The papers of sculptor Janet DeCoux date from 1895-2000 and measure 3.92 linear feet. The collection documents DeCoux's career through scattered biographical material, correspondence, audio cassette tapes of an autobiographical narrative, an interview transcript, miscellaneous notes and writings, sketchbooks and drawings, files for commissioned sculpture projects, printed material, photographs of DeCoux, family members, friends, colleagues, and artwork.
Scope and Content Note:
The papers of sculptor Janet deCoux measure 3.92 linear feet and date from 1895 to 2000. Found within the papers are scattered biographical material, including curriculum vitae and a file concerning deCoux's induction as a Distinguished Daughter of Pennsylvania. Correspondence is primarily between family, friends, and colleagues. It includes letters from Carl Milles, Bruce Moore, C.P. Jennewein, the Guild of Liturgy, Art and Design (GLAD), the Liturgical Arts Society, Inc., sculptor James Earle Fraser, offering advice on various sculpture projects, his wife Laura Gardin Fraser, a letter of congratulations from Paul Manship on the occasion of deCoux's election to the National Academy of Design, and approximately fifty letters, 1944-1952, from Anne Morrow Lindbergh, writer and wife of aviator Charles Lindbergh. There are also one or two letters from Lu Duble, Joseph Bailey Ellis, Mark Tobey, and Albert Wein.
Found within the papers are a transcript of an interview of deCoux by George Gurney, and audio cassettes with transcripts of an autobiographical narrative by deCoux. Miscellaneous notes and writings include autobiographical accounts and poems by deCoux and miscellaneous writings by others. Seven of deCoux's sketchbooks and a folder of drawings by deCoux, as well as a portrait of deCoux by C. Paul Jennewein are found in the Artwork series. Project files contain letters, receipts, clippings, brochures, and photographs for sculpture projects primarily commissioned by religious organizations. Printed material includes clippings, exhibition catalogs, and miscellaneous brochures. Photographs are of deCoux, family members, friends including Anne Morrow Lindbergh and her children, colleagues including James Earle Fraser, Laura Gardin Fraser, Carl Milles, and Bruce Moore, and sculpture.
The collection is arranged as 8 series. Glass plate negative housed separately and closed to researchers.
Series 1: Biographical Material, 1895-1993 (Box 1; 13 folders)
Series 2: Correspondence, 1895-2000 (Boxes 1-2; 1.0 linear feet)
Series 3: Interviews, 1978, 1990 (Box 2; 3 folders)
Series 4: Notes and Writings, 1937-1996 (Box 2; 23 folders)
Series 5: Artwork, 1928-1929 (Boxes 2, 6; 9 folders)
Series 6: Project Files, 1942-1982 (Boxes 2-3, 6; 36 folders)
Series 7: Printed Material, 1906-2000 (Box 3; 20 folders)
Series 8: Photographs, 1926-1996 (Boxes 3-6, MGP 1; 1.3 linear feet)
Janet deCoux was born on October 5, 1904 in Niles, Michigan, the youngest of the five children of Bertha Wright deCoux and Rev. Charles John deCoux, an Episcopal clergyman. The family moved to Grand Rapids in 1908 and four years later to a farm in Gibsonia, outside Pittsburgh, Pennsylvania.
deCoux studied with Joseph Bailey Ellis at the Carnegie Institute of Technology from 1925 to 1927. She then apprenticed in the New York studio of C. Paul Jennewein for fifteen months, followed by a year at the Gorham Bronze Division learning architectural modeling. She also worked with Aristide Cianfarani in Providence, and for Alvin Meyer in Chicago. While serving her apprenticeships, she attended night school at the New York School of Industrial Arts, the Rhode Island School of Design, and the Art Institute of Chicago. deCoux was then employed in James Earle Fraser's studio where she had previously assisted Gozo Kawamura.
In 1932 deCoux met Eliza Miller in the sculpture department of Carnegie Tech, beginning a sixty-year relationship in which they shared a shop and adjoining studios in Gibsonia, Pennsylvania. For several months in 1935, deCoux traveled to Germany, Italy, and Switzerland, where she joined her friend Aly Moore, the wife of sculptor Bruce Moore. She first met longtime friend Father Hughson on a ship returning to the United States from Europe.
A Guggenheim Fellowship awarded to deCoux in 1938 was renewed for a second year. In 1943, she became resident instructor at Cranbrook Academy of Art.
Janet deCoux died in December 1999.
Also found in the Archives of American Art is an oral history interview with Janet deCoux done by George Gurney, May 5, 1978.
The Janet deCoux papers were donated in 1992 by the artist and in two later installments in 2000-2001 by her longtime companion, Eliza Miller.
The collection is open for research. Use requires an appointment.
The Janet deCoux papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Janet deCoux papers, 1895-2000. Archives of American Art, Smithsonian Institution.
Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
The Transcontinental Air Transport (TAT), Inc. Air-Rail Service Scrapbooks collection consists of three large, fabric covered scrapbooks. The set documents the pre- and post-inaugural activities of TAT for the period of time between June and November, 1929.
Scope and Contents:
This collection includes three scrapbooks. The news clippings in Volume I cover the period of July 6-10, 1929, when the first transcontinental air-rail service was inaugurated. Volume II, covering the period of June 11 through August 23, 1929, documents the pre- and post-inaugural activities surrounding the establishment of the TAT. Both volumes contain newsprint with images of high-profile travelers and stakeholders, such as Charles and Anne Morrow Lindbergh, Amelia Earhart, Ina Claire, Douglas Fairbanks, and Mary Pickford. The third volume (untitled) covers the time between September 4 and November 1, 1929, when the news of the TAT Ford Tri-Motor "City of San Francisco" disappearing in the mountains of New Mexico captivated readers nationwide.
This collection is in orginal order, with each scrapbook compiled in chronological order.
The Transcontinental Air Transport (TAT) was the first U.S. airline associated with railroads (Pennsylvania and Santa Fe) to provide a rapid form of coast-to-coast transportation. Daniel M. Sheaffer, chairman of the executive committee of TAT, was a pioneer in the development of commercial aviation for passenger and express mail services. Both he and founder Clement Melville Keys were instrumental in the development of the TAT line and with the inauguration of the service.
Correspondence; lecture notes; photographs; clippings; and biographical material.
REEL 496: Correspondence, mostly 1949-1962, including letters from Anne Morrow Lindbergh, Frank Lloyd Wright, Thomas Mann, Erika Mann, Zoltan Sepeshy, Julia Feininger, T. Lux Feininger, E.P. Richardson, Mrs. Albert Einstein, Fred Werner, major German museums, and others; lecture notes from Scheyer's art history classes; poetry translated from Dutch to English; photographs; clippings; and biographical material.
REEL 3471: Letters from family and friends of Lyonel Feininger for a biography of him by Scheyer. Correspondents include Julia Feininger, T. Lux Feininger, H. Francis Kortheuer, Maria and Alfred Churchill, Dayrell Kortheuer, and others. Also included is a letter from Scheyer to the Smithsonian Institution discussing his collection of works by the "Blue Four," and asking to exhibit and lecture on the group at the Smithsonian.
Biographical / Historical:
Ernst Scheyer (1900-1995) was an art historian of Detroit, Mich. Scheyer wrote extensively on his friend and artist, Lyonel Feininger. He was a proponent of the art of the German Expressionist and abstract art group, the Blue Four (Blaue Vier), whose members were Wassily Kandinsky, Lyonel Feininger, Paul Klee, and Alexei Jawlensky.
Material on reel 496 was lent for microfilming in 1973 by Ernst Scheyer. The material on reel 3471, except a letter to the Smithsonian, was donated by Scheyer, in 1965. The letter to the Smithsonian on reel 3471 was transferred from the National Museum of American Art in 1981.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.
Lindbergh, Charles A. (Charles Augustus), 1902-1974 Search this
6.05 Cubic Feet (16 boxes)
This collection consists of approximately 6.05 cubic feet of material relating to Charles Lindbergh including photograph albums; scrapbooks; postcards; photographs; philately; sheet music; records; film; CDs (data and audio); videotapes; flyers; articles; advertisements; reception ephemera; magazines; and labels.
Scope and Contents:
The Stanley King collection was donated to the Museum in 2002, and the archival material was later transferred to the Archives. The archival material includes photograph albums; scrapbooks; postcards; photographs; philately; sheet music; records; film; CDs (data and audio); videotapes; flyers; articles; advertisements; reception ephemera; magazines; and labels. The thirteen photo albums, arranged chronologically from 1927-1938, include some lovely photographs of Anne Lindbergh and their flights in the Lockheed Sirius "Tingmissartoq;" Lindbergh's tour through Mexico and South America; and the kidnapping of Charles Lindbergh, Jr. and the subsequent trial. The four scrapbooks consists of newspaper clippings (with a few pieces of sheet music) relating mostly to the 1927 flight.
Biographical / Historical:
On May 20-21, 1927, Charles Lindbergh literally flew into history when he crossed the Atlantic Ocean in his Ryan NYP Spirit of St. Louis, thus becoming the first pilot to fly solo and nonstop from New York to Paris. This flight made Lindbergh a household name and catapulted him into fame and celebrity. Composed of more than 400 artifacts and archival items, this collection illustrates the popular culture phenomenon that turned the reserved young pilot from Minnesota into the first media superstar of the 20th century. The colorful assortment of commemorative toys, pins, games, bottles, jewelry, hats and pennants was collected by Lindbergh enthusiast Stanley King over several decades and donated to the museum in 2002. Most of the items were mass-merchandised to the public as Lindbergh toured the United States and Latin America in the years immediately following the New York-to-Paris flight. The artifacts and archival material reflect the public adulation for Lindbergh and the powerful commercial response to his celebrity. More than 75 years after the Spirit's historic flight, Lindbergh's name still has the power help sell manufactured goods
Stanley King, Gift, 2002, NASM.2010.0022
No restrictions on access.