1 Photographic print ((mounted on cardboard), black and white, mount 8.5 x 10.5 in.)
Type:
Archival materials
Photographic prints
Place:
United States of America -- District of Columbia -- Washington
Washington (D.C.)
Date:
04/12/1926
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
1 Photographic print ((mounted on cardboard), black and white, mount 8.5 x 10.5 in.)
Type:
Archival materials
Photographic prints
Place:
United States of America -- District of Columbia -- Washington
Washington (D.C.)
Date:
04/12/1926
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
1 Photographic print ((mounted on cardboard), black and white, mount 8.5 x 10.5 in.)
Type:
Archival materials
Photographic prints
Place:
Washington (D.C.)
United States of America -- District of Columbia -- Washington
Date:
04/12/1926
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
1 Photographic print ((mounted on cardboard), black and white, mount 8.5 x 10.5 in.)
Type:
Archival materials
Photographic prints
Place:
Washington (D.C.)
United States of America -- District of Columbia -- Washington
Date:
04/12/1926
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
United States Capitol (Washington, D.C.) Search this
Extent:
0.15 Cubic feet (1 box, 16" x 20" x 1")
Type:
Collection descriptions
Archival materials
Photographs
Place:
Washington (D.C.) -- 1990-2000
Lincoln Memorial (Washington, D.C.)
Date:
1990-1996
Summary:
Black and white photoprints by photographer Craig Sterling, made in the 1990s as part of an ongoing series depicting familiar buildings, monuments, and other sites in Washington, D.C., including the U.S. Capitol, the Lincoln Memorial, the Jefferson Memorial, and the Arboretum.
Scope and Contents:
The photographs in this collection were made in the 1990s by Craig Sterling as part of an ongoing series depicting familiar buildings, monuments, and other sites in Washington, D.C. These prints are silver gelatin. Nine of them, unmated and unmounted, were made on 16" x 20" with wide margins (actual image sizes are shown below). The other three prints are in window mats, 16" x 16".
Arrangement:
Collection is arranged into one series.
Biographical / Historical:
Craig Sterling is an American art photographer who studied at the Brooks Institute of Photography, Santa Barbara, California. He cites the photography of Ansel Adams, Arnold Newman, and Eugene Atget as having had the greatest influence on his work. Sterling, who works exclusively in black-and-white, using a wide range of equipment, makes his own silver gelatin and pigment prints. He often prefers the square format of Hasselblad cameras. He has maintained a studio at the Torpedo Factory in Alexandria, Virginia since 2001.
His photographs, which display a largely pictorialist style, are in the collections of other institutions, such as the Corcoran Gallery of Art, the National Gallery of Art, and the Oakland Museum. His work has appeared in group exhibitions at the Art League Gallery (Alexandria Virginia), the University of Maine Museum of Art (Bangor, Maine), the Baldwin Photographic Gallery (Middle Tennessee State University, Murfreesboro, Tenn.), the Oakland Museum (Oakland, California), the Philip Weiss Gallery (London), among many others, especially in the Washington and Virginia areas.
His other photographic activities have included teaching at the Art League, Alexandria, Va.; PhotoWorks at Glen Echo Park, Bethesda, Md.; and the Smithsonian Institution Resident Associate Program. He also served as curator for an exhibition, "The Photographs of Alexander Gardner," at the Washington Center for Photography. He has a Web site at http://www.craigsterling.com/.
Provenance:
Collection donated by Craig Sterling
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Contact photographer, Craig Sterling, for reproduction permission. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
The collection consists of nine black and white silver prints by Robert Mosher of monuments in Washington, DC and Arlington, Virginia with a focus on the visitors.
Scope and Contents:
Photographs taken at the Lincoln Memorial, Jefferson Memorial, and Washington Monument in Washington, DC, as well as the JFK Memorial in Arlington, Virginia showing tourists and visitors interacting with the sites.
The photographs are on paper, fiber-based, silver gelatin, matted, and 18-1/2" x 21-1/4".
Arrangement:
Collection is arranged into two series
Series 1: Washington, DC monuments, 2003
Series 2: Chicago, 1971-1973
Biographical / Historical:
Robert Mosher is a photographer who works in black and white and focuses on filling space in his compositions.
Sources
Bonner, Heather. "Photography Opening with Robert Mosher." Thedetroiter.com. April 8, 2009. (Accessed July 22, 2016. http://www.thedetroiter.com/v3/2009/04/photography-opening-with-robert-mosher/.)
Provenance:
Donated by Robert Mosher, 2017
Restrictions:
Collection is open for research.
Rights:
RRobert Mosher retains copyright. rchives Center cost-recovery and use fees may apply when requesting reproductions.
Library of Congress -- 1900-1910 -- Washington (D.C.) Search this
Lincoln Memorial (Washington, D.C.) -- 1900-1910 Search this
Parrot, The (restaurant) -- ca. 1906 -- Washington (D.C.) Search this
Extent:
1 Folder
Type:
Collection descriptions
Archival materials
Postcards
Picture postcards
Photolithographs
Photomechanical prints
Reproductions
Date:
circa 1906
Scope and Contents:
Three picture postcards of Washington, D.C., one postmarked 1906; all are photomechanical reproductions of photographs: two color photolithographs of: (1) the Library of Congress (printed in Germany, addressed, with Christmas greeting, postmarked 1906); (2) the Lincoln Memorial (publ. Washington News Co., copyright C.O. Buckingham, no message, unmailed); and (3) a black-and-white advertising postcard of a restaurant interior ("The Parrot", no message, unmailed).
Arrangement:
Collection is unarranged.
HIstorical Note:
"Picture postcards became the medium of choice for informal correspondence shortly after their introduction in the first decade of the twentieth century. Many postcards were engraved, lithographed, or otherwise mass produced.... Taken as a whole, postcards provide us with the most complete pictorial record of life in early twentieth century America...."*
The history of commercial photomechanical postcard publishing is treated in references such as: Range, Thomas E. The Book of Postcard Collecting. New York: Dutton, 1980.
Provenance:
Collection donated by North Carolina Museum of History, through Allen R. Hoilman, Collections Assistant in 1988 and 1989.
Restrictions:
Collection is open for research.
Rights:
Probably public domain due to copyright expiration. Fees for commercial use.
Topic:
Buildings -- 1900-1910 -- Washington (D.C.) Search this
This bulk of the collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Thi 2022 addition to this collection is temporarily closed to researchers due to archival processing. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Bessie Potter Vonnoh papers, circa 1860-1991. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art.
1 Item (Silver gelatin on cellulose acetate film sheet., 3-1/4" x 4-1/4".)
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Place:
Lincoln Memorial (Washington, D.C.)
Washington (D.C.) -- African Americans
Date:
April 9, 1939
Scope and Contents:
No ink on negative. Two men and woman in audience talking. No film edge imprint. No Scurlock number.
General:
Notes on original enclosure: "#9 / 1-8-1/2 x 7 / contact proof". Negative Box C. Contact proof in upper left of 4-image print, 8 x 10 in.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
1 Item (Silver gelatin on cellulose acetate film sheet., 3-1/4" x 4-1/4"..)
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Place:
Lincoln Memorial (Washington, D.C.)
Washington (D.C.) -- African Americans
Date:
April 9, 1939
Scope and Contents:
No ink on negative. Secretary of the Interior Harold Ickes talking with two other men. Agfa Safety Film edge imprint.
General:
No corresponding contact print located.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
1 Item (Silver gelatin on cellulose acetate film sheet, 3-1/4 x 4-1/4".)
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Place:
Lincoln Memorial (Washington, D.C.)
Washington (D.C.) -- African Americans
Date:
April 9, 1939
Scope and Contents:
No ink on negative. Crowd of photographers, reporters, officers and dignitaries on the steps of the Memorial. No edge imprint.
General:
Negative Box C. No corresponding contact print located.
Exhibitions Note:
Photograph reprinted in companion book to the following exhibit: "The Scurlock Studio and Black Washington: Picturing the Promise" held in NMAAHC Gallery, NMAH, January 30-November 15, 2009.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
1 Item (Silver gelatin on cellulose acetate film sheet.)
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Place:
Lincoln Memorial (Washington, D.C.)
Washington (D.C.) -- African Americans
Date:
1939
Scope and Contents:
No ink on negative. Anderson with man and woman walking past the statue of Lincoln in the Memorial, with a policeman standing opposite them. Agfa Safety Film edge imprint. No Scurlock number.
General:
Notes on original enclosure: "#9 / 1-8-1/2 x 7". Negative Box C. No corresponding contact print located.
Exhibitions Note:
Image reproduced in companion book to following exhibit: "The Scurlock Studio and Black Washington: Picturing the Promise," NMAAHC Gallery, NMAH, January 30 - November 15, 2009.
Publication:
April 9, 1939., 4" x 5"
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
1 Item (Silver gelatin on cellulose acetate film sheet., 4" x 5".)
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Place:
Lincoln Memorial (Washington, D.C.)
Washington (D.C.) -- African Americans
Date:
April 9, 1939
Scope and Contents:
No ink on negative. Seated members of audience. Image slightly blurred. Agfa Safety Film edge imprint. No Scurlock number.
General:
Notes on original envelope: "#9 / 1-8-1/2 x 7". Negative box C. No corresponding contact print located.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
1 Item (Silver gelatin on cellulose acetate film sheet., 4" x 5"..)
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Place:
Lincoln Memorial (Washington, D.C.)
Washington (D.C.) -- African Americans
Date:
April 9, 1939
Scope and Contents:
No ink on negative. Anderson, seated between Secretary of the Interior Harold Ickes and unidentified man. Agfa Safety Film edge imprint. No Scurlock number.
General:
Notes on original envelope: "#9 / 1-8-1/2 x 7". Negative box C. No proof print located.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
1 Item (Silver gelatin on cellulose acetate film sheet., 3-1/4" x 4-1/4".)
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Place:
Lincoln Memorial (Washington, D.C.)
Washington (D.C.) -- African Americans
Date:
April 9, 1939
Scope and Contents:
No ink on negative. High view of concert crowd from behind singer and stage. "4" edge imprint.
General:
Contact print on 3-image proof, 8 x 10", in box 81.
Exhibitions Note:
Photograph reprinted in companion book to following exhibit: "The Scurlock Studio and Black Washington: Picturing the Promise" held in NMAAHC Gallery, NMAH, January 30-November 15, 2009.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
1 Item (Silver gelatin on cellulose acetate film sheet., 3-1/4" x 4-1/4".)
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Place:
Lincoln Memorial (Washington, D.C.)
Washington (D.C.) -- African Americans
Date:
April 9, 1939
Scope and Contents:
No ink on negative. Marian Anderson singing. "7" edge imprint. No Scurlock number.
General:
Notes on original envelope: "#9 / 1-8-1/2 x 7 / vertical". Negative box C. Print on 4-image contact proof sheet, in box 81.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
2 Items (1 negative, a1 print, 3-1/4" x 4-1/4", and 8" x 10".)
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Place:
Lincoln Memorial (Washington, D.C.)
Washington (D.C.) -- African Americans
Date:
April 9, 1939
Scope and Contents:
No ink on negative. Marian Anderson singing in front of bank of microphones. Crowd is seated behind her. Steps of the Memorial are visible in background. "8" edge imprint.
General:
Notes on original enclosure: "#9 / 1-8-1/2 x 7" / Vertical" (probably a printing instruction, as the negative is a horizontal view). 8" x 10" enlargement (cat no. 0618.223619) in box 81.
Exhibitions Note:
Reproduction print exhibited in "The Scurlock Studio and Black Washington: Picturing the Promise," NMAAHC Gallery, NMAH, January 30 - November 15, 2009; image reproduced in exhibit's companion book.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
