, Frederick B. Nichols, Ourdan Family, Nathaniel Paine, Daniel Parrish, Jr., Howland D. Perrine, Harry Piers, A. Winthrop Pope, Thomas B. Read, Emil H. Richter, William Rollinson, William Sartain, Charles Schlecht, Stephen A. Schoff, Howard Sill, Denison R. Slade, C. A. Smith, F. Hopkinson Smith, Sidney L. Smith, J. Winfred Spenceley, Thackera Family, William Thornton, R. H. Tiebout, Henry T. Tuckerman, Frances K. Walter, A. Coolidge Warren, Frank W. Weitenkampf, and John P. Woodbury.
Provenance:
Microfilmed 1956 by the Archives of American Art with other art-related papers in the Manuscript Division of the New York Public Library. Included in the microfilming project were selected papers of the Art Division and the Prints Division.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Letters to Lossing from the following people: Henry Carey Baird, Mr. Barnard, William W. Belknap, Charles Campbell, L. L. Doty, Lyman C. Draper, Theodor F. Dwight, Charles W. Parsons, Anna T. Harrison, and James Grant Wilson. Most of the correspondents are historians, government officials, or relatives of prominent political figures.
Biographical / Historical:
Wood engraver; Poughkeepsie and New York City, N.Y. Apprenticed to a watchmaker in Poughkeepsie, but became joint editor of a newspaper and literary magazine soon thereafter. Learned wood engraving from Joseph Alexander Adams and in 1838 established himself in New York City as an engraver. In 1848, he began work on his PICTORIAL FIELD-BOOK OF THE REVOLUTION and subsequently produced many works based on American history and biographies.
Related Materials:
Benson John Lossing papers also at Syracuse University.
Provenance:
Donated 1958 by Argosy Book Stores of New York City.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Wood-engravers -- New York (State) -- New York Search this
Tuckerman, Henry T. (Henry Theodore), 1813-1871 Search this
Extent:
60 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1866-1878
Scope and Contents:
Correspondence with contributors to THE GALAXY, of which Church was editor with his brother, Francis Pharcellus Church.
Correspondents include: Eugene Benson (40 letters), Clarence C. Cook, William P. W. Dana, James J. Jarves, John La Farge, Charles Lanman, William J. Linton, Benson J. Lossing, Maria R. Oakey, Thomas B. Read, William J. Stillman, Russell Sturgis, Bayard Taylor, and Henry T. Tuckerman.
Provenance:
Microfilmed 1956 by the Archives of American Art with other art-related papers in the Manuscript Division of the New York Public Library. Included in the microfilming project were selected papers of the Art Division and the Prints Division.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Photograph of a Benson John Lossing engraving of Tecumseh, based partially on a sketch by Pierre Le Dru 1812, of Tecumtha or Tecumseh with Peace Medal,
Composite image of Tecumseh or Tecumtha (The One Who Passes Across Intervening Space From One Point To Another) wearing a peace medal, taken from Benson John Lossing's Pictorial Fieldbook of the War of 1812. According to a note by Lossing, he made the "portrait" of Tecumseh from a Pierre le Dru's pencil sketch of his head and cap and a rough drawing showing him in full military dress, made at Malden shortly after the surrender of Detroit. Original engraving published in Benson John Lossing, The Pictorial Fieldbook of the War of 1812, New York: Harper & Brothers, 1868, p. 283.
Charles Scribner's Sons and Benson John Lossing. Professor Morse and the telegraph, Scribner's Monthly, circa 1872. Samuel F. B. Morse papers, 1826-2009. Archives of American Art, Smithsonian Institution.
Mathew Brady's illustrated history of the Civil War, 1861-65 and the causes that led up to the great conflict / by Benson J. Lossing, and a chronological summary and record of every engagement ... showing the total losses and casualties together with war maps of localities, compiled from the official records of the War Department ; illustrated with facsimile photographic reproductions of the offic...
Seventeen hundred and seventy-six, or, The War of Independence; a history of the Anglo-Americans, from the period of the union of the colonies against the French, to the inauguration of Washington, the first President of the United States of America
An Early view of the Shakers : Benson John Lossing and the Harper's article of July 1857, with reproductions of the original sketches and watercolors / edited by Don Gifford ; foreword by June Sprigg
The pictoral field-book of the revolution; or, Illustrations, by pen and pencil, of the history, biography, scenery, relics, and traditions of the war for independence. By Benson J. Lossing. With eleven hundred engravings on wood, by Lossing and Barritt, chiefly from original sketches by the author
The diary of George Washington, from 1789 to 1791; embracing the opening of the first Congress, and his tours through New England, Long Island, and the southern states. Together with his Journal of a tour to the Ohio, in 1753. Ed. by Benson J. Lossing
The pictorial field-book of the revolution : or, Illustrations, by pen and pencil, of the history, biography, scenery, relics, and traditions of the war for independence / by Benson J. Lossing ; with eleven hundred engravings on wood, by Lossing and Barritt, chiefly from original sketches by the author
