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Ward Lockwood and artists' models

Subject:
Lockwood, Ward  Search this
Type:
Photographs
Date:
not after 1937
Topic:
Artists at or with their work  Search this
Artists' models  Search this
Artists' studios  Search this
Record number:
(DSI-AAA)5313
See more items in:
Miscellaneous photographs collection, circa 1845-1980
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_5313
Online Media:

Models for Ward Lockwood's mural Consolidation of the West

Subject:
Lockwood, Ward  Search this
Type:
Photographs
Date:
not after 1937
Topic:
Artists at or with their work  Search this
Artists' models  Search this
Artists' studios  Search this
Record number:
(DSI-AAA)5314
See more items in:
Miscellaneous photographs collection, circa 1845-1980
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_5314
Online Media:

Ward Lockwood and models for his mural Consolidation of the West

Subject:
Lockwood, Ward  Search this
Type:
Photographs
Date:
not after 1937
Topic:
Artists at or with their work  Search this
Artists' models  Search this
Artists' studios  Search this
Record number:
(DSI-AAA)5315
See more items in:
Miscellaneous photographs collection, circa 1845-1980
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_5315
Online Media:

Ward Lockwood

Subject:
Lockwood, Ward  Search this
Type:
Photographs
Place:
Taos, N.M.
Date:
ca. 1940
Topic:
Artists at or with their work  Search this
Record number:
(DSI-AAA)6282
See more items in:
Ward Lockwood papers, 1913-1963
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_6282

Harvest of the Rio Grande Valley (mural study, Edinburgh, Texas Post Office)

Artist:
Ward Lockwood, born Atchison, KS 1894-died Ranchos de Taos, NM 1963  Search this
Medium:
tempera on paperboard
Dimensions:
16 1/8 x 31 7/8 in. (40.8 x 81.0 cm)
Type:
Painting
Date:
ca. 1938-1939
Topic:
Figure group\female  Search this
Study\mural study  Search this
Occupation\domestic\shopping  Search this
New Deal\Treasury Section of Painting and Sculpture\Texas  Search this
Architecture Interior\commercial\market  Search this
Object\foodstuff  Search this
Credit Line:
Smithsonian American Art Museum, Transfer from the General Services Administration
Object number:
1974.28.25
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7cabb29b6-6e31-4b76-8a3a-b38952fa79b7
EDAN-URL:
edanmdm:saam_1974.28.25

Monk with Cross (mural study, Washington Post Office)

Artist:
Ward Lockwood, born Atchison, KS 1894-died Ranchos de Taos, NM 1963  Search this
Medium:
conte crayon on paper
Dimensions:
21 3/4 x 15 in. (55.2 x 38.1 cm)
Type:
Drawing
Date:
n.d.
Topic:
Figure male\waist length  Search this
Study\mural study  Search this
Occupation\religion\monk  Search this
Emblem\cross  Search this
Credit Line:
Smithsonian American Art Museum, Bequest of Olin Dows
Object number:
1983.90.93
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7c6f0bda8-9344-47bc-9c4e-daf766e786eb
EDAN-URL:
edanmdm:saam_1983.90.93

Roy Bedicheck

Artist:
Ward Lockwood, 1894 - 1963  Search this
Sitter:
Roy Bedicheck, 1878 - 1959  Search this
Medium:
Ink on paper
Dimensions:
*
Type:
Drawing
Date:
c. 1920-1959
Topic:
Roy Bedicheck: Male  Search this
Roy Bedicheck: Literature\Writer  Search this
Roy Bedicheck: Science and Technology\Scientist\Naturalist  Search this
Portrait  Search this
Credit Line:
Owner: Harry Ransom Center
Object number:
76.96
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4f90f264d-cdc7-4982-af1f-0ca7be79e8ae
EDAN-URL:
edanmdm:npg_76.96

Self-Portrait, Smoking

Artist:
Ward Lockwood, 1894 - 1963  Search this
Sitter:
Ward Lockwood, 1894 - 1963  Search this
Medium:
Watercolor and gouache over graphite on paper*
Dimensions:
Sheet: 49.5cm x 33.5cm (19 1/2" x 13 3/16"), Accurate
Type:
Painting
Date:
early-mid 20th century
Topic:
Interior  Search this
Equipment\Smoking Implements\Cigarette  Search this
Costume\Headgear\Hat\Cowboy hat  Search this
Artist's Effects\Canvas  Search this
Ward Lockwood: Male  Search this
Ward Lockwood: Visual Arts\Artist\Painter  Search this
Ward Lockwood: Visual Arts\Artist\Painter\Muralist  Search this
Portrait  Search this
Credit Line:
Owner: Spencer Museum of Art
Object number:
72.413
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm48f3b0d55-4107-4c3b-a1ea-62bff1015932
EDAN-URL:
edanmdm:npg_72.413

Andrew Dasburg and Grace Mott Johnson papers

Creator:
Dasburg, Andrew, 1887-1979  Search this
Names:
Carlson, John F., 1874-1945  Search this
Cramer, Florence Ballin, 1884-1962  Search this
Davidson, Florence Lucius, d. 1962  Search this
Davidson, Jo, 1883-1952  Search this
Frankl, Walter  Search this
Hartley, Marsden, 1877-1943  Search this
Howard, Lila  Search this
Johnson, Grace Mott, 1882-1967  Search this
Kuhn, Vera, d. 1961  Search this
Lockwood, Ward  Search this
Luhan, Mabel Dodge, 1879-1962  Search this
McFee, Henry Lee, 1886-1953  Search this
Riley, Mary G., 1883-1939  Search this
Simonson, Lee, 1888-  Search this
Sterling, Lindsey, 1876-1931  Search this
Wright, Alice Morgan, 1881-1975  Search this
Extent:
8.8 Linear feet
Type:
Collection descriptions
Archival materials
Poetry
Diaries
Sketchbooks
Photographs
Date:
1833-1980
bulk 1900-1980
Summary:
The papers of painter Andrew Dasburg and his wife and sculptor Grace Mott Johnson date from 1833 to 1980 (bulk 1900 to 1980), and measure 8.8 linear feet. The collection documents each artist's career and personal lives, including their brief marriage and their friendships with many notable artists in the New Mexico and New York art colonies during the early twentieth century. The papers of Dasburg (6 linear feet) and Johnson (2.8 linear feet) include biographical materials; extensive correspondence with family, friends, and fellow artists, such as John F. Carlson, Mabel Dodge Luhan, Marsden Hartley, Henry Lee McFee, and Ward Lockwood; writings by Dasburg, Johnson, and others; scattered legal, financial, and business records; clippings; exhibition materials; numerous photographs of Johnson and Dasburg, friends, family, and artwork; and original artwork, including two sketchbooks by Johnson.
Scope and Content Note:
The papers of painter Andrew Dasburg and sculptor Grace Mott Johnson date from 1833 to 1980, with the bulk of the materials dating from 1900 to 1980, and measure 8.8 linear feet. The collection is divided into the papers of Andrew Dasburg (6 linear feet) and the papers of Grace Mott Johnson (2.8 linear feet), and documents each artist's career and personal lives, including their brief marriage, and friendships with many notable artists in New Mexico and New York art colonies during the early twentieth century. Found are scattered biographical, legal, and financial materials. Extensive correspondence (particularly in Dasburg's papers) is with family, friends, and fellow artists, such as John F. Carlson, Florence Ballin Cramer, Mabel Dodge Luhan, Marsden Hartley, Henry Lee McFee, Vera Spier Kuhn, and Ward Lockwood. Dasburg's papers also include letters to Johnson and his two later wives.

Johnson's correspondence is also with numerous artist friends and others, including John F. and Margaret Carlson, Florence Ballin Cramer, Jo Davidson, Florence Lucius, Walter Frankl, Lila Wheelock Howard, Henry Lee McFee, Mary Riley, Lee Simonson, Lindsey Morris Sterling, Alice Morgan Wright, Mabel Dodge Luhan, and Vera Spier Kuhn. Letters to her son Alfred are quite detailed and revealing. Writings are by Dasburg, Johnson, and others. Johnson's writings include a very brief diary and her poetry. Writings by others are about the Taos and New Mexico art communities. Printed materials about both artists include clippings and exhibition catalogs. There are numerous photographs of Dasburg and Johnson, individually and together, and with friends and family. Of note are a group photograph of Birge Harrison's art class in Woodstock, New York, which includes Johnson and Dasburg, and a photograph of Dasburg with friends Konrad Cramer and John Reed. Dasburg's papers also include snapshots of Florence Lucius, Konrad and Florence Ballin Cramer, Frieda and D. H. Lawrence, and Mabel Dodge Luhan. Original artwork by the two artists include two sketchbooks by Johnson and three prints and two drawings by Dasburg.
Arrangement:
The collection is arranged into 2 series of each artist's papers:

Series 1: Andrew Dasburg Papers, circa 1900-1980 (Box 1-7; 6.0 linear feet)

Series 2: Grace Mott Johnson Papers, 1833-1963 (Box 7-10; 2.8 linear feet)
Biographical Note:
Andrew Michael Dasburg (1887-1979) was born in Paris, France, to German parents. After his father died and when he was five, Dasburg and his mother moved to New York City. In 1902 Dasburg started attending classes at the Art Students' League and studied with Kenyon Cox and Frank Du Mond. He also took night classes with Robert Henri. In 1907 he received a scholarship to the Art Students' League summer school in Woodstock, New York and spent three summers studying there in Birge Harrison's painting class. While in school he became friends with many young artists, including Morgan Russell and his future wife, Grace Mott Johnson.

Grace Mott Johnson (1882-1967) was born in New York City. She began drawing when she was four years old, and when the family moved to a farm in 1900 she enjoyed sketching horses and other farm animals. At the age of 22 she left home to study at the Art Students' League with sculptors Gutzon Borglum and James Earle Fraser, and also attended Birge Harrison's painting class in Woodstock. Throughout her career she would sculpt animals from memory, and would often attend circuses and farms for inspiration.

In 1909 Johnson and Dasburg went to Paris and joined the modernist circle of artists living there, including Morgan Russell, Jo Davidson, and Arthur Lee. During a trip to London that same year they were married. Johnson returned to the United States early the next year, but Dasburg stayed in Paris where he met Henri Matisse, Gertrude and Leo Stein, and became influenced by the paintings of Cezanne and Cubism. He returned to Woodstock, New York in August and he and Johnson became active members of the artist community. In 1911 their son Alfred was born. Both Dasburg and Johnson showed several works at the legendary Armory Show in 1913, and Dasburg also showed at the MacDowell Club in New York City, where he met the journalist and activist John Reed who later introduced him to Mabel Dodge (Luhan), a wealthy art patron and lifelong friend. In 1914 Dasburg met Alfred Stieglitz and became part of his avant-garde circle. Using what he had seen in Paris, Dasburg became one of the earliest American cubist artists, and also experimented with abstraction in his paintings.

Dasburg and Johnson lived apart for most of their marriage. By 1917 they had separated and Dasburg began teaching painting in Woodstock and in New York City. In 1918 he was invited to Taos, New Mexico by Mabel Dodge, and returning in 1919, Johnson joined him there for a period of time. Also in 1919, Dasburg was one of the founding members of the Woodstock Artists Association with John F. Carlson, Frank Swift Chase, Carl Eric Lindin, and Henry Lee McFee. In 1922 Dasburg and Johnson divorced, and also at that time he began living most of the year in Santa Fe with Ida Rauh, spending the rest of the year in Woodstock and New York City. Dasburg became an active member of the Santa Fe and the Taos art colonies, befriending many artists and writers living in these communities, and remaining close friends with Mabel Dodge Luhan. Here he moved away from abstraction, and used the southwestern landscape as the inspiration for his paintings.

In 1928 he married Nancy Lane. When that marriage ended in 1932, he moved permanently to Taos, and with his third wife, Marina Wister, built a home and studio there. Dasburg periodically taught art privately and at the University of New Mexico. In 1937 he was diagnosed with Addison's disease, which left him unable to paint again until 1946. In 1945 he and his wife Marina separated. Dasburg was recognized for his career as an artist in a circulating retrospective organized by the American Federation of Arts in 1959. He also had retrospectives in Taos in 1966 and 1978. His artwork influence several generations of artists, especially in the southwest, and he continued creating art until his death in 1979 at the age of 92.

Grace Mott Johnson lived in the Johnson family home in Yonkers, New York during the 1920s and later moved to Pleasantville, New York. In 1924 she went to Egypt to study ancient Egyptian sculpture. During the 1930s she became a civil rights activist. She produced very little art during the last twenty years of her life.
Related Material:
Also found in the Archives of American Art are two oral history interviews with Andrew Dasburg, July 2, 1964 and March 6, 1974. Additional related collections at other repositories include the Andrew and Marina Wister Dasburg Papers at the New Mexico State Archives, the Andrew Dasburg Papers at Syracuse University Library, and the Grace Mott Johnson Papers at the Beinecke Rare Book and Manuscript Library, Yale University.
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming. Reel 2803 contains photocopies of ten Morgan Russell letters to Dasburg. Reels 4276-4278 include biographical material, subject files, photographs, correspondence, writings, and exhibition material. The photocopies on reel 2803 were discarded after microfilming, and the items on 4276-4278 were returned to the lender. This material is not described in the collection container inventory.
Provenance:
The Andrew Dasburg and Grace Mott Johnson papers were donated by their son, Alfred Dasburg, in 1980. Syracuse Univresity lent materials for microfilming in 1978 and 1989.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New Mexico  Search this
Painters -- New York (State)  Search this
Topic:
Artist colonies -- New York (State)  Search this
Artist colonies -- New Mexico  Search this
Works of art  Search this
Sculptors -- New York (State)  Search this
Genre/Form:
Poetry
Diaries
Sketchbooks
Photographs
Citation:
Andrew Dasburg and Grace Mott Johnson papers, 1833-1980 (bulk 1900-1980). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dasbandr
See more items in:
Andrew Dasburg and Grace Mott Johnson papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dasbandr
Online Media:

PWAP reports by Gustave Baumann

Creator:
Public Works of Art Project (N.M.)  Search this
Names:
Baumann, Gustave, 1881-1971  Search this
Bisttram, Emil, 1895-1976  Search this
Lea, Tom, 1907-  Search this
Lockwood, Ward  Search this
Rush, Olive, 1873-1966  Search this
Shuster, Will  Search this
Extent:
1 Microfilm reel
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1934
Scope and Contents:
Reports of work in the 13th region (New Mexico), written by the supervisor, Gustave Baumann. Included are detailed personal and professional comment on numerous artists in the Santa Fe, Taos, and Albuquerque projects, among them Emil Bisttram, Tom Lea, Ward Lockwood, Olive Rush, and Will Shuster; a work journal and commentary on various artists and their projects; and commentary on the physical situation, psychological climate and supervisory problems associated with the projects.
Biographical / Historical:
The Public Works of Art Project (PWAP), the first of the New Deal art programs, was established under the Department of the Treasury in December 1933 to assist unemployed artists by enabling them to work on the decoration of non-federal public buildings. Although it lasted only until the following summer, it engaged nearly 4,000 artists in all parts of the country and served as an important precedent for subsequent federal art programs, such as the Federal Art Project of the Works Progress Administration.
Provenance:
Lent for microfilming 1964 by Gustave Baumann.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
Federal aid to public welfare  Search this
New Deal, 1933-1939  Search this
Federal aid to the arts  Search this
Art and state -- United States  Search this
Mural painting and decoration -- 20th century -- New Mexico  Search this
Identifier:
AAA.publwonm
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-publwonm

Ward Lockwood papers

Creator:
Lockwood, Ward  Search this
Names:
Federal Art Project  Search this
Dasburg, Andrew, 1887-1979  Search this
Luhan, Mabel Dodge, 1879-1962  Search this
Marin, John, 1870-1953  Search this
Rattner, Abraham  Search this
Extent:
1.5 Items (linear ft.(on 2 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1913-1963
Scope and Contents:
Correspondence, 1913-1963, regarding Lockwood's work on murals for government buildings, and letters from Andrew Dasburg, Mabel Dodge Luhan, and Abraham Rattner; a 23 page diary, 1931-1933; an anecdotal reminiscence of John Marin; career resumes; 6 sketchbooks; 6 speech texts; material relating to mural projects in Washington, D.C., in Lexington, Kentucky, and in Wichita, Kansas; photographs of Lockwood, his works, and of mural classes; exhibition catalogs; clippings; and miscellany.
Biographical / Historical:
Mural painter, painter and educator; born in Kansas; attended University of Kansas, Pennsylvania Academy of Fine Arts, Ransom Academy in Paris. Worked on various government buildings painting murals for the WPA. Taught in the art departments at University of Texas, University of California at Berkeley and elsewhere. Lived in Taos, N.M. for many years.
Provenance:
Donated 1964 by Mrs. Ward Lockwood, widow of Lockwood.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters  Search this
Topic:
Mural painting and decoration  Search this
Painting  Search this
Muralists  Search this
Identifier:
AAA.lockward
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lockward

PWAP reports by Gustave Baumann, 1934

Creator:
Public Works of Art Project (N.M.)  Search this
Subject:
Bisttram, Emil  Search this
Lea, Tom  Search this
Lockwood, Ward  Search this
Rush, Olive  Search this
Shuster, Will  Search this
Baumann, Gustave  Search this
Topic:
Federal aid to public welfare  Search this
New Deal, 1933-1939  Search this
Federal aid to the arts  Search this
Art and state -- United States  Search this
Mural painting and decoration -- 20th century -- New Mexico  Search this
Record number:
(DSI-AAA_CollID)9784
(DSI-AAA_SIRISBib)212211
AAA_collcode_publwonm
Theme:
Government Sponsorship of the Arts
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212211

Correspondence

Collection Creator:
Spohn, Clay Edgar, 1898-1977  Search this
Extent:
(boxes 2-5, 4.7 linear feet)
Type:
Archival materials
Date:
1925-1981, undated
Scope and Contents note:
Correspondence is between Spohn and his colleagues, including two letters from Alexander Calder, eight letters from Mark Rothko, and twenty-eight letters from Clyfford Still.

See Appendix for an alphabetical list of correspondents from Series 2.2.
Appendix: Alphabetical List of Correspondents in 2.2:
Abend, George and Kitty Parker Abend (artists): 1950-1960 (4 letters)

Abingdon Square Painters: 1958 (1 letter)

Addison Gallery of American Art: 1958 (2 letters)

American Artists' Congress: 1938 (1 letter)

American Library of Color Slides: 1941 (1 letter)

Anderson, Claude J. K.: 1958 (1 letter)

Anderson, Wendell (poet): 1955-1956 (2 letters)

Archives of American Art: 1964 (4 letters)

Art Academy of Cincinnati: 1958-1959 (3 letters)

Art Association of Newport: 1958 (1 letter)

Art Career School: 1958 (1 letter)

Artists Equity Association: 1950 (1 letter)

Arts and Architecture: 1963 (1 letter)

Art Students League: 1958-1964 (2 letters)

Art Times: 1959 (1 letter)

Art Workshop of the Rivington Neighborhood Asociation, Inc.: 1958 (1 letter)

Ashton, Dore: 1969 (1 letter)

Ayer, Phyllis: 1956 (1 letter)

Bachels, Andrew: 1969 (1 letter)

Barnett, Rici: 1973 (1 letter)

Barron, John N.: 1966 (1 letter)

Beasley, David and Viola: 1963-1978 (11 letters)

Bender: Albert M. Bender Memorial Trust: 1947-1951 (2 letters)

Bethers, Peggy: 1940 (1 letter)

Blesh, Rudi: 1960 (1 letter)

Board of Education, City of New York: 1958-1965 (2 letters)

Booth, James W. (family friend): 1943-1956 (7 letters)

Borgenight: Grace Borgenight Gallery, Inc.: 1965 (1 letter)

Boru, Sorcha: 1932-1933 (12 letters)

Brandenburg, Helen: 1970 (1 letter)

Braunstein/Quay Gallery: 1977 (1 letter)

Briggs, Ernie: 1967-1977 (2 letters)

Bright, Beatrice: 1971-1973 (2 letters)

Brock, Midu: 1954 (1 letter)

Brooklyn Society for Ethical Culture: 1966 (1 letter)

Brown, Lesley: 1955 (1 letter)

Burke, Bob: 1971 (1 letter)

Burnham, Janet B.: 1950 (1 letter)

Bute, Janey: 1971 (1 letter)

Calcagno, Lawrence: 1969-1977 (5 letters)

Calder, Alexander: 1970-1972 (2 letters)

California Palace of the Legion of Honor: 1964 (1 letter)

California School of Fine Arts: 1955-1964 (2 letters)

California: University of California at Berkeley: 1940 (1 letter)

California: University of California at Santa Clara: 1975-1976 (2 letters)

Carewe, Sylvia: 1969 (1 letter)

Carr, James F.: 1967 (1 letter)

Chase Manhattan Bank: 1971 (2 letters)

Chisholm, Stuart (landscape architect): 1925 (1 letter)

Clayton, Janice: undated and 1965-1974 (6 letters)

Clifton, Jim and Mary (owners of a Spohn painting): 1956 (1 letter)

College Art Association: 1949 (1 letter)

Colorado Springs Fine Arts Center: 1952-1970 (4 letters)

Cooke, Regina: 1955 (1 letter)

Cooley, Anne: 1941 (1 letter)

Corbett, Ed and Steff, and Rosamond Tirana: undated and 1951-1977(47 letters, including a 1962 wedding announcement for Corbett and Tirana, and a letter dated Mar 21, 1963 enclosing a photograph of Ed with an amputated foot)

Craig, Jeanne: 1963 (2 letters)

Crawford, Jane and Ernie: 1958 (3 letters)

Crehan, Hub and Anne: 1960 (1 letter)

Crewe, Sylvia: 1969 (1 letter)

Crews, Judson and Mildred (publishers of poetry magazine in Taos): 1952-1969 (4 letters)

Cumming, Ann (and Jennifer Sutcliffe): 1956 (1 letter)

Cunningham, Ben: 1950 (1 letter)

D'Arcangelo, Allan and Sylvia: 1965 (1 letter)

Dasburg, Andrew: 1961 (1 letter)

DePuy, John: 1964 (1 letter)

Diebenkorn, Richard: 1951 (1 letter)

Dilexi Gallery (L. James Newman): 1965 (1 letter)

Dixon, Budd (J.B.) and Peggy: 1954-1970 (5 letters)

Dowell-Kahl Gallery (Leone Kahl, director): 1963 (1 letter)

Drumm, Steve: 1953 (1 letter)

Durham, Charlotte: 1968-1970 (3 letters)

D'Vorzon, Berenice and Randal Goya: 1965 (1 letter)

East Hampton Gallery: undated (1 letter)

Edwards, Tom L.: 1945-1974 (2 letters)

Egri, Ted and Kit: 1958-1971

Elster, Grace-Marion: 1926 (1 letter)

Ely, Georgette and Wolcott: 1958-1969 (38 letters)

Finichel, Lilly: 1954 (1 letter)

Forster, Bertrand Dixon: 1961 (1 letter)

Forster, Paul and Else: undated and 1943-1974 (15 letters)

Fort Worth Art Center Museum: 1971 (1 letter)

Foss, Florence: 1958 (1 letter)

Fran, Ford: 1971 (1 letter)

Fryworth, Teressa (Terry) (Registrar at California School of Fine Arts): 1950-1978 (72 letters)

Fuller, Mary: see McChesney, Mary

Fuller, Patti (Ed Corbett's niece): 1955 (2 letters)

Furse, Roger: 1928-1953 (4 letters)

Gallery of Modern Art, Taos, N.M.: 1972 (1 letter)

Garcia, Enos: 1954 (1 letter)

Georgiadis, Alex: 1951 (1 letter)

Gettell, Mrs. Richard Glenn: 1958 (an invitation to meet Col. George Lincoln)

Gluck, Heidi: 1977 (1 letter)

Gomez, Dorothy Massey (mother of anthropologist Bill Massey): 1950 (1 letter)

Gomez, Joe: undated and 1971 (2 letters)

Grant, Bob: 1953-1972 (2 letters)

Grant, Carolyn: 1969 (1 letter)

Great Neck Board of Education: 1960 (1 letter)

Grimm, Marjorie: 1973 (1 letter)

Grossmann, Nancy: 1966 (1 letter)

Guggenheim: John Simon Guggenheim Memorial Foundation: 1953-1954 (2 letters)

Harwood Foundation: 1953-1956 (2 letters)

Harris, Roger: 1973 (1 letter)

Hawley, W. R.: 1977 (1 letter enclosing an exhibition catalog "Unemployed Wizards")

Heischman, R. L.: undated (1 letter)

Hill, Dorothy: 1967 (2 letters)

Hocks, Fred: 1952 (1 letter)

Howard, Ellen and Galen: 1957 (1 letter)

Howard, Robert Boardman and Adaline Kent (San Francisco sculptors): 1951-1955 (2 letters)

Howard, Madge Knight and Charles H.: 1946-1954 (21 letters)

Hultburg, John and Lynne: 1959-1974 (5 letters)

Huntsville Museum of Art: see Braunstein/Quay Gallery

Hurst, Tricia: 1977 (1 letter)

Hutchinson, Mrs. D. H.: 1925 (1 letter)

Illinois: University of Illinois at Urbana: 1952 (2 letters)

Jackson: Martha Jackson Gallery: 1965 (1 letter)

Jacobson, Art (artist) and Ursula: 1950-1960 (9 letters)

Jonson Gallery: 1969-1970 (2 letters)

Kadish, Reuben: 1958 (1 letter)

Kahl: Leone Kahl Gallery: 1964 (1 letter)

Karnes, Marion Watson: undated and 1947-1954 (80 letters from Spohn)

Keeney, James: 1963 (1 letter)

Kieve, Rudolph: 1971 (3 letters)

King, Vivie and Rufus: 1977 (1 letter)

Kingman, Dong: undated calling card

Kuhlman, Walt: 1957 (2 letters)

Kultberg, Lynne and John: 1965 (1 letter)

Labaudt, Lucien: 1943 (1 letter)

Labaudt, Marcelle: 1956 (1 letter)

Landgren, Paula: undated (1 letter)

Lannan, J. Patrick (The Susquehanna Corporation/ The Lannan Foundation): 1966-1971 (4 letters); see Personal Business Records for correspondence pertaining to the Foundation's support of Spohn, 1961-1962

LaPlante, John (Stanford University): 1949 (1 letter)

Lazarus, Rosalind: 1960 (1 letter)

LeBow-Gould Associates: 1958 (3 letters)

Lee, Martha: 1957 (1 letter)

Lehman, Margarett: 1957 (1 letter)

Letter Shop: 1956 (1 letter)

Library of Congress Copyright Office: 1932 (1 letter concerning the trisection of an arbitrary angle)

Lippincott, Janet (artist): 1955-1956 (5 letters)

Lockwood, Ward: 1952 (1 letter)

MacAgy, Douglas and Betty: undated and 1945-1973 (13 letters)

MacAgy, Jermayne (Jerry): 1945-1948 (2 letters)

Macdowell Colony: 1975 (1 letter)

Machcinski, Barbara: 1971 (1 letter)

MacIntyre, Carlyle F.: 1945 (1 letter)

Maes, Virginia: 1941 (1 letter)

Mare, Doris and Emil: 1969 (1 letter)

Marse, John J.: 1962 (1 letter)

Marter, Joan: 1977 (3 letters)

Martin, Agnes: 1958-1975 (3 letters)

Massey, Ellen DeSelms: 1940 (2 letters)

McCarthy, Francis Joseph (AIA): 1950 (1 change of address card)

McChesney, Mary (Fuller) and Mac: 1952-1977 (62 letters, including one dated May 21, 1968 decorated with a lizard skin, one dated Jun 08, 1973 enclosing a wooden Yalalag Indian good luck charm, and one dated May 26, 1976 enclosing a photograph of group and McChesney art work at Temko mansion in Berkeley)

McCormick, Herbert: 1951 (1 letter)

McDonald, Katharyn: 1963-1964 (2 letters)

Merlin Development Company: 1962 (1 letter)

Merrick, Barbara: 1975 (1 letter)

Meyer, Fleur Cowler: 1968 (1 letter)

Miller, Dorothy (Museum of Modern Art): 1952-1977 (8 letters)

Moore Dry Dock Company: 1942 (2 letters)

Murphy, Jack W. and Dori (owners of some of Spohn's work): 1951-1976 (7 letters)

Mygatt, Tony: 1954 (1 letter)

National Collection of Fine Arts: 1977 (1 letter)

Neininger, Urban and Jeanne: 1950-1976 (48 letters)

New Mexico Highlands University: 1958-1969 (3 letters)

New Mexico: Museum of New Mexico Art Gallery: 1952-1957 (3 letters)

New Mexico: University of New Mexico at Albuquerque: 1957-1970 (2 letters)

New York City Transit Authority: 1962-1963 (2 letters)

New York Saucer Information Bureau: 1962-1965 (2 letters)

New York University: 1958-1960 (3 letters)

Oakland Museum (Terry St. John): 1970-1977 (33 letters)

O'Connor, Francis V.: 1979 (1 letter)

Ohio State University: 1958 (1 letter)

Oldfield, Otis: 1942 (1 letter of recommendation for Spohn for Albert M. Bender Grants-in-Aid)

Olmsted, Frederick: 1943 (1 letter)

Oregon: University of Oregon: 1974-1975 (2 letters)

Ortman, George: 1964 (2 letters)

Otto, Curtis, Roberta, and Adrienne: 1957 (1 letter)

Oxford University Press: 1949 (1 letter)

Parrett, Fred C.: undated and 1954 (2 letters)

Peale, Norman Vincent (office of): 1975 (1 letter)

Pepsi-Cola Annual Art Competition: 1947 (2 letters)

Peterson, Arline? and Pete: 1955-1957 (2 letters)

Petrovo, Miriam: 1961-1971 (11 letters)

Pitney, Peggy and Ed: 1948 (1 letter)

Queens College: 1958 (2 letters)

Ramsay, Anna R.: 1954 (1 letter)

Rankine, Vivie (Mrs. Paul Scott Rankine): 1964-1981 (5 letters)

Remington, Deborah: 1963 (1 letter)

Reminick, Harry: 1954 (1 letter)

Reynal, Jeanne: 1941 (an invitation to a reception for Arshile Gorky) and 1952 (1 letter)

Ribak, Louis and Bea: 1954-1976 (5 letters)

Richards, Tally: 1971-1980 (5 letters)

Ridiman, Bob: 1963-1970 (4 letters)

Rogoway, Marjorie and Rog: undated and 1953-1968 (15 letters)

Rosebury, Amy and Ted: 1954 (1 letter)

Rosen, Michael: 1970-1974 (4 letters)

Roswell Museum and Art Center: 1977-1978 (6 letters)

Rothko Foundation: 1971-1975 (4 letters)

Rothko, Mark and Mell: 1946-1958 (8 letters)

Rusnell, Wesley: 1972-1979 (13 letters)

Sachs Gallery: undated and 1968 (2 letters)

St. John's College: 1969 (1 letter)

Salzer, Oscar: 1955 (1 letter)

Sanders, Una and John: 1975-1977 (6 letters)

Sands, Louis: 1948 (1 letter)

San Francisco Art Association: 1939-1955 (19 letters)

San Francisco Museum of Art: 1949-1977 (18 letters)

Saxe, Suzanne: 1972-1973 (2 letters)

Scarpitta, Pat and Sal: 1968 (1 letter)

Schneiderwirth, Joan (friend of Ed Corbett): 1955 (1 letter)

School of Visual Arts: 1964-1970 (86 letters)

Schubart, Pauline: 1950 (1 letter)

Shoemaker, Peter (former student of Spohn): 1955-1958 (5 letters)

Shiras, Mary: 1958-1965 (10 letters)

Sihvonen, Oli: 1953-1977 (66 letters)

Slivka, David: 1954 (1 letter)

Smith, Hassel: 1948 (1 letter)

Spoerri, John: 1965-1977 (10 letters)

Stables Art Gallery (Leone Kahl, director): 1956-1965 (14 letters)

Stanford University: 1946 (1 letter)

Stephens, Dick and Carolyn: 1960-1965 (3 letters)

Stevens: Arthur Stevens Book Club: 1968 (1 letter)

Still, Clyfford: 1948-1968 (28 letters, including one dated Nov 1950 to Ed Corbett, and one dated Nov 29, 1963 enclosing a hand-drawn map to Still's home)

Strehler, Allen (Sociologist): 1954 (1 letter)

Summers, Al: 1952 (1 letter)

Sutcliffe, Jennifer (beautiful English girl who passed through Taos with Ann Cumming): 1956 (2 letters)

Sznajderman, Marius: 1967 (1 letter)

Taggart, Bill, Sandy, and Sean: 1968 (1 letter)

Taos Artist's Association (Taos Art Association): 1956-1964 (6 letters)

Taos Realty: 1968-1969 (3 letters)

Tatarsky, Hy and Muriel: 1952-1957 (2 letters)

Tatarsky, Stephanie: 1963-1964 (7 letters)

Taylor, Gene: 1925 (letter of introduction to Erskine Gwynne)

Temianka, Henri: 1941 (1 letter)

Tensan, Keith and Gene: 1957 (1 letter)

Terrain Gallery: 1960 (1 letter)

Terry Art Institute: 1951-1952 (7 letters)

Third Street Gallery (Helen Kaye, Director): 1950 (1 letter)

Thomas, Corine (owner of a Spohn painting): 1954-1957 (7 letters)

Tirana, Rosamond: undated and 1958-1962 (10 letters); see Corbett, Edward for additional letters

Van Duren, Allan and Betsy: 1953 (1 letter)

Van Ingen, Pat: 1973 (2 letters)

Varda, Yantoo?: 1949 (1 letter)

Visual Arts Gallery: 1967 (2 letters)

Vollmer, George A.: 1945-1948 (3 letters)

Von Herberg, Charlotte: 1950-1958 (2 letters)

Wakefield, Ruth Cravath: 1943 (1 letter of recommendation for Spohn)

Wandell, Walt and Doreen: 1958 (1 letter)

Wasley, Emily (aunt) and Sarah Rhoads (cousin): 1946-1955 (14 letters)

Wehrer, Anne: 1974 (1 letter)

Whaley, Bill: 1974 (1 letter)

White, Minor: 1963 (1 letter)

Who's Who In American Art: 1952-1969 (5 letters)

Who's Who In The Midwest: 1959 (1 letter)

Who's Who In The West: 1959 (1 letter)

Willard, Charlotte: 1960-1967 (3 letters)

Williams, Matilda A.: 1958 (1 letter)

Wilmans, Margery and Steve: 1974 (1 letter)

Winston, James W.: 1941 (1 letter)

Wise: Howard Wise Gallery: 1962 (1 letter)

Woelffer, Emerson and Diana: 1955-1958 (5 letters)

Wood, Ralph: 1960-1970 (5 letters)

Wright, Dorothy: 1926 (1 letter)

Wurlitzer: Helene Wurlitzer Foundation: 1954-1957 (3 letters)

Young-Hunter, Mrs. John: 1959 (1 letter)
Collection Restrictions:
The collection is open for research. Use of unfilmed material requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Clay Spohn Papers, circa 1862-1985, bulk 1890-1985. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.spohclay, Subseries 2.2
See more items in:
Clay Spohn papers
Clay Spohn papers / Series 2: Clay Spohn Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-spohclay-ref47

Lockwood, Ward

Collection Creator:
Park, Marlene, 1931-  Search this
Container:
Box 3, Folder 34
Type:
Archival materials
Date:
undated
1937-1980
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marlene Park and Gerald E. Markowitz research material on New Deal art, circa 1974-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Marlene Park and Gerald E. Markowitz research materials on New Deal Art
Marlene Park and Gerald E. Markowitz research materials on New Deal Art / Series 1: Artists' Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-parkmarl-ref227

Lockwood, Ward

Collection Creator:
Midtown Galleries  Search this
Container:
Reel 5417, Frame 945-948
Type:
Archival materials
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Midtown Galleries records, 1904-1997. Archives of American Art, Smithsonian Institution
See more items in:
Midtown Galleries records
Midtown Galleries records / Series 6: Photographs / 6.2: Works of Art, A-Z
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-midtgall-ref4766

Correspondence

Collection Creator:
Mangravite, Peppino, 1896-  Search this
Extent:
(Boxes 1-2; 1.75 linear ft.; Reels 5878-5880)
Type:
Archival materials
Date:
1918-1977, undated
Scope and Contents note:
Chronological correspondence documents Mangravite's career as a painter and educator and is with employers, dealers, museums, galleries, collectors, clients, arts and educational organizations, publishers, and other artists. The majority of the letters are written in English, but some are composed in French and Italian as well. Although primarily business correspondence, there is also a significant amount of personal correspondence with friends, colleagues, and former students. The letters often cover both business and personal topics, as Mangravite seemed to form close relationships with many of the people at the galleries and schools with which he was associated. Correspondence dated from 1918 to the 1950s is comprised mostly of incoming letters. Starting in the 1950s, the correspondence includes more outgoing correspondence, usually in the forms of onion skin copies and handwritten drafts. Correspondence is arranged chronologically, except two folders of undated letters, which are arranged alphabetically by last name of writer. A list of major correspondents follows.

A large amount of correspondence is between Mangravite and his dealers, the Dudensing Gallery and the Rehn Galleries, and discusses financial agreements, sales, and accounts. There is also correspondence with other galleries and museums where his paintings were exhibited. Mangravite's mural commissions are also discussed in the correspondence. Also found are invitations to participate in exhibitions, notifications of prize awards and artwork sales, invitations to be on juries for art competitions, or miscellaneous requests from fellow artists, fans, collectors, and clients. Significant events documented here include Mangravite's two Guggenheim Fellowships and his trip to Europe in 1955 to interview famous artists.

Mangravite's long teaching career is also documented in this series. Correspondence is found with Columbia University, Sarah Lawrence College, Avon School, Fieldston School of the Ethical Culture Schools, Potomac School, Dana Hall School, and the Colorado Springs Fine Art Center. Additionally, Mangravite was also a sought-after speaker and his correspondence includes many lecture invitations and requests as well as arrangements for accepted speaking engagements.

Other topics covered in the correspondence concern Mangravite's published or proposed writings, particularly articles and books reviews, most notably for the Saturday Review of Literature and American Magazine of Art. Also, there is some correspondence with publishers regarding book project ideas and manuscripts. Mangravite's membership activities in a variety of artists' organizations, such as the College Art Association, the American Society of Painters, Sculptors and Gravers; the American Artists' Congress, and the American Federation of Arts are well-represented in the correspondence. Of particular interest is Mangravite's response to an artists' rental policy debate during the 1930s, concerning the payment of rental fees for artworks exhibited in shows and galleries.

Major Correspondents

American Artists Congress

American Federation of Arts

American Society of Painters

Arms, John Taylor

Avon School

Barr, Alfred

Barzun, Jacques (Columbia University)

Bear, Donald J.

Benson, Emanuel

Biddle, George

Burchfield, Charles

Canaday, John

Canby, Courtlandt

Chagall, Marc

Clancy, John (Rehn Galleries)

Cole, Sylvan Jr. (Associated American Artists)

College Art Association

Colorado Springs Fine Art Center

Columbia University

d'Harnoncourt, Rene

Dana Hall School

Davis, Stuart

Dudensing, Richard

Fieldston School of the Ethical Culture Schools

Force, Juliana

Gonzales, Xavier

Harper & Brothers Publishers

Knight, Frederick

Larom, Henry V.

Lockwood, Ward

Magafan, Ethel and Jenne and Edward Chavez

Maldarelli, Oronzio

Manso, Leo

Manzella, David

Moe, Henry Allen

Mumford, Lewis

Pearson, Ralph M. (Design Workshop)

Philips, Duncan

Picken, George

Poor, Henry V.

Potomac School

Preston, Carol (Potomac School)

Rehn, Frank K. M.

Rice, Norman (Art Institute of Chicago)

Rich, Daniel Catton (Art Institute of Chicago)

Robinson, Boardman (Colorado Springs Fine Arts Center)

Roosevelt, Willard

Root, Edward W.

Saint-Gaudens, Homer

Sarah Lawrence College

Sculptors and Gravers

Simonson, Lee

Speicher, Gene

Sweet, Frederick A. (Portland Art Museum)

Talbot, William

Thayer, H. Standish

Vander Sluis, George

Watson, Forbes

Watkins, Franklin C.

Weston, Harold

Wilder, Mitchell A. (Colorado Springs Fine Arts Center)

Wyatt, Stanley
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Peppino Mangravite papers, 1918-1982. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mangpepp, Series 1
See more items in:
Peppino Mangravite papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-mangpepp-ref14

Andrew Dasburg and Grace Mott Johnson papers, 1833-1980, bulk 1900-1980

Creator:
Dasburg, Andrew Michael, 1887-1979  Search this
Johnson, Grace Mott, 1882-1967  Search this
Subject:
Cramer, Florence Ballin  Search this
Carlson, John F.  Search this
Hartley, Marsden  Search this
Frankl, Walter  Search this
Davidson, Jo  Search this
Davidson, Florence Lucius  Search this
Sterling, Lindsey  Search this
Wright, Alice Morgan  Search this
Kuhn, Vera  Search this
Lockwood, Ward  Search this
Howard, Lila  Search this
Johnson, Grace Mott  Search this
Riley, Mary G.  Search this
Simonson, Lee  Search this
Luhan, Mabel Dodge  Search this
McFee, Henry Lee  Search this
Type:
Poetry
Diaries
Sketchbooks
Photographs
Topic:
Artist colonies -- New York (State)  Search this
Artist colonies -- New Mexico  Search this
Works of art  Search this
Sculptors -- New York (State)  Search this
Record number:
(DSI-AAA_CollID)7320
(DSI-AAA_SIRISBib)209473
AAA_collcode_dasbandr
Theme:
Diaries
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209473
Online Media:

Lockwood, Ward

Collection Creator:
Federal Art Project. Photographic Division  Search this
Container:
Box 14, Folder 16
Type:
Archival materials
Date:
1935
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Federal Art Project, Photographic Division collection, circa 1920-1965, bulk 1935-1942. Archives of American Art, Smithsonian Institution.
See more items in:
Federal Art Project, Photographic Division collection
Federal Art Project, Photographic Division collection / Series 1: Artist Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-fedeartp14-ref736

Correspondence

Collection Creator:
Dasburg, Andrew, 1887-1979  Search this
Type:
Archival materials
Date:
circa 1906-1979
Scope and Contents note:
Found here is Andrew Dasburg's extensive correspondence which spans over seventy years, documenting both his personal and professional life. One third of the correspondence is between Dasburg and his first wife, Grace Mott Johnson. most of which was written during their marriage. These candid letters discuss daily activities, social events, travels, including Dasburg's time in Paris in 1910 and trip to Europe in 1914, news of mutual friends, artwork, and problems with their relationship.

Also found is Dasburg's correspondence with his second wife, Nancy Lane around the time of their marriage in 1928, and correspondence with his third wife, Marina Wister Dasburg during the periods that she visited her family in Pennsylvania; most of these letters are written by Marina. Dasburg's correspondence with his son, Alfred, consists of brief letters sharing news of their travels, family, and personal matters.

General correspondence primarily consists of Dasburg's correspondence with other family members, friends, colleagues, scholars, universities, and galleries. Where they exist, Dasburg's outgoing letters are interfiled with letters he received in a chronological arrangement. Dasburg was friends with many artists who, like him, were part of regional art colonies in Taos and Santa Fe, New Mexico, and Woodstock, New York. He also maintained friendships with artists he met in Europe and other travels and at the Art Students' League. Correspondents includes Kenneth Adams, Thomas Hart Benton, George Biddle, Dorothy Brett, Alexander Brook, Lucienne Chinard Clemens, Howard Cook, Russell Cowles, Vida Hunt Francis, Lewis Garrison, Marsden Hartley, Norbert Heerman, Richard Hollander, Lila Wheelock Howard, Charles Kassler, Mary Aubrey Keating, Carl Eric Lindin, Ward Lockwood, Erle Loran, Hayes Lyon, Henry Lee McFee, John Gaw Meem, Loren Mozley, Dickson Reeder, Louis Ribak, Paul Rohland, Alfred Stieglitz, Earl Stroh, Carl Van Vechten, Alice Morgan Wright, and Stanton Macdonald-Wright, among many others. Dasburg also corresponded with many former students including Edwin Gamble, Willard Nash, Alice Naylor, and Earl Stroh. Also found are letters from writers John Howard Griffin, Witter Bynner and Miriam Hapgood De Witt as well as art critics and historians such as Robert M. Coates, Oliver Larkin, and Stanley Lothrop. Dasburg maintained extensive correspondence with close friend, art patron and Taos resident, Mabel Dodge Luhan.

A small amount of correspondence with galleries, universities, museums, curators, and scholars concerns exhibitions, sales, or research. Additional topics found within his correspondence are American Indian rights in New Mexico and his medical treatment for Addison's disease.

See Appendix A for a list of correspondents from Series 1.2.
Appendix A: Correspondents from Series 1.2: Andrew Dasburg Papers, General Correspondence:
Acker, Alice: 1972

Adams, Kenneth M.: 1934, 1937, 1942, 1944, 1945, 1949, 1953, 1958

Adolph and Esther Gottlieb Foundation, Inc.: 1979

Aiello, Stan: 1973

Albuquerque Art Gallery: 1948

Allen, Arthur: 1948

Allen, Robert F.: 1974

American Artist -- : 1977, 1979

Apodaca, Jerry & Clara: 1976-1978

American Federation of Arts: 1946

Artists of the Rockies: 1975, 1976

Atkinson, Carla: 1929, 1933, 1934, 1936, 1938, 1940, 1941

Bakos, Teresa: 1936

Barker, William J.: 1935

Barnouw, A. J.: 1942

Beaudette, Barbara: 1973, 1974

Bell, Larry: 1978

Benjamin, Stanton: 1973

Bennett, Wells: 1953

Benton, Thomas Hart: 1937, 1939

Biddle, George & Constance: 1934-1936, 1938

Blumenschein, Ernest L.: 1951

Bonham, Valeria Langeloth: 1949

Bradenburgh, Beulah A.: 1944

Bradenburgh, Margaret Caspar: 1910, 1941-1949, 1951

Bradenburgh, Mathilda: 1940

Bradley, John H. (Jack): 1934, 1935, 1955

Breithut, Florence: 1952, 1953

Brett, Dorothy: 1934, 1953

Brinig, Myron: 1943

Brook, Alex: 1971, 1972, 1974

Browning, Hattie Louise: 1972

Burkhard, Paul: 1954

Bynner, Witter (Hal): 1934, 1939

Bywaters, Jerry: 1948

Carlin, E. J.: 1940

Carnegie Institute: 1928

Caspar, Angela: 1917

Catron, Fletcher A.: 1947

Chapellier Gallery: 1963

Clark, Henry P.: 1952

Clemens, Lucienne Chinard: 1941-1943, 1945, 1946, 1973, 1977

Coates, Robert M.: 1950

Cook, Howard: 1939, 1950, 1971-1978

Comeau, Martin F.: 1946

Cowles, Russell: 1934

Cramer, Florence Ballin: 1945

Creese, Walter L.: 1949

Crown, Keith: 1973

Cutting, Bronson: 1934

Dasburg, Mrs. Donald: 1962

Dasburg, Margaret (Mother): 1909, 1928-1930, 1934-1939, 1942-1948

Dasburg, Matilda: 1942, 1945, 1946, 1948, 1952

Davenport, Florence: 1941

Davis, Herbert: 1935

Dedrick, Philip: 1953

De Loache, Ben: 1936, 1951

de Schulthess, Mimi: 1954, 1955, 1958

De Witt, Miriam Hapgood: 1972

Diamond, Martin: 1972, 1973

Dietrich, Margretta S.: 1947

Dorman, Teresa & Jo: 1928

Douglass, Ralph: 1953

Dozier, Otis: 1952

Dunne, Brian Boru: 1933

Eastman, Dan: 1928

Eckert, Josephine (Jo): 1941-1943, 1950

Ellis, Bob: 1971

Ellis, Erendira: 1976

Erickson, R. J.: 1953

Erwin, Dorothy Sanford: 1972, 1973, 1977

Etting, Emlen: 1936

Everingham, Mill: 1945

Fergusson, Erna: 1949

Ferren, John: 1931

First National Bank: 1954, 1958

Fisher, Alan: 1953, 1974

Francis, Vida Hunt: 1952, 1953, 1955

Gamble, Ed: 1950-1954, 1959, 1972, 1976, 1977

Gardner, Virginia: 1972-1978

Garrison, Lewis: 1948-1951, 1953

Goodwin, Mary: 1972

Graham, Donald S.: 1971-1976, 1978

Griffin, Mrs. H. S.: 1952-1954

Griffin, John H. (Howard): 1954

Guthrie-Smith, Emily: 1975

Hagerman, H.: 1929, 1933

Hall, Robert M.: 1944, 1945

Hamlin, Mary: 1953

Harper, Pauline: 1950, 1953

Harper, Larry: 1948, 1953

Hartley, Marsden: 1932

Hausner, Eric P.: 1951

Hayes, Marian: 1954

Heerman, Norbert: 1945, 1946

Hollander, Richard (Dick) & Gertrude: 1942, 1945, 1946, 1948, 1952, 1953, 1972-1974, 1976, 1977

Howard, Lila Wheelock: 1910, 1911, 1914, 1932, 1939-1943, 1951, 1957-1967

Humphrey, Robert: 1972

Hurt, Bessie: 1975, 1977

Jackson, Jack T.: 1972

Johnson, Frances H.: 1919

Johnson, Helena McClure: 1954

Johnson, Van Cleve: 1914

Jones, Hester: 1949

Kassler, Charles: 1932, 1935, 1936, 1978

Kearns, John J.: 1928

Keating, Mary Aubrey: 1941, 1944, 1945, 1949

Kerr, Katherine: 1967

Keyes, Walter A.: 1919

King, Clinton: 1934

Kostka, Bob: 1973, 1977

La Farge, Oliver (Gallup Inter-tribal Indian Ceremonial): 1933

Landreth, John: 1974

Larkin, Oliver W.: 1948

Lee, Freddie Dohle: 1914

Lerenby, Frieda: 1973-1976

Light, Gertrude: 1940, 1941

Lindin, Carl Eric: 1937

Linn, Ruth S.: 1973

Lockwood, Ward: 1934, 1937, 1946, 1950, 1952-1954

Loran, Erle: 1938, 1973, 1977

Lothrop, Stanley: 1942

Luhan, Mabel Dodge: 1924, 1928, 1935, 1937-1939, 1947, 1950-1952

Lyon, Hayes: 1936, 1938-1948, 1950, 1953, 1973-1978

M. O'Brien & Son: 1912

Macdonald-Wright, Stanton: 1944

Maclown, Eugene: 1934

Macomb, Edith H.: 1937, 1938, 1945, 1946, 1948, 1949

Mangravite, Peppino: 1938, 1939

McCarty, Jacqueline Quinn: 1972, 1977

McFee, Henry Lee: 1913, 1937-1943, 1945, 1949, 1950, 1952

McKinney, Roland: 1944

Mechau, Frank: 1937, 1943

Meem, John Gaw: 1934, 1953

Merrick, Vaughn: 1946

Miller, Francis: 1947

Modrall, Constance C.: 1974

Mondragon, Joe E. & Lucila: 1937-1940

Montenegro, Enrique: 1948

Montgomery, Arthur: 1950-1952

Morton-Morris, Mattie Sevier: 1949

Mozley, Loren: 1971, 1974, 1976

Museum of New Mexico: 19491976

Nabut, Frances: 1943

Nadejena, Lydia: 1952

Nash, Willard: 1933, 1935

Naylor, Alice: 1941

Nebraska Art Association: 1976

New Mexico Association of Indian Affairs: 1947

Newton, George N.: 1977

Norman, Dorothy: 1949

Oakland Art Gallery: 1943, 1945, 1948

Park, Deborah: 1971, 1973, 1977-1979

Peters, Fritz: 1953

Pijoan, Michel: 1954

Pollock, Duncan: 1974

Posey, Samuel Felton: 1935

Post, Alan: 1952

Putnam, Phelps: 1935

Pyle, William Scott: 1935, 1937

Rayburn, Dorothy: 1976

Reed, Henry M.: 1972

Reeder, Dickson: 1954

Ribak, Louis: 1953, 1954

Rodakiewicz, Henwar: 1936

Rogoway, Marjorie: 1954, 1973

Rohland, Paul & Caroline: 1915, 1949

Ronnebeck, Arnold: 1934

Roswell Museum and Art Center: 1974

Rowntree, Leonard G.: 1938, 1940-1942, 1945, 1950, 1952-1954

Santa Fe Festival of the Arts: 1978-1979

Saunders, Sallie: 1953

Saylor, Jeannette: 1978

Schriever, George (The Anschutz Collection): 1973-1976

Schwalbe, Diana: 1967, 1971, 1975, 1977

Seres, Monique: 1970, 1973

Shearer, Ivy: 1950, 1952, 1953

Shearer, Augustus Hunt (Chuck) & Sally: 1957

Simonson, Lee: 1914

Simonson, Omar: 1914

Slusser, Jean Paul: 1947, 1948

Smith, Judson: 1952, 1953, 1956

Solomon, Hyde: 1972

Sternberg, Edward: 1943

Stieglitz, Alfred: 1931

Stokes, Mrs. Walter (Fanny): 1939-1944

Stroh, Earl: 1948-1950, 1952, 1954

Stuart, John: 1935

Swaine, Ruth: 1945

Swift, Florence Alston: 1928

Swingle, W. W.: 1938, 1940, 1947, 1948

Thompson, Shirley & Les: 1972, 1973

Thompson, Vallie: 1954

Trego, Charlotte: 1971-1978

Trentham, Eugene (Steve): 1940, 1941, 1945

Udell, Susan: 1978

University of Delaware: 1974

University of Kansas Museum of Art: 1973

University of New Mexico: 1958

Van Vechten, Carl: 1924, 1938

Waldrum, Harold, 1971

Walker, Maynard (Walker Galleries): 1941, 1942, 1947

Walker, Bob & Mariella: 1971-1975, 1977

Wardwell, Alice: 1951

Watkins, Franklin: 1938, 1939

Western Gallery of Fine Art: 1974

Western States Arts Foundation: 1978

White, Victor: 1939, 1941, 1943, 1944, 1974, 1977

Whitney Museum of American Art: 1946, 1951, 1963, 1977, 1978

Wiegand, Margarith: 1910

Wilson, Kathy: 1951

Wister, Frances A.: 1940

Wister, Owen: 1933-1936, 1938-1940, 1942, 1948-1952, 1955

Wister, Mrs. W. R.: 1937, 1940

Wolman, Cecil & Leo: 1947, 1949, 1971, 1972, 1974, 1976, 1977

Woodstock Artists Association, Inc.: 1975, 1977

Woodstock Weekly -- : 1924

Wright, Alice Morgan: 1928, 1938

Wurlitzer, Helene: 1954

Yaple, Dixie Lee: 1948
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Andrew Dasburg and Grace Mott Johnson papers, 1833-1980 (bulk 1900-1980). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dasbandr, Subseries 1.2
See more items in:
Andrew Dasburg and Grace Mott Johnson papers
Andrew Dasburg and Grace Mott Johnson papers / Series 1: Andrew Dasburg Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-dasbandr-ref34

Ward Lockwood papers, 1913-1963

Creator:
Lockwood, Ward, 1894-1963  Search this
Subject:
Marin, John  Search this
Rattner, Abraham  Search this
Dasburg, Andrew  Search this
Luhan, Mabel Dodge  Search this
Federal Art Project  Search this
Topic:
Mural painting and decoration  Search this
Painting  Search this
Muralists  Search this
Record number:
(DSI-AAA_CollID)5635
(DSI-AAA_SIRISBib)208469
AAA_collcode_lockward
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208469

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